Ella Knew Before We Did

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Yesterday the masterful local DJ Miles Green served up a Zoom session that brought both hope and healing.

The theme of the day was optimism with music from mostly female artists to honor Women’s History Month.

Miles opened the set by saying, “We gotta get off this Zoom and get back together.”

Too right.

Interwoven with amazing rump-shaking throwback songs, from out of nowhere that singular voice of Ms. Ella Fitzgerald glided into the mix.

She sang the lyrics:

Zoom zoom zoom zoom
The world is in a mess
With politics and taxes
And people grinding axes
There’s no happiness

I almost came out of my chair. What did I just hear?

Wasn’t I lamenting Zoom fatigue just two days ago?

That’s right, friends. Ella knew it before we did.

Written by the Gershwin brothers, their recommendation from 1937 to slap that bass as a path to feeling better remains solid. And valid.

Slap that bass
Slap it till its dizzy
Slap that bass
Keep the rhythm busy
Zoom zoom zoom
Misery, you’ve got to go

So zoom zoom, my work-from-home weary friends.





Ella Fitzgerald – “Slap That Bass”





This item can also be found on Medium, and you can see more of my work @karenfayeth over there

Save the Ears, Save the Girl

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Learning to manage my audiophobia

 

Photo by Jaee Kim and found on Unsplash

I remember following my mother into a large department store in the Winrock Shopping Mall in Albuquerque, New Mexico. As the doors opened, I winced before stepping inside. I shuddered and pulled at my mom’s hand. There was a high-pitched noise and it hurt my ears. I mean really hurt.

My mom didn’t know what was going on with me on that particular day, but after it kept happening, she figured out that the security alarm in the store gave off a noise that most people couldn’t hear, but I could.

I’ve always had sensitive ears. I like to blame it on the fact that I had a lot of ear infections when I was a baby and toddler, but maybe that is counterintuitive. As an adult, I had some ear issues and when an ENT looked deep into my ears they reported that I had a small scar on one of my eardrums. Likely due to all of those ear infections.

Then the doctor looked at my hearing test and commented that I have strange hearing. I hear very well at the very high end and at the very low end, beyond to so-called normal range, but my hearing in the mid-range is far less acute.

This personal auditory feature was endlessly annoying to the musician I once dated. I would pump up the bass and treble on my cheap aftermarket car stereo and drop the midrange. It sounded better to me. He was constantly fiddling with the equalizer to suit his ears dulled by years of standing in front of a guitar amp turned up to eleven. As soon as he exited my car I’d set it back.

So to put it blunt terms, I have weird ears. I always have. I figured I would lose hearing capacity as I aged, and I do think that has happened some, but I still have ears like bat. At my, ahem, advanced age I can still hear those so called “mosquito” tones aimed at shooing away teenagers.

This also means that I have to manage my ears, which has come to my mind lately due to working from home every day and spending four to eight hours a day using Zoom. I share a space with my partner, so I have been using a good pair of in-ear headphones for the many, many Zoom meetings I attend each day. Those in-ear devices fit right up in there. Piping the sounds of Zoom very efficiently and forcefully to my eardrums.

At the end of last week I hit an audiophobic wall. After participating in a lot of work meetings it felt like my head and nerves were jangled. I found it hard to concentrate. I found myself restless. I found it hard to understand and respond to simple questions asked by my partner.

My immediate reaction was to chalk it up to stress, anxiety, and fatigue. And that is not completely wrong, but there was something more going on. I realized that my ears, my tender little ears, were overstimulated. I had hosted my coworker’s voices all up in my head all week long and I couldn’t stand one more sound agitating the cilia. Not one more.

Going outside and sitting in the sun for a little while helped. My neighborhood was gracious in its momentary silence, providing a sliver of peace. I could hear the birds in the trees. I could hear the unmistakable “toot toot” of a BART train in the distance. And I could hear no human voices. It was nice. More than nice, it helped me regain some sanity.

I realize that Zoom meetings aren’t going away any time soon, and my ears aren’t changing anytime soon either. Better managing these adorable little audio problems on the sides of my head is going to be key.

