It Works Great. Until It Doesn’t.

Over the past months I have been regaling you, my loyal reader, with tales from the rails as I find myself commuting several days a week on the Bay Area Rapid Transit, colloquially known as BART.

I study timetables like a monk, leap tall staircases like a superhero and have learned which seats face forward for the ride (good) instead of backward (nausea).

I got this. I so got this. I am a commuter! And I have to say that for all the complaints and issues and bad press BART takes, they really do run a pretty efficient system.

Well. Most of the time.

Today was one of those outlier days.

Seems the San Francisco Police Department was alerted to a suspicious package at the Powell street station and thus all BART trains were brought to a rapid halt.

Not so much rapid transit as rapid sit there and wait.

I was further down the peninsula when this closure came down, so we sat at one station for about ten minutes. Then we advanced to the next station and waited about fifteen minutes. Then we moved on to the next.

I thought “ok, they are just slowing traffic. No problem.”

Nope. At the 24th street station they announced “This train is now out of service, all passengers must exit the train.” No warning. No lead up to the bad news. Just “get off!”

What? I say again….WHAT?!?!

So there I was about halfway through my ride standing on the platform in a so-so neighborhood of San Francisco wondering what in the sam hell I was going to do.

I considered taking a cab to a farther station along the line, but since no trains were being allowed through the onel station, there was really no advantage to this.

So I waited.

And waited.

Finally they said that trains were being allowed through the station but not stopping.

Fine.

A train came along directly that was already full of people trying to make the morning commute (they weren’t thrown off of their train!).

All of us orphaned commuters tried to shove onto that train but it just wasn’t working. Curse words were shouted. Bodies were smashed up against each other. I briefly thought that we needed Japanese-style commuter train pushers.

Me? I balked. I stood back from the fray.

Then I got smart. I turned away from the crowd and walked all the way to the end of the platform. When the next train arrived, there was hardly anyone waiting to get onto the first car and I slipped onboard.

All in, I was only about half hour later to work than I’d intended, so I can’t really complain.

But I’m gonna anyway. Ok, maybe not too much. In hindsight, throwing us all off the train seems like a bad idea. I think they took the train out of service in order to try to make up schedule time.

And the yo-yo who left the shoebox with blinking lights and wires isn’t BART’s fault.

But. Just. GRRRRR!






Image from SFGate.com.




On The Wrong Road

This morning at an hour not early enough to avoid crushing commute time travels, I navigated my old Jeep through some swirls and whorls of Bay Area traffic and found myself on Highway 80 approaching the Bay Bridge.

As I did, I was thinking about the planned upcoming visit from my best friend in the whole world, and how excited I am to see her. Been too long.

I was listening to a shuffle of whatever music is on my iPhone by way of calming my nerves when a real old song came on, one of my best pal’s faves (a Waylon Jennings tune if you must know). As often happens to me in this crazy mixed up life of mine, what I saw with my eyes was the Bay Bridge but what I wished in my heart was that I was somewhere else.

Something about the springtime makes me miss New Mexico pretty ferociously. I let some memories in and found myself landing in a place called Lake Valley and the abandoned schoolhouse where we used to go to dance. That’s a whole other highway then were I was in that moment.

All of this reminded me that I once wrote about Lake Valley so I went into the archives and pulled this post up from 2007. I had to edit it quite a bit because, well, my editing skills have improved a bit since then.

So here’s a memory. Do click on that link to the Baxter Black piece if you get a chance. He says it better than I ever could.

Happy Dancin’ Friday to you, wherever you are today.



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When memories reach up and grab you

Originally published March 26, 2007

Lately I’ve been on quite a jag of reading the works of one noble New Mexico-born left handed cowboy poet named Baxter Black.

He’s a good friend of my “adopted dad” (my best friend’s father) and I had the chance to meet him face-to-face back in college. Of course, I’ve heard plenty of his stories over the years.

I was heartened to see that my local library carried a good selection of Bax’s works. They make you smile, make you think and make you outright laugh yer bum off.

I just got done reading one of his collections of NPR material called “Horseshoes, Cowsocks and Duckfeet”.

One selection from that book is called “Lake Valley” and man oh man, that almost made me weep with homesickness. It also made me smile to know that two people, some twenty-five years apart in age, have similar memories of the same place and similar events. That’s the staying power of Lake Valley.

Back at NMSU I used to go to dancing at Lake Valley with my best friend. She’s the one who turned me on to it. Her parents used to come along for the fun because they went to NMSU too, and they danced at Lake Valley (probably along with Bax).

