Category: art

Not Really So New

Welcome to the sixth day of the year 2015 but only my second day back at the ol’ place of work.

While technically the first of January is the first day of the New Year, it doesn’t really feel like the New Year has begun until I go back to work, i.e. get back into the “real world.”

My employer is ever so kind in that they shut down operations from December 24 through January 1. That means with a little planning and a little curation of vacation hours, I can eek out full two glorious weeks away from the office.

I look forward to this two-week break from work all year long.

All. Year. Long.

In my career, I’ve rarely taken two weeks of regular vacation time, so these two weeks at the end of the year feel beautifully indulgent.

My first priority for the break time is to sleep. Nap. Sleep more. Rest and then do nothing too taxing on brain and body. That usually lasts about three days then I’m rested and raring to go.

The rest of the break time is spent with family, exploring the world with The Good Man, cleaning up my home office/studio and working on creative projects.

I find I’m able to fully and completely forget about work and live the dream of a creative life. Sleep until my body is rested, rise and work on creative projects, fill my head with creative inspiration and plan forward for the projects I want to work on in the coming year.

It’s a beautiful place to be, a place I’d live all year round if those darn lottery numbers would just break my way. It feels solid and satisfying and clean and pure.

And then sixteen days of being my own boss pass too quickly and Monday, January 5 arrives. I have to figure out how to get back into the flow of “regular” life. I have to metaphorically merge into speeding traffic with no running room and only two of four cylinders in working order.

Yesterday was that day. Yesterday I woke up with the help of an alarm clock (bleah, sixteen days of no chirping alarm was REALLY nice) and sat up in my comfy bed, bleary eyed and lost.

I tried hard to find the muscle memory to rise, to make some breakfast, to put on some clothes, where is my work badge?, move out the door and get to work on time.

When I arrived at the office it was all too familiar and all too unfamiliar.

It felt like I had changed. I was a different (and better) person as I swiped my badge and entered the office. Then I realized that work had not changed.

I came to my own little gray cubicle and there was all of my same stuff I’d left behind, but it looked alien.

The laptop machine asked me for a password and I had to think very hard about it. Took a couple tries at it and finally remembered.

Have you ever seen baby ducks when they are following their Mama Duck into the water? It often looks like this: Mama slides effortlessly into the water and her eight to ten ducklings slip, slide, belly flop, and unceremoniously plop themselves with a splash behind her.

For a moment, the water crests over the top of their head, then the ducklings one by one pop to the surface like popcorn and start swimming.

It was very much like that yesterday. I fell uncoordinated and perilously off the vacation ledge into the bracingly cold pool of work. I grasped for stability for a little while and then I found my feet and began to paddle. By the afternoon I was moving more or less in a forward manner.

So that’s the New Year. A little bit new, a lotta bit old. I suppose all of the inspirational quotes are true. It’s up to me to make 2015 a really awesome year.

Forward into battle! *splash*cough*splutter* Okay. Now, here we go.




“Hoooooly craaaaap”





Image found here.




Tell It Like It Is

Over the weekend, after another rough week at work, The Good Man and I found our way to the big main branch of our city’s library. It was like an awesome haven from the mean old world.

I immediately found my way to the fifth floor where they keep the art books. I needed an infusion of art and creation in my life to erase the financial and business blues of my workweek. I decided I wanted to look at some Frida Kahlo prints. I am a huge fan of Frida.

As I plucked a slim book of her paintings off the shelf, I found another small book hiding behind it. It was a book of letters written by Frida to her friends and family.

I love reading old letters. You learn a lot about who a person was (or is) by reading their handwritten letters.

I had always thought that Frida was so strong, powerful, fierce and uncompromising.

Boy was I wrong. Through her letters, I found her to be very sweet, quite insecure, and almost childlike.

She often would write letters to friends and ask their advice on big life decisions. For example, at one point her husband, Diego Rivera, had a terrible infection in his eye that had spread to the side of his face. She asked a friend, a fellow painter, if he though she should take Diego to New York to see American doctors or stay in Mexico and take the guidance of Mexican doctors.

