Category: latent childhood

And Then There Was the Time…

I miss my best friend today. Autumnal Equinox makes me think of harvesting hay and Dickerson’s dances.


That was a text message I sent to my best friend yesterday afternoon. I was at work and found myself with a few moments of pause. What I felt in that silence was an aching sense of melancholy.

The angle of light has been changing for a while and yesterday the world looked a little different bathed in early Autumn sun.

A beautiful sunny yet hazy day as I found myself at a high elevation gazing across the amazing view, Oakland to my left, Golden Gate center, Albany to my right.

It’s hardly original to feel melancholy in the Fall. I will follow the old poetic trope and go there anyway.

Since I know I have a “thing” about Autumn, I started looking back in the archives of my blog and found something that perfectly captures how I feel today. I’m nothing if not consistent.

Autumn is, after all, my favorite season in Oh Fair New Mexico.

So here’s a repost to get me through the day. The words still ring true, even as time goes by.

___________________


Get outta the wayback machine!

Originally posted April 15, 2009


It was Fall, had to be. Slight crispness to the evening air. Anticipation thick as the fog of Aqua Net in the sorority house where I lived.

It was 1989, probably. Or somewhere close to that. The campus of New Mexico State University. I was a sophomore, maybe a junior, I can’t remember. Doesn’t matter.

What does matter is that I was getting ready to go to a dance at Corbett Center on the NMSU campus.

The woman who would become my best friend for what is now over twenty years was the driving force that night, and many just like it. Her parents had met at a Corbett Center dance, so she was especially incentivized to go scoot a boot and see what’s doing. Family history.

I nervously pulled on my too shiny, too new, gray goatskin round toe ropers and jeans that didn’t really go with the boots, but were at least long enough to be acceptable. “You should buy some Rockies,” I was told, and they were right. I would, later, in quantity. But then I had neither the money nor the courage. I wasn’t sure what I was going to get into, I just knew I was going to be there come hell or high water.

It wasn’t my first Corbett dance. It wouldn’t be my last. This story isn’t about one actual night, more an amalgam of a lot of great nights.

The gaggle of high-haired women walked out the back door of our home, a sorority house containing twenty-eight women of different backgrounds, and one understanding house mom. What bound us together was our choice of educational institution. A land grant institution. To the uninformed, that means an agricultural college.

It was a short shuffle over to Corbett, up the stairs to the third floor where they had the ballrooms. Pay the entrance fee. Five dollars I think? Maybe less back then. Get a stamp on your hand. Look around, see who is there already. Talk about who you hope shows up.

Hear the opening strains of music. Usually The Delk Band. A group of musicians, brothers, and their dad on fiddle. I went to school with most of the boys. I remember I thought one of the Delks was cute. I remember one of the Delks was the drummer and back then had a tendency to speed up the tempo as a song wore on. Hard to dance to a wildly varying tempo. But we did it. (note of update: Saw the band not that long ago and that is no longer a problem.)

They were our people, and we embraced them. And we danced. Oh did we dance.

The two-step. Not the Texas double up kind, no. The slow kind, keeping time to the music.

And a waltz. My favorite, how I love to waltz. The rhythm of a song set to the beat of a waltz still paces my heart a little differently.

The polka. If done right with the right boy (he had to be tall because I’m tall and otherwise we’d just bump knees) you felt like you were flying, feet hardly touching the ground.

Then of course the Cotton-Eyed Joe (stepped in what?) and the Schottische, played back to back, often enough. Linking six or eight of us, arm in arm, facing forward, laughing our fool heads off.

The ladies, my friends and I, would stand on the sidelines and take a look at the scene. My best friend would always get asked to dance first. She’s beautiful and a great dancer. Who could blame the boys for flocking to her blue-eyed, dark haired gorgeousness? Not me, certainly.

As I got better at dancing, I got asked often enough, too. The boys liked the girls who could dance, who liked to dance, who didn’t turn up their nose at dirty fingernails and cow sh*t on their boots.

