Ella Knew Before We Did

Yesterday the masterful local DJ Miles Green served up a Zoom session that brought both hope and healing.

The theme of the day was optimism with music from mostly female artists to honor Women’s History Month.

Miles opened the set by saying, “We gotta get off this Zoom and get back together.”

Too right.

Interwoven with amazing rump-shaking throwback songs, from out of nowhere that singular voice of Ms. Ella Fitzgerald glided into the mix.

She sang the lyrics:

Zoom zoom zoom zoom
The world is in a mess
With politics and taxes
And people grinding axes
There’s no happiness

I almost came out of my chair. What did I just hear?

Wasn’t I lamenting Zoom fatigue just two days ago?

That’s right, friends. Ella knew it before we did.

Written by the Gershwin brothers, their recommendation from 1937 to slap that bass as a path to feeling better remains solid. And valid.

Slap that bass
Slap it till its dizzy
Slap that bass
Keep the rhythm busy
Zoom zoom zoom
Misery, you’ve got to go

So zoom zoom, my work-from-home weary friends.





Ella Fitzgerald – “Slap That Bass”





This item can also be found on Medium, and you can see more of my work @karenfayeth over there

For Just a Moment, Time Pauses Long Enough for the Moonlight to Catch Up

Dateline: May 18, 2019, Las Cruces, New Mexico

It is a full moon Spring night and I am on the back patio of a home I know so well. Not my home, but the home where I live sometimes in my dreams. A storehouse for that part of me that exists back in my homestate while I live a bit farther out West.

The decision to leave New Mexico was made a long time ago, and with time I can see many of the reasons were wrong and many were also quite right. That audit can only occur looking backwards.

Tonight, time pauses because I am back home. I am where I belong with people who care about me. I am in a place so familiar I don’t even have to think hard about it, I just need to be.

It’s not always so easy just being me. It has been a bit of struggle lately. A tug of war inside my mind, but tonight is a welcome cease fire. I get to let my guard down a little, a lot, quite a bit.

“I was drunk…the day my mom…got out of prison,” we sing in full, robust, well-fed, and drunk voices. “And I went..to pick her up…in the rain.” We’re all in time but off key, which makes the sound that much more perfect. Our voices blending into a harmonic patchwork quilt.

This is a celebration of birthdays for four people. One of the four is me, and the other three are people who matter a whole lot to me. We eat, tell stories, drink a little more and remember the past. The past and the present merge until it is just us and now and then. Tomorrow is something to think about later. It will come back, but we don’t think about that now. The Wayback Machine is running at full capacity.

More dried bark and wood chips go into the firepit, making flames leap up. We keep the unseasonably cold desert wind at bay with flame and firewater.

An iPhone, an Apple music account, and a Bluetooth speaker keep the old songs rolling. Current technology pushes the old, old songs back to our ears. Patsy Cline, Jim Horton, George Strait, Foster and Lloyd, the Mavericks, Johnny Rodriguez. That’s only an appetizer plate of the ten course musical meal we serve. The music is like seeing old friends, and we sing. And we drink. And we dance.

I’m dancing around the brickwork patio with my best friend’s husband and I find myself looking down. I’ve known him for thirty years, so there are few secrets left between us. I say “It’s been so long since I danced, I have to look at my feet to make sure I still remember how.”

“Karen, you don’t have to look at your feet, it’s like riding a bike.”

I raise my head and look him in the eye. He’s right, of course.

“Besides you always were light on your feet.” I smile. It’s an awful nice compliment.

As the final notes of “Heard it in a Love Song” wrap up, he spins me around. In the centrifugal force I feel just like I did back when we danced to the same songs at Corbett Center or at Cowboys bar. We laugh a little, and then we hug. It’s good and right and fun. We’re both a little older, but it feels just like the good old days, dancing together and singing along with the music while we do.

I find my seat, my drink, the next song on the playlist. We all go “yeah! This one!” or “Haven’t heard this song in so long!” or “What else do you have on the playlist?”

It’s easy. The simpatico of friends who are family. We have a new friend in our midst, and she sings the songs as loud as any of us. She’s instantly our family, folded in like she was always here.

“We have to howl at the moon,” she says and we all howl like a mangy half-drunk (full drunk?) wolfpack. She makes each of us howl in turn, giving constructive critique, the director of our backyard opera. When we all meet her exacting criteria, we’re asked to howl together once more, and we do. And it feels good.

