The Words Return

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In the form of four fresh essays



This photo has nothing to do with this post other than it made me happy.

Photo by Archie Fantom on Unsplash

 

After losing track of The Muse for an extended period of time, I recently received an email from Medium about their Medium Writers Challenge.

The four prompts for the essay contest are: Reentry, Death, Work, and Space. Click the link above to see more of details about the prompts.

Right away, the contest was interesting to me. First, the prizes are pretty big with no entry fee. Second, there are some interesting celebrity judges. Finally, I liked that the judging criteria was based on creativity, originality, and quality. That means that the writer’s with the huge following who make thousands a year on Medium won’t necessarily be the winners. Or so I hope, anyway.

After a long dry spell of no writing and really no creativity at all, I was looking for something to spark the desire in me to write again. For some reason these prompts did it.

I set myself of goal of writing an essay to meet one of the four prompts, I already had a story already knocking around in my brain, and then a stretch goal of writing for two of the prompts.

When I’d written the first story, I still had fire so I knocked out the second one quickly. Whew, that felt good.

A couple days later, I had an idea for a third of the four prompts, and I wrote that one a bit more slowly. It took more effort to write but I am happy with how it turned out.

Satisfied, I set all three essays aside to breathe and give me time to come back and edit before submitting.

Lo and behold, while riding in the car back from a doctor’s appointment, I had a flash idea for the fourth prompt. I could hardly believe it and I wrote it easily. I was dumbfounded but proud that I wrote something for all four prompts.

Writing these four stories felt so good. It feels nice to write again.

All four essays have now been posted to Medium. The rules of the contest say we aren’t supposed to post them anywhere else until the contest is over, but they are public and available to read on Medium.

Here are links:

 

Reentry: Swim, Swam, Swan

 
Space: A Separate Place

 
Death: The Butterfly’s Effect

 
Work: That’s How I Work

 

In The Beginning…

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Learning as I go.


This past year has given me a new hobby, my “COVID hobby” if you will. I have been spending time learning about Monarch butterflies and about Monarch conservation.

The Monarch butterfly is considered endangered, however in 2020 there were other species in more dire situations, so the Monarch didn’t make the official federal Fish and Wildlife endangered list for 2020. It is expected that the gorgeous butterfly will make the list in 2021, as the numbers from the 2020 migration were down dramatically.

And so combing my recent research and my love of photography, I wanted to share my first Monarch egg of Spring 2021 that arrived a lot sooner in the year than expected. Thankfully I have enough milkweed to provide the food needed to sustain this new little life.

The first photo is a Monarch egg that is about 20 minutes away from hatching. The second photo is moments after emerging from the egg. The egg is about the size of the tip of a mechanical pencil and the baby caterpillar is about one quarter inch (6mm) long.

Both photos were captured using an Olympus mirrorless micro 4/3 camera and a 30mm macro lens.

 

Monarch egg soon to hatch©2021 Karen Fayeth

Just hatched monarch egg©2021 Karen Fayeth

 

I can’t wait to follow this little friend on its journey through growing into a large caterpillar, turning into a chrysalis, and eventually emerging as a gorgeous orange butterfly.

To do your part to help the dwindling Monarch populations, look to see if milkweed is native to your area, and if so, please plant some in your yard. Also, if you can, refrain from using insecticides that have so decimated the Monarch numbers. Thank you!
 


This post can also be found on Medium and you can see more of my work @karenfayeth over there

Seeds

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A Rumination On the Value of Mentors

 
   

Image for post

Photo by Markus Spiske on Unsplash

The first day of this new year finds me in a thoughtful place and I know I’m hardly alone here. I think the end of 2020 and the new year 2021 has found a lot of us in in a thoughtful place and full of rumination.

It would be easy to look on 2020 as a mulligan. A do-over. A throw-that-in-the-bin and never think about it again kind of thing. Take it out with the trash.

But to do so would be a mistake. 2020 was a lesson. A mentor. A cruel but perhaps necessary education.

The past several days has me thinking about teachers and mentors who impacted me and more specifically, impacted my art. About how many of them are not in my life anymore, for various reasons. And how much I yearn to find replacements, how hard I seek the wise advice of those who know so much more than I do.

In fact, getting a mentor’s view on the lessons and tragedies of the previous year is exactly what I seek.

To my great sadness, in November within the span of forty-eight hours I lost two of the most influential women in my life. I find myself on day one of 2021 still reeling from their loss and scared to face the road ahead without their wise guidance.

On November 6th, my dear mother-in-law who was more like a friend and one of the strongest working artists I know, passed gently at home with her beloved son by her side.

