Category: photography

Winning Is Like…Better Than Losing

Now that I have been a member of the photography club at my place of employment for just over a year, and have been attending meetings and listening hard, I think I maybe kind of sort of have earned a teeny tiny bit of respect.

Because this month, both of my submissions for the monthly photo contest made the cut. BOTH!

The rules each month are that you get to submit two photos. We review and critique all the photos in our monthly meetings and then there is an anonymous voting app we use. When votes are tallied, the top four vote getters are published internally at the company.

So yeah baby! I have had one of my photos make the cut before, but never both. It is a little unprecedented. Woo hoo!

The theme this month was double exposure and my two prize winning photos are below for your perusal.

The first one feels really special to me. I took both of the photos in the image while I was in Dublin. It was at the end of my one lone day of tourist time after an intense week of work, and I had walked for miles. I was exhausted and it was raining like it only can in Ireland.

Tired and soaked to the bone, I was bound and determined to find this sculpture of Oscar Wilde. This was after I had stood in a very long line (in the pouring rain, a nice lady shared her umbrella) at Trinity College to see the Book of Kells. That exhibit was exhausting in itself. Way too many people jostling around.

The park where Oscar resides is about half a mile from Trinity college and I wasn’t sure I was going to make it. It was driving rain and windy and I was so tired that a nice warm cab looked like a good idea. I stopped to rest twice on the short journey, but forced myself to keep going and once I arrived at the park I was glad I did.

The small, lush, green Merrion Square park was silent as I stood there getting drenched looking at this remarkable statue of Oscar Wilde. A small tour group came by and the tour guide said the artist sourced these incredible and colorful stones from all around the world. It is a beautiful statue and so unique as it reclines on a rock.

When it came time to figure out something to use for double exposure, I thought of this statue and of the very old books I had seen at the Trinity College library (I had watched a video about the method used to bound the tomes and was endlessly fascinated).

Using some tools I had learned in a recent photography class about overlay for textures, I fiddled around in Photoshop and came up with this:

Title: Author


Photograph Copyright © 2014, Karen Fayeth



I was unsure if the photographers in the club would find the image too discordant. It’s almost jarring, but I love it. It’s hard to photograph a statue and have it be anything more interesting than a photograph of a statue. This to me brings depth and texture to the photo and I am so happy with the results.

The other photo I submitted was something I had been visualizing for quite some time.

As I continue to hear all of the news reports about the drought here in California, I was pleasantly surprised that the lack of rain didn’t halt the springtime explosion of California wildflowers. I am mildly obsessed with California Poppies (the state flower) and I love the yellows, reds and purples of other flowers growing in medians, between sidewalk cracks and at the edges of yards.

I picked several of the flowers and shot them using a technique I learned from photography master Harold Davis. Then I took a free stock image of textural dry and cracked ground and combined it with my flower photo. When I look at it, I think of many things I could (and should) go back and tweak, but so far this photo is garnering nice attention.

Title: Drought


Photograph Copyright © 2014, Karen Fayeth


When submitting both of these photos, I wasn’t sure how my surly team of scientists would respond. Both of these photos are kind of arty, but they also show I have some Photoshop chops, and I think they liked that. They had a lot of questions for me on technique since I used a different approach for each photo.

Also, I think the club as a whole struggled with the idea of double exposure. It’s too messy for their orderly minds. I had a film camera in high school that I liked for making double exposures. It can either look weird or really cool. Doing a double exposure in Photoshop gives me more control over how the two photos overlap and how the double exposure looks, and I like it.

Anyhow, thought I’d share my winning photos with you.

Next up, travel to Amsterdam. Wonder what treasures I can find to photograph there?






Both images, Copyright © 2014, Karen Fayeth. Shot with a Canon G10 and combined in Photoshop. Stock image of dry ground from Free Stock Textures.




A Pirate Looks at Forty-Five

Mother, mother ocean, after all the years I’ve found
My occupational hazard being (that) my occupation’s just not around
I feel like I’ve drowned, gonna head uptown

–“A Pirate Looks at Forty” by Jimmy Buffet

Yeah, I might be taking a few liberties with a very fine Jimmy Buffet song that did not make a lot of sense to me when I was in my twenties and seems rather spot on now.

