An Unlikely Icon

After what now amounts to almost seventeen years, I realize that I have lived in California a lot longer than I ever thought I would. Totaled up it’s still a lot less time than I lived in New Mexico, so I still have that going for me.

But here I am. After putting in this many years I guess I have the right to look at a building in San Francisco and say, “hey, I remember when that used to be…”

In my time in the Bay Area, I’ve seen a lot of things change. Like many people in San Francisco, I also have a deep sense of nostalgia for a lot of the quirky things the City brings to the world.

I cried when the last working street clock in North Beach was hit by a delivery truck, rendering it busted forever.

I beam with pride when I see the restored doggy head smirking atop a pole overlooking the Doggy Diner (over by the zoo).

And today. Today my heart is heavy for the loss of yet another San Francisco quirky institution.

Sadly, it was reported this morning that the Bushman from the Wharf has passed away.

If you haven’t had the pleasure of spending a touristy day down on Fisherman’s Wharf, then you don’t know about the Bushman.

He would take several leafy eucalyptus branches in hand and then he’d get real low, usually squatting on a milk crate, and he’d hold the branches out in front of him. He would usually position himself by other shrubbery so any passerby might think it was simply another bit of brush.

Then he’d pick out a person walking the sidewalk and as they walked past him he’d shake the leaves and let out a low rumbling growl.

At the noise, pretty much every victim would leap a foot off the ground. That was when the Bushman would laugh with the best, most expansive laugh you’ve ever heard. This would get the victim laughing too.

People would gather around and watch it happen, and they would laugh too, everyone brimming with anticipation for the next victim. After a good laugh, folks would throw a couple dollars his way and move on.

This whole thing was always done in good fun, the Bushman was never mean about it.

In the early years in my California tenure, I spent a lot of time in the company of blues musicians who worked a lot of Saturday afternoons at Lou’s Pier 47. Back when Lou still owned the place, she paid well and booked the top guys in all the prime spots.

A good sunny Saturday would pull in a room full of tourists who would happily unload their pockets for food and drinks and tip jars.

I would often go to the club on my own and as the afternoon went on and the patrons consumed more and more booze, things could sometimes get a bit weird. If things were too funky in the club and if it was still sunny out, I’d head out to the Wharf to wander the shops, eat some Ghirardelli or just sit by the water, stare at the Golden Gate and ponder my life.

I was my own version of a wharf rat and I loved it.

With all that time spent prowling around, I encountered the Bushman on several occasions.

He only got me once, but he got me good.

I learned to keep a sharp eye out for him so I could be in on the joke and not the punchline.

I liked to catch him, too. I’d say, “I see you!” and he’d growl at me and I’d go “uh-huh” and walk on.

I haven’t spent that much time on the Wharf in years, but when I was there a few months ago I saw him and was happy to know he was still there.

And now he’s not.

The article says that his sometime partner (who helped the ruse by distracting potential victims) will keep up the routine, but I suspect it won’t be quite the same.

San Francisco, so nostalgic, so prone to change.

The original Bushman will be missed.







Image found here. That blog owner is super duper cranky about the Bushman, but c’est la vie. To each their own. The Tumblr is named “I Hate Stuff” and provides content as advertised.




This Old Dog

This has been one hell of a week, I mean, just top to bottom really something else.

I have had good days, and bad days (…but when the day is through, I’ll always get lucky with you…this song goes out to The Good Man on an overcast and rainy day in the Bay – thus ends my Merle Haggard rendezvous) but overall I can actually say I learned some things this week.

Yes, that’s right, this old dog has seriously learned some new stuff over the past several days and I want to share it with you.

Maybe I should start by sharing something I learned just right now: the distance between typing “share” and typing “shart” is only two keys away on the old keyboard. Dangerous.

Now seriously, let’s get to the learnin’

1) It turns out that the song Let It Be, made famous by the Beatles and written by Paul McCartney, was actually originally intended for Aretha Franklin to record. And record it she did.

Unfortunately, some fiddle-faddle with her label prevented the song from being released, so the Beatles went ahead and recorded it and released it first.

Give the Aretha version a listen and tell me if you don’t get chills, because I started crying when I heard it, it’s so beautiful and so different from the Beatles version.

