Category: NMSU

In the Box

Despite the fact that The Good Man and I actually moved two weeks ago, we didn’t fully depart the old place until this past weekend.

That last mile is a sonofabitch.

I guess we just wanted to save the best for last? Or something. Basically, the last stuff to exit the old place was the stuff from deep in the dark recesses of storage under the house.

Let’s be honest, this stuff it wasn’t “our” stuff, it was my stuff. Lots and lots of boxes, some of which hadn’t been opened since they made the 1,200 mile ride from Albuquerque to the Bay Area.

The goal this weekend was to open those deteriorating boxes, get rid of what I could, and what was left, repack into fresh boxes and move on.

This proved to be a more difficult task than I had expected.

There were some surprises in those ol’ boxes. Especially the one I’d jauntily labeled “Karen’s Childhood.”

What a doozy that one was.

Sunday morning, there I sat on the cold floor of my now former garage, used my Buck knife to slice open the “childhood” box and dug around in there. I extracted a now almost fourteen year old gallon size Ziploc bag containing a bunch of papers and stuff I clearly didn’t know what to do with when I left Albuquerque.

I unzipped the bag, pulled out the contents and went through it piece by piece. I turned over photos, old love notes, and a ticket stub.

I gasped and my eyes got a little watery from both joy and memory.

The Wayback Machine gobbled me whole.

Here’s what I found:




The year was…um….yeah. 1990? Maybe 1989? Oh jumping jehosophat! I don’t know. A long time ago when my skin was elastic and my pants were not.

It was Ag Week at NMSU. An annual celebration that was a week full of fun, games, and dancing for all us kids in and around the Ag College. It culminated in a big concert and dance at the Pan Am center on the last day of the week.

This was a special year. My best good friend excitedly told me that her Uncle Bax would be performing at that year’s Ag Week. And by Uncle Bax, she meant Cowboy Poet and legendary New Mexican, Baxter Black.

That year there was another yahoolio on the bill with Bax. Some nobody named Vince Gill.

Yeah. That Vince Gill. Before anyone knew who he was.

Friday morning we were invited to come to the Ag Lobby to meet and greet. Bax was there holding court and signing autographs, and gave my best friend a huge hug when she walked up. We talked and laughed with Bax a while and then we went over to check out this Vince Gill character. He was wearing a pair of NMSU sweatpants, a three day old scruffy beard, and hair that hadn’t been washed in a good long while.

He was nice enough. Looked totally exhausted. He signed a glossy black and white promo photo (I found that in the bag too) and we walked away wondering who that rube was.

He put on a hell of a show that night. And so did Uncle Bax.

Let’s just say this, it was a hell of a party.

One for the history books. Sure would be fun to live that one again.

When the trash went out at the end of Sunday, the Bax and Vince ticket didn’t go with it. It went back into the Ziploc bag, then into a new box.

Maybe in another fourteen years I’ll slice open that box and discover it again.

And gasp.

And well up.

And remember.

Those were salad days, indeed.



Happy Hour!

Oh happiest of Happy Fridays. Sure, I was on vacation Monday and Tuesday, but I’ve packed a week or more of work into the two days I’ve spent back in the office and more more lies ahead. Yeesh!

As I rolled into work on my morning commute, I thought “today’s a real good day for a Happy Hour” which got me to thinking about all the bars I’ve visited in my little life.

Which got me wondering about what are the best (and by best, I the biggest dive) bars I’ve been to.

Here’s my top five, in no particular order:

  1. The Grant & Green Saloon (pre-renovation, when it was still a blues club), located conveniently at the corner of Grant and Green streets in San Francisco.


    It was in this dank, cave-like (it was painted black), seedy SF joint that I first saw the irrepressible Johnny Nitro & The Doorslammers.

    I still can’t believe I used to go to this place *by myself* Ah the stupidity courage of youth.

    One main feature of this dive was the bathroom. The ladies was located at the end of a weird dark hall. The door had a questionable bolt latch. The toilet tank was held together with a metal strap. The broken toilet seat was patched with heavily road worn gray duct tape. When you sat, first the tape would stick to you, and then the seat would give way a bit.

    When your business was done, you’d stand, and the seat came with you. It stuck to your leg just long enough for the seat to shift back together and pinch a good amount of thigh skin between the broken pieces. It hurt like a sonovabitch and I’d come away with a welt and left over adhesive from the tape. Curse words were uttered.

