There but for the grace of…

Every once in a while, you hear about a car accident where someone has managed to get onto a highway going the wrong way.

Generally, the driver is drunk and the consequences are pretty bad.

I’ve always wondered, honestly, how in the hell that could happen? I mean, even drunk, how could you take the wrong ramp for the highway? Isn’t it very, very obvious?

So, I’ve been a bit harsh on this topic. That is, until today.

Today, distracted, but perfectly sober, in broad daylight, I managed to swing onto the wrong side of an onramp/offramp for an expressway.

I’m still not exactly sure how I managed to do this. It is a weird intersection, but that is no excuse.

I’ve driven this intersection plenty of times. I’ve always navigated it fine, but today, I swung the left turn, picked the wrong side of the road, and found myself facing traffic coming head on.

Thankfully, I was able to take quick evasive action and no one was hurt, no accident happened, and I escaped shaken but fine.

But my mind is totally blown by this little event.

So maybe it’s not so hard to get going the wrong way on a major highway.

I’m not excusing the devastation caused by the people who were driving drunk and managed to cause a lot of injury by making this mistake.

But maybe I understand it a little better now.

Today, more than ever…

…I am convinced that the members of the human race are all nothing more than a truckload of clucking chickens wandering around the big cosmic coop.

Seriously.

Ok, so, backstory:

Over the Labor Day weekend, the people constructing a new eastern span of the San Francisco-Oakland Bay Bridge closed the bridge to traffic. During this closure, they removed one section of the lower deck of the bridge, and placed a temporary section in place to divert traffic and allow vital work to be completed.

This made big news all over the Bay Area. It was much ado about “The S Curve”

Ba-kah! An S curve!

So when the bridge re-opened to traffic the following week, all the traffic reporters reminded commuters that people would be getting used to the new S curve, so allow extra time.

Ok, fine. Right? It’s a new thing, we all get used to it and move on.

Oh but nooooooo.

No, today, I had a rare occasion to have to cross the Bay Bridge. (stop shuddering, my dear mother!)

So, first of all, the approach going in an eastern direction on a good day is a cluster of merges that has always made me nutty.

Fine, it is what it is.

Then there had been an accident an hour earlier that had still left traffic snarled. Fine.

But oh…the best part. Once traffic was flowing along, I came through the tunnel that goes through Treasure Island, and then I was confronted with…DA DA DUUUUM…

The S Curve.

And people hit the brakes! Oh did they hit the brakes.

Fer crimeny’s sakes, people! It isn’t a frappin’ Z curve! It is quite easy to navigate. You follow those fabulous little white lines they paint on the ground. You turn your steering wheel gently one way, and then gently the other way. This is not a step on the brake-able road hazard!

My god. The freak out. The pandemonium! The utter ba-kah!

The Bay Bridge carries some 270,000 cars every day. And this change was implemented TWO WEEKS AGO!

But nooooooo.

Ba-kah!

*sigh*

This, along with people on the southbound highway slowing down to look at an accident that occurred on the northbound side, you know, OVER that heavy concrete barrier?

Bah. Kah.

Fine. I’ll just peck at my grain and shake my tailfeathers and call it a day.

I. Am. Cranky.

I fought the law…

…and the law will probabaly win.

Ok, not me, but a man named Dave Vontesmar. Mr. Vontesmar lives in Arizona. Phoenix, to be exact.

And Mr. Vontesmar has to commute daily for his job at Sky Harbor airport.

Mr. Vontesmar is not a fan of the recently installed cameras that Phoenix has been using to catch speeders (and, let’s be clear, raise revenue).

It is, as this article describes, a “photo-enforcement gantlet (sic) on Interstate 17, Arizona 51 and Interstate 10.”

Mr. Vontesmar IS, however, a fan of going in excess of the speed limit.

And so the perfect solution is born.

Dave Vontesmar wears a monkey mask when driving. Sometimes a giraffe mask, but mostly a monkey mask.