A new set of over ear and noise cancelling headphones has arrived. Switching the types and timing of using each kind of headphone is being considered. Finding time to rest my ears at the end of the day is also being planned.

Next, I need to figure out these hips joints that are tired and cranky from sitting in a not terrible chair in front of a Zoom screen all day long.

I love working from home, but it is not without some costs. Zoom fatigue is real.

This item can also be found on Medium, and you can see more of my work @karenfayeth over there

I Went to a Hipster Dentist

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 And I’ve never felt more like George Washington



This little bit of goofiness was written in response to a satire writing contest and I must have been in some sort of weird state of mind. I had a lot of fun writing it. My story didn’t go anywhere in the contest, but it found a home on Medium and I wanted to share it here.


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Photo by Nathalia Belfort on Unsplash

After working four years and six months at my Angel Investor-backed, cash-infused, market-disrupting employer, I finally qualified for benefits. Whew! I know, I know. As far as unpaid internships go, that was on the short side.

After unironically eating too many Flintstone gummy vitamins from the company breakroom, my back tooth started to ache, so I found a company plan-approved dentist in the rapidly gentrifying part of town.

Okay, it was the only approved dentist, but no matter. I have insurance!

Well, color me delighted when I arrived at Dr. Ethan’s one-room office in the backroom of a nail salon and was greeted by the sight of so many archaic dental implements scattered about. What a collection!

Never in my wildest dreams did I think he’d actually use the hand drill on me. But he did. Without novocaine.

 

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An illustration of dental keys for tooth extraction from Savigny’s catalog of surgery implements, circa 1798, and found here

I guess the screaming upset the mani-pedi customers, so Dr Ethan handed me a half-empty fifth of gin and an old Iomega at Comdex giveaway stress ball to squeeze. It was all very Old West and I feel honored to be a part of the vintage dental ways.

I can’t believe people actually lived through this! I bet my brother — the one with good job — has never experienced anything so cool.

After the rotten roots were properly canal’ed, Dr Ethan offered me a wide range of replacement teeth in many colors, none of them white and porcelain.

Oh, I could have chosen a gold tooth (not covered by insurance), an amalgam of something toxic and something radioactive (also not covered by insurance), or a nice assortment of wooden teeth.

I don’t know if it was the gin or the blood loss, but I was pleased to have the chance to choose between a knotty pine, a beautiful mahogany, or a nice hard teak.

Well, I chose mahogany that day and haven’t looked back. Sure, the varnish is seeping into my salivary glands and small splinters of tooth fly off when I eat oatmeal, but I am now the coolest, most throwback guy in the office. I can hardly wait for the next tooth to rot out of my head! And for this infection to go away.

The only downside: My urge to chop down cherry trees has never been stronger.

This item first appeared on Medium, find more of my work @karenfayeth over there

Every Picture Tells A Story

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The Story is in the Eye of the Beholder

 

Photo by the author, ©2019 Karen Fayeth

My photography teacher and mentor holds regular photo review sessions where we, her students, come together to show our photos and receive feedback from the group.

The rules are that we show our photo but stay silent. The photographer says nothing while the audience to reviews it, forms their opinions, and then provides feedback. Once feedback begins we are allowed to answer questions but the preference is to stick to the aspects of the photo and not stray too far into the backstory of why, what, or how.

Our teacher learned this from her own mentor, the legendary Al Weber. It was how he worked sessions with his students.

There are plenty of juicy quotes out there in the world about how a photo should tell the story without further explanation. How the photographer should say what they want to say visually and refrain from adding more explanation.

I understand that view and don’t entirely disagree. In a different photoclub meeting a few years back, I had quite a spirited debate with a fellow photographer who insisted that the technical aspects of the photo were all that mattered and “telling a story” was unimportant.

I insisted that a photo that doesn’t tell a story is boring. We agreed to disagree.

His technically superior landscapes remain astounding in their quality and dull in aesthetics. My photos have something to say, but are technically imperfect. Both of our photography styles are relevant and fine. The artist makes their art as they see fit.

