Category: Bay Area

My Shame

Don’t look at me! Don’t! I’m so ashamed.

: deep breath :

Ok, here’s the thing. I didn’t MEAN to purchase tweenie teeny bopper music. I really didn’t. I swear it!

It all started out innocently enough. I was in my car. It was a bright sunny day. I had the windows rolled down and I was feeling all of my wild oats.

I was at work and driving across town midday to the other building and going to see one of my favorite coworkers and life seemed pretty darn good.

The car radio was tuned to the local popular station and I caught this sort of fun little summertime kind of song with a break in the middle for some Flo Rida.

Now, I love me some Flo Rida. Not ashamed about that.

The song was something about some boy singing about the girl being a “troublemaker” and I thought the Flo Rida break gave it some gravitas.

I found my rear quarters grooving to the beat and a hand tapping the ol’ steering wheel. I smiled a little about all the times some cute boy in my life has called me a troublemaker. The spring-into-summer sun and nice memories worked for me.

Later that day I went home and went to YouTube and watched the super cutie cute Brit boy doing his little thang lip synching to the song. I watched another of his videos and was charmed then went straight to iTunes and bought his whole album.

I fired the thing up and started listening to all fourteen tracks.

Oy vey. That’s when I realized my mistake.

The two songs I’d heard are the best of the album. All the rest are overproduced crap. Bouncy tasteless boy band crappitty crap.

And I bought the whoooole album. Damn.

When I realized I’d simply bought the one boy version of One Direction I was quite embarrassed. Very embarrassed. Shocked, sad, grief, and then I laughed. A lot.

Then I turned on Stevie Ray Vaughan to cleanse my ear canals. That helped me get right.

As my blues friend used to say at the end of the night, “Did you get healed?”

Thanks to a beat up old Fender and the talents of a good Texas boy, I sure did.

Too bad about the electronic copy of the bad stuff. I can’t fling electronic bits out the car window while doing 85 mph on I-25 north out of Las Cruces. You know the place, right near the first rest stop? It’s where I once flung a good portion of an ex-boyfriend’s cassette tape based music collection, just out of spite.

It’s a real fine resting place. I would fly to my fair New Mexico just to get it done.

Ah well. Technology. Whatareyagonnado?








Image found here.



In Memorium for One Of The Greats

Over the weekend came the very sad news about the passing of Hollywood legend, Ray Harryhausen.

The Good Man was a lifetime Harryhausen fan and introduced me to the magic that Ray made only recently. How badly I had been missing out.

At 92, Ray lived a good long life and he leaves behind a legacy of work. His stop motion animation paved the way for so much of what you see now in this CGI-heavy film world.

Mr. Harryhausen will be missed, along with his best friend, Ray Bradbury. Tough to lose both Rays within the course of a single year.

To remember Mr. Harryhausen, I am reposting something I wrote back in 2010 when I first learned to appreciate Harryhausen movies. You can tell from all the exclamation points how totally into his movies and the animation I was (and am).

For you, Ray.


———————

This old dog learned a new trick
Originally published February 5, 2010

At Christmas, my husband received a great gift from his step-mom. He unwrapped it and exclaimed, “A Ray Harryhausen collection! Honey, look, we got a Ray Harryhausen collection! Wow, thank you!”

And I was like, “who?” My sweetest is an educated film guy, so I figured it was some obscure director of strange and dark independent films. So I said, “hey, great!” with a shrug.

Who knew I was TOTALLY missing out?

In my ongoing film education (The Good Man is keeping a list. I’m working through it….) he popped “The Seventh Voyage of Sinbad” in the ol’ DVD player while I was eating lunch one weekend afternoon.

I was immediately hooked in. Yeah baby! I figured out just who Ray Harryhausen really is. A master of creating amazing creatures in stop motion animation.

The stumbling roaring Cyclops from the late 1950’s is every bit as creepy today. In fact, in a lot of ways, I actually like that better that today’s overly CGI’d movies.