And when the tickets, some 37 so far, totaling fines upward of $6,500, show up at his home, he says:

“‘Not one of them there is a picture where you can identify the driver,’ Vontesmar said. ‘The ball’s in their court. I sent back all these ones I got with a copy of my driver’s license and said, ‘It’s not me. I’m not paying them.””

Well ok. I guess they use the car registration and the driver’s license photo to id the drivers and issue the ticket.

So Vontesmar is working a loophole here.

Except…

“…officers sat outside Vontesmar’s home and watched him drive to work. ‘We watched him four different times put the monkey mask on and put the giraffe-style mask on,’ Officer Dave Porter said. ‘Based on surveillance, we were positive that Vontesmar was the driver.'”

So fine, he’s probably not going to get away with this, but damn…you gotta like his style!

File this under: hot desert sun does something funny to folks.

Photo from azcentral.com

Saaaaaalaute!

So, there I was today, in bumper to bumper traffic, trying to get to work.

The Bay Bridge is closed this weekend for construction, so the traffic patterns in the Bay Area have gone all wonky.

My usual peaceful, easy commute was jammed up. Fine. A fact of life in a highly populated area.

As you may or may not know, in California, it’s legal for motorcycle riders to “split the lanes”, meaning, they can ride in that space between two cars, side by side in their respective lanes.

It took me quite some time to get used to this, but now, especially in a traffic slowdown, I’m quite alert. As a car driver it’s always best to stay the course when a motorcycle comes whipping down between lanes.

This morning, as I sat, fully stopped, I watched the usual parade of motorcycles split the lanes. A Harley rumbled by. A really sweet BMW bike glided through. A couple of those very speedy Japanese bikes that force the rider to stick his rear up (doesn’t seem right to go a 100mph with your ass higher than you head, but what do I know?).

And then, in my rearview, I saw this patchwork bike come wobbling along, looking like something out of the Road Warrior films.

Apparently mismatched parts had been collected from the junk pile. The thin tires looked better suited to off road than asphalt. The fender didn’t match the bumper. It made a sound like a monkey wrench caught in the spin cycle.

But the rider sat tall in the saddle. He was decked in leathers and fully in command of his vehicle, proudly guiding his bike through Bay Area traffic.

And as he passed by, I noted the New Mexico license plate bolted firmly to the back.

As he rode away, out of sight, I held hand to my heart and quietly hummed “O Fair New Mexico”.

“O Fair New Mexico, we love, we love you so….”

Thank you, New Mexico, for keeping it rasquache, even here in the Bay Area.

Oh so ready for the Labor Day Weekend. Happy and safe one, ya’ll!

Get outta the wayback machine!

It was Fall, had to be. Slight crispness to the evening air. Anticipation thick as the fog of Aqua Net in the Chi Omega house.

It was 1989, probably. Or somewhere close to that. The campus of New Mexico State University. I was a sophomore, maybe a junior, I can’t remember. Doesn’t matter.

What does matter is that I was getting ready to go to a dance at Corbett Center.

The woman who would become my best friend for what is now over twenty years was the driving force that night, and many just like it. Her parents had met at a Corbett Center dance, so she was especially incentivized to go scoot a boot and see what’s doing. Family history.

I nervously pulled on my too shiny, too new, gray goatskin round toe ropers and jeans that didn’t really go with the boots, but were at least long enough to be acceptable. “You should buy some Rockies,” I was told, and they were right. I would, later, in quantity. But then I had neither the money nor the courage. I wasn’t sure what I was going to get into, I just knew I was going to be there come hell or high water.

It wasn’t my first Corbett dance. It wouldn’t be my last. This story isn’t about one actual night, more an amalgam of a lot of great nights.

The gaggle of high-haired women walked out the back door of our home, a sorority house containing twenty-eight women of different backgrounds, and one understanding house mom. What bound us together was our choice of educational institution. A land grant institution. To the uninformed, that means an agricultural college.

It was a short shuffle over to Corbett, up the stairs to the third floor where they had the ballrooms. Pay the entrance fee. Five dollars I think? Maybe less back then. Get a stamp on your hand. Look around, see who is there already. Talk about who you hope shows up.

