The Tradition of One Thousand Paper Cranes

Are you familiar with the Japanese tradition of folding one thousand origami paper cranes?

From Wikipedia:

“An ancient Japanese legend promises that anyone who folds a thousand origami cranes will be granted a wish by a crane, such as long life or recovery from illness or injury. In Asia, it is commonly said that folding 1000 paper origami cranes makes a person’s wish come true.”

I have always been enchanted by this tradition, and many years ago when the daughter of a friend was to be married, I even helped participate in the tradition by helping the bride fold a thousand cranes before her wedding day.

It is an act of diligence, of repetition, of bringing yourself and your heart to each crane.

I was reminded of this tradition today, as I contemplated the creation of this, my one thousandth post here at Oh Fair New Mexico.

Each post is, to me, like a beautiful origami crane, my own work of art constructed from the folds of my brain, the diligence of my psyche, and the creativity of my Muse.

The posts vary widely in topic and scope. I started out as a homesick New Mexican looking to assuage my guilt by talking about home. Three years later, it still holds that space for me, but it’s also grown well beyond, helping me to find my voice and my writing style.

I’m grateful to each and every reader who stops by and gives me their eyeballs for a few minutes. Especially those readers who have been here long enough to remember that The Good Man used to be The Cute Boy.

When I started this blog back in 2007, I hoped I’d be able to make it last for a year. I’ve well exceeded that goal.

So today, as I finish folding my one thousandth crane, I string them all together and let them take flight upon the wind. I’ve cast my cranes to the fates and I send them all out with the best of me on the wing.

Tomorrow, I’ll sit in front of a blank Word document and start again, folding the first crane in the next series of one thousand.

May we all make a beautiful wish that comes true.

Mine already did.




Image source: Hakobyan Hayk’s Blog


Ain’t No Poetry Like Bad Poetry

So I hit up the idea generator today.

And it suggested I write a limerick.

A limerick?

Really?

*sigh*

Couldn’t I just take a stab at Haiku?

In fact, here’s a Haiku I wrote during a painful interleague game between the San Francisco Giants and the Oakland A’s earlier this season:

Jack Cust at the plate
Hits ball three for three today
SF fans Cust too

See? I can do Haiku! Can’t I just try another like that?

No, the prompt said limerick.

I remember in grade school we had to write limericks for an English assignment. I didn’t like it then either.

Not even writing the naughty limericks.

Whatever.

Ok.

Fine.

Here’s my attempt:

There once was a girl from the ‘Burque
People found her to be quite quirky
     To California she fled
     No green chile she did dread
Homemade chile rellenos keep her quite perky

Or how about:

There once was a singer named Buck
His songs make a nice rattle in my truck
     From Bakersfield he hailed
     “Tiger By The Tail” he wailed
That acoustic guitar he sure could pluck

(Betcha thought I was gonna get naughty on that one, huh? It was very difficult to restrain myself.)

All right, I’m on a roll now

From a bag of pinto beans I did remove
A handful of rocks and a piece of dry bean root
     Soak ’em I did
     Rinsed, boiled and added a lid
Because if not cooked right, dem beans will make you toot

Ok, ok….I’m done.

Somebody stop me before I try to rhyme Nantucket.

How Do I Choose?

Going to get a little high minded for a Friday. I was presented with another blog post suggestion and this one poses quite a challenge. The assignment? A blog post sharing my top ten favorite works of art.

This is not an easy task. It is hard to come up with ten. It is hard to keep it to just ten. How does one choose from among all the works that touch my soul? Do I go with popular stuff? Do I go with less mainstream stuff?

And then, how does one find photos on the web that even come close to showing the magic of the work?

With much fussing and hand wringing, I’ve arrived at my list of ten. I’m sure the moment I hit “publish” I’ll change my mind.

All but one of these items I have seen in person, and they stand out to me as show-stoppers. Items of art that made me step back, sit down, or stare transfixed (or all three).

Here we go, in no particular order:

Starry Starry Night by Vincent Van Gogh

Van Gogh is, hands down, my favorite artist. I blame this on a high school English teacher who introduced me to his work.

The stabbing, slashing paint strokes appeal to me, and his pain on display, even in a pretty painting of flowers resonates with me. When I saw this painting in person at the MoMA in New York, I cried. Not just wept a little, I bawled. I’d been seeing The Good Man only six months at that point and yet he didn’t think I was weird. That *is* a good man.

Tree of Life by Gustav Klimt

This was a new friend I made at New York’s MoMA. After crying my eyes out over Van Gogh, I didn’t imagine I’d be able to learn to love any other art works that day. I was wrong. I’m not generally a fan of Klimt, but this painting was so engaging, it couldn’t be ignored. I go back and look at it pretty frequently while online. There is incredible detail in every square inch of this work.

