Category: writing

A Long Time Coming

It began with a photo of fish.

The photo was published in the online edition of the Albuquerque Journal. I often read the Albuquerque Journal so I don’t feel so far away from home.

A glance at the file information for the photograph gives a date of June 2002. I find that so hard to believe, and yet it’s true

The photo shows three fish that got stuck when their river home dried up. A rapid New Mexico drought took all the water.

I can’t recall which New Mexico river this happened to, I probably should have kept a screen shot of the newspaper article, but even as I know that New Mexico has struggled with drought for years (and today), I was amazed and shocked by this photo.

It is difficult to believe that water could evaporate that quickly.

Here is the photo:





The image didn’t leave my head, it rattled around in there and said so many things to me. My brain worked it over and a story began to form. The feeling of trying to draw a breath but only getting New Mexico mud.

The first draft of the story “Sangre del Toro” took shape in October 2002. Wow. Thirteen years ago.

Over the years I have submitted that story off and on to contests and literary magazines. I’d dig it up, edit and polish and try again with no luck.

I believed in the story, in the character, in the image, so I kept trying. And trying. And editing and trying and so on.

I did another edit and submitted it again for another round in the publishing meat grinder this last December. I have come to understand that publishing is as much about timing as it is about quality. And that’s why I kept trying.

On February 26, I finally got a yes from a literary journal named Jet Fuel Review.

It was almost surreal to finally hear a yes in response to this story and it’s even more surreal to announce that the Spring 2015 edition of Jet Fuel is live.

You can download the entire edition here: Full Edition

Or you can read just my story here: Sangre del Toro.

Woo! Whatta rush. Very excited about this one finally seeing the light of day. It was only by searching my hard drive to find that fish photo that I realized this published piece was thirteen years in the making.

Thirteen years of believing in a kind of sad story about a little girl caught out, just like the fish.

The editors of Jet Fuel told me they thought the metaphor was a little too obvious, which is probably true. I guess they still liked it enough to publish.

And so please give it a read and support Jet Fuel. They are a great group and I am forever indebted to them for taking a chance on little Adelida.










The One Thing

Last month I found myself in Chicago attending a writer’s conference. The event was sponsored by a large publishing house and I went to learn more about the publishing industry. Boy did I.

Part of the weekend also had us working on some writing exercises. We were given a topic and told to write about it for ten minutes.

I’m pretty good at these off the cuff wind sprints, so I was sailing along nicely creating the words and feeling all of those blocks melt away.

That was until we got to the prompt: “What’s the one thing you won’t write about?”

Ugh. Well. The snarky voice in my head kicked in, saying things like “well if it’s something I won’t write about, why would I write about it here? In this uncomfortable chair. With 500 of my closest friends in attendance?”

Bah.

Then I started thinking, what really IS the one thing I won’t write about?

I know what it is, but I’m still not ready to write about it.

It’s grief. My overwhelming grief is the one thing I just can’t write about. Not yet.

Both December and January ushered in tremendous losses for me, one after the other, and though I’m told I have to “just grieve” and “get it out” and “go through the stages” I find myself a bit at sea. There are times it shows up inappropriately and I cry so hard I wonder how I will ever stop crying.

When I do finally stop, I become near catatonic for the rest of the day.

There are times I know it’s sneaking up on me and instead of trying to head it off, I am able to find a way to hide in the bathroom or outside or in my car and let it happen. A little.

And sometimes I simply have to tell the freight train that no, it doesn’t get to run me over today. When I head it off, push it down, it only means the grief builds up a bigger head of steam for the next time.

It is a demon and I am wrestling with it. And no, I’m not ready to write about the details. It’s too tender, too fresh, too painful.

One might argue that since writing is my thing, I should be writing about it. I should be writing it all out furiously and fast and working through all of those darn steps, up and down the ladder until I’m free.

As if one can ever really be free of grief. Actually, that’s part of the problem. This fresh and overpowering grief has ripped the lids off of the many other losses I have experienced so I get to go through all of that again. As if it’s new and present and today.

So yeah, letting it all out, that’s probably what I should be doing.

But I can’t. Not yet.

And it remains the one thing I won’t write about.

But I will write about it. Someday.

Maybe this post is just one small step in the right direction.









Image found here.




Tell It Like It Is

Over the weekend, after another rough week at work, The Good Man and I found our way to the big main branch of our city’s library. It was like an awesome haven from the mean old world.