There is something special about dancing with a boy who knows how to dance, a strong lead, who looks you in the eyes. The boys who had the right fold in their hat and smelled faintly of Copenhagen and beer and Polo cologne.

I got to know those folks. All of them, the boys, the girls, the dancers, the musicians, the laughers, the people who liked to swing each other around the dance floor.

They became my family. We traveled in packs, dancing until we were sweaty, then heading outside into the cool air to take a breath, drink a beer, laugh a lot and occasionally find someone to spend a little time with.

Well not me, not then. I was still too awkward and mixed up to attract much in the way of boys at that point. I was more “one of the guys” than one of the girls the guys would chase. Don’t feel bad for me though, I eventually figured it out. (cover your eyes, mom)

Over time, we all aged a little, got to be over 21 and started to migrate from dancing at Corbett center to dancing at the local country bar. It was fun but seemed a little more complicated. Add more than a couple beers to the night and weird things happen.

But still we danced. By that time, I’d moved off campus and lived with my friend from TorC. She was crazy and fun and taught me a lot (cover your eyes, mom), and she loved to dance as much as I did. She coined the phrase “big bar hair” and gave me an education on how to get it, and keep it, despite dancing so hard sweat ran down your face.

Then we all aged a bit more, and we graduated and found respectable jobs. My best friend, her husband (a fine dancer, I must say) and I are all actually employed in the same area that’s listed on our diplomas. One might scoff at country folks, but all three of us hold a Master’s degree in our chosen fields.

Now, on the verge of turning forty well past forty, I find I still miss those days, mightily. I wished I’d enjoyed them more at the time. The stress of school and classes and “what do I want to be when I grow up” cast a pall on my days.

My own fault. A worrier by nature, a tendency that I fight tooth and nail every single day I take a breath.

When I’m having a bad day, when I doubt myself, when I realize I don’t fit in at my new place of employment, when I don’t feel heard or understood or very well liked, I can always go back to those days in my mind and smile.

I can’t get together with my best friend and her husband and NOT talk about those days. Magical. I’m blessed to have been able to have them. Once upon a time, I knew where I belonged.





Photo of The Delk Band in action





Image from The Delk Band website and found here.




Gimme Me the Check

In those heady days of youth when skin was firm, recovery time was fast and the brain still spongy, I remember thinking “pfft, I don’t need to use lists to remember things. That’s so lame.”

Then somewhere in my late twenties I had to make the hard admission that my memory was just never going to be what I wanted it to be. I thought it would always be easy to remember things, and then suddenly it wasn’t so easy. Too many seemingly obvious missed items at the grocery store and dammnit, you start to love a real honest to goodness list.

So I started, grudgingly, making lists. Usually only a couple items on a sticky note, words to jog the brain. Over time that just wasn’t enough. The random words were no longer enough to evoke memory. I had to put down multiple and specific words. No longer could I trust my brain at ALL. These were dark days, indeed.

Years passed and my eyes got worse and my hair more gray and the little lines at the corners of my eyes were no longer laughs but crows, and I learned to love my Swiss cheese memory.

These days I am all about my to do lists. I write one up, by hand, every few days at work. Hand writing the tasks helps me to have SOME potential for a wispy memory of them.

I get out a shiny orange Sharpie and then I get all of those pesky things I am supposed to remember down onto a big sticky note. Once written, it feels good to let them go. No longer does my brain have to work to keep important tasks retained, nope. I can fill the brain holes with mental cotton candy like the score of last night’s Giant’s game (don’t ask) and the fact that there is going to be a Sharknado 2 (not that I saw the first one).

I love my lists so much that I actually keep some of lists that have all of the tasks marked off. It’s a keepsake to show me that busting my butt at work really does matter. A visual and handwritten progress bar that keeps me motivated.

There is a little dopamine blast I get when I check several items off the list. Yeah baby, that is the stuff. Gimme some more.

