The More Things Change

Part IV in a series.

There are a lot of times during my days, walking through this world, where I have small flashbacks or quick images that come into my brain. Not a hallucination, just a snapshot of a moment or a place or person.

A lot of the time the photostream of my brain shows me something about New Mexico. Some little atom or quark that is a building block of who I am. Meant to ground me, I think.

One image that seems to show up on rotation is being in either Old Town Albuquerque or at the Palace of the Governors in Santa Fe and buying beautiful handmade jewelry from the Native American artisans who display their wares on beautiful blankets.

Heck, in the early days (like the 1970’s) you would also find Native American artisans selling beautiful jewelry at the airport in Albuquerque. This was well before anyone called it a Sunport.

On this trip I made to Santa Fe at the end of last month, one thing I definitely wanted to do was see the Palace of the Governors and visit the row of Native American artisans with hand woven blankets laid out, selling handcrafted jewelry. I can remember being a fairly young kid and negotiating for beautiful pieces of silver, turquoise and coral.

The one moment I remember most was being something like nine or ten and using my allowance money to buy a really pretty green malachite ring set in silver.

I remember that the artisan was dressed in traditional Navajo clothing with her hair wrapped in leather and a huge and gorgeous turquoise bracelet on her arm. She either didn’t speak much English or chose not to. She was quite stoic, I recall, but I had watched my mom buy jewelry so I emulated her way, right down to the speech pattern.

I found the ring, tried it on, and liked it very much. I caught the artisan’s eye, held up the ring and asked, “How much?” I think she said ten dollars. I replied, “Would you take eight?” and she nodded. Thus, I now owned a beautiful handmade silver ring.

I wore it for many, many years.

In fact, I still have it.

This is it:




The ring is so tiny, it barely fits on my pinky finger. As you can see, the stone has a small nick. I really did wear this ring everyday for a long time. I loved it. I still love it.



So on that sunny Spring day on the Plaza a few weeks ago, after stuffing ourselves to the gills at the India Palace buffet, I was ready to walk around and my best friend and her girls were ready to sit.

They found a bench in the bustling center of the Plaza and I walked with purpose to the line of artisans with their creations on blankets.

My heart raced a little because I was excited. I mentally calculated how much cash I had on hand and what budget I would allow. I love beautiful silver and turquoise jewelry.

I had heard a few years back that there was some controversy about people who were not of Native American heritage selling jewelry on the Plaza, so I wasn’t sure what I expected.

I was pleased to see that indeed, the majority of the artisans seemed to be Native American. They wore modern dress, but the look, the speech pattern, the very vibe of the artisans let me know these were my New Mexico Native people, and I was happy.

As I walked down the row, I became less happy.

The quality of the jewelry I saw was not what I had hoped. The beautiful hand crafted chunky silver and turquoise, coral, jade and malachite jewelry had given way to items that were cheap looking, manufactured not handcrafted, meager and not bold and beautiful.

In some cases, I half expected to pick up a piece and see a stamp showing me it was manufactured in another country.

To be honest, not even the blankets seemed to be handmade. The image, the memory, it all looked the same as I crossed the street, but under the adobe and vigas of the Palace, everything really had changed.

On the plus side, I noticed that the artisans were very friendly with all of the tourists, inviting them to pick up pieces and try them on. Asking where they were from and how they liked New Mexico. The stoic artisan seems to be a thing of the past as I’m sure being a bit friendly sells more items. Even as I type that it feels a little like selling out.

So there was a plus and a minus to the experience. I ended up buying a pair of earrings from a vendor across the street on the plaza. They are small inexpensive dragonflies and I hold no illusions that they are genuine Native handcrafted.

I walked away a bit depressed and I remembered that I get a catalog from Southwest Indian Foundation, and they call the style of jewelry that I love “pawn style.”

Pawn style. There were some people that I knew who got really amazing deals on Native American crafted jewelry from the rows and rows of pawn shops in Gallup and other New Mexico towns. I never did that. I shopped a few times, but couldn’t get over the sad feeling in my gut. These pieces of jewelry were given up because someone needed fast money.

As I made a loop around the Santa Fe Plaza, I saw a shop that claimed to have old pawn jewelry, so I went inside.

They weren’t kidding. Inside the huge retail space half of the store was quite literally filled with pawn jewelry. The shop buys dead items (meaning the time has expired and no one was able to come back and claim the pieces) and resells them.

Resells them at a gigantic markup.

