Swinging For the Fences

When I began to seriously focus on submitting my writing to literary journals, I was schooled on the concept that it takes about one hundred rejections to get an acceptance.

Since submitting to one hundred journals takes a lot of research work, I began working with a really awesome service that helps me target submissions and keep track of rejections. Over the past several years, I have found that the one hundred rejection rule is pretty much true.

What this means is that I now get A LOT of rejections. In those first years most submissions were done by regular mail so I’d often have a mailbox crammed with rejection notices.

Now most submissions are done electronically and it is my email inbox that is filled to overflowing with rejection slips. They tend to come in waves. None for a while then six or eight at a time. Rejections usually show up when I’m having a really crappy day.

Receiving a pile of rejections just makes everything SO much better.

When I started getting that many rejection notices, it hurt at first. Each one was a tiny “ouch” and made me sad. Who could reject my perfect little carefully crafted babies?

Over time, I became immune to the sheer volume of no-thank-yous. The skin hardens a bit, the outlook toughens and now I just shrug and say “okay” and move on.

It’s what makes those occasional acceptances that much more sweet. A barrage of no and then a glowing, shiny, joyful yes.

Since I have had the good fortune to receive quite a few acceptances, my submission service has been trying to up my game a little bit.

By up my game, I mean in addition to the regular submissions to a lot of fine magazines that no one has heard of, they have been adding a few more well-known and highly regarded journals to my submission list.

I’m not quite up to the point of hitting up the New Yorker for publication, but names on the list recently include McSweeney’s, Harvard Review, Zoetrope and The Paris Review.

I always giggle just a little when I hit “submit” on those queries. That’s because the odds of my work seeing the light of such highly regarded and high circulation magazines is pretty slim. That said, you don’t hit a home run if you don’t swing at a few pitches. So I swing away.

The Good Man has a different view on the rejection process. He is always happy to see the rejections in the mailbox. His firm belief is that if they are saying no then at least they considered my work, if even for a moment.

He especially loves the so-called “good” rejections. The slips that have a personal note from the editor, or say something like “while we were unable to use this particular story, we’d like to see more work from you.”

Those good rejections are a tiny bit of bread to a starving writer. Those few words are enough to keep me working hard to get to yes.

Anyhow, all of this was on my mind as this morning I sorted through a stack of mail and opened a couple rejection slips. I can recognize them right away because when I do paper submissions, I include a self addressed stamped envelope.

When my own envelope returns to me, it’s almost always a no. Almost. I did get an acceptance one time in my SASE. I’d neglected to open it for almost two weeks and couldn’t believe it when I did open it. That was a nice surprise.

Anyhow, this morning’s envelope had a postmark from New York and inside resided the tiniest sliver of paper. What I estimate to be about one-eighth of a sheet of paper.

It’s from The Paris Review. A highly revered title.

They were able to spare just a tiny sliver of paper to tell me no way, Josephina.

And for a moment, I’d like to think about some low to no paid intern reading my story, considering it and then thoughtfully sending this slip.

I’m sure they LOVED my work, it just didn’t fit the themes on their literary calendar. Right?

Right.








What? No. Thinking Businessey Things.

My employer is weird. This is known. And one of the weird things they like is to have portraits done of all of us minions every couple years.

The employer has a professional, award-winning photographer on staff and in addition to his amazing photos of amazing science, the poor guy also has to sit in a conference room while a parade of geeks, nerds, scientists, engineers, and dorks like me clomp through.

Last time I had a work photo taken, it was two years ago. It was a humid day. I had to walk up a steep hill to get to the place where the photos were being done. I was running late because I couldn’t find a parking spot.

I’d sweated my makeup off and my hair frizzed to cotton candy status. Then I sat down and had my photo taken. It’s awful. And it’s published on my department’s website for all to see.

We’re encouraged to use that photo as our email avatar. Nope.

Today is the day when new company photos are being taken. Argh. I have been, to put it mildly, obsessed about this. I want my new professional work photo to be something I am willing to look at.

