Category: memories

Broke Through

Since I am a native New Mexican, it seemed mandatory that I watch the television series “Breaking Bad,” which is set mostly in Albuquerque.

I missed it during its first run on AMC but found all five seasons are available on Netflix.

The Good Man watched some of the pilot episode with me and found it just didn’t work for him. Okay, fair enough. This meant I was on my own to get through it.

If you are part of a couple that shares a Netflix account, you know how hard it is when one of you wants to watch something and the other doesn’t. You have to carve out time to watch when the other isn’t in the mood to be watching TV.

I had to look for times when either The Good Man was off doing something else or I had to set up my iPad and watch it while sitting in the same room with The Good Man. Which, let’s face it, seems kind of silly.

Breaking Bad is not the kind of show one can really binge watch. I found that after getting through a single episode I had to step away from the television and go out into the world and remind myself that nice things still exist.

So it ended up taking me a really long time to watch all 62 episodes, but finally a few weeks ago I did it. I summited the mountain. I reached the peak. I got through the final episode of Breaking Bad.

I have to admit, the last five or so episodes are pretty hard to watch. The whole story and its characters are unraveling and there is a lot of violence and ugly things happening. I found it hard to finish, but I prevailed.

And now that I am on the other side, I broke through, so to speak, what is my final analysis?

As a writer, this is genuinely some of the best writing I have ever experienced. The character development, the original ideas, the pacing, the language. All of it. Genuinely amazing and enviable. Easy to understand why the show won so many awards. And easy to see why it’s been hard for Brian Cranston to find other projects to work on. He’s said he wants projects where the writing is as good as Breaking Bad, which has to be a real challenge.

As a New Mexican, it was at times really hard to watch. I’m not blind, I know there is a lot of bad happening in my homestate. That said, a lot of dramatic license was taken for the sake of a good story. It’s possible to live a nice life in Albuquerque without encountering meth. It really is.

I cringe when I see posts on social media where people say they moved to Albuquerque just because of the show. To each their own, I guess.

I did often have a chuckle when I saw familiar places in the show. The carwash that Walt and Skylar own? I lived about two blocks away from it. The dark restaurant with candles on the tables where Walt and Jesse would often meet? It’s over on Gibson (closed now) and my boss and I used to go have lunch there when I worked for Sandia Labs. Saul’s office? Used to frequent the liquor store in the same strip mall.

The list goes on.

However, seeing all of those locations in the show didn’t really make me homesick. They seemed so out of place in the context of what was happening.

Anyhow, I guess in summary, I can say I have mixed feelings. The writing and acting are profoundly good. And I am glad I watched the show so that I at least understand all of the cultural references. I do kind of wish New Mexico could have gotten a better shake. It’s a beautiful state with a lot to offer including a unique culture and way of life.

Nevermind. I take it back. It’s awful. If you aren’t already a resident, you don’t want to live there. Seriously. (Much love to the 505!)

I am glad that New Mexico got its moment in the spotlight, and I think the story, writing and acting changed the game for television. Hard to believe something so culturally groundbreaking came from a deceptively simple story about a cancer stricken chemistry teacher and his ne’er do well former student cooking meth. It’s a fine though challenging show.

And now the big question……

Do I start watching “Better Call Saul?”

Hmm.

______________

In other news, apparently the actor who played the DEA Agent known as Gomie is running for Bernalillo County Commissioner. Weird. He’s a legit New Mexican though, so okay.









Image found here.





A Long Time Coming

It began with a photo of fish.

The photo was published in the online edition of the Albuquerque Journal. I often read the Albuquerque Journal so I don’t feel so far away from home.

A glance at the file information for the photograph gives a date of June 2002. I find that so hard to believe, and yet it’s true

The photo shows three fish that got stuck when their river home dried up. A rapid New Mexico drought took all the water.

I can’t recall which New Mexico river this happened to, I probably should have kept a screen shot of the newspaper article, but even as I know that New Mexico has struggled with drought for years (and today), I was amazed and shocked by this photo.

It is difficult to believe that water could evaporate that quickly.

Here is the photo:





The image didn’t leave my head, it rattled around in there and said so many things to me. My brain worked it over and a story began to form. The feeling of trying to draw a breath but only getting New Mexico mud.

The first draft of the story “Sangre del Toro” took shape in October 2002. Wow. Thirteen years ago.

Over the years I have submitted that story off and on to contests and literary magazines. I’d dig it up, edit and polish and try again with no luck.

I believed in the story, in the character, in the image, so I kept trying. And trying. And editing and trying and so on.

I did another edit and submitted it again for another round in the publishing meat grinder this last December. I have come to understand that publishing is as much about timing as it is about quality. And that’s why I kept trying.

On February 26, I finally got a yes from a literary journal named Jet Fuel Review.

It was almost surreal to finally hear a yes in response to this story and it’s even more surreal to announce that the Spring 2015 edition of Jet Fuel is live.

You can download the entire edition here: Full Edition

Or you can read just my story here: Sangre del Toro.

Woo! Whatta rush. Very excited about this one finally seeing the light of day. It was only by searching my hard drive to find that fish photo that I realized this published piece was thirteen years in the making.

Thirteen years of believing in a kind of sad story about a little girl caught out, just like the fish.

The editors of Jet Fuel told me they thought the metaphor was a little too obvious, which is probably true. I guess they still liked it enough to publish.

And so please give it a read and support Jet Fuel. They are a great group and I am forever indebted to them for taking a chance on little Adelida.










Where Good Memories Are Made

This is where I ate my lunch yesterday:



Copyright ©2015 Karen Fayeth

A velvety red couch by the beautiful Douro River in Porto, Portugal.