Now that seems like a pretty big life crisis, something you would want to decide along with your husband and instead she was soliciting, nay begging for, the advice of a friend. She actually did this quite a lot, begged her dear friends to tell her what to do.

I found that so counter to the fierce woman I see through her paintings.

And then, over time, as she got older she did seem to become a lot harder edged. A lot more sarcastic and passive aggressive.

Clearly the philandering ways of her husband and his over bearing need to be controlling had taken a toll on her psyche.

That and years and years of immense pain in her spine, leg, and foot, all massively unresolved injuries from an accident in her teens.

Her physical and mental anguish become so forceful, it drove a little bit of the lightness out of her words. She became more bitter. And so maybe that is the Frida I came to know, the rough around the edges and hard woman who had been hurt too much.

But even then, as I understood how she could come to be that way, I was a bit shocked to read (in the book) a quite long essay that was to accompany an exhibition meant to honor Diego Rivera.

I came across this section and burst out laughing. I mean, wow.

Here, read it and see what you think. She is describing Diego’s physical form from many angles. In this section she refers to his chest:

“Diego’s chest — of it we have to say, that had he landed on an island governed by Sappho, where male invaders were apt to be executed, Diego would never have been in danger. The sensitivity of his marvelous breasts would have insured his welcome, although his masculine virility, specific and strange, would have made him equally desired in the lands of these queens avidly hungering for masculine love.”

Um. Did she just say her husband had moobs? Cuz I think she did.

In another section she describes seeing him naked as looking something like a child frog. Paraphrasing here, she said that his skin takes on a greenish tone and is pale under his clothes and only tan in his face and hands.

Yeah. Green moob guy. Awesome.

This was, I’m sure, taking a bit of her own pound of flesh from him for the years of unkindness. And also a bit of the ol’ anti-bourgeoisie taking the piss out of what might have been a flowery ode to her husband.

I’ll tell you what, that image is sure going to stick with me for a while.

Actually, the whole book will stick with me for a while. The letters so quaint, so childlike and such a deep glimpse into one of my creative heroes. Quite something.

Oh, and she liked to invent words of her own. My favorite was when she would refer to her life or other things that were not working out as expected as fuc-bulous. Oh yes. I can use that. I may have to adopt it myself.

Next up, I have on my bedside table a book of letters by Vincent Van Gogh. He was quite prolific in his letters to his brother, and it is a thick tome. I am both wary and excited to dip in.





Photograph by Martin Munkácsi





Image found here.





That’s The Thing About a Memory

Ya know, the ol’ brain, she ain’t what she used to be. Let’s be honest, my memory always was more of an old gray mare than a fast running thoroughbred.

Over the weekend The Good Man was going through our bag of bags (I’m pretty sure everyone has a bag of bags, right? The place you store plastic and paper grocery bags for reuse) looking for just the right fit for the job he had in mind.

He pulled out a plastic bag that had travelled its way from Amsterdam to California that was just the perfect size. He said, “Oh? Are you okay with me using this bag or do you want to keep it?”

I said, “Nah, no need to keep it, go ahead.”

He opened it up and in the bottom found a paper receipt that he handed to me. “You probably want this,” he said.

The receipt looked a lot like this:





Hmm. One Euro. What the hell did I pay one Euro for in Amsterdam? I found that country to be pretty darn expensive and don’t recall anything costing just one single Euro.

It’s from the Van Gogh museum, so that’s a clue.

I was really stumped. My mind slipped into the Swiss cheese hole full of nuthin’. I had zero recollection. For a moment I thought it wasn’t even my receipt, that maybe I had inadvertently picked up someone else’s.

And then…dull like the backside of a piece of foil, a light came on.

I saw the description “kids juggling Van Gogh” which brought many hilarious fictional images to mind, but then that confused me even more.

I had to work at it. Sweat it a little bit. Strain the brain tendons.

Ah! Yes! I remembered! A forgotten moment. The synapses reattached and the focus ring turned and I could see it clearly.