You see, I’m an unapologetic logophile — a lover of words. I’m a storyteller from birth and when I look at photos, I like to hear what the photographer has to say about how and why they took the photo and what it means to them. I find sitting in silence a challenge when I’m so creatively inspired by my peers.

Also, the story a viewer gets from my photo may not be the story I was trying to tell. I know, I know, that’s fine. Everyone sees art in their own way, through their own filters, and that is valid. Of course.

But sometimes, like the photo in the header of this story, I want the viewer to know more. I want you to feel what I felt when I took the photo. I want it to resonate on a deeper level.

So now that you’ve seen the header photo, I’m going to tell you the story.

t was the first week of this past December and I was traveling home to California from Tennessee. My itinerary said that I would fly on a small commuter plane from Knoxville to Denver, and then from Denver to San Francisco.

Riding on the very small commuter plane gave me no small amount of pause, in fact I wrote about it here:

My Fear of Flying

Before heading to the airport, I’d checked the weather in Denver and the news was not good. Snow. Lots of snow. Here I am flying on a very small plane right into the heart of a winter storm. Due to land in Denver around 6:45pm, it would be when the storm was expected to be the worst.

I was, to put it in crystal clear terms: Freaked Out.

Snow, small plane, winter, ice, terror, tired, just want to get home, will I even make it home tonight, I don’t want to die, pleaseohpleaseohplease… Like that, swirling around in my head. (Isn’t anxiety just so helpful?)

That header photo, the one with the beautiful sunset, was taken over eastern Colorado. Above the clouds was the most magnificent view of the sunset from the plane’s large window. The roiling storm clouds gave a great foreground. The contrast of blue and orange are a perfection of complimentary colors that only Mother Nature knows how to create.

Now, let’s be honest with each other: There are a lot of beautiful photographs of sunsets out there in the world. Plenty of astounding locations, views, and colors. My photo is surprisingly clear and well-focused for having been taken through a plane window. I used a Sony Cybershot as it was the best camera I had on me at the time.

I look at that photo and I love the brilliant colors, that I managed to mostly (but not precisely) center the sun, and the clouds make it very moody. But when I see that photo, what I feel is fear.

The dark and foreboding clouds below that gorgeous Colorado sunset were a metaphor for everything I was feeling when the shutter clicked. This photo was taken at the edge of the storm, you can see the ground on the right lower side. We had not yet begun to find the center of that winter storm when this photo was taken. It still lay ahead.

I should probably title the photo “Yearning for the Runway” because as I both watched and photographed that sunset, I kept visualizing over and over in my mind a smooth landing, pleading to the universe for safety.

Turns out by the time we got to Denver there had been a break in the storm and the runways were clean, dry and perfect. We landed pretty much as I had visualized. The snow was projected to start again soon, so after a little deicing, we took off late but made it home to SFO on time and intact.

I don’t know if telling my story makes you see the photo any differently. Maybe what you see when you read the story of that photo is different from mine.

I like knowing that my photo is more than just a lovely sunset, it’s my reminder that life is both precarious and precious.

And small planes are safer than I think.

Just wait until I tell you about my photo of a deceased ladybug.

This item first appeared on Medium, find more of my work @karenfayeth over there.


 

The Gift of the White Elephant

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The Holiday Game that Highlights the Best and the Worst

 

Photo by James Hammond on Unsplash, and slightly modified by the author

“Okay, everybody take a number!” she chirps while walking around the room holding a small jute bag containing blue slips of paper with numbers ranging from 1 to 25 written in black Sharpie marker.

25 slips. 25 people. 25 gifts that range from boring, to gag, to “oh that’s sort of nice.”

I draw my folded slip and put it in my pocket. I’m in the middle of telling some nonsense story that gets a laugh from my coworkers, spinning a yarn in between sips of good red wine.

It’s the annual holiday party. It’s the boss of my boss. We are at her house and enjoying catered appetizers. Two weeks ago we were commanded to attend and to bring a $15 gift. Pay for play. “Remember, $15 is a ceiling and not a floor!”