I even like to use the British colloquialism “tick the box” instead of check mark because “tick the box” is fun to say. It makes things feel official and proper and oh yeah, there’s that dopamine rush again. Gimme, gimme, gimme.

Seeing an unticked list doesn’t demoralize me, it peps me up. If I work a little harder, stay a little more focused, I can get out the black Sharpie and POW! Mark off the list. That little huff of Sharpie ink. The sound of the pen across the words. The tingles in my spine. The smug satisfaction I feel. Yeah. Love it. Love everything about it.

Even making the little fake list for the end of this post was utterly satisfying…

I should probably get help.









Photo and To Do List © 2014, Karen Fayeth, and subject to the Creative Commons License in the right column of this page. Taken with an iPhone5 and the Camera+ app.




Winning Is Like…Better Than Losing

Now that I have been a member of the photography club at my place of employment for just over a year, and have been attending meetings and listening hard, I think I maybe kind of sort of have earned a teeny tiny bit of respect.

Because this month, both of my submissions for the monthly photo contest made the cut. BOTH!

The rules each month are that you get to submit two photos. We review and critique all the photos in our monthly meetings and then there is an anonymous voting app we use. When votes are tallied, the top four vote getters are published internally at the company.

So yeah baby! I have had one of my photos make the cut before, but never both. It is a little unprecedented. Woo hoo!

The theme this month was double exposure and my two prize winning photos are below for your perusal.

The first one feels really special to me. I took both of the photos in the image while I was in Dublin. It was at the end of my one lone day of tourist time after an intense week of work, and I had walked for miles. I was exhausted and it was raining like it only can in Ireland.

Tired and soaked to the bone, I was bound and determined to find this sculpture of Oscar Wilde. This was after I had stood in a very long line (in the pouring rain, a nice lady shared her umbrella) at Trinity College to see the Book of Kells. That exhibit was exhausting in itself. Way too many people jostling around.

The park where Oscar resides is about half a mile from Trinity college and I wasn’t sure I was going to make it. It was driving rain and windy and I was so tired that a nice warm cab looked like a good idea. I stopped to rest twice on the short journey, but forced myself to keep going and once I arrived at the park I was glad I did.

The small, lush, green Merrion Square park was silent as I stood there getting drenched looking at this remarkable statue of Oscar Wilde. A small tour group came by and the tour guide said the artist sourced these incredible and colorful stones from all around the world. It is a beautiful statue and so unique as it reclines on a rock.

When it came time to figure out something to use for double exposure, I thought of this statue and of the very old books I had seen at the Trinity College library (I had watched a video about the method used to bound the tomes and was endlessly fascinated).

Using some tools I had learned in a recent photography class about overlay for textures, I fiddled around in Photoshop and came up with this:

Title: Author


Photograph Copyright © 2014, Karen Fayeth



I was unsure if the photographers in the club would find the image too discordant. It’s almost jarring, but I love it. It’s hard to photograph a statue and have it be anything more interesting than a photograph of a statue. This to me brings depth and texture to the photo and I am so happy with the results.

The other photo I submitted was something I had been visualizing for quite some time.

As I continue to hear all of the news reports about the drought here in California, I was pleasantly surprised that the lack of rain didn’t halt the springtime explosion of California wildflowers. I am mildly obsessed with California Poppies (the state flower) and I love the yellows, reds and purples of other flowers growing in medians, between sidewalk cracks and at the edges of yards.

I picked several of the flowers and shot them using a technique I learned from photography master Harold Davis. Then I took a free stock image of textural dry and cracked ground and combined it with my flower photo. When I look at it, I think of many things I could (and should) go back and tweak, but so far this photo is garnering nice attention.

Title: Drought


Photograph Copyright © 2014, Karen Fayeth


When submitting both of these photos, I wasn’t sure how my surly team of scientists would respond. Both of these photos are kind of arty, but they also show I have some Photoshop chops, and I think they liked that. They had a lot of questions for me on technique since I used a different approach for each photo.