I find myself sneaking up rather quickly on the milestone age of forty-five. Or rather it’s sneaking up on me. What a milestone, I’m not even sure what it means. There are ages old enough to vote, old enough to drink, and then it all kind of gets muddled after that.

At this point in my life, I’m in a place where I don’t love my birthdays most years. For reasons that aren’t clear to even me, this particular trip around the sun is a little rough on me. Or maybe they are all a little rough on me these days.

And so weirdly (or not so weirdly) enough I have been thinking about that Buffet song dating back to the jolly era of 1975. The song is about a man who laments the fact that he was born too late to be a pirate. Jack Sparrow kind of pirate, not Somalia kind of pirate.

The man in the lyrics looks at his life and wonders what might have been. I have a very rich internal life and while I love my life today, I do often think about the what-ifs.

Yo ho ho, the pirate life isn’t quite the one for me, but I do have laments of being born too late. A hazard of the years going by, I suppose.

I’m not so unlike the main character in “Midnight in Paris” who wishes to live in the era where writers were valued and were paid quite well for their work. Where art wasn’t as much of a business as it is today.

I recently read a biography of Zelda Fitzgerald and grew ever more green with envy over how Scott Fitzgerald could keep them in a very high life simply by writing and publishing a few short stories.

I’m not implying he didn’t work hard at his craft. I’ve read some of his shorter works and of course “The Great Gatsby” and the man could write. But he also had a venue for those stories, popular magazines that were both willing and able to pay.

Oh to live a life where I could install myself in a Parisian pub with a bottle of Spanish red and write my words. Then know I might get many rejections, but when I get that “yes” that it really meant something on a large scale.

I was singing this sort of tune in my head over the weekend and because Fate is one hell of a comedian, I received an acceptance on an essay I had submitted to a very fine online publication. I am quite proud to contribute to this literary magazine, but the timing couldn’t have been more humorous.

One of my coworkers recently had occasion to read one of my published short stories about a scuba diver (if you haven’t read it, I’ll direct you to the right column of this page). She is also a scuba diver and she liked the story very much.

“You are such a talented writer! Why do you do this job?” she asked, and laughed.

“Because that doesn’t pay, and this does,” I said and sighed.

Oh, it could. Maybe one day. With a lot of work and a lot of sweat and a lot of blood and a mountain of rejection letters under my feet.

But as I sidle up to age forty-five, it sometimes feels like my best years have passed.

I once knew a bluesman who could play a muddy, gorgeous telecaster like he was drinking water. He made it look easy. So easy people were always sure they could do it like he did, and when they wondered aloud to him why it was so hard, they would say, “You must have just been born talented.”

He would reply, “Yeah, and at age twelve I picked up a guitar and played it every day until my fingers bled, and then every day since.”

Talent is nothing without hard work. I am more than happy to do the work, and I actually do the work every day. I type my words until my wrist aches and my head hurts. Then I write some more.

There are many days I simply wish I had started writing seriously earlier in my life when energy and time were not an issue. Then again, what did a bubbleheaded girl like me have to write about?

Maybe I had to live a little before I could open a vein and write the words.

Oh well, this is my journey. Not anyone else’s. Forty-five it is and forty-five it must be.

The dread leading up to the day started to wane in the final days. Resignation set in and now I suppose I’m okay. I tried on forty-five and it fit like a shiny new pair of fine leather shoes. A little tight and squeaky at first, but breaking in nicely.





If I’m going to overwork a metaphor, I should probably reuse a photo of a very favorite pair of well broken in boots






Image Copyright © 2010, Karen Fayeth, and subject to the Creative Commons license in the right column of this page.



The More Things Change

Part IV in a series.

There are a lot of times during my days, walking through this world, where I have small flashbacks or quick images that come into my brain. Not a hallucination, just a snapshot of a moment or a place or person.

A lot of the time the photostream of my brain shows me something about New Mexico. Some little atom or quark that is a building block of who I am. Meant to ground me, I think.