Masked Ball at the Opera by Eduard Manet

I saw this at the National Gallery of Art in Washington DC back in the late 1990’s. I’ve found no photograph since that does the painting any justice. When you see this work in person, it’s painted in such a way that you feel like you are at the party. You can see the folds and wrinkles in the clothing of the other guests. You smile, you frown. They smile and frown back. You are there, in the room, at the party. It’s fascinating.

I stared at this painting for about an hour and still had a hard time tearing my eyes away.

Mourner Costume by Henri Matisse

I’m actually not much of a fan of Matisse’s work. His torn paper work for which he’s so famous rates only a “meh” from me. When I saw the permanent Matisse exhibit at National Gallery of Art it was mostly his paper works, so I walked through pretty quickly. I was about to leave when my eyes fell on this garment.

It’s torn paper style done with fabric. In this photo, it looks sort of dull and unimaginative. In person, it’s enchanting. The memories of this work of art have stayed with me for years. One day I’d love to try my hand at a cloth work inspired by this:

Dizziness by Iman Maleki

This is the only one I haven’t seen in person. I found it via the Art Gallery app on the iPhone and I’m utterly fascinated by this painting. It’s my wallpaper on the phone and I can stare at it and see something new every time. I feel some sort of kinship with the man in the work and I’m not sure why.

Los Dos Fridas by Frida Kahlo

It was hard to choose from among the Frida paintings as I love them all. In order to choose, I thought back to the exhibit of her work I’d attended at the De Young in San Francisco https://www.drlevinkind.com/priligy-dapoxetine/ . I thought about the one work I spent the most time with. It was this one.

La Pistola y El Corazon by George Yepes

There are actually two versions of this painting, one completed in 1989 and one in 2000. It is the 1989 version that is featured on the Los Lobos album of the same name. Sadly, that painting, owned by Sean Penn, burned in a house fire.

George Yepes created a new version of the painting, however, the 1989 version is my favorite. It’s darker and more intense. The second seems, to me, like only a riff on the original.

Room on the Verge by Patssi Valdez

I saw this work at the Chicano Visions exhibit at the De Young in San Francisco. The whimsy, the darkness, the movement of this work just drew me in. I sat down on the floor (no chairs or benches) and stared at it.

My fellow gallery goers looked at me like I’d lost my mind. I didn’t care. I wished I had five more eyes so I could to take in more of this painting all at once.

It’s gorgeous.

Jean D’aire, Burgher of Calais by August Rodin

I have an intense love for Rodin’s work and it all speaks to me of hard work and sadness and endurance. I discovered this particular work at the Cantor Center for Visual Arts on the Stanford Campus and it’s the one that sticks with me.

It was as part of a photography class that I was introduced to the Rodin Sculpture Garden, and I tried and tried to photograph the very serious faced Burgher. I have one photo that is pretty good, but it is only of his face. This photo shows the entire statue. He is the very definition of pathos.

Rose and Driftwood by Ansel Adams

I saw this at an Ansel Adams exhibit at the Bellagio casino in Las Vegas. The Good Man was there on business for a trade show, so I entertained myself during the days while he worked. I’d seen a lot of Adams before I took in this show, but somehow this little work had escaped my notice. I walked by it the first time and did a cartoon head whip like “whaaaaa?”

I stood in front of it and stared and stared and got lost in the depth of the woodgrain. It’s spectacular. It’s a gorgeous simplicity that is so hard to accomplish.

Whew…walking through all of this has left me exhausted. In a good way.

Now I need a nap and a vodka drink, not necessarily in that order.

I Believe…

If you’ve ever had occasion to see a “Blue Collar Comedy” live show, then you know they end each performance with a litany of items that each of the four comedians believes.

Here is my I Believe list for today. Subject to change. Some restrictions apply. Offer ends July 20, 2010. Not valid in all 50 states.

I Beeeelieve….

…that Costco stores, like casinos, pump some substance into their ventilation system that causes me to behave in odd ways. How else can you explain my hitting all the sample tables like a drunk at a buffet bar, then buying a two thousand pack of toilet paper?

…that the first Indiana Jones movie is the one true Indiana Jones movie, and all else are just weak riffs on the original. I rate the movies on likability in the order in which they were made.

That said…

I also beeelieve that the “Crystal Skull” movie was not quite as bad as everyone made it out to be.

…that green chile has curative powers that extend beyond just physical health. I think we can achieve world peace and fix the global economy over a plate of enchiladas. Sour cream and fried egg on top.