Me, in Amsterdam, on a rainy Monday. It was late afternoon and the Van Gogh museum was closing. I had prowled all four floors, hungry to see everything. I actually toured it twice. Bottom to top and then top to bottom. In the last thirty minutes of museum hours, I went to visit all of my favorite canvases one last time, like saying goodbye to cherished friends.

On the way out, visitors are forced through the gift shop and as doors were locking, I made a hasty and impulse purchase. A funny card made for kids picturing a stylized Vincent Van Gogh juggling paint blobs. It made me laugh, so I took it to the register.




Image copyright belongs to the Van Gogh Museum Shop

The cashier said “That will be one Euro.” Through bleary jet lagged eyes, and too lazy to put on my reading glasses, I held up a coin. “Is this one Euro?” I asked.

He smiled as he might to a precocious child. “Yes. That’s a Euro.”

I held up another coin, “That’s a two Euro, right?”

He smiled again, “Yes, ma’am. The larger coin is two Euros.”

“Okay, thanks. Here you go,” I said and dropped the one Euro coin into his hand.

Then I reluctantly left the museum, a place I could live, and walked out into the Amsterdam evening. I was overwhelmed with all I had just seen in the museum, hungry, tired, lost and pretty calm. I was filled to blissful capacity with art and creativity and color and joy.

I found a bench on the edges of the Museumplein, a gigantic green park in the heart of Amsterdam, and sat. And watched. And listened. And did what became my most favorite thing to do in Holland: people watch.

On this most recent sunny and muggy Sunday in California, I remembered the noisy but pleasant park, watching the funny multicolored crows hop around, feeling my own bones weary from jet lag, and the unmistakable sense of peace.

It was a nice memory. One that had slopped over the side of the brain bucket and almost got away. Now retrieved, embedded, made solid.

That’s the funny thing about memory, it runs like quicksilver, but catch it, hold it in your hand long enough to let the synapses meet up, and you have something tangible.

I had forgotten my one Euro moment. Thanks to a paper receipt at the bottom of a plastic bag, now I’ll remember it forever.




Winning Is Like…Better Than Losing

Now that I have been a member of the photography club at my place of employment for just over a year, and have been attending meetings and listening hard, I think I maybe kind of sort of have earned a teeny tiny bit of respect.

Because this month, both of my submissions for the monthly photo contest made the cut. BOTH!

The rules each month are that you get to submit two photos. We review and critique all the photos in our monthly meetings and then there is an anonymous voting app we use. When votes are tallied, the top four vote getters are published internally at the company.

So yeah baby! I have had one of my photos make the cut before, but never both. It is a little unprecedented. Woo hoo!

The theme this month was double exposure and my two prize winning photos are below for your perusal.

The first one feels really special to me. I took both of the photos in the image while I was in Dublin. It was at the end of my one lone day of tourist time after an intense week of work, and I had walked for miles. I was exhausted and it was raining like it only can in Ireland.

Tired and soaked to the bone, I was bound and determined to find this sculpture of Oscar Wilde. This was after I had stood in a very long line (in the pouring rain, a nice lady shared her umbrella) at Trinity College to see the Book of Kells. That exhibit was exhausting in itself. Way too many people jostling around.

The park where Oscar resides is about half a mile from Trinity college and I wasn’t sure I was going to make it. It was driving rain and windy and I was so tired that a nice warm cab looked like a good idea. I stopped to rest twice on the short journey, but forced myself to keep going and once I arrived at the park I was glad I did.

The small, lush, green Merrion Square park was silent as I stood there getting drenched looking at this remarkable statue of Oscar Wilde. A small tour group came by and the tour guide said the artist sourced these incredible and colorful stones from all around the world. It is a beautiful statue and so unique as it reclines on a rock.

When it came time to figure out something to use for double exposure, I thought of this statue and of the very old books I had seen at the Trinity College library (I had watched a video about the method used to bound the tomes and was endlessly fascinated).

Using some tools I had learned in a recent photography class about overlay for textures, I fiddled around in Photoshop and came up with this:

Title: Author


Photograph Copyright © 2014, Karen Fayeth



I was unsure if the photographers in the club would find the image too discordant. It’s almost jarring, but I love it. It’s hard to photograph a statue and have it be anything more interesting than a photograph of a statue. This to me brings depth and texture to the photo and I am so happy with the results.