One image that seems to show up on rotation is being in either Old Town Albuquerque or at the Palace of the Governors in Santa Fe and buying beautiful handmade jewelry from the Native American artisans who display their wares on beautiful blankets.

Heck, in the early days (like the 1970’s) you would also find Native American artisans selling beautiful jewelry at the airport in Albuquerque. This was well before anyone called it a Sunport.

On this trip I made to Santa Fe at the end of last month, one thing I definitely wanted to do was see the Palace of the Governors and visit the row of Native American artisans with hand woven blankets laid out, selling handcrafted jewelry. I can remember being a fairly young kid and negotiating for beautiful pieces of silver, turquoise and coral.

The one moment I remember most was being something like nine or ten and using my allowance money to buy a really pretty green malachite ring set in silver.

I remember that the artisan was dressed in traditional Navajo clothing with her hair wrapped in leather and a huge and gorgeous turquoise bracelet on her arm. She either didn’t speak much English or chose not to. She was quite stoic, I recall, but I had watched my mom buy jewelry so I emulated her way, right down to the speech pattern.

I found the ring, tried it on, and liked it very much. I caught the artisan’s eye, held up the ring and asked, “How much?” I think she said ten dollars. I replied, “Would you take eight?” and she nodded. Thus, I now owned a beautiful handmade silver ring.

I wore it for many, many years.

In fact, I still have it.

This is it:




The ring is so tiny, it barely fits on my pinky finger. As you can see, the stone has a small nick. I really did wear this ring everyday for a long time. I loved it. I still love it.



So on that sunny Spring day on the Plaza a few weeks ago, after stuffing ourselves to the gills at the India Palace buffet, I was ready to walk around and my best friend and her girls were ready to sit.

They found a bench in the bustling center of the Plaza and I walked with purpose to the line of artisans with their creations on blankets.

My heart raced a little because I was excited. I mentally calculated how much cash I had on hand and what budget I would allow. I love beautiful silver and turquoise jewelry.

I had heard a few years back that there was some controversy about people who were not of Native American heritage selling jewelry on the Plaza, so I wasn’t sure what I expected.

I was pleased to see that indeed, the majority of the artisans seemed to be Native American. They wore modern dress, but the look, the speech pattern, the very vibe of the artisans let me know these were my New Mexico Native people, and I was happy.

As I walked down the row, I became less happy.

The quality of the jewelry I saw was not what I had hoped. The beautiful hand crafted chunky silver and turquoise, coral, jade and malachite jewelry had given way to items that were cheap looking, manufactured not handcrafted, meager and not bold and beautiful.

In some cases, I half expected to pick up a piece and see a stamp showing me it was manufactured in another country.

To be honest, not even the blankets seemed to be handmade. The image, the memory, it all looked the same as I crossed the street, but under the adobe and vigas of the Palace, everything really had changed.

On the plus side, I noticed that the artisans were very friendly with all of the tourists, inviting them to pick up pieces and try them on. Asking where they were from and how they liked New Mexico. The stoic artisan seems to be a thing of the past as I’m sure being a bit friendly sells more items. Even as I type that it feels a little like selling out.

So there was a plus and a minus to the experience. I ended up buying a pair of earrings from a vendor across the street on the plaza. They are small inexpensive dragonflies and I hold no illusions that they are genuine Native handcrafted.

I walked away a bit depressed and I remembered that I get a catalog from Southwest Indian Foundation, and they call the style of jewelry that I love “pawn style.”

Pawn style. There were some people that I knew who got really amazing deals on Native American crafted jewelry from the rows and rows of pawn shops in Gallup and other New Mexico towns. I never did that. I shopped a few times, but couldn’t get over the sad feeling in my gut. These pieces of jewelry were given up because someone needed fast money.

As I made a loop around the Santa Fe Plaza, I saw a shop that claimed to have old pawn jewelry, so I went inside.

They weren’t kidding. Inside the huge retail space half of the store was quite literally filled with pawn jewelry. The shop buys dead items (meaning the time has expired and no one was able to come back and claim the pieces) and resells them.