I immediately found my way to the fifth floor where they keep the art books. I needed an infusion of art and creation in my life to erase the financial and business blues of my workweek. I decided I wanted to look at some Frida Kahlo prints. I am a huge fan of Frida.

As I plucked a slim book of her paintings off the shelf, I found another small book hiding behind it. It was a book of letters written by Frida to her friends and family.

I love reading old letters. You learn a lot about who a person was (or is) by reading their handwritten letters.

I had always thought that Frida was so strong, powerful, fierce and uncompromising.

Boy was I wrong. Through her letters, I found her to be very sweet, quite insecure, and almost childlike.

She often would write letters to friends and ask their advice on big life decisions. For example, at one point her husband, Diego Rivera, had a terrible infection in his eye that had spread to the side of his face. She asked a friend, a fellow painter, if he though she should take Diego to New York to see American doctors or stay in Mexico and take the guidance of Mexican doctors.

Now that seems like a pretty big life crisis, something you would want to decide along with your husband and instead she was soliciting, nay begging for, the advice of a friend. She actually did this quite a lot, begged her dear friends to tell her what to do.

I found that so counter to the fierce woman I see through her paintings.

And then, over time, as she got older she did seem to become a lot harder edged. A lot more sarcastic and passive aggressive.

Clearly the philandering ways of her husband and his over bearing need to be controlling had taken a toll on her psyche.

That and years and years of immense pain in her spine, leg, and foot, all massively unresolved injuries from an accident in her teens.

Her physical and mental anguish become so forceful, it drove a little bit of the lightness out of her words. She became more bitter. And so maybe that is the Frida I came to know, the rough around the edges and hard woman who had been hurt too much.

But even then, as I understood how she could come to be that way, I was a bit shocked to read (in the book) a quite long essay that was to accompany an exhibition meant to honor Diego Rivera.

I came across this section and burst out laughing. I mean, wow.

Here, read it and see what you think. She is describing Diego’s physical form from many angles. In this section she refers to his chest:

“Diego’s chest — of it we have to say, that had he landed on an island governed by Sappho, where male invaders were apt to be executed, Diego would never have been in danger. The sensitivity of his marvelous breasts would have insured his welcome, although his masculine virility, specific and strange, would have made him equally desired in the lands of these queens avidly hungering for masculine love.”

Um. Did she just say her husband had moobs? Cuz I think she did.

In another section she describes seeing him naked as looking something like a child frog. Paraphrasing here, she said that his skin takes on a greenish tone and is pale under his clothes and only tan in his face and hands.

Yeah. Green moob guy. Awesome.

This was, I’m sure, taking a bit of her own pound of flesh from him for the years of unkindness. And also a bit of the ol’ anti-bourgeoisie taking the piss out of what might have been a flowery ode to her husband.

I’ll tell you what, that image is sure going to stick with me for a while.

Actually, the whole book will stick with me for a while. The letters so quaint, so childlike and such a deep glimpse into one of my creative heroes. Quite something.

Oh, and she liked to invent words of her own. My favorite was when she would refer to her life or other things that were not working out as expected as fuc-bulous. Oh yes. I can use that. I may have to adopt it myself.

Next up, I have on my bedside table a book of letters by Vincent Van Gogh. He was quite prolific in his letters to his brother, and it is a thick tome. I am both wary and excited to dip in.





Photograph by Martin Munkácsi





Image found here.





Beginning at the End

When I have had a big event, a big adventure or just something interesting happen in my life, I almost always have to spend a little time processing it, usually out loud and on these pages.

Having just returned from a weeklong trip to Ireland, I’m pretty sure that readers here will be treated to (tormented by?) several posts about my days in Dublin. I had such a wonderful time and I want to get all the stories out and onto the page.

The question is, where to begin? Some would say start at the beginning. Some would say start somewhere in the middle when things begin to get good. Others still say to start wherever you want.

The thing is, I usually don’t get a say in where to begin telling a story. The Muse has a mind of her own and she tends to open one sliding door in my mind to show me what she’s interested in, while keeping the other doors firmly closed until she’s good and ready.

What I mean today is that there is one story, one experience, that keeps replaying in my mind. It is the sum of my entire view of Ireland and probably belongs at the end of the entire tale.

But why cave to the convention of putting the end of the story at the end? This is what I want to write, so this is what will be written. For today, at least.

Here we go…

The hotel where I stayed was in a rather upscale suburb of Dublin named Donnybrook. Back in the day, Donnybrook used to be the scene of an event called the Donnybrook Fair. And by “back in the day”, I mean like the 1200’s through the 1800s.