Also, I think the club as a whole struggled with the idea of double exposure. It’s too messy for their orderly minds. I had a film camera in high school that I liked for making double exposures. It can either look weird or really cool. Doing a double exposure in Photoshop gives me more control over how the two photos overlap and how the double exposure looks, and I like it.

Anyhow, thought I’d share my winning photos with you.

Next up, travel to Amsterdam. Wonder what treasures I can find to photograph there?






Both images, Copyright © 2014, Karen Fayeth. Shot with a Canon G10 and combined in Photoshop. Stock image of dry ground from Free Stock Textures.




A Pirate Looks at Forty-Five

Mother, mother ocean, after all the years I’ve found
My occupational hazard being (that) my occupation’s just not around
I feel like I’ve drowned, gonna head uptown

–“A Pirate Looks at Forty” by Jimmy Buffet

Yeah, I might be taking a few liberties with a very fine Jimmy Buffet song that did not make a lot of sense to me when I was in my twenties and seems rather spot on now.

I find myself sneaking up rather quickly on the milestone age of forty-five. Or rather it’s sneaking up on me. What a milestone, I’m not even sure what it means. There are ages old enough to vote, old enough to drink, and then it all kind of gets muddled after that.

At this point in my life, I’m in a place where I don’t love my birthdays most years. For reasons that aren’t clear to even me, this particular trip around the sun is a little rough on me. Or maybe they are all a little rough on me these days.

And so weirdly (or not so weirdly) enough I have been thinking about that Buffet song dating back to the jolly era of 1975. The song is about a man who laments the fact that he was born too late to be a pirate. Jack Sparrow kind of pirate, not Somalia kind of pirate.

The man in the lyrics looks at his life and wonders what might have been. I have a very rich internal life and while I love my life today, I do often think about the what-ifs.

Yo ho ho, the pirate life isn’t quite the one for me, but I do have laments of being born too late. A hazard of the years going by, I suppose.

I’m not so unlike the main character in “Midnight in Paris” who wishes to live in the era where writers were valued and were paid quite well for their work. Where art wasn’t as much of a business as it is today.

I recently read a biography of Zelda Fitzgerald and grew ever more green with envy over how Scott Fitzgerald could keep them in a very high life simply by writing and publishing a few short stories.

I’m not implying he didn’t work hard at his craft. I’ve read some of his shorter works and of course “The Great Gatsby” and the man could write. But he also had a venue for those stories, popular magazines that were both willing and able to pay.

Oh to live a life where I could install myself in a Parisian pub with a bottle of Spanish red and write my words. Then know I might get many rejections, but when I get that “yes” that it really meant something on a large scale.

I was singing this sort of tune in my head over the weekend and because Fate is one hell of a comedian, I received an acceptance on an essay I had submitted to a very fine online publication. I am quite proud to contribute to this literary magazine, but the timing couldn’t have been more humorous.

One of my coworkers recently had occasion to read one of my published short stories about a scuba diver (if you haven’t read it, I’ll direct you to the right column of this page). She is also a scuba diver and she liked the story very much.

“You are such a talented writer! Why do you do this job?” she asked, and laughed.

“Because that doesn’t pay, and this does,” I said and sighed.

Oh, it could. Maybe one day. With a lot of work and a lot of sweat and a lot of blood and a mountain of rejection letters under my feet.

But as I sidle up to age forty-five, it sometimes feels like my best years have passed.

I once knew a bluesman who could play a muddy, gorgeous telecaster like he was drinking water. He made it look easy. So easy people were always sure they could do it like he did, and when they wondered aloud to him why it was so hard, they would say, “You must have just been born talented.”

He would reply, “Yeah, and at age twelve I picked up a guitar and played it every day until my fingers bled, and then every day since.”

Talent is nothing without hard work. I am more than happy to do the work, and I actually do the work every day. I type my words until my wrist aches and my head hurts. Then I write some more.