I found a case full of earrings and at a quick glance found three pairs that I either own the exact pair or something very, very similar.

Earrings that I know I paid somewhere between fifteen and forty dollars for were now marked anywhere from $125 to over $200.

I felt a little sick to my stomach. On the one hand I thought, “Hell, I should get out all of my old jewelry and sell it!” and of course I knew I’d never part with it. On the other hand my heart broke as progress has to come to all things, even Native American jewelry.

In my personal collection is my mother’s stunning New Mexico Native American handcrafted squash blossom necklace. Would I ever sell this? Hell no.




This is a really profound piece of jewelry. My mother often wore it and she was always beautiful wearing it, too. The turquoise is quite rough and each individual squash blossom is different, to match the stone.


But I wish I could have strolled the Palace of the Governors and seen pieces more like that chunky squash blossom for sale. The product of training, silversmithing, craftsmanship, and a deep Native American tradition.

Alas no, like that hammered tin clock that used to hang over the Albuquerque Airport, my memories are only nostalgia. Museum pieces. They no longer represent what is meaningful for today’s children growing up in New Mexico.

I guess I understand now. Sometimes as a kid I used to jokingly say that New Mexico was forgotten, wasn’t important, backward. Now I know it really was something good. I got to grow up in a beautiful culture and a beautiful state that is like nowhere else in the world.

I am hardly the only person who has ever come to realize this about the time and place that they were born and raised. It’s a common lesson. You really can never go back. I can be in New Mexico again, and I can love it, but it’s never going to be what I hold in my memories.

That hurts inside. I yearn for something that doesn’t really exist anymore, except in my mind and have to find a way to be okay with that. As of today, right this moment, I’m not okay. Not yet.

I suppose the answer is that I need to spend more time back home in New Mexico. I have to learn to know what she was once and love her as she is now.

It’s my failure that it’s been so long since I was back home. I hope to improve a lot over the coming years.

There is so much I know about New Mexico, and so much I have left to learn.



Up next, the conclusion: Part V, The Roots of My Raising Run Deep






Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app.




Somewhere In Between

Part II in a series.


Today I continue my New Mexico storytelling with Part II. I guess my short trip to New Mexico last week takes more than one post to discuss.

At four days, it was a quick trip, too quick if you ask me, and even though time elapsed fast, there was an indelible impression left upon me. New Mexico kind of does that to a person, right?

The last time I had been north of Las Cruces was in 2009, so it wasn’t that long ago, but certainly long enough ago to change my worldview.

Back then I was newly married (yay!), had endured one of the worst years of my professional life (boo!). I found myself without a job, without any leads, and a little dislocated as I learned how to be both unemployed and married. Both being something I had never before experienced.

I returned to the homeland last week on a warm Spring Saturday with almost six years of marriage tucked under my belt and a really good job that I love very much. Time really does heal wounds.

To be honest, sometimes I still feel very dislocated. Caught somewhere in between. I am a New Mexican, through and through, but it has now been almost seventeen years that I have lived in California. My god. Seventeen. Where the hell did all those years go?

So I am not really a New Mexican anymore, but I’m seriously not a Californian either. What, exactly, am I? I don’t know and that’s the problem.






(Apparently this is a long running theme for me, here’s something from the archives.)


My best friend and goddaughters were on their Spring Break and wanted to make a trip to Santa Fe. As near as I can recall, the last time I was in Santa Fe I was somewhere in my twenties. Well, that’s not entirely true. I went to the outskirts of Santa Fe in 2009 because my father is buried there, at the National Cemetery.

But that last time I had been on the Plaza? Yeeks. I was of drinking age, but not old enough to know better, certainly.

Let’s just say, it’s been a while.

Santa Fe was, well, Santa Fe. She has changed in many ways. She has not changed at all in other ways.

Of course, one of the first places I had to visit was the Loretto Chapel. I have always loved that place, from the time I was a small child to now.

I had wanted so much to get married there, I mean, I really wanted that, but logistics being what they are, it just couldn’t happen.

(I am more than thrilled with where and how we did get married in California, by the by.)

In my mind, my child’s mind, the Loretto chapel was teeny tiny and the stairs were at the very back wall of the chapel. I was pleasantly surprised to see the chapel is actually larger than I remembered, with several rows of pews behind the very famous staircase.

So of course I took an unremarkable photo of the remarkable treasure. A photo from the same vantage point where everyone snaps the shutter, from behind the worn velvet ropes. It’s a bit like the Golden Gate Bridge. It’s been done. To death. It’s hard to do it any differently than the thousands who came before.