Evidently that event turned from a nice twelve-day fair, fun for the whole family, to a drunken brawling event. In fact the very word donnybrook has come to mean a brawl or fracas.

The Catholic Church took a dim view of this debauchery (as they are wont to do) and ultimately lobbied for the fair to shut down, mainly by building a church right at the event site.

This is a great story, I love it, but it’s kind of tangential. Let me get back on track. In this wonderful Donnybrook neighborhood, there are quite a few shops, restaurants and a couple pubs.

One of the pubs, named McCloskey’s, was about a half a block away from where I was staying. I could see it from the window in my hotel room.




Image found here.


I had walked past the place quite a few times but was never brave enough to go in. Something about genuine pubs kind of intimidates me. It’s a mix of the expected amount of hesitation being a woman going into a bar alone, and my propensity to overworry that I’ll somehow say or do something that breaks the unwritten protocol of the pub.

I also never am sure how Americans are perceived so it’s always a little tentative for me. Which is silly because of the pubs I’ve encountered in the UK and now Ireland, it’s always been a lovely experience.

On Thursday after what had been a busy and intense workweek, I decided to go inside McCloskey’s. I was hungry, I love pub food, and I was in desperate need of a pint.

With a deep breath, I opened the door and went in. I walked the length of the place to give it a look-see and decided to stay, taking up a corner seat at the bar.

The bartender was a fireplug of a man, in his early fifties, with a pugilistic look about him and a vibe that was clear he knew how to run a pub. He could and would toss your ass out without hesitation and with force.

He came over and slid a napkin on the bar like skipping a rock and asked, “What’ll you have?”

“A pint of Guinness,” I replied with confidence. He nodded with a grunt and poured the beer. In hindsight, I should have just said “A Guinness,” the pint is understood.

What a lovely pint it was. A perfect pour, the perfect temperature, perfect creamy foam on top. Oh yes. I wanted to take a picture of it so I could always remember that beautiful moment, but thought better of it. It felt like the bartender may take a dim view of selfies and Instagram in his pub.

As he set the pint down I asked, “Can I order some food?”

“Er, yeah, we have a stew, the fish and something else I can’t remember” he said.

“I’ll have the fish,” I said.

“Fish and chips, you know?”

“Yep!”

He grunted again and went off to the kitchen to place the order. I sat there feeling tense and sipping my beer. There were really only about four people in the pub, all quietly drinking and keeping to themselves. 1970’s disco played from a small boom box to fill the atmosphere.

Next to me was a stack of local newspapers so I picked one up and read it, giving me something to do as I sat alone and tried to act normal.

After a bit my food came and it was so delicious. Light and crispy cod, perfect chips and slices of tomato. I ate it joyfully and drank my Guinness and suddenly everything was really right with the world.

During this time, the bartender mostly ignored me. He was friendly but distant. Gruff but fair, I suppose, and that was fine.

While I ate, a group of people came in. They were obviously all family, and they took up chairs and seats around several tables. Then more and more kept arriving. There were probably twenty or more people and one older gentleman with graying hair was buying all the drinks.

These folks were all in a good mood and talking excitedly. At one point someone teased the older man about “never being around” and he tipped his pint glass to them and said, “now that’s one thing you can never say about my term! My opponent can’t say the same.”

It was then I sussed out that this might be a local politician. I heard someone call him by his first name and as I was texting the play by play to The Good Man, he did a quick Google search and we discovered I was in the pub with the local councilman. Elections were due to be held the next day. My guess is he was out celebrating the end of his campaign run with friends and family.

As the crowd grew, it became such a convivial atmosphere. I sat next to one of his daughters and we chatted and laughed. Her son, who looked to be about five, ordered a cranberry juice and wanted it served in a Guinness pint glass. Everyone bought and ate small cans of Pringles.

As ever more people kept piling in, I kind of felt like I needed to get out of there. I’m sure I could have stayed and been fine, but I started to feel like an outsider.

So I hopped up from my barstool and went over the cash register where the bartender stood. He turned to me and I said, “I’d like to tab out, please.”

“Oh sure,” he replied and began ringing me up.

“That will be twelve euros fifty,” he said. I handed him a twenty euro bill.

He took it and looked me, touched my hand and said, “You doing okay, darlin’? Was everything all right?” with genuine concern in his eyes.

I replied, “Yes, it was great. I’m…I’m just a little jet lagged and very low energy.”

