Use your words.

Something is wrong with the fuzzy one.

No, not The Good Man. The one that’s more fuzzy.

The Feline.

Something’s amiss and we can’t seem to figure out what, exactly it is.

It’s not from lack of The Feline *trying* to communicate. Oh no, she’s communicatin’

A lot.

Our normally fairly quiet cat is now taken to meowing. Insistently. Incessantly. Bowl is empty, the hailstorm of meows is ceaseless. Fill the bowl, the meows stop for a while, replaced by crunch, crunch sounds. Then, when sated, the meows begin again.

They don’t sound like pain meows. Her ears aren’t hot and she’s not acting sickly.

Just the opposite, actually. She seems in fine health. She’s dropped a couple pounds and her nose has healed up nicely. She seems in great spirits.

So what’s with all the meowing?

I have heard about these devices made in Japan that will “interpret” your cat’s vocalizations.

I can’t help but think if we got one, the translations would be something like, “You people are boring. Get off the couch and hunt something! And what’s with this food? Could I *get* some of that stuff out of that can with the picture of the mermaid on the side? And while we’re at it, I need bottled water in this bowl. And this collar makes me look fat!”

Maybe sometimes it’s better not to reach out and paw someone…

The Topic Fairy Has Left the Building.

The Muse is ignoring me today.

The stark white blank Word page stares at me…mocking.

I usually am chock full of ideas.

Today, the brain, she no wanna create.

Since I normally comment on my life (hell, I made an entire post about breaking my jump drive) you’d think there would be plenty to discuss.

It’s all just kind of *meh* today.

Oh well. Check this space.

I’m gonna go hunt the Topic Fairy and drag her back by her wings.

Observations

Subtitled: The World According to Karen

On the CalTrain this morning coming in to work (commuting always the best place for random observations of human behavior):

A very mild mannered looking Asian man in tweed coat with elbow patches was seen white-knuckled-clutching a thick stack of bright red paper slips. I wondered what they were.

As I passed the racks holding maps and schedules, I saw the red slips. “Customer Complaints” they said at the top and featured several inky black lines down the page.

I wondered. What did that quiet well-dressed man have to complain about? In quantity.

I envisioned him at home angrily scratching out all his perceived failures of the CalTrain system, feeling better as each slip is completed, shaky hand taking a drink of a whiskey neat as he does so.

At the Semi-Well-Known sorta Italian chain restaurant on Sunday:

A schlumpy dressed man escorts a *gorgeous* leggy woman dressed to the nines through the front door. His eyes dart around the room. When the hostess asks how he may be helped, he says, “It’s busy here…we’re going next door, they have a bar!” To her credit, the hostess just smiles and says, “Have one for me…”

As The Good Man and I had our dinner, we observe the place next door is having a special night and is *packed*. More so than the place we’re at. So schlumpy man and hot chick (clearly dressed for a date) wouldn’t have stayed there either.

I envision them darting from place to place, schlumpy man never satisfied with the situation. This one too bright. That one too loud. That one over there has a funny smell. An evening long quest.

Woman’s feet are now tired in her four-inch platforms. She thought she’d be sitting more, sipping a nice Cabernet. Schlumpy man finally settles on International House of Pancakes and calls it a night. Beautiful and usually well-kept woman calls it an early night.

I envision that Schlumpy man’s phone doesn’t ring, no email in the inbox. And he wonders why.

At the local chain drug store:

A large man of what appears to be the Italian persuasion walks through the store, talking to himself. At first I think he’s on a mobile phone. He is not.

He’s got all the stereotypical accoutrements of a Guido from Joisey. He’s wearing dark sweatpants with rounded boiler belly pushing at a stained button down shirt worn under a nice looking navy blue blazer. With gold buttons. I can’t tell, but I think little anchors are imprinted into those buttons.

Hair is slicked well back. Tarnished gold-rimmed dark-lensed sunglasses in place over his eyes. It is early evening.

He toddles off to collect his requirements. I forget about him.

We find him again on line behind us. I have to return an item. When I got in line, there was no one else. Now there is a long line. Clerk is confuzzled about the return process. So everyone waits. On me.

Guido has set down his purchases on the rolling belt. It consists solely of a large bag of potato chips and two fo’ties (fourty ouncers of Coors. I’d have placed him as a Miller or Bud man. Maybe Coors was on sale.)

I’m currently reading a novel about a guy who is a hit man for a “made man”. This colors my outlook. I’m thinking, “I’m gonna get popped for making this guy wait.” My eyes go shifty.

Guido cracks a joke. About the cake mix on my pile of purchases waiting on the cashier. He says, “That takes too much work, you can just buy that already made!” and laughs a too-loud belly guffaw. I laugh nervously. My Brooklyn-born fiancée kibitzes with Guido. They laugh together. Guido isn’t mad, just impatient.

I discover Guido is probably just another lonely guy in suburban California. Happy to have had a few moments interaction with some other people.

