Category: literature

Oh, November

Masochism! It’s what’s for Thanksgiving dinner!

Yup. November means it’s National Novel Writing Month, a fun event where writers around the world challenge themselves to write a 50,000 word novel in just thirty days.

And after taking last year off, I’m back, baybee!

This will be my sixth year through the meat word grinder.

Along with blogging every weekday. And holding down a full time job. And having some semblance of a life.

Apparently I like the pain. 1667 words a day, here I come.




Hit the Road, Jack

What better way to celebrate the long drive home from L.A. than with my favorite story about the ubiquitous Grapvine. The Grapvine is what they call the bit of road leading through Tejon Pass in the Tehachapi Mountains in Southern California. After miles and miles of bleak, hazy and bland I-5, the Grapevine is sort of a welcome breakup to the drive.

It also, in my opinion, serves as the gateway to Southern California. Everything changes once you come off that mountain pass and drop down into the outskirts of L.A.

This bit of road is the stuff of legend and lore. Many a car has met its match on the Grapvine as the climb from sea level to at times as high as 4000 ft proves to be too much.

And with that, I’ll turn it over to a great New Mexican, the cowboy poet and dear friend of my best friend’s family, Baxter Black.

I read this story aloud to The Good Man as we made the summit….being on the very same road made it that much more hilarious.

Enjoy.

____________________________


The Grapevine
By Baxter Black


Equisearch columnist Baxter Black ponders the futility of tryin’ to impress the ladies while driving a Chevy Nova.

How better to impress his new lady friend, thought Rob, than to take her to his friend’s rancho for an afternoon branding and BBQ.

She would be pleased to see that he had many friends who drove pickups with chrome grill guards, tinted windows and coordinated paint jobs. He admitted to himself that his own outfit was less ostentatious. His ’64 model two horse trailer had been repaired so many times that it looked like a well drillin’ rig! The ’76 pickup was using 2 quarts of oil to tank of gas and his horse was . . . well, ol’ Yella looked right at home.

Rob was eager as a piddlin’ puppy when he picked up Delilah and headed north outta the Loa Angeles area. He was anxious to make a decent impression but one large obstacle lay in the pit of his stomach like a pea in the Princess’ mattress . . . THE GRAPEVINE! It was a monster of a hill dreaded by truckers and people who still drove a Chevy Nova.

The engine was screamin’ and smokin’ like a burnin’ pile of creosote posts when they finally leveled out at the summit of the Grapevine. Rob had sweated through his shirt but he sighted with relief as he gave Delilah a comforting look. She smiled back uneasily. Then the motor blew! A big dent appeared in the hood and it sounded like someone had dropped a Caterpillar track into the fan!

They coasted silently into a service station at the bottom of the grade. He assured his sweetheart there was “no problema”. He had lots of friends nearby. Her reaction was one of forced optimism.

By dark he’d borrowed a pickup from Hank and they both agreed returning back home was the best option. He loaded Yella, hooked up the trailer and back over the Grapevine they flew! Halfway down Rob managed to slip his arm behind Delilah’s neck.. Soon she was lulled into discussing’ her dreams of home and family. She snuggled closer as he watched a tire bounce by him on the driver’s side. No headlights shown in his rearview but he couldn’t help but notice the huge rooster tail of sparks spraying up from beneath his trailer! He could see her astonishment in the flickering light.

Rob wheeled the screeching rig to the shoulder. Together they unwired the trailer doors and Yella stepped out, unhurt. Rob tied him to the highway fence and unhooked the trailer. Rob’s facial tic had returned.

Seemingly in control, he jumped in the pickup and headed south for the nearest phone to borrow a trailer. He returned to the scene to find Yella grazing in the median with semi’s whizzing by on both sides and his date shivering over the still warm axle, forgotten. She, herself, was smoldering. She spoke not a word and Rob conceded to himself that it was gonna be hard to regain her confidence.

In the space of 12 hours and 50 miles he had left his pickup, his trailer, his horse and his girl scattered from one end of the Grapevine to the other.

Next day he towed the pickup to the shop. He left his trailer to be impounded by the State Police. His horse made it home safe but Delilah changed her phone number, wrote him out of her will and has not been heard of since!

For more from this cowboy poet, visit BaxterBlack.com.

