Music

When you point a finger…

Posted on July 15, 2010
by Karen Fayeth
4 Comments

How does that old saying go? When you point a finger at someone, there are three pointing back at you?

Something like that.

Was pulling the virtual slot machine lever on a blog idea generator, and the topic came up, “Write a letter to someone you need to forgive.”

Well geez. Make it easy, why don’tcha?

So I thought to myself, “Who do I have to forgive?” and an image came immediately to mind.

You see, there seems to be something I can’t get over. It’s childish and stupid, but for some reason I’m hanging on to this.

In considering how I’d write a letter to forgive, I realized…it’s not the other person I need to forgive. It’s me. I have to forgive myself for being such an assh*le sometimes.

Here’s the background:

It’s Saturday night, at the Gipsy Kings concert, sitting in the second row with my husband, excited for the show to start.

As showtime is close, in walks a gorgeous woman with dark hair, red lips, long toned legs clad in tiny white shorts, her top half in a tiny halter-top. She’s also wearing a radiant smile.

She’s beautiful. And she sits right in front of us.

Fine. Oh just…fine.

I look at her and I want to hate her. No. I look at her and I want to be her. On the outside, anyway.

The show starts and she and the guy she is with are drinking, they are laughing, they are having fun. She gets up to dance and catches the eye of the entire audience, the band, the roadies, the ushers, everyone.

She’s beautiful and she has rhythm and she lacks self-consciousness and she dances well. We can’t help but watch her.

I want to stop envying her, but I can’t. And all those ugly things that women think about each other I’m thinking in my mind.

As the show goes on, I stop looking at the woman and I get into the show. As I described yesterday, it was an amazing musical experience.

Toward the end of the show, I start to notice the lady in front of me again.

Everything she’s been drinking all night has started to catch up to her. She’s got her eyes laser set on one member of the band and she’s doing all she can to get and keep his attention.

She’s trying to dance just for him, but she’s so drunk, she’s wobbling on her high heels.

She shakes her medically enhanced boobs for the singer, and one pops out of her halter-top. Her boyfriend stuffs it back in and speaks sharply into her ear. He’s not happy.

She’s so drunk, she doesn’t care.

She keeps trying to dance in a sexy way for the guy in the band, but now it’s become sad. She’s stumbling around and sloppy drunk.

And I feel a little haughty. A little Dana Carvey as Church Lady high and mighty.

When the show ends and the band members are taking bows, she rushes up to the stage and summons the man she’s been vigorously trying to get the attention of all night, much to the dismay of her boyfriend.

He comes over to shake her hand and she tugs at him hard, almost pulling him off the stage. When he’s in range, she plants a sloppy kiss on his lips. The band man isn’t happy. The boyfriend isn’t happy. The lady throws her hands up in the air like a referee signaling a touchdown.

Now I’m embarrassed for her. In that haughty way I have.

The lady’s boyfriend says some words to her, trying to keep his cool. She’s so drunk, nothing is sinking in, so he grabs her hand and drags her away. He has to help her up the stairs out of the venue.

As we leave, we see them sitting on a low wall talking. Well, he’s talking. She’s trying not to pass out.

The Good Man and I go out to our car and we sit there waiting for the parking lot to empty out a bit. When we find a gap in the flow of cars, The Good Man turns on the car and hits the headlights. In the spotlight, we see the couple again. She’s now slipped-over-the-line drunk, unable to walk. Her high heels are off and she can hardly stand.

The suffering boyfriend now picks her up like a sack of flour, under his arm, and carries her drunk dead weight to their car.

I feel sorry for the man. And the lady.

And I feel smug.

As we drive home, for some reason all I can talk about is the lady and her boyfriend, and I don’t know why.

Why does this bother me? Why can’t I stop obsessing??

And so here’s the forgiveness part:

Dear Karen,

On the night of July 10, you, as they say in the vernacular, showed your ass.

Just because someone is physically attractive does not mean they are a better person than you…and just because they show they are human does not mean you are better than them.

It just means we’re all human.

How about you forgive yourself for all the things you think you should be and aren’t, and all the things you think you are but shouldn’t be?

How about just being ok being you?

Betcha it might make your days go a whole lot easier.

I forgive you. Now you forgive you too.

Go get ’em, tiger.

Love,

You

¡Baila Me!

Posted on July 14, 2010
by Karen Fayeth
2 Comments

When the Gipsy Kings command you to dance, you dance.