On November 8th, my photography teacher and dear friend passed peacefully at home under the loving care of her wife of 22 years.

These double blows were hard to take. I even wondered at the time if I could sustain the loss.

In a text to my best friend, I told her that the grief was stacking up and I had no idea where to put it all. Could I build metaphorical shelves to store the pain? Maybe rent a unit where I could put all of this sorrow and then sort through it on the weekends?

No, there are no metal shelves and no locked doors to store the grief. Turns out I have to carry it with me. At times the load bends my back into a question mark. At other times I carry it almost (but not quite) lightly.

I can forget about it for a moment and think I am through and then a smell or a sound or a visual will bring it all right back with weight and ferocity and my back bends further. Bend but not break is the theme, or at least the hope.

I have questions. I have thoughts. I have worries. I have wonders. I am working on a big project, a goal I set for myself and it is a big goal and oh how I wish I could talk to both of these powerful, creative, and smart women to get my head on straight about it.

One would make me a cup of coffee and listen to my thoughts and fears and tell me that she understands and how hard it can be, but that continuing to work, that doing the work, is what matters.

One would make me a cup of twig tea and then verbally shove me around a little in the most beautiful and caring way, telling me to forget what anyone else or the voices in my head say, to just keep making art. Because making art is necessary in this world. Not a nice to have, but mandatory.

And then dazed and thoughtful after each of their wise counsel, I would go back out there into this mad world and I would keep making art. Putting word to page, and paint to paper, and images through a lens.

Because the road to making art is a long road, the journey beautiful and painful and frustrating and worth it. One must walk through low valleys of making really bad art and occasionally look up to find you have arrived at the peak of a beautiful hill. That something you made is actually not that bad and might actually be very good.

From that view atop the hill you can see more hills, steeper and more meaningful and you must, have to, can’t stop now, start moving towards them. Sights recalibrated, on you must go. To keep walking is what matters. To keep walking is necessary.

Even though I miss them both so much perhaps I can find them, then, in just continuing to do the work I set out for myself. And when in doubt, I make myself a cup of coffee or a cup of twig tea and sip and pause and listen and then…get back to work.

To find an image to accompany these words, I went to Unsplash with their thousands of free images, and searched with the word “mentor.” My eyes landed on the image found at the top of this piece. I loved the color and the visual and the feel of the photo. “But that isn’t about being a mentor,” I thought. And then realized I was wrong.

The dandelion with its many seeds waiting for a gust of wind to carry them off is actually perfect. Exactly the image I needed to see. Writing this out, saying these words helps me carry my grief a little bit lighter today.

I cast my own seeds of creativity to the wind. I can’t wait to see where they land.

This post is dedicated to the beautiful art and spirit of both Jamie Dedes and Marty Rose Springer and the impact they had on my life. I am forever in their debt.

The End of a Dry Spell

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Photo by Tijs van Leur on Unsplash

 

This crazy ol’ 2020 has been weird in a lot of ways. I think we are all getting used to a “new normal,” whatever that means.

During this time of shelter in place a lot of things have changed. Our old routines may be out of whack. How we go about the day is certainly different.

But these crazy days also have a lot of us searching for comfort in the same routines, if they are possible to keep. “Trying to normalize,” is what I keep saying. What did I do before? How did that go? Can do I that now and will it help me to feel normal during a time that is anything but?

One thing I have kept up with is my submissions of short stories. I have been doing my best to keep my work out there for well over a decade, and I didn’t want to let that drop right now. Even as most days I just want to slouch in a big chair and forget about the world outside.

I have found that being creative is very hard for me right now, too many things are occupying my mind. Working on getting submissions of work already complete out to the world is a normalizing process these days.

Despite my keeping the submission train running on time, 2020 has been a bit of a dry spell for acceptances. I had a lovely story published for Valentine’s Day in February (which had been accepted in December) and then the well dried right up after that.

Part of working to be published is knowing that these dry spells happen. They are normal and to be expected, and possibly a little more expected during this time of pandemic as we all figure things out.

So it was with great joy that in mid-September I opened an email from the editors at Bindweed Magazine with an acceptance. Whew! Feels good, you know? I get hundreds of emails with a no, so that yes every once is a while is tonic to a hardworking writer’s soul.

I’m now pleased to share my story “Possibilities. And Turtles.” with you. If you have a moment to give it a read, I would greatly appreciate it. And stay a while over there at Bindweed, there are some beautiful works to find in their pages.

Now more than ever, supporting the arts and artists matters, so I thank you in advance for the read.