    Also, the boys loo at the front of the hall would stop up with some regularity, so when it was busted, the drunk boys would lumber to the end of the hall and shake the door to the ladies room. Regulars knew if you shook the door hard enough and long enough, that weak bolt would give way and *surprise* you’d be caught in a squat facing some drunk lumbering boy.

    I learned to pee really, really fast. Also, I’ve never been one of those girls to go to the bathroom with friends, but I did at the G&G. It helped to post someone outside the door to keep watch. (the door was too far away from the toilet to be able to both hold the door and do business).

    Despite all of what’s gross about the G&G, I saw some of the most amazing live blues there. I was actually heartbroken when they fixed it up, painted it white and put in new plumbing. It’s never been the same since….


  2. The Saloon just down Grant street from the G&G, in San Francisco


    Oh the Saloon. It contains what can only be called a “funky smell”. Sunlight never hits the inside of this place, and that’s probably for the best.

    Established in 1861, it’s San Francisco’s oldest continually operating bar. The Saloon holds some history. Legend has it the local firefighters saved the building from the fires that raged after the 1906 earthquake due to the prosperous brothel that operated on the upper floors.

    There are plenty of stories about young men having their fill and stumbling out onto the foggy San Francisco night, then waking up on a boat out to sea. An unwilling member of the ship’s crew and unable to return to port for months or years at a time. The colloquial term for that is Shanghaiing.

    All of that history invades the place, and you feel it. There is still live blues seven days at week at The Saloon (and two bands a day on the weekends).

    It’s strange, smelly, filled with weirdos, and a tiny dance floor (but the bathroom isn’t so bad). I’ve had some of the greatest nights of my life inside that place. The timbers jump when the base player thumps that thing.

    It’s fantastically beautiful. And Fresno alley just outside the door is a place filled with all sorts of shenanigans (including photography, the light there is awesome).


  3. The Alive just over the border in Juarez


    I couldn’t find any links to information about this place, other than wistful memories from many a person who was there back in the day.

    The Alive was actually underground, you had to navigate this long, steep ramp to get into the place.

    Just an aside….does it seem like a good idea to YOU to be in an place when you are 18, in a foreign country, underground, drunk and there is only ONE entry/exit? Ah the stupidity courage of youth.

    This was a place for cheap Coronas, thumping dance music, and a bathroom that I can hardly even describe. There were no lights in there (probably for the best). With my walnut sized bladder, I did my best to hold it for as long as possible. Once, I went in there (couldn’t wait anymore) and I slipped into a stall. SOMETHING was moving on the surface of the water in the toilet. It was alive. I have zero idea what it was and it scares the sheeeit out of me to think about it now.

    I held the door handle for my life and leaned back, doing the best I could to be the farthest possible distance I could get from the seat and still hit the water. I prayed that door handle wouldn’t give way. I prayed whatever was in the water wasn’t bitey. I prayed I could just get this done and go home.

    I survived and emerged unscathed. It took three tequila poppers (some called them slammers) to get over the trauma.

    Then I danced and tried to forget.

    I used to have such fun in Juarez. The danger made it more interesting, I suppose. Of course, these days it’s ill advised to slip over into Juarez. Too much awful business going on there. I’m afraid The Alive is an experience that is long gone (and maybe that’s for the best).


  4. A bar attached to the Steven’s hotel in Carlsbad

    At least I think it was the Steven’s Hotel. This was a bar that was located on the backside of a hotel on Canal Street in Carlsbad (it’s been soooo many years since I lived there.)

    I don’t actually think this bar exists anymore. I can’t seem to find any record of it from a Google search.

    To get to the place, you had to ascend these steep metal stairs. Going up wasn’t so bad, coming out was a bit treacherous once you were a little wobbly in your shoes, and especially if it had rained a bit. People slipped and bobbled down those stairs in droves. A big pile of borrachos at the bottom of the stairs. I wish I was kidding.

    The bar hosted Pot Ash miners, local cowboys, and us college kids. This was something of a volatile combination. The plate glass windows were replaced by plastic after too many fights in the bar kept smashing the glass. You couldn’t get beer in a bottle or glass. Only cans and plastic cups held drinks.

    The mood was weird, and tense. But the beer was cheap and whatever half ass local band was playing would getcha dancing. And hell, it was somewhere to go and something to do in Carlsbad. So ok.

    I had some odd, yet fun times there. Strange spot and strange people.


  5. Cowboys bar in Las Cruces


    Who knows what this place is called these days. At NMSU in the 80’s and 90’s this was THE place to be.