I know that song became a bellwether for the Beatles, marking when the group first broke apart, but damn I wish the Aretha version was first to the scene.

It’s stunning.

Link: http://youtu.be/w09Jcjj_QOI



(If for some reason the video doesn’t play or the link to the YouTube above doesn’t work, please just Google “Let It Be Aretha” and you’ll find it.)


2) Then there was a space item of edumacation I discovered. Here it is: If there was air in space, the sun, our own little fireball, would make sounds like ringing of cathedral bells at a volume just above that of a train whistle.

If space were replaced with air and we could hear the Sun, it would be incredibly noisy – the output of the Sun is equivalent to 10 million keys, or notes, of a piano. In fact you would struggle to hear little else! Throwing out an energy of 383 yottawatts per second, we get a translation of 290 decibels which makes for a very, very loud Sun indeed.

And it would go on ALL THE TIME.

It seems like that would be cool at first and then it would be like “rip my ears off my head, I’m done now.”

But profoundly cool to learn.

Reference: How Loud Would Stars Be If Space Was Full of Air.


3) I even managed to learn something about my Fair New Mexico this week. On Facebook I noticed a graphic with all of the applicable New Mexico State symbols, most of which I knew quite well.

One I did not. Let me drop my new knowledge on you.

New Mexico has a state slogan and that slogan is:

Everybody is somebody in New Mexico

Is that because no one is anyone everywhere else? I mean, huh?

It’s certainly a noble thought but of course brings out my inner comedian. I’ll spare you.

By the by, there is also a State Motto (that I already knew) which is:

Crescit eundo (loosely translated to mean “it goes as it grows”)

And what about the state nickname “Land of Enchantment”?

Since I am a good soulless corporate drone, I think we should create efficiencies!

New Mexico: Somebody grows in enchantment

Let’s call that good, huh?



And there you have it. Is your mind blown? Mine is.

Actually there is no more space left in my brain. Better start drinking so I can clear out some brain cells for next week.









Image from the Visit New Mexico Facebook page.




The Turtle And The Hare

I’ve mentioned several times in these pages that during the course of my life, I spent quite a few years in the company of a blues musician. By spending a little time with him, I also spent time around a lot of different blues musicians.

Men and women with a deep vein of soul and history and rhythm.

When you are around blues people, you hear a lot of stories. Telling stories is pretty much the foundation of being able to play the blues. As a storyteller in my own right, I used to soak in these stories, letting them enter my pores and fill my soul and tap my DNA on the shoulder and ask it to dance.

The stories are in me. Not all of them are true. Few of them are pretty.

All of this is a long winded lead up to a particular story I have in mind.

It goes something like this:

Back in the 1950’s in a small suburb of Dallas, Texas, two talented brothers grew up together.

Both had music in their bones and talent for playing the guitar. The world knows a little bit more about Stevie Ray Vaughan because of his breathtaking musical style and early death, but Jimmie Vaughan has also seen a fair bit of success with his music.

If you listen to each of their music, you can hear their very different styles. Stevie’s music was intense, complicated and at times frenetic. Jimmie likes to play a bit slower and wider and easier.

Legend has it that back in the day in Oak Cliff, Texas both boys not only liked guitars but they liked cars.

Stevie, unsurprisingly, liked real fast hot shit cars that he could jump in and race around town. Stevie used to vex the local police who couldn’t slow him down.

Jimmie on the other hand liked to cruise. He liked big, heavily finned, tuck and roll upholstered, Buick with a “smile” kind of cars. He’d put his girlfriend beside him on the bench seat and slowly roll through town, vexing the local police who wanted him to speed up.

I think of this story pretty frequently in relation to my own roll through life. My approach is more Jimmie than Stevie, though I admire the hell out of Stevie.

Perhaps this owes to the slow “land of mañana” pace of where I grew up. We don’t move with alacrity in New Mexico and tend to be suspicious of those who do. When I still lived in the state and traveled to San Francisco or Boston for work, I was always comforted to come home, get off the plane, and visually see how slow people moved. Then I would match my pace to theirs and know I was home.

There is a great comfort in moving at a calm pace.

I find, however, that is not how the world thinks one should move.

Let’s take for example, New York City. In New York, you are supposed to walk fast. Very fast. Head straight, eyes forward, and walk.