…that Paris Hilton did, indeed, inhale. Yea verily though she has been busted for possession twice and gotten off scott free twice, I believe the clock is ticking and she will soon be cellmates with Lindsey.

…that coffee is the work of dark, evil forces. For though I welcome coffee with both arms and hug it to my person like a long lost sibling, it does terrible things to my stomach causing pain and acid reflux and generally causing havoc. And yet, I can’t seem to quit the dark beckoning brew.

…that red light cameras are patently unfair and unconstitutional and defy the Bill of Rights and upset the Code of Conduct and Robert’s Rules of Order and some other stuff I can’t think of right now. They don’t allow me to face my accuser in court! It’s bad! Real bad! Obviously, I’m still not over it.

…that AT&T is not quite as evil as we think (though they are still evil). Apple is not quite a cool as we think (though they are still cool). And that for some reason that I can’t explain, I dreamt last night that I met Bill Gates. And he hit on me. : shudder :

…that the 1970’s were weird and awkward during the 1970’s, and somehow time has made us all forget that. Now we remember the decade as cool.

…that times have gotten a little tough when grownups are stealing girl scout cookies. And stealing their money. And stealing their cookies. What’s next? Nun’s stealing babies? Oh. Weird.

…that white chocolate is just as delicious as regular chocolate and should be afforded all rights pertaining thereto. Same goes for vanilla ice cream. Oh, and also that something must be done *immediately* regarding the vanilla shortage. Code Red, people.

…that by writing this list of I Believe items, I have successfully avoided doing any real work for an hour and a half.

An Unexpected Convergence of the Universe

Had a weird day yesterday.

Well, most of my days are weird. Yesterday was especially so.

I was working in the studio and painting up a storm. Since The Good Man was out and about, I took the opportunity to turn on the oldies country station I like. 104.7 out of Albuquerque does an internet stream.

It’s a great station for classic country stuff. I try to spare The Good Man from my country music as much as I can. All for the sake of the marriage and things like that….

So as I painted, on the radio came Merle Haggard, and George Strait, a little Ray Price and even a stab at some Garth Brooks (the old stuff).

Well, it didn’t take but a minute, and I was vacuumed up into the Wayback Machine. I found myself struggling with heart pangs that were hard to ignore.

It doesn’t help that I’m also reading a Max Evan’s book right now. In it, he describes horses and New Mexico plains and mountains…

Well, it’s more than a girl can take.

I tried to fight off the homesick but it started to hurt deep inside.

So I called up my best friend.

“You either gotta come get me out of this wayback machine or you gotta get in here with me,” I left on her voicemail.

She called back quick. “Open the hatch, I’m coming in!” she said.

So being the kind of friend that you keep around for some twenty plus years, she talked me down and reminded me that I’m just a couple weeks from actually *being* in New Mexico again. So could I just hold out a bit?

Feeling a lot better, I hung up the phone and turned off the radio.

Then the Good Man came home and all was right in my world again.

About an hour later, I heard my iPhone buzz.

I picked it up to see that my old boss from Sandia Labs was pinging me. She is a dear friend and the best boss I’ve ever had. She told me that she and her boss (who was my first manager at Sandia and is also a good friend and a fine Aggie alum) were having drinks while out on a business trip.
Their conversation had turned to stories about, well, me.

She was recounting a few of them via text messages (we had a lot of fun back in those days…the mid-90’s) and she said, “That was the best time I’ve ever had at work. We should never have let you go to the Bay Area.”

And damnit all if that sharp pang didn’t come right back to my heart.

Now I keep in touch with my former amazing Boss Lady, but we haven’t spoken a lot in the past year (other than to congratulate her on a recent marriage).

Sort of out of nowhere, on a day when I’m homesick anyway, there she was relating stories of a great time in my life back when I lived in Albuquerque.

And I seized up a little.

It was weird how all these events came together on one day.

So I talked it over with The Good Man. I told him I’m afraid of forgetting who I am and where I come from. He suggested that just that fear alone may keep it from being so.

He asked, “Do you want to move back?”

And I said, “No, because I think I’d yearn for San Francisco if I left!”

Over the weekend, we went to see a theater show, “The Tosca Project,” that was so San Francisco and the heart of North Beach that I love profoundly, that it was moving and deeply gratifying to my soul.

The thought of being far away from the soul of that City is a sad thought.

Sometimes I’m a girl caught between all the Karens that make up who I am.

I don’t have any answers. I figure I’m just going to have a very high electrical bill this month, what with all this constant use of the Wayback Machine (it’s not Energy Star rated…..)