Category: show and tell

Stumbling in there at the last moment

Several months ago, I participated in a fiction project for the Brooklyn-based Art House Co-Op. I was given a theme and a Moleskine notebook and then asked to fill it with stories and images.

And I did! So much fun.

Based on that success, I decided to take on another Art House Co-Op challenge.

This one is called “The Canvas Project.”

They sent me three 4×4 inch canvases and a card with three words on it.

My job? To interpret the three words visually, one per canvas.

The words I got? Not easy.

Here they are:

1. Flatuence (because the universe is laughing at me… And yes, it can be spelled without that second L)

2. Training (really? Visually?)

3. Glassy (Oh, hey, sure. Easy peasy. I can visually display an adjective. NOT! I must have looked at the card twenty times to be sure it didn’t say “gassy”)

I’ve had the canvases since July. They were required to be postmarked today.

So of course last night I was madly painting and gluing and fretting! I had two done well ahead of time but the third one, glassy, eluded me.

But I got them done. The Good Man promised to mail them out today.

Whew.

Anyhow, I took some semi-decent photos with my iPhone last night.

Herewith, my entries to The Canvas Project exhibition:

Flatuence:

Yes. That’s pinto beans. Yes, that’s dried roses. And in case you can’t tell from the photograph, that white spot in the center? That’s a tablet of Beano.

heh.

Training:

When taking beginning painting (or drawing) classes, they tell you to draw a grid on the canvas and work square by square. So I used a very simple image and incorporated a grid as my own personal training.

All four sides carry the warning “Artist in Training.”

And finally…this is the last canvas I finished. The glue might even still be setting up while the canvas sits in a box ready to ship….

Glassy:

By the by…broken glass is a LOT harder to work with than I’d expected. Though I worked out much pent up anxiety by smashing all that glass with a hammer. One clear glass pane from a picture frame, a mirror, and a glass candle holder from the Dollar Store, a San Pellegrino green bottle and a cobalt blue tincture bottle gave their all for art.

Big fun! I’m excited to see if any of my pieces are picked for the gallery show in December.

Yay! Thanks Art House Co-Op!!!

These boots are made for…

Been going through some stuff in storage, pulling out the keepers, tossing the others.

But then, there are some items where it’s hard to choose, stay or go.

I just unearthed a box full of my old boots. This is tough.

I don’t wear most of these anymore. But I just can’t bear to part with these dear friends either.

I just look at the worn leather…and I remember.

Like, my first pair of ropers.

I’d worn pointy style boots, but when I got to NMSU, all the folks there were wearing ropers. So of course, I needed some too.

I was about a sophomore in college, I think, when I went down to the Tony Lama outlet in El Paso to procure these babies. They are gray goat skin, soft and forgiving. I wore these a lot, as evidenced by the worn down heel.

These were my main everyday boots. I wore them dancing on the boards at Corbett Center. I wore them for my horseback riding classes. Covered in manure, I’d wear them up the hill to attend the business college.

The toes are scuffed all to hell. The pretty gray color job didn’t hold up much under the dainty hooves of the insane mare I was assigned for a while in my riding class. She liked to step on feet. A lot.

Thankfully my gray boots were made for working.

When my grays were starting to show some wear, I saved up and decided to get a new pair of boots. I wanted to try Justins this time and I wanted lace ups. I also wanted pretty. My gray boots were utility. I wanted flirty.

So I bought these very impractical pearl white beauties.

Man, I loved these boots. I started wearing these to dances and leaving the beat up gray boots at home. I almost never wore the pearls riding, except once, for the horse show I participated in (and won).

I got these pretties on the cheap, as you can see, they are marked “imperfect.”

I’ll admit the heel wasn’t balanced quite right on the right boot, but I didn’t care. They were roper perfection to me. These boots were made for flirting with cute cowboys.

Ya wanna know the best part about the fact that I still have these boots?

Look at the circle engraved into the leather sole. You know how you get a groove like that on your boot? By dancing, that’s how.

The leather is cracked and the boots are worn out, but they are still utterly gorgeous to me.

And then, after college, and on to work. That’s when I went back to Justin and bought these guys:

I wore these to work a lot. The soft rubber and not-leather sole was easier on my feet, especially the time spent on the shipping and receiving docks. That concrete is hard on the legs, but these babies are comfy and they look good.

And the leather…oh, the leather just ages so beautifully.

These boots were made for my first real job out of college. They helped me make the transition.