The White Elephant is among us.

Some people love the White Elephant. Some people loathe the White Elephant. One thing is for sure, there are no set rules for playing the White Elephant’s dangerous game.

How many steals, how many rounds, what value, and what is proper etiquette depends on who is running the game. The Ring Master controls the Elephant.

My favorite annual White Elephant game is played with a group of salty network engineers. Instead of using slips of paper with numbers, they use two decks of playing cards. It lends a little gambler’s air to the proceedings.

Today it is slips of paper and when my story is told and the laughs die down, I head to the kitchen to refill my cup. Only then, alone with bottle and corkscrew, I allow myself a peek at the blue slip in my pocket.

I groan. There on a background of robin’s egg blue is the number I least wanted to see. A single dark slash on a pristine paper background.

My number is 1.

Photo by Miguel Á. Padriñán from Pexels

(I’d have shown you a photo of the actual slip if I hadn’t washed it in the pocket of my jeans in the weekend’s laundry run.)

I have been chosen to start the game. Fate has determined that I select the first gift. How the game opens sets the tone for the entire White Elephant event, and that responsibility now lies with me.

I nervously gulp red wine from the plastic cup, tannins bitter on my dry tongue.

I recalled a day several years ago when I — a confused, jet lagged, and nervous American — rode a busy commuter train between Reading, UK and London. No seats available, I stood in the packed rail car near one of two doors. At each train stop the other door provided egress onto the platform, so I felt safe by the door across the aisle.

But as the train slowed, making its approach and then stop into Paddington Station, a train car filled with intense British commuters turned to look at me. I was unprepared for my moment, which demanded that I quickly and without delay lower the window, reach outside, turn the handle to open the door and usher these good people on their way.

It was a terrifying yet exhilarating event. I’m glad to say that day in London I executed the door as well as any foreign traveler could be expected to.

I drew from that memory to find my confidence on a rainy holiday evening in Northern California. My coworkers now turned to me to open the door to a successful White Elephant gift exchange.

I doubted myself in that moment just as I had doubted myself in Paddington Station. I knew I needed to stay grounded. I needed to visualize my way through the process. I needed to control the speed of the game.

And I needed to smile genially and do my best.

When the time was right and all were seated around the tree, my number was called. I raised my hand, saying “right here” and the crowd roared “oooooooooooh! Karen has number one! This should be good.”

I slugged back the last of my cup of wine and allowed the game’s host to refill it with champagne. The bubbles were too festive for such a solemn task, and I carefully set the newly full cup down on a coaster and stepped up to the tree.

Its genuine pine boughs welcomed me under its skirts. Salt and flour dough ornaments with a child’s paint job gave me a true horizon to focus on while I got my sea legs. I paced the half circle around the tree, side to side, like a caged panther scanning my holiday wrapped prey.

“Let’s see, what present looks good?” I said aloud, encouraging suggestions from the audience in the style of Price is Right.

Finally, when I felt I’d eyeballed every present under the tree, I made my selection. A long narrow box tightly wrapped in red and gold paper. It was crisp, clean, and inviting.

Quickly I skinned the paper from the gift and found an Amazon box. Cue a round of jokes about “Does anyone shop in the stores anymore?” and “Why would we? Amazon has everything!”

I pulled at the clear packing tape sealing the box and with no small amount of trepidation parted the flaps and peered inside. Would a pearl lay inside the cardboard oyster? Or only rotten sand?

My eyes landed on the treasure that lay within and my shoulders fell. Hope died when I saw clearly the item that began our game of chance.

I withdrew it from the box and said:

“I believe I have found the gift that will be coming home with me.”

With left hand firmly on hip, I took a solid stance and raised my right hand high above my head in the style of Lady Liberty, then announced to the overhyped crowd:

“It is a Donald Trump toilet brush.”

The crowd roared and the White Elephant smiled, for it was the perfect holiday gag gift.

“And with that,” I say,

“We are game on.”