    A band called Easy Money used to play there. The lead singer was named Toby Keith. They were a pretty good band. The lead singer was a complete arrogant ass. Nobody liked him, and now he actually is somebody. (I still think he’s an ass)

    At one point they introduced a special where on Fridays, if you bought a pitcher of beer, you could eat as much pizza as you wanted. Big mistake. Hungry and broke college kids can eat a LOT. And if we all put in a dollar, we could get one, maybe two pitchers of Coor’s Light. So there.

    That promotion didn’t last long.

    I danced until my feet hurt many a night at Cowboys. God I loved that place.

    All night drinking and dancing, then after the bar closed, a group trip to Village Inn for late night pancakes. Why do pancakes taste so damn good at 2 am?


Whooo doggies, that was quite a trip in the Wayback Machine. I think I need a smoke (and a vodka drink) after all of that. (no, no, just kidding, I don’t smoke….)

Sadly, I won’t be at ANY those places tonight. Instead I’ll be at the Red Couch Saloon where The Good Man tends bar.

He knows which wine goes best with Cheetos.

Happy Friday everyone! Enjoy your night.



Photo of the interior of the Saloon, Copyright Scott Palmer.



Heeeeeeeey What’ll You Give Me For…..

It’s been a whirlwind week for me, but I didn’t want to lose track of a certain topic that dates back to when I was still in New Mexico, just over a week ago.

The reason for my trip back home was to help comfort and support my two goddaughters as this was the first year they both raised pigs as part of their 4-H club.

A week ago Friday was the sale day, meaning a livestock auction at the Southern New Mexico State Fair. Unfortunately my girls didn’t score high enough in the judging to make the sale (their pigs were purchased by a friend of the family), but we still attended the auction because the girls were helping their friends to sell their animals.

It had been since I was in college that I’d been to a livestock auction. I used to go fairly regularly, but times marches on.

Over the years, I’d forgotten what a visceral experience it really is.

First, the auction barn is usually a tin building, high ceilings and concrete floors.

Then a generous amount of straw hay is spread across the floor, which gives a certain sweet smell of hay mixed with a crazy amount of dust. I was blowing dust out of my nose all week.

One by one, the animals are led into a small pen by the kid that raised them, and walked around and posed. The kid smiles a huge, though sometimes fake, smile trying to lure potential buyers to spend a little more. (Fake because the kids are usually pretty sad about selling off their animal).

The cows moo, sheep baa, goats bleat and ducks quack as the anticipation is almost too tough to take.

And then, the auctioneer starts up.



The guy on the left is the auctioneer, the guy in the middle is helping him spot bids and the guy on the right is keeping records of the bids.


It’s a droning, pushing, forceful sound. When you first walk in, it’s startling, a cacophony of noise, but over time it becomes like a steady background hum. You have to tune it out, or it becomes overwhelming.

There are guys in the audience helping spot, and every now and again, they’ll holler “HAW!!!” as they get a reluctant bidder to go up in price a bit more.

The two auctioneers we had that evening traded off duties over the course of the sale.

This guy was really solid in his work, and funny too. I mean, he’s got an intensity here, but he’d say in his auctioneer cadence “C’mon Justin, you got some more in you….” or “Hey Dave, I thought you went home…”





He carried this little gavel thing, and would rap the podium real hard when the bidding was done. “SOLD!” *whack*

It was a sound I could feel in my bones.



Then the kid would walk their animal out of the pen, happy to have gotten a good price, sad because that meant the end.

The scene back in the pens behind the barn was a different story. Low light, animals rustling around, and little kids crying.

When the kids sell their animal, they also put together a basket of goodies as a thank you to the buyer. A friend of my younger goddaughter slipped a note in her basket that said “Please don’t kill my goat. He’s really nice. Please keep him as a pet.”

Kinda breaks my heart because I know that goat isn’t going to be anybody’s pet. It’s getting loaded onto the packer truck with all the rest.

A bit of harsh reality for a nine year old.

Next year I think my goddaughters are going to raise either dairy heifers or rabbits. Dairy heifers go back to the dairy to give milk, they don’t go on the packer truck. And with rabbits, the buyer usually gives the rabbit back to the kid.

That’s all a bit easier to take, I suppose.

All in all, I had a good time at the auction. I got to see some good friends I hadn’t seen in a while. I drank some of the auction barn’s free beer. And I got to remember what it means to be an Ag kid in New Mexico.



All photos in this post Copyright 2011, Karen Fayeth, and subject to the Creative Commons license found in the right hand column of this page.


This Is Why I Went to College

So I can have a good job and a nice hard walled office.