I remember at the dance they used to charge a family rate of $20. My fill-in dad would gather up all us scraggly college kids, blonds, redheads, brunettes, short, tall, thin, stocky and all about the same age. He’d lead us to the door, point to our gang, tell ’em that was his family, throw ’em a twenty and we’d all get in.

You know, in our way, we were (and are) family. [insert my best wistful smile right here as I miss my best friend for like the hundredth time today, already]

The way Bax describes Lake Valley in his writing is just how I remember it. When I was dancing, it was with a band called The Rounders and they played the old songs. What a talented group, The Rounders. They even played at my best friend’s wedding. Now THAT was a party.

At the end of this post is a photo I found online. It’s how the schoolhouse used to look when it was still a school. Ok, imagine that, but with no desks and a lot more years on it. That’s pretty much how I remember. See that riser there at the end? Where the teacher would sit? That’s where the band would play. It was a long narrow room so we had to dance in a long oval. Like Bax said, as we danced, the floorboards would give under your feet and they weren’t particularly even and a few nail heads were popped up, so you had to mind your feet. But oh it was a hell of a good time.

I’ve never felt quite so free, happy and in touch with the simple easy joys in life as I did dancing at Lake Valley. I miss the feeling of flying I’d get dancing a polka with my very tall and very dear friend Larry. I loved the camaraderie of wrapping arm around arm and doing the Schottische and Cotton Eyed Joe (“stepped in what?”).

And, as Bax said, when the band took a break, we’d all migrate outside to cool off and dip into someone’s ice chest for food, beverages and the telling of a few good stories.

We were all community then. We were bound by our heritage and our lives in New Mexico. Under that bright moonlight we were all inextricably connected, and it felt so right.

Ah the memories. If I let ’em, they’ll take over my whole day.







Image from Living Ghost Towns.




What a World

I had a really good day yesterday. An exceptionally good day. Really top notch, if I do say so myself.

I belong to a group of professionals who do the same kind of work that I do. Internet modesty causes me to decline to state. Suffice to say, it’s not like I’m a part of the Action Hero Institute or Society of Scientists Doing Cool Stuff. For the sake of ease of this post, let’s call what I do paper shuffling.

This group has some meetings and they fund their cause by offering training courses in the various aspects and disciplines within the paper shuffling profession.

A few years ago they put out a call for instructors and I threw my hat in the ring. Back in 2010 I conducted my first training class, a four hour session. This was my first time teaching a course and 80+ slides and four hours of talking seemed daunting. I was as nervous as I’d been in a long time (pit stains reminiscent of passing my boards for my MBA) but I ended up having a really good experience.

Recently, the Paper Shuffling Professionals of America asked me to come back and teach again. I agreed and that queasy nervousness set in right away. I pulled up the PowerPoint deck I had used back in 2010 and said aloud, “hey…this is pretty good.”

I had a class of fifteen souls yesterday who actually paid money to listen to me yammer on for four hours about the art and science of paper shuffling.

It was such a great group, though. They were fun and interactive and even seemed to laugh at a good portion of my humor. Teaching the class didn’t give me pit stains this time, the hours seemed to fly. I ended the class energized as all get out and walking about half a foot off the ground.

I felt, dare I say it, very proud of myself.

As you’ll recall from this blog, I’m the girl who once, as a child, had to have a doctor extract a piñon nut I had shoved up my nose.

I once got a dime up there too. My big sister was able to get that out before the folks caught wind of the situation.

I’m the girl who was following my big brother on a hike in the mountains of Cuba, New Mexico and was trying so hard to keep up that I ran smack into a tree branch and scratched my face.

I’m the girl who wrapped a rubber band around the end of my nose. In the hour before I was to attend a ballet class. How was I to know it would badly bruise and I would be mocked mercilessly by those prissy ballet girls?

In college I once got so lost on the Border Highway I had to go to someone’s home and knock on their door to ask for directions back to Las Cruces (pre-mobile phone days). This was at night. I am still amazed I didn’t get shot.

I cannot add a column of numbers in my head. I cannot tell you which direction is north (I could do it when I had the Sandias as my guide). I often drool when I sleep. I am prone to cursing like a sailor.

And most recently, I am the girl who, just before leaving the house to go to teach a training class, used the rest room and as I flushed I also manged to drop my keys in the toilet. Big important teacher woman leapt into the bowl and held on to them for dear life as the waters rushed by (thankfully it was only a #1 bowlful).