Wednesday was a beautifully clear warm June day. I sat on the pleasantly comfortable couch with two other people who are counterparts from another company. Two people I genuinely like.

We sat together companionably and talked and laughed and told stories. We couldn’t believe our good fortune that the couch seating was open on such a gorgeous day.

Inevitably, time passed and it was time to go back inside the Alfândega Congress Centre, a historic former customs house, and go back to work.

Deep in very businessy conversations inside the cool stone structure, I couldn’t stop my mind from wandering back to that place. That seat. That sun. That perfect moment. A delicious lunch with good and decent people on an oddly but fortuitously placed couch by the Douro river. In Portugal.

On the next break I wandered downstairs and back outside. After taking a photo of that now empty red couch by the river, I went down a few granite stairs and sat closer to the water. Small wakes from passing boats gently lapped the bottom step.

Then I started thinking. Lovely thoughts on a lovely day. A workday, no less! What a lovely city in a lovely country. Just that easy. Just that difficult.

And that, my friends, is how a good memory is made.




The One Thing

Last month I found myself in Chicago attending a writer’s conference. The event was sponsored by a large publishing house and I went to learn more about the publishing industry. Boy did I.

Part of the weekend also had us working on some writing exercises. We were given a topic and told to write about it for ten minutes.

I’m pretty good at these off the cuff wind sprints, so I was sailing along nicely creating the words and feeling all of those blocks melt away.

That was until we got to the prompt: “What’s the one thing you won’t write about?”

Ugh. Well. The snarky voice in my head kicked in, saying things like “well if it’s something I won’t write about, why would I write about it here? In this uncomfortable chair. With 500 of my closest friends in attendance?”

Bah.

Then I started thinking, what really IS the one thing I won’t write about?

I know what it is, but I’m still not ready to write about it.

It’s grief. My overwhelming grief is the one thing I just can’t write about. Not yet.

Both December and January ushered in tremendous losses for me, one after the other, and though I’m told I have to “just grieve” and “get it out” and “go through the stages” I find myself a bit at sea. There are times it shows up inappropriately and I cry so hard I wonder how I will ever stop crying.

When I do finally stop, I become near catatonic for the rest of the day.

There are times I know it’s sneaking up on me and instead of trying to head it off, I am able to find a way to hide in the bathroom or outside or in my car and let it happen. A little.

And sometimes I simply have to tell the freight train that no, it doesn’t get to run me over today. When I head it off, push it down, it only means the grief builds up a bigger head of steam for the next time.

It is a demon and I am wrestling with it. And no, I’m not ready to write about the details. It’s too tender, too fresh, too painful.

One might argue that since writing is my thing, I should be writing about it. I should be writing it all out furiously and fast and working through all of those darn steps, up and down the ladder until I’m free.

As if one can ever really be free of grief. Actually, that’s part of the problem. This fresh and overpowering grief has ripped the lids off of the many other losses I have experienced so I get to go through all of that again. As if it’s new and present and today.

So yeah, letting it all out, that’s probably what I should be doing.

But I can’t. Not yet.

And it remains the one thing I won’t write about.

But I will write about it. Someday.

Maybe this post is just one small step in the right direction.









Image found here.




A Conversation

(A conversation between the warring factions in my brain. From about an hour ago.)

What’s this?





Duh, it’s a screwdriver.

Go deeper.

A flat head screwdriver.

Keep going.

A Sears Craftsman flat head screwdriver.

Bingo. Now, why are you holding this in your hand and staring at it so intently?

Because this Sears Craftsman flat head screwdriver is not mine.

Yes. This screwdriver isn’t mine. I mean, I found it in the bottom of my toolbox. I was looking for some electrical tape to repair my iPhone charging cable. Because I’m too cheap to buy a new one.

Yes, I have a toolbox. Mine. And I’ve got some nice tools. Only, I don’t have any Craftsman tools. I’m also too cheap to buy good quality handtools. What, am I building a skyscraper? No. I have never bought a Craftsman tool because I make do with discount store goods.

Except for this screwdriver. My lone Craftsman in a sea of cheapies.

And?

And when I look at this tool, I can tell it’s been used. A lot. It’s not new. It’s scuffed, the handle shows traces of white paint. The tip is scratched to hell and someone has used the base to try to hammer something.







And?

And I just remembered where I got this Sears Craftsman flat head screwdriver.

I stole it from my father.

Okay, stole is probably too strong a word, but I did lift it from his toolbox and did not return it.

I kind of feel bad about that. He used to get so ticked when his tools didn’t find their way back to his toolbox. Can you blame him?

I wish I could give it back. Only I can’t. He’s been gone for ten years and I’ve been carrying around this stolen property without even knowing I still had it.

But I do. Still have it. Now. Today. In the bottom of my toolbox, nestled next to the electrical tape and a bent hand saw blade. The saw blade is mine. All mine. Cheaply made, hence the wrinkle in the metal.

But that Sears Craftsman flat head screwdriver that came along with me from New Mexico to California. That’s a quality tool. The logo has rubbed off and the metal is a bit rusty. And it’s filled with memories, both good and bad. A lot of memories. So many I got a little lost.

What is Vanadium anyway? It says that word on the handle. Ah it’s a mineral. It’s a fancy word used to make this tool seem important. A simple Sears Craftsman flat head screwdriver.




It is kind of important, in its own way.







All photos used are Copyright © 2015 Karen Fayeth and subject to the Creative Commons license in the right column of this page. Shot with an iPhone 6 and the Camera+ app.