So I can listen to my Pandora radio in my iPhone.

So I can tune it to the “60’s, 70’s, and 80’s hits” station.

Where I can hear Aerosmith’s “Dream On”, first released in 1973, and again in 1976, right in the prime of my formative years.

So that I can sit in my hard walled office and sing along.

Badly.

With Steven Tyler.

“Dream ooooowwwnnn, dream oooowwwwwn, dream until your dreams come true!”

And especially this part:

“…sing with meh/sing for the yeaaahar/sing for the laughter, sing for the tear/sing with me, if it’s just for today/Maybe tomorrow, the good Lord will take you away”

And then there is that howl part on the word “away”… Yeah.

In my mind I think I can hit those same notes that Mr.Tyler could hit some 40 years ago.

Then the employee seated in the cubicle just outside my office prairie dogs up over his wall to give me a crooked eyebrow.

And I think “ffft! He was born in 1983, he doesn’t understand.”

So I go on singing. In my office. With my Pandora.

Thank you NMSU, that I may have this job with a Fortune 500 company, this office, and the ability to torture my employees on a Friday morning.






I never get tired of recycling this image.


Image is of Latvian mezzo-soprano Elina Garanca and a pretty extensive web search could not net me the attribution on this photo. I found photos from that same event on the European Commission page which allows for the use of photos with attribution.



Dyin’ or Revivin’?

Last week I received an email by the good folks running the literary competitions at my local county fair. After notifying me that my story won a prize, they invited me to come out to the fair next weekend to read my story aloud on stage as part of their literary event.

Well I was just pleased as punch to say yes. What a wonderful opportunity.

This past Saturday, I had some time on my hands while I sat in a chair waiting for my hair to turn that color that only my hairdresser knows how to make.

I started thinking about this event next weekend and planning. I need to spend some time practicing reading my story aloud. Practice is everything in a public speaking situation.

I wondered if I’d be asked any questions about the story. I thought I should try to think up what I might be asked so I could be ready with good answers.

One of the first questions I thought of was, “what was your inspiration for this story?”

I had to spend some time thinking that through. It’s a story that’s been rambling around in my mind for a while, and I’ve taken several stabs and getting it out, to both greater and lesser success.

Mainly, I was inspired by the fact that upon reading the guidelines for the competition, I noted that there was a “Western” genre available to compete under. This is not something I often see, so that really got my creative juices rolling.

My absolute author-hero is Larry McMurtry. I adore his way with description and dialogue, and his western novels are a cut above.

I have a collection of short stories that McMurtry edited. It’s western stories written only by writers raised in the west.

When I saw that my county fair offered a Western category, I knew there was no doubt that I had to write a western story.

That said, what I wrote isn’t truly a classical western. Technically, the western genre implies a story set in the 1800’s, the so called “Old West.”

If you read any of the literally thousands of short stories that Louis L’Amour wrote, you’ll find within his formula a common theme. The great conflict in his stories is of man against nature which includes cattle grazing the land, the weather and water. In fact, water rights always seem to play a big role in L’Amour’s short stories.

I guess that the western genre has declined so much because these concepts seem hopelessly old fashioned.

But are they?

Until his untimely death last year, my dear friend who farmed cotton and chile on his family’s farm in La Mesa was fighting with the state of New Mexico over water rights. This problem was such a vital aspect of his life that it was mentioned in his eulogy.

Yesterday I watched a televised show where renowned French chef Eric Ripert spoke passionately about the “farm to table” movement, and visited a Virginia farm where the owner was doing something revolutionary.

He was not overgrazing his land.

He spends time calculating how many head of cattle his land can bear and then actively rotates pastures to be sure that his cattle never overgraze. His land flourishes, his cattle are healthy and he’s seen as an innovator.

This is not innovation. Louis L’Amour wrote stories about this very idea over 70 years ago. This concept is also something they taught me in my collegiate FFA organization**. It’s called “being a good steward of the land.”

And so, to bring this back to my point…

I wanted to write a western story because although I keep hearing that the western fiction genre is dying, I’m seeing that the topics driving most true western stories are still essential and vital to today’s world.

And so maybe Westerns aren’t dying. Maybe, much like the land, if tended to and nourished, the genre can continue to flourish with a modern sensibility.

Writing a western story set in modern times that won an award at my local county fair is so deeply satisfying to me. It’s my affirmation that the Western genre is alive and well inside at least one little girl who was born and raised in the west.

_______________________


Further proof: The Western genre gets back in the saddle





**”I believe in the future of farming…”