Category: objectophilia

A Conversation

(A conversation between the warring factions in my brain. From about an hour ago.)

What’s this?





Duh, it’s a screwdriver.

Go deeper.

A flat head screwdriver.

Keep going.

A Sears Craftsman flat head screwdriver.

Bingo. Now, why are you holding this in your hand and staring at it so intently?

Because this Sears Craftsman flat head screwdriver is not mine.

Yes. This screwdriver isn’t mine. I mean, I found it in the bottom of my toolbox. I was looking for some electrical tape to repair my iPhone charging cable. Because I’m too cheap to buy a new one.

Yes, I have a toolbox. Mine. And I’ve got some nice tools. Only, I don’t have any Craftsman tools. I’m also too cheap to buy good quality handtools. What, am I building a skyscraper? No. I have never bought a Craftsman tool because I make do with discount store goods.

Except for this screwdriver. My lone Craftsman in a sea of cheapies.

And?

And when I look at this tool, I can tell it’s been used. A lot. It’s not new. It’s scuffed, the handle shows traces of white paint. The tip is scratched to hell and someone has used the base to try to hammer something.







And?

And I just remembered where I got this Sears Craftsman flat head screwdriver.

I stole it from my father.

Okay, stole is probably too strong a word, but I did lift it from his toolbox and did not return it.

I kind of feel bad about that. He used to get so ticked when his tools didn’t find their way back to his toolbox. Can you blame him?

I wish I could give it back. Only I can’t. He’s been gone for ten years and I’ve been carrying around this stolen property without even knowing I still had it.

But I do. Still have it. Now. Today. In the bottom of my toolbox, nestled next to the electrical tape and a bent hand saw blade. The saw blade is mine. All mine. Cheaply made, hence the wrinkle in the metal.

But that Sears Craftsman flat head screwdriver that came along with me from New Mexico to California. That’s a quality tool. The logo has rubbed off and the metal is a bit rusty. And it’s filled with memories, both good and bad. A lot of memories. So many I got a little lost.

What is Vanadium anyway? It says that word on the handle. Ah it’s a mineral. It’s a fancy word used to make this tool seem important. A simple Sears Craftsman flat head screwdriver.




It is kind of important, in its own way.







All photos used are Copyright © 2015 Karen Fayeth and subject to the Creative Commons license in the right column of this page. Shot with an iPhone 6 and the Camera+ app.




Coming Around To My Way of Thinking

It’s been said before that I’m a little “different” from your average employee. The streetcar of my brain runs a little off the beaten path. I use words and phrases in unusual ways. Occasionally only words in Spanish can convey my sense of the sentiment and my coworkers don’t always understand that.

With each job I’ve had in my life and each place I work, there always seems to be a breaking in period. A timeframe whereby things evolve from “what did she just say?” to “oh, that’s just Karen.”

I think today was turning point at my current place of employment. I just celebrated two years here and they are finally coming around to my unique way of looking at the world.

This group was a little more resistant than my last few employers, but I finally succeeded in breaking them down.

Here’s how I know. Below is a real and genuine account of events that happened just moments ago:

Scene: The office breakroom. Several of my rock star employees and I are gathered around the new vending machine. The selections are different from what the old machine offered and we are discussing the merits of each.

At the moment where we tune into the scene, my employees and I are quite racously discussing the positives and negatives of sour gummy worms. And we are laughing…a lot (we tend to do that on my team).

A one level up management-type person (not my direct boss, but a bossish kind of person) and a rather serious sort walks into the room. My employees all go still and their eyes drop.

She says, “What are you all doing in here?”

Without missing a heartbeat I match her serious tone and reply, “We’re negotiating with the vending machine.”

She pauses. Says, “Oh.” Then she spins around and walks out. I’m pretty sure she had a reason to come into the breakroom but I derailed her mental train. It was awesome.

Oh yeah, I’m going to be running this place soon. That kind of think of your feet, can-do attitude going to take me far.

Also, it’s important to know that the sour gummy worms were delicious.











That there is my photo, Copyrighted by me in the year of 2015. © Karen Fayeth. Don’t steal, though I don’t know why you’d want to rip off a photo of an empty gummy worm bag. If you do want to appropriate my work, do pay attention to the Creative Commons license in the far right corner of this page. Taken with a iPhone6 and the Camera+ app.





That’s The Thing About a Memory

Ya know, the ol’ brain, she ain’t what she used to be. Let’s be honest, my memory always was more of an old gray mare than a fast running thoroughbred.

Over the weekend The Good Man was going through our bag of bags (I’m pretty sure everyone has a bag of bags, right? The place you store plastic and paper grocery bags for reuse) looking for just the right fit for the job he had in mind.