Yesterday I carefully examined all of the photos of my coworkers in the photo archive to assess what works and what doesn’t. This morning I curled my hair. I put on makeup. I fussed.

At about twenty minutes before my appointment time, I sat at my desk fretting. I decided to open Photobooth on my Mac to get a real look at how things were working and what needed fixing.

I gazed into my laptop camera and took a couple shots. I evaluated the smile, the hair, the lipstick then I went back in to try again.

I was staring the camera dead on, trying to smize when in my peripheral vision I see one of the auditors come walking down the aisle. The very serious big 4 outside auditors here doing serious stuff like auditing financials. And here I am, a manager, supposed professional, at my desk selfie’ing.

So I tried to play it off real quick. I looked away and was acting all like “no, no selfies here.” And “Yeah it’s cool, ain’t no thing.”

And then the Photobooth “flash” popped (it flashes a blank white screen). Busted.

Yeah. Um.

Anyhow, I took that photo of my shame, cropped it, sent it through an Instagram filter and now it’s arty. Thoughtful. Meditative.

Nah, it’s just me trying to look cool and failing miserably. Welcome to Dorkville, population me.

I sure hope my professional photo turns out a lot better.




Thinking so hard right now.







Photo Copyright ©2015 Karen Fayeth and subject to the Creative Commons in the right column of this page. Please don’t use this photo elsewere. I’m asking nice. Photo made with Photobooth, Instagram and my special brand of genetic dorkiness.




The One Thing

Last month I found myself in Chicago attending a writer’s conference. The event was sponsored by a large publishing house and I went to learn more about the publishing industry. Boy did I.

Part of the weekend also had us working on some writing exercises. We were given a topic and told to write about it for ten minutes.

I’m pretty good at these off the cuff wind sprints, so I was sailing along nicely creating the words and feeling all of those blocks melt away.

That was until we got to the prompt: “What’s the one thing you won’t write about?”

Ugh. Well. The snarky voice in my head kicked in, saying things like “well if it’s something I won’t write about, why would I write about it here? In this uncomfortable chair. With 500 of my closest friends in attendance?”

Bah.

Then I started thinking, what really IS the one thing I won’t write about?

I know what it is, but I’m still not ready to write about it.

It’s grief. My overwhelming grief is the one thing I just can’t write about. Not yet.

Both December and January ushered in tremendous losses for me, one after the other, and though I’m told I have to “just grieve” and “get it out” and “go through the stages” I find myself a bit at sea. There are times it shows up inappropriately and I cry so hard I wonder how I will ever stop crying.

When I do finally stop, I become near catatonic for the rest of the day.

There are times I know it’s sneaking up on me and instead of trying to head it off, I am able to find a way to hide in the bathroom or outside or in my car and let it happen. A little.

And sometimes I simply have to tell the freight train that no, it doesn’t get to run me over today. When I head it off, push it down, it only means the grief builds up a bigger head of steam for the next time.

It is a demon and I am wrestling with it. And no, I’m not ready to write about the details. It’s too tender, too fresh, too painful.

One might argue that since writing is my thing, I should be writing about it. I should be writing it all out furiously and fast and working through all of those darn steps, up and down the ladder until I’m free.

As if one can ever really be free of grief. Actually, that’s part of the problem. This fresh and overpowering grief has ripped the lids off of the many other losses I have experienced so I get to go through all of that again. As if it’s new and present and today.

So yeah, letting it all out, that’s probably what I should be doing.

But I can’t. Not yet.

And it remains the one thing I won’t write about.

But I will write about it. Someday.

Maybe this post is just one small step in the right direction.









Image found here.




Stream of Self-Consciousness

That moment when you are sitting at stoplight as a pedestrian crosses with the light in front of your headlights and you notice that the morning sun is giving this gentleman a solid backlighting. As he is directly in front of your view, you notice that the hairs that extend well past his nostrils are beautifully set to glowing by the golden California sun.

And you think to yourself, “Oh wow. That’s…well that’s something.” And you laugh alone in your car because why not. You can sing in there so why can’t you cackle like a dyspeptic hen in there?

