Category: overwhelmed

Karenfucius say:

The later you are for an appointment, the closer the needle on your gas gauge is to “E”.

The more important the meeting, the darker the clothing you will wear.

The later you are for the meeting, the higher likelihood that you forgot to buy sticky roller.

The bigger the emergency, the fewer bars of coverage you will have.

The bigger the emergency, the fewer bars of battery charge you will have.

When waiting for a vital call, the phone will ring the moment you go to the toilet.

When sleeping, ten inch tall, eleven-pound cat become queen size.

The more valuable the item, the more likely the cat will knock it off the shelf.

After rainy winter, the more sun you have, the more “waaaachooo!” you have.

The more “waaaachooo!” you have, the less Claritin you have.

The more you want to diet, the more your coworkers bring in donuts.

The more rabid you are about your Southwest boarding pass, the more likely it is you’ll receive “C”.

The more you want to carry on, the less likely it is that any of your toiletries are less than three ounces.

When flying, long legged girl going to Bend.

The things that stick with you

Yesterday, in celebration of my mom-in-law’s fabulous birthday, the three of us (The mom-in-law, The Good Man and me), loaded up for a trip to a museum.

It’s become our tradition on birthdays. We have a day of culture in celebration. Memorable days are the best presents ever.

Yesterday’s destination was The Contemporary Jewish Museum in San Francisco.

I was unsure what to expect when we got there. Would it be Jewish artifacts? Would it be art made by Jewish artists?

But I love museums, so I was totally in.

I was fully unprepared for what awaited me. There were just three main exhibits, as the museum itself isn’t that large.

The first exhibition we visited was called: “Our Struggle”: Responding to Mein Kampf

I’d read online how French painter and photographer, Linda Ellia, took on a project to have artists and non-artists alike transform the pages of Hitler’s nasty tome.

From the website:

“The book’s weight in her hands embodied the heaviness of the Holocaust; she felt compelled to respond. After personally altering a number of the pages to express her anger, she invited hundreds of people from all over the world to paint, draw, sculpt, and collage directly on the pages of the book.”

I could not have begun to imagine how tragic, and beautiful, and life affirming the exhibit would be.

There were over 600 altered pages on display, each one with a unique voice, a unique pain, a unique promise.

There were pages done by professional artists and pages done by random people that Linda met in coffee shops and on the street.

The works were sometimes simple and elegant, like the page where every word was carefully excised, leaving only a page of small rectangles. Or a page where every letter was made into a small figure of a person.

In some cases, the works were very extravagant, a train, in exquisite detail, done in watercolors, completely covering the page. Or an intricate felted and painted heart that was then sewed and stapled to the page.

Each page transformed the words of hate into a work of art. Truly, deeply, reclaiming those pages.

I don’t know if my description or the websites description even does the exhibit justice. It was one of the most profound things I have ever witnessed.

And this one will stick with me for a while.

(image of The Contemporary Jewish Museum, from their website)

Verbal-Foo Skillz…I has them

: cue the wavy lines and smoke :

Yes, we’re in the wayback machine, set to “semi-wayback”

Lo, these many years ago when I’d first moved to California, I started dating a guy who was (and is) a musician.

A blues musician, which means he played a lot of dark and, well let’s go with “gritty,” bars in the San Francisco and greater Bay Area.

So, being young and a fairly naïve rube from New Mexico, I used to get all dressed up in cute clothes and impossibly high heels, then head out, by myself, to these bars and clubs to see if I could get the musician to notice me.

So being a young, naïve girl all gussied up to go out, it stands to reason that I used to get hit on by the other patrons of the bars I attended.

A lot.

I mean, *a lot*.

Not because I’m exceptionally pretty, though I’m not a mud fence either. But mainly because I was a girl. Alone. In a bar.

Sort of a siren call for the drunk and lonely.

I have pretty much heard every pickup line in the book. And some from books that no one has written and never should.

Oh yes, I’ve heard ’em all…twice.

When I was feeling convivial, I’d play with the drunk, slurring sportos like a cat plays with a dying mouse. I’d bat them around a little bit before slamming down the paw.

If I wasn’t feeling convivial, I’d get out my acid tongue, a genetic gift from a rather acerbic aunt in my family tree, and burn them on the spot.

One of my favorites is still a late night when all the lights had come up in the bar. The guy I was dating was through working and before he began packing up his stuff, he came over to hang out with me for a minute.

Some very drunk fellow, sensing that the lights were up, began scrambling around to find a warm body, ANY body, to take home.

And of course, since I’m the freak magnet (it’s true, been observed by many a friend and even a family member or two), the slobbering drunk made a beeline for me.

His opening gamble was something slurred and incoherent. Honestly, I don’t remember what he said. I do remember his glassy eyed look as he slurred out something and waggled his eyebrows at me.

Weary with a night of fending off such fellows, I looked him square in the eye and asked, loudly, “Are you hitting on me?”

He slurred in return…”um…well, yes. Is it working?”

I replied, “Let me get this straight…you are hitting on me. And *that’s* your opening line? That’s the best you can do?”