There are many days I simply wish I had started writing seriously earlier in my life when energy and time were not an issue. Then again, what did a bubbleheaded girl like me have to write about?

Maybe I had to live a little before I could open a vein and write the words.

Oh well, this is my journey. Not anyone else’s. Forty-five it is and forty-five it must be.

The dread leading up to the day started to wane in the final days. Resignation set in and now I suppose I’m okay. I tried on forty-five and it fit like a shiny new pair of fine leather shoes. A little tight and squeaky at first, but breaking in nicely.





If I’m going to overwork a metaphor, I should probably reuse a photo of a very favorite pair of well broken in boots






Image Copyright © 2010, Karen Fayeth, and subject to the Creative Commons license in the right column of this page.



The Roots of My Raising Run Deep

Part V, and the conclusion of a five part series.

It was a short plane ride, take off, cruising altitude for something like a minute, then get ready for final descent into Las Vegas.

Las Vegas. My kind of town. Vegas and I go way back. Now you know my not so secret secret, I wasn’t actually born in New Mexico, I was born in Las Vegas, Nevada.

My dad was working out at the Nevada Test Site and one thing led to another and…

Growing up some of my friends liked to tease me that my parents took a gamble and lost. Oh! Hey! Good looking crowd. We’re here all night. Tip your waitress.

My folks loved living in Las Vegas, but for various reasons moved back to Albuquerque when I was very small. Really too small to remember much of life in Las Vegas. All I’ve ever known is New Mexico, so I still rightfully call myself a native.

I scrambled off that Southwest Airlines jet, through the jetway, and hit the carpet in McCarran Airport. I walked without hesitation to a bank of slot machines that were unoccupied and pulled up a seat.

My family likes to gamble. A trip to Vegas was my present for my twenty-first birthday. My folks used to get out there at least once, maybe twice a year and we kids often went along. I didn’t grow up in Vegas but I grew up an awful lot on the many casino floors through the course of my life.

The Vegas I know is an old school Vegas, from the 1970’s, and it always feels a little right to be there.

With twenty dollars in the slot machine, I managed to make it play for a little over a half hour. I’d get down to the last dollar then the machine would pay off again. I was on a nice hot streak. Not hot enough to cash out, but hot enough to have some fun.

When that was gone, I picked another machine and chased another twenty dollars around for about fifteen minutes.

When that was gone, I got up from the seat with a sigh. I felt hungry and went in search of something not airport-awful to eat. Over a really disappointing slice of Sbarro’s pizza, I stopped chewing for a minute and smiled.

A thought occurred to me. In that same day, I had been in New Mexico, I was in Las Vegas, and I’d soon be in California. Those are all of the places I have ever lived. Those are all of the places I know.

Those are all of the places I belong.

Kind of cool, really. Kind of a nice way to end my journey. A full circle kind of a thing.

My trip to New Mexico was, all in, pretty good. I was so glad I made the trip, so glad to see my best friend and my goddaughters, so glad to go home and immerse myself in memories (and make new ones too).

My trip to New Mexico was also a little difficult. You see, my dad died in 2005 and he’s buried in the National Cemetery in Santa Fe. There was no way I could live with myself if I was in Santa Fe and didn’t go to the cemetery. And yet I really, really didn’t want to go to the cemetery. It’s not a joyful thing.

The last time I had visited was in 2009 and I was without a job and had lost my mind a little bit. I was scrambling to find a way to get back on my feet. That year I took a trip home to New Mexico to see if going back to my roots could help me find my compass needle.

I had cried a bit when my dad had died, but I was also a little stoic. My mom had asked me to be strong so that she didn’t have to be, and I agreed. I was as strong as I knew how to be back then, and a few years later there may have been some pent up stuff that needed to come out.

In 2009 when I found the stone that marks the place where my dad’s ashes are stored, it was a surreal experience. Gray skies opened up with rain and I stood there with my hand tracing the letters in stone and I cried, I keened, I howled. I scared the grounds crew. I honestly did, I freaked out this nice man taking care of the row of headstones nearby.