Resells them at a gigantic markup.

I found a case full of earrings and at a quick glance found three pairs that I either own the exact pair or something very, very similar.

Earrings that I know I paid somewhere between fifteen and forty dollars for were now marked anywhere from $125 to over $200.

I felt a little sick to my stomach. On the one hand I thought, “Hell, I should get out all of my old jewelry and sell it!” and of course I knew I’d never part with it. On the other hand my heart broke as progress has to come to all things, even Native American jewelry.

In my personal collection is my mother’s stunning New Mexico Native American handcrafted squash blossom necklace. Would I ever sell this? Hell no.




This is a really profound piece of jewelry. My mother often wore it and she was always beautiful wearing it, too. The turquoise is quite rough and each individual squash blossom is different, to match the stone.


But I wish I could have strolled the Palace of the Governors and seen pieces more like that chunky squash blossom for sale. The product of training, silversmithing, craftsmanship, and a deep Native American tradition.

Alas no, like that hammered tin clock that used to hang over the Albuquerque Airport, my memories are only nostalgia. Museum pieces. They no longer represent what is meaningful for today’s children growing up in New Mexico.

I guess I understand now. Sometimes as a kid I used to jokingly say that New Mexico was forgotten, wasn’t important, backward. Now I know it really was something good. I got to grow up in a beautiful culture and a beautiful state that is like nowhere else in the world.

I am hardly the only person who has ever come to realize this about the time and place that they were born and raised. It’s a common lesson. You really can never go back. I can be in New Mexico again, and I can love it, but it’s never going to be what I hold in my memories.

That hurts inside. I yearn for something that doesn’t really exist anymore, except in my mind and have to find a way to be okay with that. As of today, right this moment, I’m not okay. Not yet.

I suppose the answer is that I need to spend more time back home in New Mexico. I have to learn to know what she was once and love her as she is now.

It’s my failure that it’s been so long since I was back home. I hope to improve a lot over the coming years.

There is so much I know about New Mexico, and so much I have left to learn.



Up next, the conclusion: Part V, The Roots of My Raising Run Deep






Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app.




¡Comida! There is Indian and then there is Indian

Part III in a series.

So of course, one of the things I miss the most about my fair New Mexico is the food. It is unlike anything else in the world and as a native, the green chile flows in my veins.

Too much California time and I start to get a little pale, weak and shaky. I survive by cooking my own New Mexican food and that ties me over pretty darn well. But it’s not the same as being home.

From my first footstep on hallowed and dusty New Mexico ground and I was ready for some good eats.

I would have to wait for a good greasy restaurant meal, however. First stop on our tour was to go to see my best friend’s little sister who is a very dear friend in her own right.

Her three kids are growing too fast and I really couldn’t believe how time has flown. I guess that is how we mark time as adults, by how fast the kids grow?

After hugs and “it’s been too long!” we all loaded up in a Suburban and headed over to the nearby little league fields to watch her oldest son, who is ten, play a little baseball.

It’s pretty well documented how much I love baseball, so I had a great time watching the kids try to learn how to put it all together. I haven’t laughed that hard in a long time.

My friend’s husband was the umpire for the game, so of course Blue got a hearty ration of crap from us in the stands. “Use the good eye, Blue!” And I boo’d him when he called his own son out on strike three looking. That ain’t right to ring up your kid! LOL!

Thankfully he has a good sense of humor and is a very kind man. Also, he can dish out it just as well as he can take it.

Later that evening we ate together and had a wonderful home cooked meal. There was a nice bowl of chopped green chile to add to our good eats and I knew every little thing was going to be all right. Well, that and the four adults knocked back a few glasses of Mimbres Red and got a real good cuss and discuss going.

It was a good place to be, a very good place. This was one of those rare times and places in the world where I was able to simply be nothing other than my true self. No hiding my words, no trying to show off, no being circumspect. Simply 100% me because I know these people are family, and for well over twenty-five years they have accepted me just as I am. It gives me peace.