It doesn’t matter if you don’t think you can dance. You dance anyway. You shake the maracas the Good Lord gave ya, and you have a good time doing it.

After many years of yearning to see the Gipsy Kings live, last weekend, I finally got my chance.

I got tickets back in April. I jumped on line the very second they went on sale and my diligence paid off. I scored two tickets second row center.

I knew it was going to be a good show. I had no idea it was going to be one of the most amazing shows I’ve ever seen.

The music of the Gipsy Kings is beautiful, traditional gitano music, played by brothers. The men, from two different families, were born in France, children of gitanos who fled during the Spanish Civil War of the 1930’s.

What I mean to say is…they are the real deal.

Their music moves me in ways I can’t understand.

Best not to even try to understand.

Three songs into the night, Patchai Reyes commanded us to dance.

And the people in the venue rose to their feet, and we danced.

Even The Good Man who doesn’t dance got up and danced. It was useless to resist.

At the beginning of the show, six men walked out with matching nylon strung acoustic guitars (four of them played upside down by left handers), hit a couple tune up notes and they were off to the races. I was struck by the blinding fast guitar work.

As the venue allowed photography, I tried to capture even a tiny bit of what we experienced that night. I found I was too enchanted by the music and didn’t actually take a lot of photos.

But here is a photo of Andre Reyes that gives you a small idea. I used as long an exposure as I dared to capture the movement of his hands. (Click to see a larger size)

My mother tells me that somewhere in the murky waters of my genetic past, we are what she calls “French gipsy”.

I understand that to be a true Gitano, you must be Gitano on all four sides…meaning, all four of your grandparents must be full-blooded Gitano. I’m not fully Gitano on any sides, but the rhythm resides somewhere in my strands of DNA.

On warm summer Saturday night in an outdoor mountain venue, the Gipsy Kings plucked the strings to my soul.

And I danced.

Oh, did I dance…

Whoa

Posted on June 17, 2010
by Karen Fayeth
3 Comments

If asked to give a one word review of the Kris Kristofferson/Merle Haggard show at the Mountain Winery last night, that would be it.

Whoa.

I bought tickets to the show only to see Merle. You see, Mr. Haggard is part of the essential soundtrack of my life.

Recall my earlier discussion about the task my best friend and I have undertaken? Creating our own version of “The List” for her kids (my godkids)?

We are compiling what we consider to be the music of our lives, music my beautiful godkids need to know as it tells the story of their family.

Yeah. Merle’s on that list. More than once.

So the chance to see Merle live was too much to pass up.

Kris Kristofferson was just part of the ride.

The show started with Kris. Now look, I’m not actually a big fan of Kris as a performer. His voice has always been a bit warbly to my ears. However, I do acknowledge that he is one of America’s premiere songwriters. His name is on many, many of the classics that help make up the tapestry of American music (“Me and Bobby McGee” is only scratching the surface).

So out strolled Kris with and acoustic guitar and a harmonica. Alone. And he played a healthy portion of his own catalog in one hour’s time.

Kris seemed uncomfortable and nervous, but I found his performance immensely intriguing. He laughed when he forgot the lyrics to songs he wrote himself. He rolled his eyes when he hit a bad note on his guitar. And he laughed. It was a really engaging thing to see.

At the end he thanked the crowd for their energy.

Ok, look. Kris Kristoffereson may have just won me over to his side.

Oh, lest I forget. Before Kris left the stage, he invited up a friend. A man by the name of John Prine. Now, I was not familiar with Mr. Prine, but a quick Google led me to volumes of information about the man.

Mr Prine is also a prolific songwriter and responsible for a lot of the heart of folk music. He’s also one of the writers on the song “You Never Even Call Me By My Name” made swaggeringly famous by David Allen Coe.

God, I love that song.

After Kris and John had played a tune, they invited up another friend.

A lady by the name of Joan Baez.

Yeah, look, I’m neither hippie nor baby boomer, but I was still in awe of the talent standing there together on the stage.

It was truly unforgettable.

At the break, there were ladies crying in the restroom, sharing stories of what the music of Joan Baez and John Prine meant to them.

It was less of an emotional thing for me, and more of a “whoa…I’m so proud I got to see this.”

And then…

Oh and then…

Merle finally took the stage. I couldn’t believe it. I might have started to cry a little bit myself.