The songs keep rolling and the stories told a thousand times before seem fresh again. We laugh and laugh. Everything is funny. No mean words or contentious topics are exchanged. No need for that. We are in our groove, where we know who we are and what we are and we have nowhere to be other than right here with each other. We’ve laid our burdens down by the fire. They will be there for us in the morning.

I look up at the full moon between the branches of a mulberry tree. I look over at my best friend and her husband dancing together, looking like they did so long ago. Back when they first met and love was new and we knew then like we know now that they were simply meant to be.

It’s good. It’s right. It’s a balm on my wounds, mostly self-inflicted, invisible but quite real.

A moment where time has stopped. We’re together. We’re happy. And we dance.

They’ve done this together once or twice before

—–

All photos ©2019, Karen Fayeth and subject to the Creative Commons license in the right column of this page.

The Song That Changed Your Life

On the way to work this morning, I listened to legendary San Francisco radio station KFOG. They’ve recently had a bit personnel shakeup and it turns out their new morning guy is former MTV VJ Matt Pinfield. I’m not totally thrilled with the change, but I will say this: he is able to pull pretty decent guests.

This morning it was Matt Nathanson and it was a good interview. They talked music and influences, and Pinfield asked what I thought was an intriguing question.

“What is the one song that changed your life?”

For Mr. Nathanson, it was “Closer to Fine” by the Indigo Girls. He said it made him want to play acoustic guitar and changed the course of his music. Pretty cool answer and song.

When they cut to commercial, I was left wondering what my answer would be. What is the one song that changed my life?

Well sheesh, that’s hard question. Music is so integral to my life that it can’t possibly be one song. There have been many songs that have changed my life and there are unwritten, un-thought of songs on the path ahead that will certainly change my life again.

As I drove and pondered, I was able to come up with a bunch. Here are just four of a much longer list.

Let’s dig in:

1) It’s 1991 and I’ve just gotten an undergraduate degree and about to start my MBA program. Right before the new semester began, my boyfriend broke up with me. I was quite into that particular boyfriend, pretty sure he was “the one,” and the breakup hit me like a ton of bricks.

I wallowed deep into a lot of sad country music, but one song in particular was a constant companion.

“Are You Still Within The Sound of my Voice” by Glen Campbell

There was a place down on the Rio Grande where he and I used to go, so I would drive there, bring out a blanket and my boom box and find a place on the banks of the river. I would play that song over and over again while crying, sobbing, keening. I rose the level of that dusty ol’ river with my salty tears.

Glen and that song got me through it. I can still hardly listen to that song, it’s so etched into my memory and DNA. But that song helped me make the transition back to good. It made me stronger. It did, indeed, change my life.


2) It’s 1994 and I’m living in Albuquerque, fresh out of college, gainfully employed and living that single girl life on my own. I’d lost a lot of weight and was feeling sassy and strong.

My musical tastes still ran toward country, but I was starting to listen to a lot of other music. In fact my musical education expanded a lot since there was a whole lot of music in the 90’s that was changing the world.

I’d caught the end of a song on the radio that got my attention, but I wasn’t sure what it was.

A few days later I was riding in an old Jeep CJ that was open to the wind with radio playing loud. That song came on, those now easily identifiable guitar chords, and I asked the driver to turn it up.

I was super late to the party on this song, but on that day, really hearing the song, my life changed.

“Smells Like Teen Spirit” by Nirvana

Oh muh lord. Of course we all know the impact of Nirvana now, but back then, it was unlike anything I’d ever heard. I just knew I needed more. A lot more.

I bought “Nevermind” on CD and played it over and over and over. I had never heard an artist express themselves like that. I sang along with angry lyrics while the music (and musician) spoke to me in ways I still don’t understand.


3) It’s 1997 and I’ve moved to the Bay Area and I’m spending all of my time in San Francisco’s North Beach where my musical education took a turn toward the Blues.

There were a couple bars I knew how to get to and went to all on my own. A little girl with hayseeds in my hair, the employees and the musicians took me in. I became part of their family and they mine.

Blues music rolled in waves down Grant street back then and I’d start at the Savoy and work my way down. Grant & Green, Lost and Found, The Saloon.

Then there was a man named Willie who belonged to the street, but was still part of our family. More than once he protected me from the less kind aspects of city streets. He was a talented man with a bit of a drinking problem, but oh could he play that harp.