But that’s ok. I took the photo for me. A memory. An image that I don’t have to expend a calorie trying to conjure up in my mind. I can ease my brain and rest my eyes and smile fondly to see this photo.




Copyright © 2014 Karen Fayeth

While in Santa Fe, we also went to the Cathedral Basilica of Saint Francis. Where Loretto is small, the Basilica is gigantic. Overwhelming in its proportions.

I took a lot of photos and absorbed all of my surroundings.




A bird at the base of a statue of Saint Francis and the Basilica’s rose window in the background.

Copyright © 2014 Karen Fayeth


Of course, I have a lot of mixed feelings about being raised Catholic, but that is not something to discuss here. I do try to stay away from religion and politics on the blog, though I don’t always succeed.

That said, I have always loved the iconography of the Catholic church and being raised in the Hispanic culture means all of those images hold a lot of power for me. The images are not just religious but part of our culture and folk art. It has shown up in a lot of my own work.

I have been obsessed for a long time with the image of a flaming heart and also a heart with a crown over it. Of course this is the Sagrado Corazón, found on paintings and statues and sculptures.

Being in such a beautiful space and being in Santa Fe and seeing all of these reminders of my childhood made me need to sit down. Just sit and be quiet. And think. And absorb.

My two godkids had a lot of questions for me about the Catholic Church and what some of the images mean. The Stations of the Cross proved to be a place of fear for my younger godkid, and I tried to explain that it was telling a story, certainly a sad story, but that it had a happy ending.

Meanwhile my thoughts raged with questions like, “Who am I?” and “Why don’t I know?” and “Why have I had this lost feeling for such a long time?”

Questions as unanswerable as some of the challenges posed by my beautiful girls.

I love New Mexico and inside of me something is able to rest when I am there, but to be honest there is another part of me (that has been there all of my life) that cannot rest, and needs more than New Mexico can give.

The only place that I truly know is home is anywhere The Good Man happens to be. That, I think, was my best comfort while the thoughts and feelings swirled like an eastern New Mexico tornado through my brain.


Part III: ¡Comida! There is Indian and then there is Indian




Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. The Loretto staircase was taken with an iPhone5 and the Camera+ app. The little bird was taken with a Canon G10 and some crawling around on the ground.




Whoa Fair New Mexico and Me

It’s been far too long since I was here on the ol’ blog. I started writing on Tuesday and found, well, I was going to need several pages to write what was on my mind. So here is part one of what I think will be a three or four part series.

Since this blog is called Oh Fair New Mexico and I have been a little neglectful of writing content about my home state, I am going to do it up right by talking A LOT about New Mexico over the next week or so.

Thanks for coming along for the ride!


Holy guacamole, here I find myself at Tuesday, rushing through the work day, trying to keep my head above water (literally, it’s a frog strangling rain out there) and doing my best to be a decent grown up and contributing member of society.

It’s been over a week since I sat down and had a good blog style cuss and discuss.

Well hell, let’s fix that.

Here we go!

Last week I had the great joy of being back in the motherland of New Mexico. It was a very fast whirlwind tour and it seemed like I had only one blink and it was over. One minute I was enjoying a Navajo taco and then whoop, suddenly I was back on a plane heading home.

Yeeks! I need more time. I need time to slow down a little too, if I can take this time to ask for favors.

The main point of my trip was to see my best friend in the entire world. We were last together a year ago and that is entirely too long to wait. We had some things to discuss and we did. We had some other things to discuss that we just didn’t get to, and that hurts my heart.

I also got to be with my two goddaughters who have decided to go ahead and grow up without my consent. I did not authorize this! To me they are still cute little biscuits and Nina Karen can make it all better simply with a hug.

Nah, now they are in that teen area and I am watching them grow and learn and push against the edges and evolve.

It’s both satisfying and heartbreaking to watch. I want to fix all the mean things and make the world easy for them, but goodness knows that is not what they need.

So I will just keep loving them and worrying about them and hoping they still want to know their Nina as the years go by.

The four day journey was a fun one. The lovely ladies of Las Cruces picked me up at the Albuquerque airport and we were off in a flash of a bright white Suburban with Nina Karen wheezing from the asthma. My allergies remember New Mexico. Oh how they remember.

May I just pause here for a moment to share my soul saddening moment from the Albuquerque airport?

It has been since 2009 that I flew into ABQ International, and they have certainly done a lot of work on the place. Fair enough, it needed the touch up and the changes look great.