I might actually pull these back out and find another chance to wear them. They are delicious.

And finally…we have these.

This is what I’m wearing now, my beautiful Ariat Fat Babies. These boots went to see the Merle Haggard show recently. These boots get a lot of compliments every time I wear them.

Right now, these boots are packed tightly in my suitcase that, by the time you read this, will be tucked in the cargo hold of an eastbound airplane.

If I’m lucky, I might get these boots out on a dance floor in Southern New Mexico on Saturday night.

Cuz these pretty pink rhinestone boots? These are made for dancing.

So…I’m curious about your opinion

I know, I know. I’m usually the opinionated one here.

But I have a photography related question and I know that my readers are both smart and savvy. And many of you have an aesthetic that is not to be beat!

So I’ll cut right to the heart of the matter.

I spend a fair amount of time looking at websites where amateurs with varying degrees of talent and experience post their photos.

There are some amazingly gifted photographers out there.

And…there are some amazingly gifted photoshoppers out there.

I tend to wince a little when I see photos that are lovely but are WAY post processed. It seems to be “the thing” these days to massively post process photos. So much so that I think we as photographers are losing the skill of setting up the shot on the camera.

When I mention this to fellow student photographers, everyone looks at me with a condescending smile, as though I’m the Village Idiot.

I don’t mind doing a little touch up work, a little color correction, things like that.

But the full scale photoshopping…well. I don’t know, it’s a thing for me.

But I sort of digress.

There is one particular photo treatment that bugs me. And yet intrigues me.

It is basically a photo in black and white where one color is pulled out.

Here, better to show you what I mean. This is my first attempt. I did this photo using the Colorsplash app on my iPhone and touched it up a bit using Photoshop Elements.

It’s not the finest example of the technique, but you’ll get what I mean.

Behold, my bowl of oranges, moments before they were juiced. Delicious!

I’ve seen some really well done versions of this technique, and it can create quite an emotion.

But I can’t help looking at a black and white with one color photo, especially my own, and thinking it is something akin to the old fashioned photo-in-a-brandy-snifter as far as classy effects.

Then again…it creates laser focus to one part of the photograph which can make all the difference in the viewing experience.

Perhaps I tend to lean a little too much toward conventional.

So I’m curious if I should spend some more time perfecting this effect in Photoshop (and thus may learn to love it more) or if I should move on to other lessons?

Thoughts on both sides of the argument are really, really helpful. Feel free to Google “black and white photo with one color” to look at other examples before you render a decision.

Just curious. All thoughts are useful!

Thanks in advance!

Soot of a Most Sorrowful Kind

Over the weekend, I read on “Only in New Mexico that there had been a fire on the highest trestle bridge of the Cumbres & Toltec Scenic Railroad.

A Google search netting me an article in the Denver Post with a photograph of the fire on the Lobato Trestle that is both beautiful and heartbreaking.

The sadness immediately hit me in the heart. The Cumbres & Toltec railroad, billed as “America’s Highest & Longest Narrow Gauge Scenic Railroad,” holds a special place in my heart.

In fact, I did a post about my memories of the Cumbres & Toltec back in 2007. Looking back to that post, I rather enjoyed reading what I wrote, and I was filled with melancholy at the idea that the railroad won’t be running this summer due to the damage.

I believe that either New Mexico or Colorado, or both, will fix the bridge because the railroad is a big tourist draw. However, times are tough and money is tight. So who knows how long it might take before the Cumbres & Toltec is up and running again?

On his blog, Jim Baca was kind enough to post a couple family shots from his adventures on the Cumbres & Toltec.

Having recently semi-reorganized my rather vast pile of family photo albums, I did a dive into the memories and dug up a few photos of my own. There was a family trip back in August 1978, and I found a couple photos worth sharing.

As mentioned in my 2007 post, Captain Type A, also know as my dad, rousted us all early from our beds in the Apache pop up trailer we’d camped in the night before. I’m unclear why we were up so early, but it was, ostensibly, to go and catch the train.

Chama sits at 8,203 feet, so even on a nice day the mornings are rather chilly. Getting out of bed wasn’t the easiest of tasks that day.

I recall my dad being pretty excited and the rest of the family being…well. Um. Fairly excited?

Look at this happy group! (I’m the shortest one in the front.)

Man, is that a spouse and three kids that are LOVING the head of the household right now?

And also…helllooooooo seventies! How much denim is in that photo?

