Category: Bay Area

The Rhythm Is, In Fact, Going to Get You

Over the weekend, I had the honor of being included on a list of photographers asked to attend a local women’s martial arts training camp.

This is a long running event and my photography teacher is part of the team that pulls off this amazing training event every year.

As I am still a *very* amateur photographer, this event tested every single one of my limited abilities for taking clear and decent photographs of powerful ladies in action.

I’ve never been much of a martial arts kind of gal myself, so being a part of these classes, taught in many cases by world renowned instructors, was enlightening.

Oh the kicking! The hitting! The breaking chokes. The takedowns.

Wow!

I found myself spectating much of the time, forgetting to use that picture-taking tool in my hand for its intended purpose. It was that intense!

But for all of that, I have to say, the class that made the biggest impression on me was the Taiko drumming class, taught by a lady named Ikuyo Conant.

This tiny woman took FULL control of a class full of strong powerful martial artists and had them drumming their hearts out.

These ladies were out on a cool Sunday morning with roses in their cheeks, whanging away at the drums and laughing. They were all having the best time. Some of the most muscle bound and rather serious women were shaking their groove thang and laughing like school girls.

It was not only a joyful place to be, it was a joyful thing to photograph. The “energy in the room,” so to speak, was overwhelming. I laughed along with them. I cheered when they made it through a sequence with nary an error.

After watching Judo, Wing Chun, Tai Kwan Do, and other ancient (and potentially rather violent) arts, I found that Taiko was head and shoulders above the rest as the class I most want to take.

I’m ready to shake the maraca’s that the good lord gave me (oh wait, cross culture reference there…whoops) while I beat hell out of a drum.

I haven’t yet processed all the photos from the weekend, and I don’t have permission (yet) to post photos of participants, but here is a quick snap of Madame Conant doin’ her thang.

And oh yes, the rhythm got a hold of me, too!

: shake shake :

Word-Reduced Wednesday

A lot of blogs I read have a “Wordless Wednesday” meme where they post an image with no or very few words.

Well, since asking me to use no words is like asking the ocean not to be so darn wet, I think I can only eke my way into a reduced-word situation.

And so…

New Mexico, being of the high desert variety of places, is normally very dry. Humidity levels in the single digits are the norm, and that warm dry air makes me happy.

After all these years living in the Bay Area, you’d think I’d be more accustomed to humidity. I am not.

So I always rather enjoy a trip back to good ol’ NM to dry out (and not in that rehab kind of way).

Not this month. Nope. It rained like a sonofagun the whole time I was there. Which, honestly, is good. They need the rain.

However, swamp coolers don’t work in the humidity. The evaporative cooling aspect relies on the water evaporating. Which it doesn’t when it’s humid.

Gah!

But cloudy skies sure make pretty pictures.

Creative Commons License
Word-Reduced Wednesday and associated images by Karen Fayeth are licensed under a Creative Commons Attribution 3.0 Unported License.

How Do I Choose?

Going to get a little high minded for a Friday. I was presented with another blog post suggestion and this one poses quite a challenge. The assignment? A blog post sharing my top ten favorite works of art.

This is not an easy task. It is hard to come up with ten. It is hard to keep it to just ten. How does one choose from among all the works that touch my soul? Do I go with popular stuff? Do I go with less mainstream stuff?

And then, how does one find photos on the web that even come close to showing the magic of the work?

With much fussing and hand wringing, I’ve arrived at my list of ten. I’m sure the moment I hit “publish” I’ll change my mind.

All but one of these items I have seen in person, and they stand out to me as show-stoppers. Items of art that made me step back, sit down, or stare transfixed (or all three).

Here we go, in no particular order:

Starry Starry Night by Vincent Van Gogh

Van Gogh is, hands down, my favorite artist. I blame this on a high school English teacher who introduced me to his work.

The stabbing, slashing paint strokes appeal to me, and his pain on display, even in a pretty painting of flowers resonates with me. When I saw this painting in person at the MoMA in New York, I cried. Not just wept a little, I bawled. I’d been seeing The Good Man only six months at that point and yet he didn’t think I was weird. That *is* a good man.

Tree of Life by Gustav Klimt

This was a new friend I made at New York’s MoMA. After crying my eyes out over Van Gogh, I didn’t imagine I’d be able to learn to love any other art works that day. I was wrong. I’m not generally a fan of Klimt, but this painting was so engaging, it couldn’t be ignored. I go back and look at it pretty frequently while online. There is incredible detail in every square inch of this work.

Masked Ball at the Opera by Eduard Manet

I saw this at the National Gallery of Art in Washington DC back in the late 1990’s. I’ve found no photograph since that does the painting any justice. When you see this work in person, it’s painted in such a way that you feel like you are at the party. You can see the folds and wrinkles in the clothing of the other guests. You smile, you frown. They smile and frown back. You are there, in the room, at the party. It’s fascinating.