He’d tap his foot in time and play the blues. Then I’d go inside the bars and hear the musicians dive deep into history and play those same songs.

There was one that made me take notice, made me sit up. The beginning of what became a beautiful blues education. The door opened and I walked through.

“Matchbox” written by Blind Lemon Jefferson

On one night I heard four different musicians do the song, each putting their own fingerprint on it. This one song took a hold of me and never let go.


4) It’s 2015 and I’m with the love of my life, the one who actually is the one, and we’re attending a show at a small but awesomely funky venue in our new hometown. The act is Radney Foster and going to the show is like coming home.

I wrote a lot about why that night itself mattered right here on this little ol’ blog.

But more than that, Radney’s music was a core part of my college years and my life. A life I left when I moved to California. It was mostly the right decision, but damn I often feel like I left a huge piece of myself behind.

So many people here in the Bay Area. Crowded. Packed in. People who don’t understand the emptiness you find in New Mexico. The wide open spaces. The ease.

A lot of people here who don’t understand New Mexico, don’t understand what matters to me, and sure as hell don’t listen to country music.

And now here was Mr. Radney Foster standing on a stage in Northern California. There were even people other than me came to see the show. People who get it. It was a mind bender.

He did a lot of the familiar songs, and late in the show he introduced a new song. Told us that his wife grew up in Oakland. How he was at his in-law’s house in the Oakland hills and watched a gorgeous Bay Area sunset. Then he told his wife “I’m going to be late for dinner,” because he had to get down a song.

“California” by Radney Foster

It made me cry a little because it’s a beautiful love ode to California, written by someone from West Texas. A desert rat like me who gets it, was there back in the day, and understands why California.

It’s hard to explain to folks back home, but now I have the perfect musical explanation. In the following weeks I played it over and over again. This song let me know it’s okay to have my heart in both New Mexico and California. This song brought peace. Healing.

Truly life changing.

——

Whew. Yeah. Okay. I could probably go on. This list expands and grows the more I think about it.

I bet you are thinking too. Running through the soundtrack of your life and remembering the songs that mattered. The songs that changed your life.

It’s worth the journey. Feel free to share here or on Facebook. I’d love to know which songs changed your life.









Image used royalty free and found here.





Ok, I’ll Pick A Side

Recently, as I perused the pages of Facebook, I came across a Newscastic (read clickbaity) article with a New Mexico topic. I took the bait so you don’t have to.

The title of the article is:

Pick A Side: 11 Famous ABQ Rivalries Since The Day You Were Born

They said to pick a side, so I did.

Herewith, the 11 so called rivalries (many of which came well after the day I was born, by the way) and my pick for each.


1) Comanche vs Candelaria


We can all agree not Montgomery, right? My preference always was and will always be Comanche, since it was quite close to the house where I grew up.

Sideline here, I looked up the house where I grew up on Google Street View. Wow, hardly recognize it. Brought a little tear to my eye.

Back in my day Comanche had way less traffic than Candelaria and made it worth taking, even with all of the stoplights. Who knows how it goes today? Maybe my ABQ folks can let me know.


2) Twisters vs Golden Pride


Have I been out of the state so long I don’t know what Twisters is? Had to look it up. Established in 1998. Psh! No.

Golden Pride (est 1972) all the way.


3) Sadies vs El Pinto


Isn’t the right answer first one then the other?

Okay, okay, look, I grew up in the days when Sadies was located in a bowling alley. That’s the kind of clientele they drew. El Pinto was always nice, a little more upscale (and pricey).

So to me it’s Sadies if you want casual and El Pinto if you want nice. Even with the lovely Sadies stand-alone restaurant, I stand by that rule of thumb.

Verdict: No pick, love ’em both in different ways


4) Rio Grande vs Alameda


Shrug. No opinion. I was a Northeast Heights girl. Didn’t get down either very often. Probably Alameda, based on my limited memories.


5) The Shins vs Brokencyde


Who? I thought this was “rivalries since the day you were born.”

Let’s go with neither. How about Joe King Carrasco, who is not from ABQ but played the hell out of it back in my day. Yeah.


6) UNM vs New Mexico State


I believe my feelings are this matter are abundantly clear.

And when we win this game, we’ll buy a keg of booze, and drink it to the Aggies til we wobble in our shoes.


Best. Fight song. Ever.