At the end of the “Seventh Voyage of Sinbad” DVD, there were some special features. One was clips from when Harryhausen got an Oscar (presented by his best friend, Ray Bradbury. What a pair they must make!) and at the conclusion of Harryhausen’s acceptance speech, Tom Hanks comes onto the stage to bring on the next award.

He makes the segue by saying, “I know for some people it is Gone with the Wind or Casablanca, but for me, it’s all about Jason and the Argonauts”

I looked at The Good Man and said, “Well we have to watch that next, then.”

And so we did. We watched as Jason and his merry band of Argonauts fight a huge bronze statue of Talos that had come to life and, oh man this part was cool, a whole army of sword wielding skeletons! Skeletons! I *love* skeletons! They clacked and grimaced and fought. Aw damn, how very cool!

Then we watched “The Golden Voyage of Sinbad” and I remembered that I saw this movie when I was a kid, most likely on TV. I watched it with my big brother back in the day. I remembered the blue Shiva with swords in all the arms. (and let’s talk about the very naturally endowed Caroline Munro. Rowr! It’s so rare these days to see an un-surgically enhanced actress.)

And finally, we had to get to THE must see film in the collection because, well, it’s set in San Francisco. The next in the series of my SF film education.

The movie was “It Came from Beneath The Sea.” Yeah baby!

What the movie lacked in dialogue and story (and it lacked A LOT), it more than made up for in great animation.

Oh, that angry squid snapping the top off the Ferry Building and wrapping tentacles around the Golden Gate! Whoa! And that far-reaching tentacle slapping down Market Street, squishing unsuspecting citizens!

Good stuff!

So I’m now up to speed on Harryhausen. I have also watched the Dirty Harry movies. Then we did the Hitchcocks set in SF (hello Vertigo!).

I’m excited to see what’s next in my ongoing film edjumacation! I have so much to learn.






Image is a still from “It Came From Beneath The Sea”.




Oh. That’s New.

*blink* Ow!

*shrug* oooouch!

*wiggle little toe* aiiyyeeeeeee!

Ah yes, folks, the unmistakable sounds of a post-move body.

Everything hurts. My arms and legs are bruised all to heck and my knee is making a crunching sound it didn’t used to make.

In my younger days, I would bounce back from this sort of event within a day or two and go on about my day. Today I have to remind myself to get up from my desk at least once an hour or I will surely become locked up like the Tinman.

When the alarm clock went off this morning I muttered “should have taken today off” but alas, I didn’t.

For a work day, I have to say this morning was pretty nice. Instead of my usual 45 minutes to an hour commute across busy roads and over a bridge, today my commute was just 13 minutes (I timed it) on surface streets.

That right there makes a few days (weeks?) of sore muscles all worth it.

So far we are loving our new pad. A lot. On Sunday we took a short walk in the neighborhood and managed to meet the neighborhood kook. She’s a friendly kook, but a kook nonetheless.

I happen to think knowing the local kook is an important part of settling in to any neighborhood.

So for now we are still living out of boxes, but we’ve even put a pretty good dent in that work. All in, I’d have to say the whole move went really well.

It was, dare I say…a smooth move? (*snicker, snort, guffaw*)

Onward to this sunny Spring Monday. May you all have a song in your heart and a bounce in your step.







Image found here.




When The Lights Go Down In The City

Kinda hard to be a resident of the San Francisco Bay Area and not sing Journey’s little ditty a few thousand times.

This weekend my best friend in the whole wide world came to visit. On Thursday morning I felt lost, but by Thursday afternoon when her plane landed I was starting to find my center once more.

One of the things we did this weekend was have a knockout dinner Friday night at San Francisco’s venerable Tadich Grill.

Then we wandered down to the Embarcadero to check out the new art display taking place nightly on the Bay Bridge.