He pulled out a plastic bag that had travelled its way from Amsterdam to California that was just the perfect size. He said, “Oh? Are you okay with me using this bag or do you want to keep it?”

I said, “Nah, no need to keep it, go ahead.”

He opened it up and in the bottom found a paper receipt that he handed to me. “You probably want this,” he said.

The receipt looked a lot like this:





Hmm. One Euro. What the hell did I pay one Euro for in Amsterdam? I found that country to be pretty darn expensive and don’t recall anything costing just one single Euro.

It’s from the Van Gogh museum, so that’s a clue.

I was really stumped. My mind slipped into the Swiss cheese hole full of nuthin’. I had zero recollection. For a moment I thought it wasn’t even my receipt, that maybe I had inadvertently picked up someone else’s.

And then…dull like the backside of a piece of foil, a light came on.

I saw the description “kids juggling Van Gogh” which brought many hilarious fictional images to mind, but then that confused me even more.

I had to work at it. Sweat it a little bit. Strain the brain tendons.

Ah! Yes! I remembered! A forgotten moment. The synapses reattached and the focus ring turned and I could see it clearly.

Me, in Amsterdam, on a rainy Monday. It was late afternoon and the Van Gogh museum was closing. I had prowled all four floors, hungry to see everything. I actually toured it twice. Bottom to top and then top to bottom. In the last thirty minutes of museum hours, I went to visit all of my favorite canvases one last time, like saying goodbye to cherished friends.

On the way out, visitors are forced through the gift shop and as doors were locking, I made a hasty and impulse purchase. A funny card made for kids picturing a stylized Vincent Van Gogh juggling paint blobs. It made me laugh, so I took it to the register.




Image copyright belongs to the Van Gogh Museum Shop

The cashier said “That will be one Euro.” Through bleary jet lagged eyes, and too lazy to put on my reading glasses, I held up a coin. “Is this one Euro?” I asked.

He smiled as he might to a precocious child. “Yes. That’s a Euro.”

I held up another coin, “That’s a two Euro, right?”

He smiled again, “Yes, ma’am. The larger coin is two Euros.”

“Okay, thanks. Here you go,” I said and dropped the one Euro coin into his hand.

Then I reluctantly left the museum, a place I could live, and walked out into the Amsterdam evening. I was overwhelmed with all I had just seen in the museum, hungry, tired, lost and pretty calm. I was filled to blissful capacity with art and creativity and color and joy.

I found a bench on the edges of the Museumplein, a gigantic green park in the heart of Amsterdam, and sat. And watched. And listened. And did what became my most favorite thing to do in Holland: people watch.

On this most recent sunny and muggy Sunday in California, I remembered the noisy but pleasant park, watching the funny multicolored crows hop around, feeling my own bones weary from jet lag, and the unmistakable sense of peace.

It was a nice memory. One that had slopped over the side of the brain bucket and almost got away. Now retrieved, embedded, made solid.

That’s the funny thing about memory, it runs like quicksilver, but catch it, hold it in your hand long enough to let the synapses meet up, and you have something tangible.

I had forgotten my one Euro moment. Thanks to a paper receipt at the bottom of a plastic bag, now I’ll remember it forever.




The More Things Change

Part IV in a series.

There are a lot of times during my days, walking through this world, where I have small flashbacks or quick images that come into my brain. Not a hallucination, just a snapshot of a moment or a place or person.

A lot of the time the photostream of my brain shows me something about New Mexico. Some little atom or quark that is a building block of who I am. Meant to ground me, I think.

One image that seems to show up on rotation is being in either Old Town Albuquerque or at the Palace of the Governors in Santa Fe and buying beautiful handmade jewelry from the Native American artisans who display their wares on beautiful blankets.

Heck, in the early days (like the 1970’s) you would also find Native American artisans selling beautiful jewelry at the airport in Albuquerque. This was well before anyone called it a Sunport.

On this trip I made to Santa Fe at the end of last month, one thing I definitely wanted to do was see the Palace of the Governors and visit the row of Native American artisans with hand woven blankets laid out, selling handcrafted jewelry. I can remember being a fairly young kid and negotiating for beautiful pieces of silver, turquoise and coral.

The one moment I remember most was being something like nine or ten and using my allowance money to buy a really pretty green malachite ring set in silver.

I remember that the artisan was dressed in traditional Navajo clothing with her hair wrapped in leather and a huge and gorgeous turquoise bracelet on her arm. She either didn’t speak much English or chose not to. She was quite stoic, I recall, but I had watched my mom buy jewelry so I emulated her way, right down to the speech pattern.

I found the ring, tried it on, and liked it very much. I caught the artisan’s eye, held up the ring and asked, “How much?” I think she said ten dollars. I replied, “Would you take eight?” and she nodded. Thus, I now owned a beautiful handmade silver ring.

I wore it for many, many years.