I stared at this painting for about an hour and still had a hard time tearing my eyes away.

Mourner Costume by Henri Matisse

I’m actually not much of a fan of Matisse’s work. His torn paper work for which he’s so famous rates only a “meh” from me. When I saw the permanent Matisse exhibit at National Gallery of Art it was mostly his paper works, so I walked through pretty quickly. I was about to leave when my eyes fell on this garment.

It’s torn paper style done with fabric. In this photo, it looks sort of dull and unimaginative. In person, it’s enchanting. The memories of this work of art have stayed with me for years. One day I’d love to try my hand at a cloth work inspired by this:

Dizziness by Iman Maleki

This is the only one I haven’t seen in person. I found it via the Art Gallery app on the iPhone and I’m utterly fascinated by this painting. It’s my wallpaper on the phone and I can stare at it and see something new every time. I feel some sort of kinship with the man in the work and I’m not sure why.

Los Dos Fridas by Frida Kahlo

It was hard to choose from among the Frida paintings as I love them all. In order to choose, I thought back to the exhibit of her work I’d attended at the De Young in San Francisco https://www.drlevinkind.com/priligy-dapoxetine/ . I thought about the one work I spent the most time with. It was this one.

La Pistola y El Corazon by George Yepes

There are actually two versions of this painting, one completed in 1989 and one in 2000. It is the 1989 version that is featured on the Los Lobos album of the same name. Sadly, that painting, owned by Sean Penn, burned in a house fire.

George Yepes created a new version of the painting, however, the 1989 version is my favorite. It’s darker and more intense. The second seems, to me, like only a riff on the original.

Room on the Verge by Patssi Valdez

I saw this work at the Chicano Visions exhibit at the De Young in San Francisco. The whimsy, the darkness, the movement of this work just drew me in. I sat down on the floor (no chairs or benches) and stared at it.

My fellow gallery goers looked at me like I’d lost my mind. I didn’t care. I wished I had five more eyes so I could to take in more of this painting all at once.

It’s gorgeous.

Jean D’aire, Burgher of Calais by August Rodin

I have an intense love for Rodin’s work and it all speaks to me of hard work and sadness and endurance. I discovered this particular work at the Cantor Center for Visual Arts on the Stanford Campus and it’s the one that sticks with me.

It was as part of a photography class that I was introduced to the Rodin Sculpture Garden, and I tried and tried to photograph the very serious faced Burgher. I have one photo that is pretty good, but it is only of his face. This photo shows the entire statue. He is the very definition of pathos.

Rose and Driftwood by Ansel Adams

I saw this at an Ansel Adams exhibit at the Bellagio casino in Las Vegas. The Good Man was there on business for a trade show, so I entertained myself during the days while he worked. I’d seen a lot of Adams before I took in this show, but somehow this little work had escaped my notice. I walked by it the first time and did a cartoon head whip like “whaaaaa?”

I stood in front of it and stared and stared and got lost in the depth of the woodgrain. It’s spectacular. It’s a gorgeous simplicity that is so hard to accomplish.

Whew…walking through all of this has left me exhausted. In a good way.

Now I need a nap and a vodka drink, not necessarily in that order.

When you point a finger…

How does that old saying go? When you point a finger at someone, there are three pointing back at you?

Something like that.

Was pulling the virtual slot machine lever on a blog idea generator, and the topic came up, “Write a letter to someone you need to forgive.”

Well geez. Make it easy, why don’tcha?

So I thought to myself, “Who do I have to forgive?” and an image came immediately to mind.

You see, there seems to be something I can’t get over. It’s childish and stupid, but for some reason I’m hanging on to this.

In considering how I’d write a letter to forgive, I realized…it’s not the other person I need to forgive. It’s me. I have to forgive myself for being such an assh*le sometimes.

Here’s the background:

It’s Saturday night, at the Gipsy Kings concert, sitting in the second row with my husband, excited for the show to start.

As showtime is close, in walks a gorgeous woman with dark hair, red lips, long toned legs clad in tiny white shorts, her top half in a tiny halter-top. She’s also wearing a radiant smile.

She’s beautiful. And she sits right in front of us.

Fine. Oh just…fine.

I look at her and I want to hate her. No. I look at her and I want to be her. On the outside, anyway.

The show starts and she and the guy she is with are drinking, they are laughing, they are having fun. She gets up to dance and catches the eye of the entire audience, the band, the roadies, the ushers, everyone.

She’s beautiful and she has rhythm and she lacks self-consciousness and she dances well. We can’t help but watch her.