I came off my plane and looked around and saw mostly familiar sites and knew I was home. As I made my way to baggage claim, I came out of the security area and there I saw a sight I had a hard time believing.

On a wood pedestal, like some kind of damn museum piece, was the beautiful hammered tin clock that used to hang high and proudly from the vaulted ceiling of the main terminal before it was a Sunport and was just a regular old airport.

That timepiece goes back to my childhood. I have stared up at that clock to measure time for as long as I have been alive. It’s been there even longer than I have been alive.

Once majestic, beautiful, useful. Something with meaning.

Now, it’s something like a museum relic.

This, this is the beautiful clock that makes my tummy tense when I see it because it *means* something:





And this is where it lives now (and I do it no justice with terrible photo quality):





I wasn’t sure how to handle the feelings this brought up. I was happy to finally be able to see this beautiful clock at such close range. I could admire the details. I was also saddened that this useful object not longer hangs proudly over the airport.

It’s an aged relic. Um. Like me?

Turns out that the idea of “something I once knew well is now something quite different” would become a theme for my trip.

It began with my precious hammered tin clock. It extended to my gorgeous god kids who aren’t kids anymore.

This was kind of a tough trip for the little girl from New Mexico.

Coming up: Part II, Somewhere In Between





Photos Copyright © 2014 Karen Fayeth and subject to the Creative Commons in the far right column of this page.





The Ballad Of a Walnut Bladder

I was born with a troubling affliction*. It’s been so difficult to manage my whole life, and it’s so difficult to discuss. Today I feel is the time to make public my ailment.

I am affected by a disorder known colloquially as walnut bladder. Yes, it’s true. I so much as look at a glass of water and I feel the need to pee.

In such times as walnut bladder-itis affects the life of The Good Man, he calls me his little tree frog. “You know, you pick up the frog and it tinkles in your hand?”

That’s me.

As a child I presented quite a challenge to my folks who liked to take road trips. The average child has to pee frequently but I was even more prone than normal. I always had to pee and I had the kind of dad who refused to stop. It was always a problem.

We used to spend summers at our place at Ute Lake. The drive from Albuquerque to Logan, New Mexico is about three hours, plus or minus. Even as an adult, three hours is just too long for me to go without a trip to the potty.

I vexed my mother terribly with my affliction. Once she threatened to use a clothespin to clamp off my leaky plumbing.

Well that got my attention.

From then on I planned well ahead for an upcoming road trip. I would cease intake of liquids at least a day in advance of the trip and would steadfastly refuse to drink any liquid until we arrived.

In hindsight, not having much liquid while living in the high desert wasn’t probably the best idea, but it worked and it avoided clothespins in delicate places.

In daily life I manage my ailment by working a path between my desk at work and the restroom. At home I get up at least twice a night to pee. The Good Man and The Feline have learned to adapt.

But I had occasion last week to really realize again the utter torture of a completely full bladder and no good plan to empty it out.

It was a typical afternoon at work and I was, as usual, drinking lots of good fresh water. Staying hydrated is still important. And that means ol’ Walnutta here has to go at a minimum once an hour. Sometimes more.

Usually before heading into a meeting, I will go right before so I can get through the hour stretch.

On this day, I was so busy with work and in other meetings and I bumped right up to the top of the hour when my next meeting was due to start. I did an internal gut check and then a clock check and thought, “Yeah, I’m ok.”

Silly, silly me.

At about twenty minutes into the hour and a half long meeting, a job interview with a prospective candidate no less, I had that first twinge of “oh…hmm, I’m going to need to pee here pretty soon.”

As the seconds on the clock ticked by with molasses speed, and the candidate droned on and on and on, things started to get bad.

One goes through most of the stages of grief when it comes to an overfull bladder.

First, denial: “Pfft! I’m fine. No big deal. I can make it.”

Then bargaining: “Ok, well, if I can make it just ten more minutes, maybe I can excuse myself and take care of this. Please please bladder don’t let me pee my pants.”

Anger: “Dangblamit why did I drink so much water today! And why is my bladder so tiny? And why can’t I just distract myself and make this feeling go away!?!”

Depression: “Dude, you are such a loser. Look at everyone else at the table, they can hold their liquids. What is *wrong* with you?”

Acceptance: “It’s going to be ok. I’m going to make it. I’m not going to pee my pants. And if I do, it will be fine, right?”

Over the course of an hour and a half I moved up and down and back and forth through all of those stages and I squirmed mightily in my chair.