7) Eldorado vs La Cueva


Richie rich versus the really Richie rich. Who cares? Not me.

Del Norte for the win.


8) Sandia vs Rock Quarry


For skiing? Sandia. Oh Sandia and your bare dirt patches. Your hard icy spots. Your imperfect but nearby skiing, how I miss you.


9) La Cueva Skatepark vs Los Altos Skatepark


Hey! You children get off my lawn!


10) Scorpions vs Dukes


Those Dukes are comin’ up swinging. No contest whatsoever. Love the Dukes. Likely because I am a huge fan of the sport of baseball.

While I love the sport of hockey and have nothing against the Scorpions, it just never seemed…right…to have hockey in the middle of the desert. (Yes, yes, I know about the Coyotes)

Side note, the Dukes used to have dollar dog and dollar draft days. Wow there are some games I can’t remember but had fun.


11) Sandhill cranes vs Balloons


Stop it Newscastic, you’re drunk. This is a ridiculous question. What, because they both fly?

Here’s the answer, hot air balloons in the morning, sandhill cranes at sundown. Owl burgers all day long.

Solved.


Okay, ABQ folks, what are your picks?





Image found here.





Slowly Fading Out of Sight

I drove a 1979 Mercury Bobcat. It was a Ford Pinto made by Mercury. Less flammable.

It featured a rigid manual clutch and four speeds on the center console. With a good tail wind and a steep New Mexico hill, I could get some speed in that tin can of a car.

Its vintage meant that it was too new for an 8-track player and too old for a cassette player. Only an AM radio was provided. You’d pull the button out and shove it back in to save your favorite station.

There is a lot of wide open land in New Mexico. So uninhabited that radio signals from faraway populated areas don’t always reach. Spin the dial and listen to different kinds of static. Only static.

I grew up in Albuquerque and went to college at New Mexico State in Las Cruces. The same day I moved into my freshman dorm, my parents moved to Carlsbad.

To go from Las Cruces to Carlsbad, you get to the other side of El Paso and face about two hours of nowhere and nothing. No people. No animals. No radio.

The seatbelt on the passenger side fit nicely around my boom box, a Christmas present from my mom. A stack of cassette tapes queued up to take a turn in the dual slots.

The Mavericks, Patsy Cline, Foster and Lloyd, Dwight Yoakum, Buck Owens, Alan Jackson, Keith Whitley, Marty Stuart, Willie Nelson.

Merle Haggard.

And that’s the point of telling this story, isn’t it?





Those voices, those songs, those musicians. Then and now, they are a part of telling my life’s story. The music of Merle Haggard lives in my DNA. It’s a short hand between friends. An access code for memories, to instantly revisit a time and place.

There was this blue eyed cowboy. He loved to sing. Occasionally he’d even sing to me. There was this dance in Mimbres. The band let him do a song, “Silver Wings.” Merle’s music and that cowboy’s voice. Everyone talked about it for weeks.

I wasn’t even there (he and I had parted ways by that point) and it’s still a part of my story, the collective story of all of us Ag College kids from that era.

Back then a band or a jukebox or a cassette tape would play a Haggard song and we had to dance, had to sing along.

When I was taking acoustic guitar lessons, I spent a lot of time learning how to play “My Favorite Memory.” I never quite got it right.

Merle Haggard told stories. His stories became our stories. His stories became timeless. The opening cords of any number of his songs thrum a string in my soul.

Seventy-nine years is a lot and yet somehow not enough. I had recently been trying to get tickets to a show. He’d rescheduled February and cancelled March. I knew he was having trouble.

Knowing the end is near and the arrival are two very different things.

We last got to see him in December 2014. He came out to the stage looking tired and at half a lung down his voice was a little thin. By the end of the show he had energy and that smooth Merle Haggard sound rang clear, filling the venue and spilling out onto the streets.

We left the show full up to the top with the music of Merle Haggard. Though we’ve lost the man, his music lives on. In that way, we’ll always have Merle.

I’m saddened for his family who lost a husband, father and friend. We lost a good man yesterday. Today seems a little paler for the loss.

Rest easy, Hag.




December 2014 at the Uptown Theatre in Napa, CA




Black and white photo from Ben Haggard’s Facebook page all rights stay with the originator. Color photo ©2014 Karen Fayeth, taken with an iPhone6 and the Camera+ app and subject to the Creative Commons license in the right column of this page.