The next day we got it all together and got back into the ‘burb. We continued our journey by heading north to Santa Fe. Once we got settled into our hotel, my best friend remembered a restaurant that her husband recommended was located nearby, so we loaded up.

The place is called PC’s Restaurant Lounge and their menu included something called an Indian Taco. We used to call them Navajo Tacos, and they really are something special.

For the uninitiated, a Navajo Taco is a piece of Indian Fry Bread that is loaded with all the ingredients of a taco then covered in green chile and melted cheese.

Heaven on a plate.

These are not as common on the menus of Southern New Mexico and I haven’t had one in a long time. I hopped right on ordering this and giggled with anticipation.

I’ll save the suspense, it was galldang delicious. (Lactose intolerance be damned!)




Terrible photo of a terrific meal.

A beautiful combination of Mexican food and Native American food, right on my plate, into my tummy, into my veins, sustenance for my very soul.

This should be the State Dish of New Mexico because it perfectly describes our blending of cultures and the New Mexican’s love of a good meal.

Of course, I was a useless lump of lard for the rest of the day after this meal. My salad-and-a-little-exercise body was quite confused but mostly pleased. A nice lunch like that makes a siesta real easy and full of nice dreams.

The next day we managed to pull ourselves up and out the door and we explored the Plaza in Santa Fe. We shopped and strolled and touristed. Because why not?

I really enjoyed absorbing everything, recharging the batteries, and remembering when these feet last strolled the same sidewalks. So familiar. So different.

When it was time for lunch my friend suggested we go to an Indian place to eat.

“India Indian?” I asked, because one can never be too sure in New Mexico. She laughed, but she was very serious. She wanted to take me to an Indian (i.e. Central Asian) restaurant in the middle of Santa Fe.

What?

No. Wait. What?

Yes. We went to a little place named India Palace and had their lunch buffet.

Ooooh damn. That was some of the best Indian food I’ve ever had. I live in the Bay Area and there are a lot (and by a lot, I mean A LOT) of good Indian food places here. And you know what? India Palace in Santa Fe, New Mexico beat them all.

I know, right? You may be saying, “C’mon, really?” Yes. Really. Sadly I was too busy shoving Saag and Paneer Masala down my gullet to stop and take a snapshot of such gorgeously delicious food.

Good eats are good eats and I sure had ’em in New Mexico. Damn, I ate well. There were a few of things I had wanted to get to while I was there and I missed out. Like good old fashioned Sangria (a restaurant in Santa Fe that sadly isn’t there anymore called La Tertulia served the best I ever had) and carne adovada, and sopaipillas.

Oh well. I guess that gives me more to look forward on the next visit? And incentivizes me to make that next visit happen very, very soon.

Side Note: I just looked at the Wikipedia page for sopaipillas.

In that entry, it says the following:

“A simple imitation of a sopaipilla can be made by frying a flour tortilla until it puffs up then cutting it into triangles and serving with honey.”

Um. No. No it can’t. No it absolutely cannot. A puffy tortilla and a sopaipilla are absolutely NOT THE SAME THING. I am highly offended it was even suggested. Mo’flicking Wikipedia full of lies and insanity.

Just. No.

Ok, let’s get back on track here. While your mind reels over that sopaipilla madness, rest your eyes on this photo of my older goddaughter’s green chile chicken enchiladas, a perennial favorite of mine. Yum!




Yes, apparently while in New Mexico, I am a hipster freak photographing my food.




Coming up next: Part IV, The More Things Change





Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app.




Somewhere In Between

Part II in a series.


Today I continue my New Mexico storytelling with Part II. I guess my short trip to New Mexico last week takes more than one post to discuss.

At four days, it was a quick trip, too quick if you ask me, and even though time elapsed fast, there was an indelible impression left upon me. New Mexico kind of does that to a person, right?

The last time I had been north of Las Cruces was in 2009, so it wasn’t that long ago, but certainly long enough ago to change my worldview.

Back then I was newly married (yay!), had endured one of the worst years of my professional life (boo!). I found myself without a job, without any leads, and a little dislocated as I learned how to be both unemployed and married. Both being something I had never before experienced.