Despite how much I love Manhattan, I have one hell of a time keeping up. The Good Man was born in Brooklyn so moving at that pace comes natural. It does not come natural for me. I prefer to toddle along close to the buildings with the elderly and infirm and let the people pass me by on the outside of the sidewalk.

I am the person that New Yorkers yell at for walking too slow.

This all came back to mind this past week. It is New York Fashion week and I follow Nina Garcia, Marie Claire magazine’s Creative Director, on various social networking sites.

She has been posting photos from all of the various designer shows and I have been lapping them up like at kitten at a bowl of milk.

I may not have a figure for fashion, but I love it. I love seeing how textiles and stitches and notions come together to create something fantastic or ugly or offbeat. Yes, I dig it!

So a couple of days ago, Ms. Garcia posted a photo of a sign she saw backstage at the Michael Kors Spring show. Oh my, I am a huge fan of Mr. Kors.

Here is the photo:





I read the words and my heart sank a little. I am happily romantic, strong and my own version of gorgeous.

But I don’t walk fast and with energy.

I would love to kill them with chic, but instead I must maintain my killer sense of humor.

For some reason, this really got under my skin and whispered to those demons in my head who heckled me and said that if I can’t walk fast and with energy, I am a nobody. They said I don’t measure up, don’t belong, don’t matter because I can’t keep up.

And that’s when I remembered the story about the Vaughan brothers.

I don’t need to race up and down the streets of New York. There are plenty of people who have that covered. I want to cruise the Manhattan blocks and tip my head upward to wonder at the buildings and smile and give my lungs room to breathe.

Slow though I walk, I always get where I’m going. Pink cheeked, a little sweaty and smiling.

Perhaps I am taking this hand written sign a little too close to heart. I’m sure this was simply a note of encouragement for the models walking the runway, reminding them to keep it peppy and light.

Perhaps it just hit me on a bad day when the demons were a little closer to the open door than I would like. I let them out to play awhile, really let them run, then I whistled and corralled them back into the pen.

And I remembered that a strong, courageous New Mexican doesn’t have to walk fast unless she wants to. That is true both when walking the Bosque or NYC’s Broadway.


A girl should be two things: classy and fabulous.

–Coco Chanel


Thankfully, I am both.

–Karen Fayeth





Photo from the Instagram feed of Nina Garcia. All rights belong to her.




My Shame

Don’t look at me! Don’t! I’m so ashamed.

: deep breath :

Ok, here’s the thing. I didn’t MEAN to purchase tweenie teeny bopper music. I really didn’t. I swear it!

It all started out innocently enough. I was in my car. It was a bright sunny day. I had the windows rolled down and I was feeling all of my wild oats.

I was at work and driving across town midday to the other building and going to see one of my favorite coworkers and life seemed pretty darn good.

The car radio was tuned to the local popular station and I caught this sort of fun little summertime kind of song with a break in the middle for some Flo Rida.

Now, I love me some Flo Rida. Not ashamed about that.

The song was something about some boy singing about the girl being a “troublemaker” and I thought the Flo Rida break gave it some gravitas.

I found my rear quarters grooving to the beat and a hand tapping the ol’ steering wheel. I smiled a little about all the times some cute boy in my life has called me a troublemaker. The spring-into-summer sun and nice memories worked for me.

Later that day I went home and went to YouTube and watched the super cutie cute Brit boy doing his little thang lip synching to the song. I watched another of his videos and was charmed then went straight to iTunes and bought his whole album.

I fired the thing up and started listening to all fourteen tracks.

Oy vey. That’s when I realized my mistake.

The two songs I’d heard are the best of the album. All the rest are overproduced crap. Bouncy tasteless boy band crappitty crap.

And I bought the whoooole album. Damn.

When I realized I’d simply bought the one boy version of One Direction I was quite embarrassed. Very embarrassed. Shocked, sad, grief, and then I laughed. A lot.

Then I turned on Stevie Ray Vaughan to cleanse my ear canals. That helped me get right.

As my blues friend used to say at the end of the night, “Did you get healed?”

Thanks to a beat up old Fender and the talents of a good Texas boy, I sure did.

Too bad about the electronic copy of the bad stuff. I can’t fling electronic bits out the car window while doing 85 mph on I-25 north out of Las Cruces. You know the place, right near the first rest stop? It’s where I once flung a good portion of an ex-boyfriend’s cassette tape based music collection, just out of spite.