Look, my attention span isn’t that long to begin with. Add in a full to bursting bladder and I don’t hear what anybody has to say about any topic.

It was horrible. At one point I thought I might even cry, I had to pee so badly.

And finally! Finally at the hour and forty five minute mark that damn candidate stopped talking and I was free to go use the restroom all the way over on the other side of the building.

Then it becomes like that question of walking or running in the rain. As in: In which method do you get wetter? (I think Mythbusters proved it’s a toss up)

The question became: do I walk to the bathroom thus taking longer and upping my odds for peeing my pants? Or do I run thus jangling my stuff and making it more likely I’ll pee my pants?

I chose a sort of tight-legged shuffle and finally made it safely into the bathroom stall.

And once I made it to the safe zone and did my business, my whole world looked a little brighter. A little happier. A little more at peace.

I know everyone has gone through the ballad of the full bladder at one point or another. When you have a walnut bladder it happens a little more often than I’d like.

You better betcher sweet life I’m doing a much better job of meeting and bladder management. No one likes the full bladder squirms.








Ok, not *really* an affliction. The word just sounded good to add the right amount of drama.


Image found here.




A Shiny New Toy

My fascination with bridges is pretty well documented. I have a mini project going on in my creative background to photograph bridges (and rivers, boy do I love rivers!).

This weekend I had a nice opportunity to photograph a brand spanking new bridge.

For years, ok pretty much since I moved to the Bay Area, I have railed about the eastern span of the San Francisco-Oakland Bay Bridge. The western span is a beautiful, elegant suspension bridge while the eastern span is a bunch of clunky tinker toys, better known as a cantilever bridge.

Here’s a photo I took from the upper deck of the tinker toy:



Image Copyright 2010, Karen Fayeth

This part of the bridge is very functional but not very aesthetically pleasing. At least in my personal opinion (others disagree).

You’ll recall that in 1989, this was also the section of the Bay Bridge that collapsed during the Loma Prieta earthquake.



Image from Wikipedia and used under a Creative Commons license.


If that photo don’t make your heiney pucker, than you have a set of brass nerves that I just don’t have.

In the wake of the 1989 earthquake, planning and work began to replace this span of the Bay Bridge with something more seismically stable. This project was not cheap and it was not simple, but by gum, now some 24 years later the brand spanking new eastern span of the Bay Bridge opened up to the public last night.

Traffic reports this morning were pretty bleak as plenty of people crammed onto the new span for their first ride.

Yesterday The Good Man and I sought to escape the breeze-less heat at our happy home and drove out to the marina near Emeryville, which offers unobstructed views of the City, the bridges and downtown Oakland. I took my camera along as I am part of a photography club and this month’s theme is landscapes.

Here is my semi-artistic view of the new eastern span (to the far left in the photo) and how it blends is perfectly with the existing buildings and landscape of the San Francisco city line (that’s the top of the iconic Transamerica building just to the right of the new bridge).

At first I was no fan of the white paint on the new span, but now I’ve come to love it. This new suspension bridge really stands out against the backdrop and claims its own place in Bay Area history.



Image Copyright 2013, Karen Fayeth


Hard to tell from this photo, but there are no cars on the deck of the bridge. Who knows how many years will pass before we see that again!

And while I’m excited to the point of hyperactivity about this gorgeous new suspension bridge and looking forward to seeing it every day as I drive to work, I find something curious is happening.

The news reports say that the moment the new bridge is up and running, the old eastern span will be dismantled. The pieces will come out in the reverse order they went in and much of the metal will be sold for scrap. This makes me a bit sad. It seems that ugly ol’ bridge found a way into my heart. Those 1934 era tinker toys now mean something to me, and I’m more than sad to see them go.

In the wake of this shiny new toy, that unseismically sound bridge now seems awfully lovely. In the many months I commuted to the east bay across the Bay Bridge (before I made the big move), I learned to love the forgotten little sister to the Golden Gate bridge.

Sure am going to miss one half of my old chum, even as I welcome this safer new span.

I’m glad the Bay Bridge is having a much deserved moment in the sun.





Image of the old eastern span of the Bay Bridge, Copyright 2010, Karen Fayeth. Image of new eastern span of the Bay Bridge, Copyright 2013, Karen Fayeth. Both images subject to the Creative Commons license in the right column of this page. Old span taken with an iPhone and the Camera+ app, new span taken with a Canon Rebel and fixed up a bit in Photoshop.