And yet, the Paper Shuffling Professionals of America wanted me to teach a class, and worse yet people paid good money to listen to what I had to say.

What a world, what a world. Who would have thought all my years of hard work would erase my beautiful dorkiness. If only for a moment.






Photo found on The History Bluff.




My Awkward Little Canvas

At the end of last month, I attended an artist’s salon hosted by my mentor and photography teacher Marty Springer. At these monthly events, a group of photography students and artists come together to review each other’s work and provide feedback and critique.

The ticket for entry is that you bring a printed photograph for review.

I’ve been feeling pretty unartistic lately, so I went to the salon, but I was unable to bring a print (long story involving the horrific lack of possibilities for serious photographers to have their work printed) and endured the mild chiding from my mentor.

We went forward and had a really good session. The people in this group are fantastically talented.

As we wrapped up Marty issued us a challenge. In addition to teaching, mentoring and being a well-paid professional photographer, she also curates a small gallery at a local public library. This is the venue where we have our annual photography show, and the rest of the year the gallery hosts all manner of art pieces including photos, paintings, mixed media, quilts and more.

Marty told us how she had booked an artist for a show to span the month of February, but he had shown up with all of his pieces so poorly and cheaply framed that they fell off the wall moments after she had hung them. The artist didn’t have the desire to fix his errors, so Marty was left without a show.

This was Sunday night and the show was due to open Thursday.

She told us she wanted to go ahead with an exhibit and we were all invited to contribute. Something was going up on February 1. She spoke to us about February and celebrating Valentines, but more than that, Marty wanted to put a show on the walls that was about love and about healing.

In the wake after the very tense election and then the horrible tragedies in Sandy Hook, Colorado and Oregon, she wanted to have a show that wasn’t all lacy Valentines and light, but something that showed love and strength and healing.

She asked us if we were up to the task. Turns out we were.

I had an immediate idea for a mixed media piece that had been simmering in my mind for a while and seemed perfect for this show. I asked if mixed media was ok since most of the pieces would be photography. She told me not only was mixed media welcomed, but encouraged.

That night I came home, pulled out a blank canvas and gesso’d it (to dry overnight) wondering just how in the HELL I was going to get this done in time. At that point I was two weeks into a new job and still adjusting to a pretty long commute. My hours of free time for working on art were pretty severely limited, but I wanted to try.

This meant I had to edit myself A LOT. I guess watching all the seasons of “Project Runway” had put that thought in my head. “Edit yourself,” I kept saying as I wanted to add more, embellish more, get more complicated and advanced in the few hours I had to complete this piece.

If I was going to make it in time, this needed to be simple, quiet and powerful.

On Wednesday night, only two days after I started the piece, I turned in a mixed media canvas with glue and varnish still a bit damp. My mentor gasped and danced a little when she saw it.




It’s a bit hard to see, but the canvas is actually ripped through, then closed up with thread and staples.


I was so very unsure about turning in this piece because it felt a little…intimate…to be sharing with the world. There is a lot of me in that canvas. Also, other than a county fair a couple years back, I hadn’t exhibited any of my art pieces and showing my creations to anyone other than The Good Man makes me a bit shy.

As I handed it over, I could only see all of the many errors I needed to fix. If only there was time. My nerve began to waver, but I relinquished my canvas to my mentor with the belief she’d find the right place for it in her exhibit.

This past weekend The Good Man and I finally got a chance to get over to the gallery to see my little humble canvas. I almost cried. She found a great spot for my piece and it flows into the show really well. It both stands out and blends in.

It is so very gratifying to see my little mended heart hanging proudly on a gallery wall.




Side note: No wonder the cartoon I posted for Valentine’s Day got to me so deeply! This idea of a broken and repaired heart has been on my creative brain for a while now.

Much gratitude to The Good Man, the great State of New Mexico, The Crafty Chica for the inspiration and know-how.

Photo and canvas are both Copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Photo taken with an iPhone5 and the Camera+ app.




The State Of The Heart Address

This was shared yesterday on my Facebook, but all day yesterday and today I keep coming back to it.

It makes me smile and a little weepy and as I shared on FB, I sent it to The Good Man and thanked him for bringing the scotch tape and band aids. I used to hate Valentine’s Day but now I kind of like it.

Happy Valentine’s Day. May you have someone’s hand to hold when the wind gets a little gusty.








Image found on icanhazcheeseburger but is actually credited to zenpencils.com