It’s a real fine resting place. I would fly to my fair New Mexico just to get it done.

Ah well. Technology. Whatareyagonnado?








Image found here.



On The Wrong Road

This morning at an hour not early enough to avoid crushing commute time travels, I navigated my old Jeep through some swirls and whorls of Bay Area traffic and found myself on Highway 80 approaching the Bay Bridge.

As I did, I was thinking about the planned upcoming visit from my best friend in the whole world, and how excited I am to see her. Been too long.

I was listening to a shuffle of whatever music is on my iPhone by way of calming my nerves when a real old song came on, one of my best pal’s faves (a Waylon Jennings tune if you must know). As often happens to me in this crazy mixed up life of mine, what I saw with my eyes was the Bay Bridge but what I wished in my heart was that I was somewhere else.

Something about the springtime makes me miss New Mexico pretty ferociously. I let some memories in and found myself landing in a place called Lake Valley and the abandoned schoolhouse where we used to go to dance. That’s a whole other highway then were I was in that moment.

All of this reminded me that I once wrote about Lake Valley so I went into the archives and pulled this post up from 2007. I had to edit it quite a bit because, well, my editing skills have improved a bit since then.

So here’s a memory. Do click on that link to the Baxter Black piece if you get a chance. He says it better than I ever could.

Happy Dancin’ Friday to you, wherever you are today.



—————-


When memories reach up and grab you

Originally published March 26, 2007

Lately I’ve been on quite a jag of reading the works of one noble New Mexico-born left handed cowboy poet named Baxter Black.

He’s a good friend of my “adopted dad” (my best friend’s father) and I had the chance to meet him face-to-face back in college. Of course, I’ve heard plenty of his stories over the years.

I was heartened to see that my local library carried a good selection of Bax’s works. They make you smile, make you think and make you outright laugh yer bum off.

I just got done reading one of his collections of NPR material called “Horseshoes, Cowsocks and Duckfeet”.

One selection from that book is called “Lake Valley” and man oh man, that almost made me weep with homesickness. It also made me smile to know that two people, some twenty-five years apart in age, have similar memories of the same place and similar events. That’s the staying power of Lake Valley.

Back at NMSU I used to go to dancing at Lake Valley with my best friend. She’s the one who turned me on to it. Her parents used to come along for the fun because they went to NMSU too, and they danced at Lake Valley (probably along with Bax).

I remember at the dance they used to charge a family rate of $20. My fill-in dad would gather up all us scraggly college kids, blonds, redheads, brunettes, short, tall, thin, stocky and all about the same age. He’d lead us to the door, point to our gang, tell ’em that was his family, throw ’em a twenty and we’d all get in.

You know, in our way, we were (and are) family. [insert my best wistful smile right here as I miss my best friend for like the hundredth time today, already]

The way Bax describes Lake Valley in his writing is just how I remember it. When I was dancing, it was with a band called The Rounders and they played the old songs. What a talented group, The Rounders. They even played at my best friend’s wedding. Now THAT was a party.

At the end of this post is a photo I found online. It’s how the schoolhouse used to look when it was still a school. Ok, imagine that, but with no desks and a lot more years on it. That’s pretty much how I remember. See that riser there at the end? Where the teacher would sit? That’s where the band would play. It was a long narrow room so we had to dance in a long oval. Like Bax said, as we danced, the floorboards would give under your feet and they weren’t particularly even and a few nail heads were popped up, so you had to mind your feet. But oh it was a hell of a good time.

I’ve never felt quite so free, happy and in touch with the simple easy joys in life as I did dancing at Lake Valley. I miss the feeling of flying I’d get dancing a polka with my very tall and very dear friend Larry. I loved the camaraderie of wrapping arm around arm and doing the Schottische and Cotton Eyed Joe (“stepped in what?”).

And, as Bax said, when the band took a break, we’d all migrate outside to cool off and dip into someone’s ice chest for food, beverages and the telling of a few good stories.

We were all community then. We were bound by our heritage and our lives in New Mexico. Under that bright moonlight we were all inextricably connected, and it felt so right.

Ah the memories. If I let ’em, they’ll take over my whole day.







Image from Living Ghost Towns.