The other photo I submitted was something I had been visualizing for quite some time.

As I continue to hear all of the news reports about the drought here in California, I was pleasantly surprised that the lack of rain didn’t halt the springtime explosion of California wildflowers. I am mildly obsessed with California Poppies (the state flower) and I love the yellows, reds and purples of other flowers growing in medians, between sidewalk cracks and at the edges of yards.

I picked several of the flowers and shot them using a technique I learned from photography master Harold Davis. Then I took a free stock image of textural dry and cracked ground and combined it with my flower photo. When I look at it, I think of many things I could (and should) go back and tweak, but so far this photo is garnering nice attention.

Title: Drought


Photograph Copyright © 2014, Karen Fayeth


When submitting both of these photos, I wasn’t sure how my surly team of scientists would respond. Both of these photos are kind of arty, but they also show I have some Photoshop chops, and I think they liked that. They had a lot of questions for me on technique since I used a different approach for each photo.

Also, I think the club as a whole struggled with the idea of double exposure. It’s too messy for their orderly minds. I had a film camera in high school that I liked for making double exposures. It can either look weird or really cool. Doing a double exposure in Photoshop gives me more control over how the two photos overlap and how the double exposure looks, and I like it.

Anyhow, thought I’d share my winning photos with you.

Next up, travel to Amsterdam. Wonder what treasures I can find to photograph there?






Both images, Copyright © 2014, Karen Fayeth. Shot with a Canon G10 and combined in Photoshop. Stock image of dry ground from Free Stock Textures.




The More Things Change

Part IV in a series.

There are a lot of times during my days, walking through this world, where I have small flashbacks or quick images that come into my brain. Not a hallucination, just a snapshot of a moment or a place or person.

A lot of the time the photostream of my brain shows me something about New Mexico. Some little atom or quark that is a building block of who I am. Meant to ground me, I think.

One image that seems to show up on rotation is being in either Old Town Albuquerque or at the Palace of the Governors in Santa Fe and buying beautiful handmade jewelry from the Native American artisans who display their wares on beautiful blankets.

Heck, in the early days (like the 1970’s) you would also find Native American artisans selling beautiful jewelry at the airport in Albuquerque. This was well before anyone called it a Sunport.

On this trip I made to Santa Fe at the end of last month, one thing I definitely wanted to do was see the Palace of the Governors and visit the row of Native American artisans with hand woven blankets laid out, selling handcrafted jewelry. I can remember being a fairly young kid and negotiating for beautiful pieces of silver, turquoise and coral.

The one moment I remember most was being something like nine or ten and using my allowance money to buy a really pretty green malachite ring set in silver.

I remember that the artisan was dressed in traditional Navajo clothing with her hair wrapped in leather and a huge and gorgeous turquoise bracelet on her arm. She either didn’t speak much English or chose not to. She was quite stoic, I recall, but I had watched my mom buy jewelry so I emulated her way, right down to the speech pattern.

I found the ring, tried it on, and liked it very much. I caught the artisan’s eye, held up the ring and asked, “How much?” I think she said ten dollars. I replied, “Would you take eight?” and she nodded. Thus, I now owned a beautiful handmade silver ring.

I wore it for many, many years.

In fact, I still have it.

This is it:




The ring is so tiny, it barely fits on my pinky finger. As you can see, the stone has a small nick. I really did wear this ring everyday for a long time. I loved it. I still love it.



So on that sunny Spring day on the Plaza a few weeks ago, after stuffing ourselves to the gills at the India Palace buffet, I was ready to walk around and my best friend and her girls were ready to sit.

They found a bench in the bustling center of the Plaza and I walked with purpose to the line of artisans with their creations on blankets.

My heart raced a little because I was excited. I mentally calculated how much cash I had on hand and what budget I would allow. I love beautiful silver and turquoise jewelry.

I had heard a few years back that there was some controversy about people who were not of Native American heritage selling jewelry on the Plaza, so I wasn’t sure what I expected.