I envision him driving off in a battered black Lincoln or Caddy, body in the trunk thumping as he whips around the corner on his way home to watch Sopranos reruns.

I remind myself not to take the fiction I read so literally.

At the well-known trendy natural and organic foods market:

The muzac is playing over the PA system. On this day they’ve chosen 80’s hits. Clearly appealing to the Gen X crowd that makes up much of their clientele.

Loverboy is in the air. “Only the Lucky Ones”

Soon to be middle-aged Girl remembers how her sister used to LOVE that band. She had the album on vinyl. The cover replete with the buttocks of Mike Reno clad in red leather pants with crossed fingers. Album titled “Get Lucky“.

Girl used to borrow her sister’s album and play it over and over and over. All those burgeoning teenage giggly thoughts about gazing at Mike Reno’s arse come bubbling up in her soon to be middle-aged mind. She remembers.

And she begins to sing along. In public.

She finds her mate. And decides to entertain him by doing a full air guitar solo while singing along.

And people walk by…unnoticing. Intent on finding their steel cut oats or their Kombuchi drinks.

I envision the Girl and her mate having a long happy life together.

Mainly because The Good Man is tolerant of my antics.

I love making character studies from the world.

You can’t make this sh*t up.

I’m in the wrong profession

David Blaine. Why is this guy news?

And yet he is. His front-page feat was to hold his breath for a real long time. On the Oprah show.

Really?

Shoot, I could hold my breath ’til I’m blue in the face and ain’t no one paying me a freaking cent.

Oh, but “he’s an entertainer”. Yeah. I can really crack ’em up around the coffee maker at work, but that isn’t bringing me any income.

What do I do all day? I sit in a fish bowl of a veal pen cubicle and type little words on a little machine to appease bitchy clients and suppliers.

I need a change of venue. Or maybe I’m just hungry. It is almost lunchtime afterall.

I’ll check back after sustenance. Perhaps my mood will have improved.

Tastes Like Nuevo Mexico

I have been reading a book titled “Tastes like Cuba: An Exile’s Hunger for Home” by Eduardo Machado.

I picked up this little gem off the “new” rack at my local library. I liked the title. Plus I have a total fascination with Cuba. This passion in past years has been fueled by the movie “Buena Vista Socal Club” which I saw in the theater, and own and watch often. It’s an amazing movie.

What lay ahead of me in this book, Tastes Like Cuba, was not something I could expect. I was excited by the form the book took, discussing Cuba through the author’s memories of food. Each chapter ends with a couple recipes for the food just discussed (which is a really cool idea). It was like food porn, and since I’m a big fan of good eats myself, it immediately appealed to me.

As the book progressed, it went from mild interest to speaking directly to my heart. Eduardo goes through quite a transformation in his life. Born and raised in Cuba, at the age of 8, just as Castro took over Cuba, Eduardo was shipped out to Miami on the now infamous Operation Peter Pan flights. He went from a life of relative luxury and wealth, surrounded by his parents and grandparents, to being poor and parentless in a new country with the added responsibility of caring for his younger brother.

When his parents did finally arrive some months later, his father moved the family to Los Angeles, a wild and wacky place for a young, sensitive, creative Cuban kid in the 1960’s. He struggled to identify himself. He wasn’t a Chicano during the power and protest periods in LA. He was not a Caucasian American. He was something no one could identify, not even himself.

To add to this lost state of feelings, in America he couldn’t get the food from home, the tastes that made him feel whole. Through growing, becoming more of an American, and exploring his creativity, he found a dichotomy. A man without a country, without the touchstone of his family that turned out to be more dysfunctional than he’d ever imagined (his father boldly admits, to his face, that he never loved Eduardo. How’s that for a mind f*@k?), and without something to identify with, it sent him down a spiraling journey into low self-esteem and depression.

What finally rescued him was the theater. First as an actor, and then ever more successfully as a playwright.

He wrote plays about his life, his family, his darkest fears, the ugly parts, the pretty parts, all of it. And though it scared him senseless to put it all out there, he still did it.

I started thinking hard about why this book spoke to me so deeply. Now, certainly, I’m no exile from another country, but I, too, was raised in a very culturally deep place with food unlike anywhere else in the world. And yes, I miss the food from my home. Daily. Did you know you can’t find whole, fresh roasted Hatch green chiles in California? And forget it about Indian Fry Bread.

And I often feel misunderstood here in California. Culturally, artistically and all the rest. It was profound when I first moved and still is something of an issue, some ten years later.

But, much like Eduardo, it took me leaving my home to be able to plumb the depths of my own creativity. Living in California has become a means to help me learn who I am, why things matter to me, and to be able to write, paint, and photograph about them.

I am a woman of two places. Like Eduardo, I’ve learned to love them both, while being conflicted at the same time.

My transformation has been on a much smaller scale than Eduardo Machado. But I guess in reading his words, I wish I could just tell him, “I get it”.

Because I do.