He had a sparkle in his eye when he smiled, then tapped my hand again and said, “That’s okay, darlin’, you still look gorgeous!” He laughed like a schoolboy while he got my change.

He put the bills and coins in my palm and said, “now you have a good night, eh?”

I left the pub with a smile on my face. Now that, the whole story and everything in it, that’s Ireland to me.

It is a wonderful, charming and friendly place. I loved every minute of the time I spent in the city of Dublin and the district of Donnybrook.




A view from my hotel room. Lovely! Copyright © Karen Fayeth, 2014




A Pirate Looks at Forty-Five

Mother, mother ocean, after all the years I’ve found
My occupational hazard being (that) my occupation’s just not around
I feel like I’ve drowned, gonna head uptown

–“A Pirate Looks at Forty” by Jimmy Buffet

Yeah, I might be taking a few liberties with a very fine Jimmy Buffet song that did not make a lot of sense to me when I was in my twenties and seems rather spot on now.

I find myself sneaking up rather quickly on the milestone age of forty-five. Or rather it’s sneaking up on me. What a milestone, I’m not even sure what it means. There are ages old enough to vote, old enough to drink, and then it all kind of gets muddled after that.

At this point in my life, I’m in a place where I don’t love my birthdays most years. For reasons that aren’t clear to even me, this particular trip around the sun is a little rough on me. Or maybe they are all a little rough on me these days.

And so weirdly (or not so weirdly) enough I have been thinking about that Buffet song dating back to the jolly era of 1975. The song is about a man who laments the fact that he was born too late to be a pirate. Jack Sparrow kind of pirate, not Somalia kind of pirate.

The man in the lyrics looks at his life and wonders what might have been. I have a very rich internal life and while I love my life today, I do often think about the what-ifs.

Yo ho ho, the pirate life isn’t quite the one for me, but I do have laments of being born too late. A hazard of the years going by, I suppose.

I’m not so unlike the main character in “Midnight in Paris” who wishes to live in the era where writers were valued and were paid quite well for their work. Where art wasn’t as much of a business as it is today.

I recently read a biography of Zelda Fitzgerald and grew ever more green with envy over how Scott Fitzgerald could keep them in a very high life simply by writing and publishing a few short stories.

I’m not implying he didn’t work hard at his craft. I’ve read some of his shorter works and of course “The Great Gatsby” and the man could write. But he also had a venue for those stories, popular magazines that were both willing and able to pay.

Oh to live a life where I could install myself in a Parisian pub with a bottle of Spanish red and write my words. Then know I might get many rejections, but when I get that “yes” that it really meant something on a large scale.

I was singing this sort of tune in my head over the weekend and because Fate is one hell of a comedian, I received an acceptance on an essay I had submitted to a very fine online publication. I am quite proud to contribute to this literary magazine, but the timing couldn’t have been more humorous.

One of my coworkers recently had occasion to read one of my published short stories about a scuba diver (if you haven’t read it, I’ll direct you to the right column of this page). She is also a scuba diver and she liked the story very much.

“You are such a talented writer! Why do you do this job?” she asked, and laughed.

“Because that doesn’t pay, and this does,” I said and sighed.

Oh, it could. Maybe one day. With a lot of work and a lot of sweat and a lot of blood and a mountain of rejection letters under my feet.

But as I sidle up to age forty-five, it sometimes feels like my best years have passed.

I once knew a bluesman who could play a muddy, gorgeous telecaster like he was drinking water. He made it look easy. So easy people were always sure they could do it like he did, and when they wondered aloud to him why it was so hard, they would say, “You must have just been born talented.”

He would reply, “Yeah, and at age twelve I picked up a guitar and played it every day until my fingers bled, and then every day since.”

Talent is nothing without hard work. I am more than happy to do the work, and I actually do the work every day. I type my words until my wrist aches and my head hurts. Then I write some more.

There are many days I simply wish I had started writing seriously earlier in my life when energy and time were not an issue. Then again, what did a bubbleheaded girl like me have to write about?

Maybe I had to live a little before I could open a vein and write the words.

Oh well, this is my journey. Not anyone else’s. Forty-five it is and forty-five it must be.

The dread leading up to the day started to wane in the final days. Resignation set in and now I suppose I’m okay. I tried on forty-five and it fit like a shiny new pair of fine leather shoes. A little tight and squeaky at first, but breaking in nicely.





If I’m going to overwork a metaphor, I should probably reuse a photo of a very favorite pair of well broken in boots






Image Copyright © 2010, Karen Fayeth, and subject to the Creative Commons license in the right column of this page.