In fact, I still have it.

This is it:




The ring is so tiny, it barely fits on my pinky finger. As you can see, the stone has a small nick. I really did wear this ring everyday for a long time. I loved it. I still love it.



So on that sunny Spring day on the Plaza a few weeks ago, after stuffing ourselves to the gills at the India Palace buffet, I was ready to walk around and my best friend and her girls were ready to sit.

They found a bench in the bustling center of the Plaza and I walked with purpose to the line of artisans with their creations on blankets.

My heart raced a little because I was excited. I mentally calculated how much cash I had on hand and what budget I would allow. I love beautiful silver and turquoise jewelry.

I had heard a few years back that there was some controversy about people who were not of Native American heritage selling jewelry on the Plaza, so I wasn’t sure what I expected.

I was pleased to see that indeed, the majority of the artisans seemed to be Native American. They wore modern dress, but the look, the speech pattern, the very vibe of the artisans let me know these were my New Mexico Native people, and I was happy.

As I walked down the row, I became less happy.

The quality of the jewelry I saw was not what I had hoped. The beautiful hand crafted chunky silver and turquoise, coral, jade and malachite jewelry had given way to items that were cheap looking, manufactured not handcrafted, meager and not bold and beautiful.

In some cases, I half expected to pick up a piece and see a stamp showing me it was manufactured in another country.

To be honest, not even the blankets seemed to be handmade. The image, the memory, it all looked the same as I crossed the street, but under the adobe and vigas of the Palace, everything really had changed.

On the plus side, I noticed that the artisans were very friendly with all of the tourists, inviting them to pick up pieces and try them on. Asking where they were from and how they liked New Mexico. The stoic artisan seems to be a thing of the past as I’m sure being a bit friendly sells more items. Even as I type that it feels a little like selling out.

So there was a plus and a minus to the experience. I ended up buying a pair of earrings from a vendor across the street on the plaza. They are small inexpensive dragonflies and I hold no illusions that they are genuine Native handcrafted.

I walked away a bit depressed and I remembered that I get a catalog from Southwest Indian Foundation, and they call the style of jewelry that I love “pawn style.”

Pawn style. There were some people that I knew who got really amazing deals on Native American crafted jewelry from the rows and rows of pawn shops in Gallup and other New Mexico towns. I never did that. I shopped a few times, but couldn’t get over the sad feeling in my gut. These pieces of jewelry were given up because someone needed fast money.

As I made a loop around the Santa Fe Plaza, I saw a shop that claimed to have old pawn jewelry, so I went inside.

They weren’t kidding. Inside the huge retail space half of the store was quite literally filled with pawn jewelry. The shop buys dead items (meaning the time has expired and no one was able to come back and claim the pieces) and resells them.

Resells them at a gigantic markup.

I found a case full of earrings and at a quick glance found three pairs that I either own the exact pair or something very, very similar.

Earrings that I know I paid somewhere between fifteen and forty dollars for were now marked anywhere from $125 to over $200.

I felt a little sick to my stomach. On the one hand I thought, “Hell, I should get out all of my old jewelry and sell it!” and of course I knew I’d never part with it. On the other hand my heart broke as progress has to come to all things, even Native American jewelry.

In my personal collection is my mother’s stunning New Mexico Native American handcrafted squash blossom necklace. Would I ever sell this? Hell no.




This is a really profound piece of jewelry. My mother often wore it and she was always beautiful wearing it, too. The turquoise is quite rough and each individual squash blossom is different, to match the stone.


But I wish I could have strolled the Palace of the Governors and seen pieces more like that chunky squash blossom for sale. The product of training, silversmithing, craftsmanship, and a deep Native American tradition.

Alas no, like that hammered tin clock that used to hang over the Albuquerque Airport, my memories are only nostalgia. Museum pieces. They no longer represent what is meaningful for today’s children growing up in New Mexico.

I guess I understand now. Sometimes as a kid I used to jokingly say that New Mexico was forgotten, wasn’t important, backward. Now I know it really was something good. I got to grow up in a beautiful culture and a beautiful state that is like nowhere else in the world.

I am hardly the only person who has ever come to realize this about the time and place that they were born and raised. It’s a common lesson. You really can never go back. I can be in New Mexico again, and I can love it, but it’s never going to be what I hold in my memories.

That hurts inside. I yearn for something that doesn’t really exist anymore, except in my mind and have to find a way to be okay with that. As of today, right this moment, I’m not okay. Not yet.

I suppose the answer is that I need to spend more time back home in New Mexico. I have to learn to know what she was once and love her as she is now.

It’s my failure that it’s been so long since I was back home. I hope to improve a lot over the coming years.

There is so much I know about New Mexico, and so much I have left to learn.



Up next, the conclusion: Part V, The Roots of My Raising Run Deep






Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app.