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iPhone photo of The Grapevine, copyright 2008, Karen Fayeth




Story reprint found on Equisearch.com.


The Fine Art of Letter Writing

Over this past weekend on our fun boondoggle of a vacation tour, The Good Man and I found ourselves up in Sonoma, California. Land of wines, a California Mission, and a fantastic historic plaza. Beautiful, wonderful Sonoma.

Another fabulous feature of Sonoma is that the writer Jack London lived there for many years. He and his second wife built an enormous home out in the tall redwoods, which sadly burned down, never to be rebuilt. They built a smaller cottage, and in fact, Jack London is buried there near the site of his home. This location, the ruins of the big house and London’s grave are all part of the Jack London State Historic Park due for closure in 2012 because of ongoing California budget woes.

Since both The Good Man and I are avid readers, we were thrilled to take a tour of the site.

One of my favorite parts of the museum was the many letters both to and from Jack that are on public display. He was quite the articulate one.

Here’s one that especially resonated with me. It’s a rejection letter from the editors at The Curtis Publishing Company in Philadelphia. I believe this was a query to the Saturday Evening Post.




Here’s what it says:

Dear Sir

We have found the “Sunlanders” a story of exceptional interest. We should wish to give it a place in our columns were it not our policy to exclude the tragic from the magazine.

We thank you cordially for giving us an opportunity to examine this manuscript, and hope that you have in hand some tales of a more cheerful manner.

Very truly yours,

The Editors


So, you know. Ouch. Your story? Rocked. But it’s sad. We don’t *do* sad. Write something happy, why don’t you?

Of course, this is also a very strong example, perhaps, of a writer not doing their homework before querying a magazine. I might be guilty of this.

This is but one of the many rejection letters that London received over the course of his notable writing career. He’d wallpapered his cabin in Oakland with them and there were many more to go. His first book was rejected 600 times.

Now that’s tenacity.

Then there’s this letter, a brief note included in the collection with no explanation:




It says:

Dear Comrade – I can’t read your letter. I’ve wasted twenty minutes, ruined my eyesight and lost my temper, and I can’t make out what you have written.

Try it over again and more legibly.

Sincerely yours,

Jack London

PS I can’t even make out your name

Oooh, rasty, rasty Jack. Love it.

But my favorite, far and beyond the best of them all was a two pager regarding some delinquent payments.

It’s a doozy.




Here’s the text:

Messrs M. Clark and Sons,

Gentlemen:

In reply to yours of December 26, 1913, addressed to Mrs. Shepard, which Mrs. Shepard has kindly forwarded to me. I am glad she forwarded to you the letter I sent her the other day.

Before we get to the business end of it, let me tackle the mental end of it, namely, your inability to understand my remark that if you had collected the $1000 when it was due, I would not be pinched for it now. The funniest thing is, that it is just that $1000 I am pinched for now. Put yourself in my place: Mrs. Shepard had charge of the house building and the bill paying. I earned the money. Mrs. Shepard always let me know roughly what bills and expenses were paid each month. Anything that was left over I spent. Naturally, since the $1000 was not collected at the time it was due, it was left over, and I spent it. You know what a dead horse is—–this $1000 is now a dead horse to me. I cannot unspend the spending of it in other directions. Please know that I am very busy, that I travel around a great deal, and that I do not keep up from moment to moment in the details of work performed for me by others. Not until the house burned down did I learn that a first payment due you had not been requested by you.

Now to the business end of it. Here is the situation in a nutshell: I have had what I call a real hard year. No drunken sailor ever spent money more lavishly than I have been compelled to spend it in the past several months on law and lawyers, in a battle line that encircled the globe. Every copyright I possessed was attacked, and I was being robbed by pirate motion picture companies, not only of motion picture rights in my stories, but of book rights, dramatic rights, translation rights, second-serial rights, reprint rights and all other rights whatsoever. I have just now won that fight. Please believe me when I tell you that I am still nursing my financial wounds. By the opening months of 1914, money will be pouring in on me. But I haven’t any $1000 cash right now that I can rationally afford using to pay a dead horse. On the other hand, if I should be sued, I would see my way to paying the money, plus the legal expenses and costs, and shrug my shoulders and get along all right.