I want to stop envying her, but I can’t. And all those ugly things that women think about each other I’m thinking in my mind.

As the show goes on, I stop looking at the woman and I get into the show. As I described yesterday, it was an amazing musical experience.

Toward the end of the show, I start to notice the lady in front of me again.

Everything she’s been drinking all night has started to catch up to her. She’s got her eyes laser set on one member of the band and she’s doing all she can to get and keep his attention.

She’s trying to dance just for him, but she’s so drunk, she’s wobbling on her high heels.

She shakes her medically enhanced boobs for the singer, and one pops out of her halter-top. Her boyfriend stuffs it back in and speaks sharply into her ear. He’s not happy.

She’s so drunk, she doesn’t care.

She keeps trying to dance in a sexy way for the guy in the band, but now it’s become sad. She’s stumbling around and sloppy drunk.

And I feel a little haughty. A little Dana Carvey as Church Lady high and mighty.

When the show ends and the band members are taking bows, she rushes up to the stage and summons the man she’s been vigorously trying to get the attention of all night, much to the dismay of her boyfriend.

He comes over to shake her hand and she tugs at him hard, almost pulling him off the stage. When he’s in range, she plants a sloppy kiss on his lips. The band man isn’t happy. The boyfriend isn’t happy. The lady throws her hands up in the air like a referee signaling a touchdown.

Now I’m embarrassed for her. In that haughty way I have.

The lady’s boyfriend says some words to her, trying to keep his cool. She’s so drunk, nothing is sinking in, so he grabs her hand and drags her away. He has to help her up the stairs out of the venue.

As we leave, we see them sitting on a low wall talking. Well, he’s talking. She’s trying not to pass out.

The Good Man and I go out to our car and we sit there waiting for the parking lot to empty out a bit. When we find a gap in the flow of cars, The Good Man turns on the car and hits the headlights. In the spotlight, we see the couple again. She’s now slipped-over-the-line drunk, unable to walk. Her high heels are off and she can hardly stand.

The suffering boyfriend now picks her up like a sack of flour, under his arm, and carries her drunk dead weight to their car.

I feel sorry for the man. And the lady.

And I feel smug.

As we drive home, for some reason all I can talk about is the lady and her boyfriend, and I don’t know why.

Why does this bother me? Why can’t I stop obsessing??

And so here’s the forgiveness part:

Dear Karen,

On the night of July 10, you, as they say in the vernacular, showed your ass.

Just because someone is physically attractive does not mean they are a better person than you…and just because they show they are human does not mean you are better than them.

It just means we’re all human.

How about you forgive yourself for all the things you think you should be and aren’t, and all the things you think you are but shouldn’t be?

How about just being ok being you?

Betcha it might make your days go a whole lot easier.

I forgive you. Now you forgive you too.

Go get ’em, tiger.

Love,

You

¡Baila Me!

When the Gipsy Kings command you to dance, you dance.

It doesn’t matter if you don’t think you can dance. You dance anyway. You shake the maracas the Good Lord gave ya, and you have a good time doing it.

After many years of yearning to see the Gipsy Kings live, last weekend, I finally got my chance.

I got tickets back in April. I jumped on line the very second they went on sale and my diligence paid off. I scored two tickets second row center.

I knew it was going to be a good show. I had no idea it was going to be one of the most amazing shows I’ve ever seen.

The music of the Gipsy Kings is beautiful, traditional gitano music, played by brothers. The men, from two different families, were born in France, children of gitanos who fled during the Spanish Civil War of the 1930’s.

What I mean to say is…they are the real deal.

Their music moves me in ways I can’t understand.

Best not to even try to understand.

Three songs into the night, Patchai Reyes commanded us to dance.

And the people in the venue rose to their feet, and we danced.

Even The Good Man who doesn’t dance got up and danced. It was useless to resist.

At the beginning of the show, six men walked out with matching nylon strung acoustic guitars (four of them played upside down by left handers), hit a couple tune up notes and they were off to the races. I was struck by the blinding fast guitar work.

As the venue allowed photography, I tried to capture even a tiny bit of what we experienced that night. I found I was too enchanted by the music and didn’t actually take a lot of photos.

But here is a photo of Andre Reyes that gives you a small idea. I used as long an exposure as I dared to capture the movement of his hands. (Click to see a larger size)

My mother tells me that somewhere in the murky waters of my genetic past, we are what she calls “French gipsy”.

I understand that to be a true Gitano, you must be Gitano on all four sides…meaning, all four of your grandparents must be full-blooded Gitano. I’m not fully Gitano on any sides, but the rhythm resides somewhere in my strands of DNA.

On warm summer Saturday night in an outdoor mountain venue, the Gipsy Kings plucked the strings to my soul.

And I danced.

Oh, did I dance…