I guess back then I had some things I had to work out. On that recent spring day in March 2014, I was afraid that monster was still inside of me. I was terrified I’d find myself keening again at my father’s graveside. When considering going to the cemetery, I balked, I stalled, and finally I borrowed the keys to my friend’s new Suburban and set up Apple maps on my phone and took off on the highway, dreading it all the way.

Apple maps led me on quite a merry chase through the streets of downtown Santa Fe. That is a very old city, built by the Spanish Conquistadors so the roads are narrow and the sidewalks are high to accommodate horse drawn carriages.

With a little bit of axel grease and a shoehorn, I was able to navigate a huge Suburban through the streets, getting more lost by the moment.

Eventually, Siri found her head and I found my way, and there I was again, at the Santa Fe National Cemetery, both ready and not quite ready for what lay ahead.

That cemetery is always a difficult place for me. Rows upon rows of headstones mark all of my fellow New Mexicans who served in the military and who passed on, either in service of their country or later, as my dad had done. It is quite a humbling place for me, and that is even before I get to the place where I have to face my personal sorrow.

I had a bit of a false start, stopping at the wrong row of stones and realizing I was off by a bit. It didn’t take me a long time to find the right row and my father’s stone.

His ashes are in what is called a columbarium and it’s covered with a lovely piece of what I think is marble and secured to the wall with these connectors that look, to me anyway, like conchos.

They are so beautiful and so New Mexico appropriate.




Copyright © 2014 Karen Fayeth


For personal reasons, I will decline to post the entire stone, but I wanted to share a nice photo of that fastener. It stands on its own as a useful reminder.

On this visit I didn’t keen and I didn’t wail, but I sure did cry an awful lot. I put my hands on the now weathered stone and I traced his name and the word “Korea,” the war in which he participated. I felt the cold marble and I noted the sand blasted wear and tear and laughed at the unyielding New Mexico elements that caused the letters to already become faded. It’s only been nine years.

“Well, dad, I guess I’m doing a lot better than I was the last time I was here,” I said aloud. And I was.

Seeing my father’s name carved into stone never fails to break me on some level. After pacing a bit and having a pretty hard cry, I walked up the row and sat on one of the benches. It looks out over the valley and has a gorgeous view.




Copyright © 2014 Karen Fayeth



The mountains at my back and the dried grass and valley in front of me. The New Mexico unrelenting wind dried my tears the moment they slipped from my eyes. I laughed as the wind whipped at my hair. “Goddamn springtime wind,” I said to no one as I sat there alone.

Tumbleweeds of thoughts bounced in my mind. Through tears of sorrow, I smiled, because of that view, that place, that moment.

I had spent the past three days wondering I was even a New Mexican anymore. Sitting there, letting the climate steal my moisture and feeling grounded, I remembered that I always was and will always be.

I can never not be a New Mexican. Just as I can never not be born in Las Vegas. And I can never not be a damn near twenty-year veteran of California.

I am all of that. I am none of that. I am more than that.

I am greater than the sum of all my parts.

My version of New Mexico may not exist anymore but it’s mine. My particular brand of Las Vegas may not exist anymore, but I own it. My California is still telling me its story.

There is a lot left to learn about all of those places and as I gaze forward to the celebration of another revolution around the sun, I humbly admit there is an awful lot yet to learn about me.

What started as a fun trip to see my best friend in the entire world and my gorgeous godkids turned out to be something of a journey. A grounding moment in time that changed me, humbled me, reminded me and helped me grow.

I had no idea that was going to happen. I’m kind of glad I didn’t know. To paraphrase one of my oldest goddaughter’s favorite songs (that dates back to my college years), I might have missed the pain, but I’d have had to miss that dance.

And there is no way I’d ever miss out on a good dance with some of my most favorite people in the world, back home where I belong.





Both photos Copyright © 2014, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app. The fastener photo was further edited in Instagram.