Now if you’ll pardon me, I need to go do a whoop and a little click of the heels, then get back to the business of submitting my stories.

 

 

Every Picture Tells A Story

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The Story is in the Eye of the Beholder

 

Photo by the author, ©2019 Karen Fayeth

My photography teacher and mentor holds regular photo review sessions where we, her students, come together to show our photos and receive feedback from the group.

The rules are that we show our photo but stay silent. The photographer says nothing while the audience to reviews it, forms their opinions, and then provides feedback. Once feedback begins we are allowed to answer questions but the preference is to stick to the aspects of the photo and not stray too far into the backstory of why, what, or how.

Our teacher learned this from her own mentor, the legendary Al Weber. It was how he worked sessions with his students.

There are plenty of juicy quotes out there in the world about how a photo should tell the story without further explanation. How the photographer should say what they want to say visually and refrain from adding more explanation.

I understand that view and don’t entirely disagree. In a different photoclub meeting a few years back, I had quite a spirited debate with a fellow photographer who insisted that the technical aspects of the photo were all that mattered and “telling a story” was unimportant.

I insisted that a photo that doesn’t tell a story is boring. We agreed to disagree.

His technically superior landscapes remain astounding in their quality and dull in aesthetics. My photos have something to say, but are technically imperfect. Both of our photography styles are relevant and fine. The artist makes their art as they see fit.

You see, I’m an unapologetic logophile — a lover of words. I’m a storyteller from birth and when I look at photos, I like to hear what the photographer has to say about how and why they took the photo and what it means to them. I find sitting in silence a challenge when I’m so creatively inspired by my peers.

Also, the story a viewer gets from my photo may not be the story I was trying to tell. I know, I know, that’s fine. Everyone sees art in their own way, through their own filters, and that is valid. Of course.

But sometimes, like the photo in the header of this story, I want the viewer to know more. I want you to feel what I felt when I took the photo. I want it to resonate on a deeper level.

So now that you’ve seen the header photo, I’m going to tell you the story.

t was the first week of this past December and I was traveling home to California from Tennessee. My itinerary said that I would fly on a small commuter plane from Knoxville to Denver, and then from Denver to San Francisco.

Riding on the very small commuter plane gave me no small amount of pause, in fact I wrote about it here:

My Fear of Flying

Before heading to the airport, I’d checked the weather in Denver and the news was not good. Snow. Lots of snow. Here I am flying on a very small plane right into the heart of a winter storm. Due to land in Denver around 6:45pm, it would be when the storm was expected to be the worst.

I was, to put it in crystal clear terms: Freaked Out.

Snow, small plane, winter, ice, terror, tired, just want to get home, will I even make it home tonight, I don’t want to die, pleaseohpleaseohplease… Like that, swirling around in my head. (Isn’t anxiety just so helpful?)

That header photo, the one with the beautiful sunset, was taken over eastern Colorado. Above the clouds was the most magnificent view of the sunset from the plane’s large window. The roiling storm clouds gave a great foreground. The contrast of blue and orange are a perfection of complimentary colors that only Mother Nature knows how to create.

Now, let’s be honest with each other: There are a lot of beautiful photographs of sunsets out there in the world. Plenty of astounding locations, views, and colors. My photo is surprisingly clear and well-focused for having been taken through a plane window. I used a Sony Cybershot as it was the best camera I had on me at the time.

I look at that photo and I love the brilliant colors, that I managed to mostly (but not precisely) center the sun, and the clouds make it very moody. But when I see that photo, what I feel is fear.

The dark and foreboding clouds below that gorgeous Colorado sunset were a metaphor for everything I was feeling when the shutter clicked. This photo was taken at the edge of the storm, you can see the ground on the right lower side. We had not yet begun to find the center of that winter storm when this photo was taken. It still lay ahead.

I should probably title the photo “Yearning for the Runway” because as I both watched and photographed that sunset, I kept visualizing over and over in my mind a smooth landing, pleading to the universe for safety.

Turns out by the time we got to Denver there had been a break in the storm and the runways were clean, dry and perfect. We landed pretty much as I had visualized. The snow was projected to start again soon, so after a little deicing, we took off late but made it home to SFO on time and intact.

I don’t know if telling my story makes you see the photo any differently. Maybe what you see when you read the story of that photo is different from mine.

I like knowing that my photo is more than just a lovely sunset, it’s my reminder that life is both precarious and precious.

And small planes are safer than I think.

Just wait until I tell you about my photo of a deceased ladybug.

This item first appeared on Medium, find more of my work @karenfayeth over there.