It looked a little bit (exactly) like this:





The Golden Gate Bridge usually gets all the love, with poetic odes to shimmering orange paint where the bay meets the sea, but the Bay Bridge is the real jewel of the Bay Area in my opinion. It is the hardest working bridge and still manages to be a knockout. Pretty, functional and smart. That’s my girl.

This new light show by artist Leo Villareal is simply adding sparkle to an already gorgeous masterpiece.

It was a beautiful warm spring night in my City by the Bay. It’s days like that where my New Mexico heart is filled with San Francisco joy, and every little thing seems just right with the world.





Photo Copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with a Canon Rebel and a thirty second exposure. Touched up a little in Photoshop Elements.




On Tenacity

Earlier this week I received the results of a competition I had entered, and for which I held out great hope. It was related to my writing and even an honorable mention would have been a huge step forward for me.

While entering I knew it was a long shot, but I really believed I had a chance.

Predictably, when the results were announced I was nowhere in the list, and yes, this got me a little down.

That’s the trouble, sometimes, with having hope. A burgeoning flower bud of belief can so easily get ravaged by insatiable locusts (over dramatic metaphor alert!!!).

When one is a rather sensitive artist type, it’s hard not to feel steamrolled at such times. Then again, what separates the doers from the dilettantes is tenacity.

So after feeling mopey for several days I am starting to rally. In defeat my resolve becomes just that much stronger.

For almost two years I have been using a really wonderful service that forces me to submit writing to literary journals every quarter. They are strict taskmasters and they keep me focused.

Once every three months I send out about thirty submissions, of which most of them are rejected. This means piles and piles of both email and snail mail arrive at my door just to say “you are not a good fit.”

Amazing how something like two hundred rejections can really make a girl immune to the woes. It’s like a pair of ill-fitting shoes. At first it hurts, then it makes a really painful blister, then finally a callus forms. The thin skin has toughened to endure the scraping.

Like that.

This morning I was thinking back to about seven years ago, back before The Good Man and I had married, and he was living in San Francisco’s North Beach. A really cool new art store had opened on Columbus Ave. near his place and I was just beginning my foray into the visual arts. Visual arts were a big departure from writing, which had dominated my creative juices for so long.

I loved everything about the art store and bought quite a few supplies there. One day they had posters up announcing an auction. Customers were invited to submit art works and the store would display them and then at the end of the month, the store auctioned them off for charity.

Great! I was on board. I created an item to give to the auction and when The Good Man turned in my piece for me, he was asked to put a starting bid. Because he loves me and encourages my work, he put the amount of $50 as a starting price instead of starting at zero as most other artists were doing.

Later, when we walked into the store to see my stuff on display, my piece was at the very, very back of the store among the tools and shelves where they stretch canvas. My work was clearly more amateur than the rest of the offerings and it stood out as the only one using the photographic medium, but ok. It was on display which was a huge rush.

When the auction was finished, they called to ask me to come pick up my work. The rather arrogant and sniffly clerk informed me bluntly that my piece was the ONLY one that hadn’t sold (meanwhile, he gave us a flyer so we could attend his exhibit of butt ugly paintings at a local small gallery).

I was, of course, embarrassed beyond belief, humiliated and totally crushed. Being judged by a more experienced (and in my mind, more talented) artist just about did me in.

Just thinking about it still gives me shudders of embarrassment. This morning in the wake of my recent defeat I thought again about this experience. I recalled today that among all the donated pieces, my work was the only one that listed a starting bid.

All others put in a starting bid of $0, and they all sold. Snotty clerk said they didn’t have a lot of bids and bidders. All of this means that at the end of the auction, someone could have thrown $5 at a piece of artwork and would have won.

Today I understand that instead of being sheepish about that whole thing, I should be proud. I may not have sold my work but I valued my art enough to put a price on it.

Which is stronger? Valuing my own work and not selling it at that auction, or giving it away for free, thus saying the value of my work is nothing?

I know which one I choose. Today I have straightened my spine and I feel a little better.

In defeat, my mettle is being tempered, and that only makes me stronger.









Image from ScienceGuide.nl.