I returned to the homeland last week on a warm Spring Saturday with almost six years of marriage tucked under my belt and a really good job that I love very much. Time really does heal wounds.

To be honest, sometimes I still feel very dislocated. Caught somewhere in between. I am a New Mexican, through and through, but it has now been almost seventeen years that I have lived in California. My god. Seventeen. Where the hell did all those years go?

So I am not really a New Mexican anymore, but I’m seriously not a Californian either. What, exactly, am I? I don’t know and that’s the problem.






(Apparently this is a long running theme for me, here’s something from the archives.)


My best friend and goddaughters were on their Spring Break and wanted to make a trip to Santa Fe. As near as I can recall, the last time I was in Santa Fe I was somewhere in my twenties. Well, that’s not entirely true. I went to the outskirts of Santa Fe in 2009 because my father is buried there, at the National Cemetery.

But that last time I had been on the Plaza? Yeeks. I was of drinking age, but not old enough to know better, certainly.

Let’s just say, it’s been a while.

Santa Fe was, well, Santa Fe. She has changed in many ways. She has not changed at all in other ways.

Of course, one of the first places I had to visit was the Loretto Chapel. I have always loved that place, from the time I was a small child to now.

I had wanted so much to get married there, I mean, I really wanted that, but logistics being what they are, it just couldn’t happen.

(I am more than thrilled with where and how we did get married in California, by the by.)

In my mind, my child’s mind, the Loretto chapel was teeny tiny and the stairs were at the very back wall of the chapel. I was pleasantly surprised to see the chapel is actually larger than I remembered, with several rows of pews behind the very famous staircase.

So of course I took an unremarkable photo of the remarkable treasure. A photo from the same vantage point where everyone snaps the shutter, from behind the worn velvet ropes. It’s a bit like the Golden Gate Bridge. It’s been done. To death. It’s hard to do it any differently than the thousands who came before.

But that’s ok. I took the photo for me. A memory. An image that I don’t have to expend a calorie trying to conjure up in my mind. I can ease my brain and rest my eyes and smile fondly to see this photo.




Copyright © 2014 Karen Fayeth

While in Santa Fe, we also went to the Cathedral Basilica of Saint Francis. Where Loretto is small, the Basilica is gigantic. Overwhelming in its proportions.

I took a lot of photos and absorbed all of my surroundings.




A bird at the base of a statue of Saint Francis and the Basilica’s rose window in the background.

Copyright © 2014 Karen Fayeth


Of course, I have a lot of mixed feelings about being raised Catholic, but that is not something to discuss here. I do try to stay away from religion and politics on the blog, though I don’t always succeed.

That said, I have always loved the iconography of the Catholic church and being raised in the Hispanic culture means all of those images hold a lot of power for me. The images are not just religious but part of our culture and folk art. It has shown up in a lot of my own work.

I have been obsessed for a long time with the image of a flaming heart and also a heart with a crown over it. Of course this is the Sagrado Corazón, found on paintings and statues and sculptures.

Being in such a beautiful space and being in Santa Fe and seeing all of these reminders of my childhood made me need to sit down. Just sit and be quiet. And think. And absorb.

My two godkids had a lot of questions for me about the Catholic Church and what some of the images mean. The Stations of the Cross proved to be a place of fear for my younger godkid, and I tried to explain that it was telling a story, certainly a sad story, but that it had a happy ending.

Meanwhile my thoughts raged with questions like, “Who am I?” and “Why don’t I know?” and “Why have I had this lost feeling for such a long time?”

Questions as unanswerable as some of the challenges posed by my beautiful girls.

I love New Mexico and inside of me something is able to rest when I am there, but to be honest there is another part of me (that has been there all of my life) that cannot rest, and needs more than New Mexico can give.

The only place that I truly know is home is anywhere The Good Man happens to be. That, I think, was my best comfort while the thoughts and feelings swirled like an eastern New Mexico tornado through my brain.


Part III: ¡Comida! There is Indian and then there is Indian




Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. The Loretto staircase was taken with an iPhone5 and the Camera+ app. The little bird was taken with a Canon G10 and some crawling around on the ground.