I was pleased to see that indeed, the majority of the artisans seemed to be Native American. They wore modern dress, but the look, the speech pattern, the very vibe of the artisans let me know these were my New Mexico Native people, and I was happy.

As I walked down the row, I became less happy.

The quality of the jewelry I saw was not what I had hoped. The beautiful hand crafted chunky silver and turquoise, coral, jade and malachite jewelry had given way to items that were cheap looking, manufactured not handcrafted, meager and not bold and beautiful.

In some cases, I half expected to pick up a piece and see a stamp showing me it was manufactured in another country.

To be honest, not even the blankets seemed to be handmade. The image, the memory, it all looked the same as I crossed the street, but under the adobe and vigas of the Palace, everything really had changed.

On the plus side, I noticed that the artisans were very friendly with all of the tourists, inviting them to pick up pieces and try them on. Asking where they were from and how they liked New Mexico. The stoic artisan seems to be a thing of the past as I’m sure being a bit friendly sells more items. Even as I type that it feels a little like selling out.

So there was a plus and a minus to the experience. I ended up buying a pair of earrings from a vendor across the street on the plaza. They are small inexpensive dragonflies and I hold no illusions that they are genuine Native handcrafted.

I walked away a bit depressed and I remembered that I get a catalog from Southwest Indian Foundation, and they call the style of jewelry that I love “pawn style.”

Pawn style. There were some people that I knew who got really amazing deals on Native American crafted jewelry from the rows and rows of pawn shops in Gallup and other New Mexico towns. I never did that. I shopped a few times, but couldn’t get over the sad feeling in my gut. These pieces of jewelry were given up because someone needed fast money.

As I made a loop around the Santa Fe Plaza, I saw a shop that claimed to have old pawn jewelry, so I went inside.

They weren’t kidding. Inside the huge retail space half of the store was quite literally filled with pawn jewelry. The shop buys dead items (meaning the time has expired and no one was able to come back and claim the pieces) and resells them.

Resells them at a gigantic markup.

I found a case full of earrings and at a quick glance found three pairs that I either own the exact pair or something very, very similar.

Earrings that I know I paid somewhere between fifteen and forty dollars for were now marked anywhere from $125 to over $200.

I felt a little sick to my stomach. On the one hand I thought, “Hell, I should get out all of my old jewelry and sell it!” and of course I knew I’d never part with it. On the other hand my heart broke as progress has to come to all things, even Native American jewelry.

In my personal collection is my mother’s stunning New Mexico Native American handcrafted squash blossom necklace. Would I ever sell this? Hell no.




This is a really profound piece of jewelry. My mother often wore it and she was always beautiful wearing it, too. The turquoise is quite rough and each individual squash blossom is different, to match the stone.


But I wish I could have strolled the Palace of the Governors and seen pieces more like that chunky squash blossom for sale. The product of training, silversmithing, craftsmanship, and a deep Native American tradition.

Alas no, like that hammered tin clock that used to hang over the Albuquerque Airport, my memories are only nostalgia. Museum pieces. They no longer represent what is meaningful for today’s children growing up in New Mexico.

I guess I understand now. Sometimes as a kid I used to jokingly say that New Mexico was forgotten, wasn’t important, backward. Now I know it really was something good. I got to grow up in a beautiful culture and a beautiful state that is like nowhere else in the world.

I am hardly the only person who has ever come to realize this about the time and place that they were born and raised. It’s a common lesson. You really can never go back. I can be in New Mexico again, and I can love it, but it’s never going to be what I hold in my memories.

That hurts inside. I yearn for something that doesn’t really exist anymore, except in my mind and have to find a way to be okay with that. As of today, right this moment, I’m not okay. Not yet.

I suppose the answer is that I need to spend more time back home in New Mexico. I have to learn to know what she was once and love her as she is now.

It’s my failure that it’s been so long since I was back home. I hope to improve a lot over the coming years.

There is so much I know about New Mexico, and so much I have left to learn.



Up next, the conclusion: Part V, The Roots of My Raising Run Deep






Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app.