And as you turn the corner and head into the parking garage you think to yourself. “Don’t laugh, sparky. There but for the grace of a nose hair trimmer go you.”

So then you surreptitiously check both barrels of your own breathing device to see if the protective filtering is tidy and in place.

And you realize that, you know, you could use a little trim yourself.

So you sit in the car and in the morning light of a California sunrise and you use the scissors from your small Swiss Army Knife to give a quick clip, just enough to let your sanity rest during the day that lies ahead. Because no one should have to worry all day long about the nostril streamers that suddenly seem to grow with less control than they once did.

And when done, you feel both satisfied and mildly crazy and kind of blind because why didn’t you notice a trim was in order when you looked at your tired face in the mirror this morning?

But alas, you did not. Then you vow to take care of this problem more fully later tonight. And you should probably put on your reading glasses and give the eyebrows a check too because I bet those are out of control.

And then you get out of your car and walk into the office and enter this crazy day in a crazy way with crazy hair growing in crazy places.

Did you ever have a day like that? Yeah, um, me neither.









Image found here.




Not Really So New

Welcome to the sixth day of the year 2015 but only my second day back at the ol’ place of work.

While technically the first of January is the first day of the New Year, it doesn’t really feel like the New Year has begun until I go back to work, i.e. get back into the “real world.”

My employer is ever so kind in that they shut down operations from December 24 through January 1. That means with a little planning and a little curation of vacation hours, I can eek out full two glorious weeks away from the office.

I look forward to this two-week break from work all year long.

All. Year. Long.

In my career, I’ve rarely taken two weeks of regular vacation time, so these two weeks at the end of the year feel beautifully indulgent.

My first priority for the break time is to sleep. Nap. Sleep more. Rest and then do nothing too taxing on brain and body. That usually lasts about three days then I’m rested and raring to go.

The rest of the break time is spent with family, exploring the world with The Good Man, cleaning up my home office/studio and working on creative projects.

I find I’m able to fully and completely forget about work and live the dream of a creative life. Sleep until my body is rested, rise and work on creative projects, fill my head with creative inspiration and plan forward for the projects I want to work on in the coming year.

It’s a beautiful place to be, a place I’d live all year round if those darn lottery numbers would just break my way. It feels solid and satisfying and clean and pure.

And then sixteen days of being my own boss pass too quickly and Monday, January 5 arrives. I have to figure out how to get back into the flow of “regular” life. I have to metaphorically merge into speeding traffic with no running room and only two of four cylinders in working order.

Yesterday was that day. Yesterday I woke up with the help of an alarm clock (bleah, sixteen days of no chirping alarm was REALLY nice) and sat up in my comfy bed, bleary eyed and lost.

I tried hard to find the muscle memory to rise, to make some breakfast, to put on some clothes, where is my work badge?, move out the door and get to work on time.

When I arrived at the office it was all too familiar and all too unfamiliar.

It felt like I had changed. I was a different (and better) person as I swiped my badge and entered the office. Then I realized that work had not changed.

I came to my own little gray cubicle and there was all of my same stuff I’d left behind, but it looked alien.

The laptop machine asked me for a password and I had to think very hard about it. Took a couple tries at it and finally remembered.

Have you ever seen baby ducks when they are following their Mama Duck into the water? It often looks like this: Mama slides effortlessly into the water and her eight to ten ducklings slip, slide, belly flop, and unceremoniously plop themselves with a splash behind her.

For a moment, the water crests over the top of their head, then the ducklings one by one pop to the surface like popcorn and start swimming.

It was very much like that yesterday. I fell uncoordinated and perilously off the vacation ledge into the bracingly cold pool of work. I grasped for stability for a little while and then I found my feet and began to paddle. By the afternoon I was moving more or less in a forward manner.

So that’s the New Year. A little bit new, a lotta bit old. I suppose all of the inspirational quotes are true. It’s up to me to make 2015 a really awesome year.

Forward into battle! *splash*cough*splutter* Okay. Now, here we go.




“Hoooooly craaaaap”





Image found here.