Somewhere In Between

Part II in a series.


Today I continue my New Mexico storytelling with Part II. I guess my short trip to New Mexico last week takes more than one post to discuss.

At four days, it was a quick trip, too quick if you ask me, and even though time elapsed fast, there was an indelible impression left upon me. New Mexico kind of does that to a person, right?

The last time I had been north of Las Cruces was in 2009, so it wasn’t that long ago, but certainly long enough ago to change my worldview.

Back then I was newly married (yay!), had endured one of the worst years of my professional life (boo!). I found myself without a job, without any leads, and a little dislocated as I learned how to be both unemployed and married. Both being something I had never before experienced.

I returned to the homeland last week on a warm Spring Saturday with almost six years of marriage tucked under my belt and a really good job that I love very much. Time really does heal wounds.

To be honest, sometimes I still feel very dislocated. Caught somewhere in between. I am a New Mexican, through and through, but it has now been almost seventeen years that I have lived in California. My god. Seventeen. Where the hell did all those years go?

So I am not really a New Mexican anymore, but I’m seriously not a Californian either. What, exactly, am I? I don’t know and that’s the problem.






(Apparently this is a long running theme for me, here’s something from the archives.)


My best friend and goddaughters were on their Spring Break and wanted to make a trip to Santa Fe. As near as I can recall, the last time I was in Santa Fe I was somewhere in my twenties. Well, that’s not entirely true. I went to the outskirts of Santa Fe in 2009 because my father is buried there, at the National Cemetery.

But that last time I had been on the Plaza? Yeeks. I was of drinking age, but not old enough to know better, certainly.

Let’s just say, it’s been a while.

Santa Fe was, well, Santa Fe. She has changed in many ways. She has not changed at all in other ways.

Of course, one of the first places I had to visit was the Loretto Chapel. I have always loved that place, from the time I was a small child to now.

I had wanted so much to get married there, I mean, I really wanted that, but logistics being what they are, it just couldn’t happen.

(I am more than thrilled with where and how we did get married in California, by the by.)

In my mind, my child’s mind, the Loretto chapel was teeny tiny and the stairs were at the very back wall of the chapel. I was pleasantly surprised to see the chapel is actually larger than I remembered, with several rows of pews behind the very famous staircase.

So of course I took an unremarkable photo of the remarkable treasure. A photo from the same vantage point where everyone snaps the shutter, from behind the worn velvet ropes. It’s a bit like the Golden Gate Bridge. It’s been done. To death. It’s hard to do it any differently than the thousands who came before.

But that’s ok. I took the photo for me. A memory. An image that I don’t have to expend a calorie trying to conjure up in my mind. I can ease my brain and rest my eyes and smile fondly to see this photo.




Copyright © 2014 Karen Fayeth

While in Santa Fe, we also went to the Cathedral Basilica of Saint Francis. Where Loretto is small, the Basilica is gigantic. Overwhelming in its proportions.

I took a lot of photos and absorbed all of my surroundings.




A bird at the base of a statue of Saint Francis and the Basilica’s rose window in the background.

Copyright © 2014 Karen Fayeth


Of course, I have a lot of mixed feelings about being raised Catholic, but that is not something to discuss here. I do try to stay away from religion and politics on the blog, though I don’t always succeed.

That said, I have always loved the iconography of the Catholic church and being raised in the Hispanic culture means all of those images hold a lot of power for me. The images are not just religious but part of our culture and folk art. It has shown up in a lot of my own work.

I have been obsessed for a long time with the image of a flaming heart and also a heart with a crown over it. Of course this is the Sagrado Corazón, found on paintings and statues and sculptures.

Being in such a beautiful space and being in Santa Fe and seeing all of these reminders of my childhood made me need to sit down. Just sit and be quiet. And think. And absorb.

My two godkids had a lot of questions for me about the Catholic Church and what some of the images mean. The Stations of the Cross proved to be a place of fear for my younger godkid, and I tried to explain that it was telling a story, certainly a sad story, but that it had a happy ending.

Meanwhile my thoughts raged with questions like, “Who am I?” and “Why don’t I know?” and “Why have I had this lost feeling for such a long time?”

Questions as unanswerable as some of the challenges posed by my beautiful girls.

I love New Mexico and inside of me something is able to rest when I am there, but to be honest there is another part of me (that has been there all of my life) that cannot rest, and needs more than New Mexico can give.

The only place that I truly know is home is anywhere The Good Man happens to be. That, I think, was my best comfort while the thoughts and feelings swirled like an eastern New Mexico tornado through my brain.


Part III: ¡Comida! There is Indian and then there is Indian




Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. The Loretto staircase was taken with an iPhone5 and the Camera+ app. The little bird was taken with a Canon G10 and some crawling around on the ground.