Hear the opening strains of music. Usually The Delk Band. A group of musicians, brothers, and their dad on fiddle. I went to school with most of the boys. I remember one of the Delks was cute. I remember one of the Delks was the drummer and back then had a tendency to speed up the tempo as a song wore on. Hard to dance to a wildly varying tempo. But we did it.

They were our people, and we embraced them. And we danced. Oh did we dance.

The two-step. Not the Texas double up kind, no. The slow kind, keeping time to the music.

And a waltz. My favorite, how I love to waltz. The rhythm of waltz-timed music still beats my heart a little differently.

The polka. If done right with the right boy (he had to be tall because I’m tall and otherwise we’d just bump knees) you felt like you were flying, feet hardly touching the ground.

Then of course the Cotton-Eyed Joe (stepped in what?) and the Schottische, played back to back, often enough. Linking six or eight of us, arm in arm, facing forward, laughing our fool heads off.

The ladies, my friends and I, would stand on the sidelines and take a look at the scene. My best friend would always get asked to dance first. She’s beautiful and a great dancer. Who could blame the boys for flocking to her blue-eyed, dark haired gorgeousness? Not me, for sure.

As I got better at dancing, I got asked often enough, too. The boys liked the girls who could dance, who liked to dance, who didn’t turn up their nose at dirty fingernails and cow sh*t on their boots.

There is something special about dancing with a boy who knows how to dance, a strong lead, who looked you in the eyes while we danced. The boys who had the right fold in their hat and smelled faintly of Copenhagen and beer and Polo cologne.

I got to know those folks. All of them, the boys, the girls, the dancers, the musicians, the laughers, the people who liked to swing each other around the dance floor.

They became my family. We traveled in packs, dancing until we were sweaty, then heading outside into the cool air to take a breath, drink a beer, laugh a lot and occasionally find someone to spend a little time with.

Well not me, not then. I was still too awkward and mixed up to attract much in the way of boys at that point. I was more “one of the guys” than one of the girls the guys would chase. Don’t feel bad for me though, I eventually figured it out. (cover your eyes, mom)

Over time, we all aged a little, got to be over 21 and started to migrate from dancing at Corbett center to dancing at the local country bar. It was fun but seemed a little more complicated. Add more than a couple beers to the night and weird things happen.

But still we danced. By that time, I’d moved off campus and lived with my friend from TorC. She was crazy and fun and taught me a lot (cover your eyes, mom), and she loved to dance as much as I did. She coined the phrase “big bar hair” and learned me how to get it, and keep it, despite dancing so hard sweat ran down your face.

Then we all aged a bit more, and we graduated and found respectable jobs. My best friend, her husband (a fine dancer, I must say) and I are all actually employed in the same area that’s listed on our diplomas. One might scoff at country folks, but all three of us hold a Master’s degree in our chosen fields.

Now, on the verge of turning forty, I find I still miss those days, mightily. I wished I’d enjoyed them more at the time. The stress of school and classes and “what do I want to be when I grow up” cast a pall on my days.

My own fault. A worrier by nature, a tendency I fight tooth and nail every single day I take a breath.

When I’m having a bad day, when I doubt myself, when I realize I don’t fit in at my new place of employment, when I don’t feel heard or understood or very well liked, I can always go back to those days in my mind and smile.

I can’t get together with my best friend and her husband and NOT talk about those days. Magical. I’m blessed to have been able to have them. Once upon a time, I knew where I belonged.

______________________________

(photo found via Google. That is, in fact, Mark Delk and if I’m right, that photo was taken at Dickerson’s Auction Barn…another location for a lot of good nights of dancing….)

This historic journey brought to you by the song “On A Good Night” by Wade Hayes. The song popped up on my iPod set to shuffle during the morning commute. The song itself was burned off a CD while visiting my best good friend in the world just a couple months ago. Damn you Wade for putting me in the wayback machine!