This is the station where the journey begins on the Chama side. That little figure huddled off to the right sitting on the wagon under the Chama sign is me.

Cold. Cranky. Waiting.

But I suppose there was a payoff. Once the sun came out and it warmed up and the train actually got moving…well heck, look at that face!

I’m diggin’ it!

I remember really having a lot of fun once we were actually on the train. The end point of the trip, Antonito, was a charming little tourist town. I thought it was big fun since I’m a longtime lover of souvenir and tchotchke shops!

We ended the day covered in soot and ash, tired but happy. It ended up being worth it, a fun family trip, even if the beginning was a little rough.

I’d like to think that the Cumbres & Toltec will get up and running again, because there are whole legions of children who haven’t yet been tortured by their early rising father at an elevation of eight thousand feet.

Flash Fiction & Fables Finale – New Mexico Folklore

And so it is that we’ve come to the last day of this fun and different sort of week on the blog.

What a ride it’s been!

My goal was to shake up my brain a little bit so I could get some fresh blog posts out of the ol’ noodle.

Well, it worked. I already have a list of about ten fresh topics that will start coming your way next week.

For today, I have what I consider to be the grand prize for coming along with me on this ride.

Today is the Fables part of the week.

After scouring both books and the internet, I’ve selected an item from a book called Cuentos de Cuanto Hay. The subtitle is “Tales from Spanish New Mexico.”

This story collection is published by University of New Mexico Press, and was edited and translated by Joe Hayes.

The stories were originally collected by J. Manuel Espinosa in the 1930’s. He traveled around Northern New Mexico collecting verbal tales from the Spanish speaking residents, then transcribed and published them. That first published book was called Spanish Folk Tales from New Mexico.

Joe Hayes found a copy of the book and had loved it through the years, so in 1998 he worked with Dr. Espinosa to clean up many of the stories, added in a few more, and republished the collection.

It is charming, odd, and packed full of deep rooted stories from the Hispanic culture.

Just like New Mexico itself, many of the stories are a bit quirky.

Even the title of the book reflects the beautiful slow moving, “Land of Mañana” charm. Joe Hayes translates the phrase Cuentos de Cuanto Hay as “tales of olden times.” Literally translated, it means “stories of whatever it is.”

Which seems sort of New Mexico to me. “Eh, tales of whatever!” with a dismissive wave of the hand.

The story I’ve selected, “Juan Pelotero” also brings a lot of that New Mexico mischievous sense of humor. There is a line in the story where two characters agree to meet at “such and such a place.” Details, feh, who needs ’em!

The name, Pelotero, is also symbolic. In today’s vernacular, a pelotero is a ball player, usually baseball, but pelotero can also refer to futbol. The first line of the story gives you the clue to the more archaic use of the word: “Juanito Pelotero was a gambler.” Pelotero back then meant a player, a rogue, a roustabout.

You’ll also find the story tends to move fast in some parts, skipping over details. At just a few pages long, it packs a lot of story in there.

Since these tales were originally an oral legacy passed down from family member to family member, I’m going to bring “Juan Pelotero” (and maybe others) back to the verbal tradition.

Today, I’ve made a recording of the story and it’s posted below for your listening pleasure. I suggest putting the story on in the background while you go about your work checking email or what have you.

As I converted the file to MP3 format, feel free to download the audio file and put it on your iTunes or iPod to listen later if you would like.

I recorded this using a podcast microphone and Garageband software.

Do not expect recording studio quality, please. The quality reflects my gear and my room. I’ve done my best to keep the sounds of The Feline and my iPhone out of the recording, but I live in a creaky house and it’s windy today. You get the idea.

If listening to a story isn’t your thing, but you’d still like to read it, I’ve posted a .pdf. Click here for that. (remember, this edition of the story is copyright the University of New Mexico Press, so don’t run off doing anything naughty with it, you hear?)

______________________

The story of “Juan Pelotero” was told to Dr. Espinosa by Bonifacio Mestas of Chamita, NM.

Run time is just over nine minutes. File is just over 4MB, so it may take a few moments to load. Player opens in a new window.

Enjoy!

Karen Fayeth reading “Juan Pelotero”

Footnotes:

1. Sorry about the high-pitched whine behind the audio. I think it’s from the internet router on my desk.

2. In case you are wondering what a sacristan is, click here. I had to look it up too.

3. Yes, I think the part about the talking spit is weird.

4. The dove sounds I’m making are read as written in the story. Cucurucú is how it’s written. I did my best….:)