Not to be deterred, he nodded and asked again, “It is working?”

“No,” I said very caustically, “And have you met my boyfriend?” who had been standing next to me the whole time.

Thankfully the very large and take-no-prisoners bartender then placed a beefy hand roughly on the drunk’s shoulder and shouted, “Get out!”

I relate all of this to place a context on the story that follows. So that you understand that, basically, I have learned how to handle myself.

However…

I stopped going to those sorts of clubs and bars a very, very long time ago. And I don’t miss them, honestly. Well, I miss the amazing music that the San Francisco blues musicians pump out, because there is some amazing untapped talent in that City.

But the clubs…I don’t miss them.

Which means, in my now suburban lifestyle, I don’t really get hit on like that anymore.

And you’d think my skills in handling the weirdos might have slipped.

Turns out, I still got it.

So there I was…down on Fremont street in Las Vegas with my trusty camera and the goal to shoot many of the restored old Vegas signs that the Neon Museum installed in the area.

It was about 10:00 in the morning, so that was probably my first mistake. Second, I was alone. Third, I was behind the camera and really in creative head.

All of this mixed together meant the moths came dashing over to knock themselves against my flame…so to speak.

At 10:00 in the morning, the tourists aren’t really out, so it was me and the, ahem, locals.

I got a lot of “heeey…wanna take *my* picture?”

Um, no.

“Heeey, what’s *your* name?” (my least fave opening line, btw)

But the best interaction went like this….

“Hey! Hey? HEY!?!?”

And so I finally turned to see who was bellowing at me.

“You are a big girl! I saw you walking by and I said to myself, I said, you know, big girls need loving too…”

Yep. That was his opening line. He called me fat and then decided I was so lonely cuz I’m such a big girl that I needed his, what would it be…pity? Charity? Selfless giving?

I said, “Uh huh.”

“Say baby, what’s your name?” he said, turning on ALL the charm.

“Lucy,” I replied (using my Nom de Bebida) followed by, “And my husband’s name is David.”

My suitor then sharply spun on one heel and walked away.

The rest of the morning was not just photography, but a continual improv show in which I was the only performer.

I was Lucy, I was a photography student at UNLV, my teacher had given me the assignment to shoot the signs, and ONLY the signs (in answer to the continual request to “take my picture!”), I was a local, I lived with an aunt and uncle, I’d been living here for a while, no I don’t have any spare change and by god I have a husband and don’t need your affections.

It was exhausting.

The final straw was the guy smoking a spliff who came up carrying a Wal-Mart plastic bag which he held out to me. “Wanna buy a Coach purse?” he offered.

And with that, I was done. I caught a cab back to my hotel and stayed inside the rest of the day.

I still got it, but mostly, I just don’t want to have to use it anymore.

Karen go *bonk*

I have this nasty little problem.

I fall down.

I’m a faller.

‘Tis true. I don’t know why this is, I just seem to have a propensity for one moment standing, next moment I’m a tornado of arms and legs and I’m startled to be laying on the ground.

I’ve had times in my life when it was really, really bad. Especially right after I’d first moved to California.

I am a sensitive kid, and I do tend to get a little sensory overloaded. Moving to California all by my little lonesome could quite handily be filed under “a skosh overwhelming”.

In the first six months I lived here, almost daily I either locked my keys in the car or fell down, or both.

It usually happens when I’m a little too much up in my head, not feeling grounded, not paying attention.

The last big fall I took was last December. So see, I’m doing pretty good! I mean, I hardly ever fall down anymore.

I had a really smokin’ No Fall streak going…until Saturday.

There I was at the day field trip for my photography class. I was feeling *so* great because I was getting some amazing shots, feeling all artistic, and yes, I’ll say it, a little smug and self-satisfied with myself.

And so as I was leaving the Rodin Sculpture garden to scale the concrete steps leading into the Cantor Arts Center, I was smiling to myself, feeling happy, folding up my tripod, bopping along and then, as fate will do, I missed the top step, bobbled, and fell.

My tripod went clattering. My knee hit first, then my elbow, then my chin (oooh, took it on the chin!).

Then, somehow, gravity took over from its old friend momentum, and my legs were then flung askew and above me.

As The Good Man says, “When you can see the sky between your shoes, it’s not going to be a good day.”

I had the definite sensation that I was going to go clank-clanking down all the stairs. And I knew that would be a bad thing.

So I’m not sure what I did, but I was able to clench, or grab or lean or something, but I stopped my downward thunking progression.

*sigh*

I got myself upright again, and sat on that step, midway down the approximately fifteen-stair set of steps, and just…stopped.

I gazed out on the Rodin Sculpture Garden and shook my head.

And sighed.

My tripod was several feet away, my backpack was laying in the opposite direction, and the camera around my neck was still there, but the telephoto part of my very nice lens was stuck at an odd angle.

If I were skiing, they refer to that as a “yard sale.”

Thankfully, only my pride was seriously hurt.

Sorry for the angle up the ol’ double cannons there. At least I don’t have crazy nose hair!