But you have so far been so eminently kind and satisfactory (too eminently kind for that matter), that I feel impelled to make a suggestion builded upon your own suggestion, namely, of a note. If you will take a note from me for the total sum of money at stake, payable in six months, I will have that note lifted before the six months are up.

I can only tell you that we are going ahead as fast as possible for the rebuilding of the house. Men are chopping down trees at the present time, which will go into the new house.

Sincerely yours,

Jack London

This letter made me laugh out loud. Makes me want to take a few lines from his work the next time I have to write a gripe to someone who has ticked me off.

Here’s a good example: Dear Sirius Radio, it’s a dead horse, I’m not going to sign up with your service again. I’ve been spending money as lavishly as any sailor ever did (*cough*iPad*cough*) and I’m tapped out. Now go away.

Good ol’ Jack. One hell of a writer.


While I’m bragging…

Might as well share my other blue ribbon, for best short story in the Western class.

On Saturday I got a chance to read an excerpt aloud at the fair. Many of the writers/readers were a bit shy and reserved in their reading. Not me. I went in there with *jazz hands*

Would you expect any less from me? I didn’t think so.





Dyin’ or Revivin’?

Last week I received an email by the good folks running the literary competitions at my local county fair. After notifying me that my story won a prize, they invited me to come out to the fair next weekend to read my story aloud on stage as part of their literary event.

Well I was just pleased as punch to say yes. What a wonderful opportunity.

This past Saturday, I had some time on my hands while I sat in a chair waiting for my hair to turn that color that only my hairdresser knows how to make.

I started thinking about this event next weekend and planning. I need to spend some time practicing reading my story aloud. Practice is everything in a public speaking situation.

I wondered if I’d be asked any questions about the story. I thought I should try to think up what I might be asked so I could be ready with good answers.

One of the first questions I thought of was, “what was your inspiration for this story?”

I had to spend some time thinking that through. It’s a story that’s been rambling around in my mind for a while, and I’ve taken several stabs and getting it out, to both greater and lesser success.

Mainly, I was inspired by the fact that upon reading the guidelines for the competition, I noted that there was a “Western” genre available to compete under. This is not something I often see, so that really got my creative juices rolling.

My absolute author-hero is Larry McMurtry. I adore his way with description and dialogue, and his western novels are a cut above.

I have a collection of short stories that McMurtry edited. It’s western stories written only by writers raised in the west.

When I saw that my county fair offered a Western category, I knew there was no doubt that I had to write a western story.

That said, what I wrote isn’t truly a classical western. Technically, the western genre implies a story set in the 1800’s, the so called “Old West.”

If you read any of the literally thousands of short stories that Louis L’Amour wrote, you’ll find within his formula a common theme. The great conflict in his stories is of man against nature which includes cattle grazing the land, the weather and water. In fact, water rights always seem to play a big role in L’Amour’s short stories.

I guess that the western genre has declined so much because these concepts seem hopelessly old fashioned.

But are they?

Until his untimely death last year, my dear friend who farmed cotton and chile on his family’s farm in La Mesa was fighting with the state of New Mexico over water rights. This problem was such a vital aspect of his life that it was mentioned in his eulogy.

Yesterday I watched a televised show where renowned French chef Eric Ripert spoke passionately about the “farm to table” movement, and visited a Virginia farm where the owner was doing something revolutionary.

He was not overgrazing his land.

He spends time calculating how many head of cattle his land can bear and then actively rotates pastures to be sure that his cattle never overgraze. His land flourishes, his cattle are healthy and he’s seen as an innovator.

This is not innovation. Louis L’Amour wrote stories about this very idea over 70 years ago. This concept is also something they taught me in my collegiate FFA organization**. It’s called “being a good steward of the land.”

And so, to bring this back to my point…

I wanted to write a western story because although I keep hearing that the western fiction genre is dying, I’m seeing that the topics driving most true western stories are still essential and vital to today’s world.

And so maybe Westerns aren’t dying. Maybe, much like the land, if tended to and nourished, the genre can continue to flourish with a modern sensibility.

Writing a western story set in modern times that won an award at my local county fair is so deeply satisfying to me. It’s my affirmation that the Western genre is alive and well inside at least one little girl who was born and raised in the west.

_______________________


Further proof: The Western genre gets back in the saddle





**”I believe in the future of farming…”