I kept saying, “I can’t believe I’m here, eight rows away from Merle Haggard!”

Ol’ Merle is 73 years old and survived the removal of a malignant tumor on his right lung a couple years ago.

So he started out a bit slow, and the voice wasn’t quite there.

But he warmed up nicely. Soon enough, he was bringing the heat to songs like “Momma Tried” and “Big City”.

Merle started out the night with “Twinkle Twinkle Lucky Star” and sailed through his own songbook, ending with “Oakie from Muskogee.”

He invited Kris, John and Joan to come up and join him for that last one.

As The Good Man and I first got to the venue and we had to navigate all the Mercedes driving, wine sipping, self-entitled looking Northern California people, I texted my best friend that it was times like this where I question why I ever moved to California.

By the end of the night, looking at four legends of American music on one stage, I remembered. Back in my growing up years in New Mexico, it was unlikely we’d get a show like that. I moved to California for the art, the music, the creativity that runs through the Bay Area.

The kind of place where Joan Baez is just sitting in the audience and is casually invited up on stage.

So ok.

I used The Good Man’s iPhone to capture about 30 seconds of video. The image is terrible but the sound is all right. This is the last 30 seconds of the show, Joan, John and Kris are gathered together at the left. Merle is in the middle.

They are all warbling and off key and Joan’s mic is too loud…and still…it’s a beautiful moment in time….

(may have to double click the box below to get it to play, click again to stop)

And that’s doin’ it right

Posted on June 16, 2010
by Karen Fayeth
No Comments

If you are a fan of any professional sport, major or minor in their designation, then over the course of your life, you’ve heard a LOT of renditions of the “Star-Spangled Banner”.

T’was written by Francis Scott Key and set to the tune of a drinking song. Where there is beer, oh yes, they’re playing our song!

And, may I quote from Wikipedia, “With a range of one and a half octaves, it is known for being difficult to sing.”

So much so, that large crowds will actually applaud a performer who can hit all the notes. That is a rare performer. Very rare, indeed.

In fact, over the course of my life, I’ve heard quite a few very, very bad renditions of our country’s anthem.

I’m not talking about local first grade choruses limping and wheezing through the tune or the high school marching bands galumphing and cymbaling their way along.

No, no I find those charming, actually.

What get’s me are the hand waving, trilling, note runs that many people (especially young ladies) try to throw in there to make you *think* they are hitting the notes, when they are, in fact, not.

I once heard a man at AT&T Park with a deep baritone voice who sang the song and dropped the highest notes of the tune down half an octave, and it sounded fine. Lovely, in fact, and we didn’t have to watch him struggle to hit impossible notes.

I find it’s the people who go easy with it and don’t try too hard that make it through all the ups and downs of the Star Spangled the best.

This past Sunday, just when it appeared the SF Giants vs Oakland A’s game was due to start, The Good Man and I saw a vision in pink descend the steps to the field and enter the grassy area, bowing low to allow her very tall Glinda the Good Witch crown to clear the gate.

“Oh wow!” I cried out, “It’s a performer from Beach Blanket Babylon!”

BBB is a long running San Francisco musical stage show. Bawdy and very vaudeville in nature, they tend to make fun of current events.

They are also known for their top-notch performers, so I figured this was going to be fun.

On this day, we were treated to a lady by the name of Misa Malone, a recent addition to the BBB cast, and she was out in full Good Witch regalia.

You know, it’s awfully hard to ignore a lovely woman in a huge fluffy pink dress and a bouffant pink wig. It was even harder to ignore Ms Malone who took her time with the Star Spangled and used her immense vocal power to master that difficult song from the first note.

I admired how she used her breath, taking in air in places amateur singers tend to over look, taking air wisely to get power to her pipes in time to hit those high notes.

And hit them, she did, which earned wild cheers and applause from the crowd.

I have to say, not only did she sing the you-know-what out of that very difficult song, she also *owned* that crowd of almost forty thousand people.

We were all paying rapt attention to every note, every syllable, every gorgeous smile she handed out like candy.

THAT is a true performer.

Wouldn’t you love to have the power to command a room, much less a stadium, like that…just once?

I sure would.

____________________

Had I managed to have a memory card in my camera (see yesterday’s post) I would have provided an awesome photograph of Ms Malone at the park.

Instead, you get a photo of Prince Charles looking very awkward with the BBB cast. To the far right is not Ms Malone, but it IS the costume she wore on Sunday.