The Tool is Not The Art

Sitting in my inbox is an invitation to join a professional association. For the tidy sum of 130 Euros (about $188 USD) I get membership, subscription to a magazine, access to networking, and as a special gift, I get a Moleskine notebook.

The ad copy reads “synonymous with quality, travel, imagination and personal identity, this notebook is a perfect companion – wherever you find inspiration or a new idea.

Even the webpage for Moleskine refers to their product as “legendary notebooks,” noting that Hemingway, Van Gogh and Matisse all used Moleskines for their creative endeavors.

I think it’s generally agreed that the Moleskine notebook is the gold standard for artists and intellectuals and such…

Right?

So why do I have *such* a mental block about using these particular notebooks? I mean, I use a LOT of different notebooks in the course of my day, but something about the Moleskine brand itself makes me want to rebel and shout and say “No, no, no! YOU CAN’T MAKE ME!”

I want to buy a dollar store composition book and write the greatest tome that ever existed. I wish to make my 9×6 Mead college ruled notebook the new, best standard! Hell, I can create wonderful poetry on torn piece of brown paper bag!

YOU CAN’T MAKE ME CONFORM! I CAN CREATE ON MY OWN TERMS!

Ahem.

I guess I bristle at the marketing-driven hipster idea that 1) you aren’t a real artist unless you use a Moleskine and 2) by having a Moleskine, that makes automatically makes you an artist.

Plus, they are freaking expensive. A 5×8, 240 page Moleskine is almost $10 on Amazon. And you can’t even angstily tear out a page because of the way its bound, the whole thing gets all jacked up if you rip a page out.

A Mead 5-Star 9×6 college ruled notebook with 180 pages is about $6.00 from Staples. Less if you pick up a bunch on sale. Rip pages out to your heart’s content.

Much more starving artist credibility, if you ask me.

I know, I know. The answer to all of this is, “Then don’t use Moleskines, Crazy Ass (<- my original Indian name)" Ok, by this point are you wondering just what's the point of this blog post? Yeah, me too. I guess the fight went out of me after I typed all those capitalized letters. Oh no wait, no, I got it: The artist makes the tools work. The tools don't make the artist work. If ya wanna use a Moleskine, use a Moleskine. You still have to put pen to paper and make it art.





I love how four years of writing this blog really starts to show the themes that run inside of me. While choosing tags for this post, I was surprised to find that “office supplies” has already been used as a tag. Call me (not) unpredictable…..


I Need Some Cheek Salve

Yeah, so I’ve talked a lot here on the blog about my job and working with folks around the globe. I am having a lot of fun and getting pretty gosh darn smart about the different cultures in the regions where I’m working.

But there’s one thing I’m having a LOT of trouble with.

It’s the kiss-cheek greeting thing.

The Euro folks seem to favor this method, and it’s not one cheek, but both. Shake hands, smooch one side, smooch the other side.

Suddenly, I become VERY rigid when I see these supplier reps coming in for a landing on my face. Gah!

Just this week, we had a VERY large meeting where there were, I kid you not, eight people who flew in from London for a meeting. I greeted them in the lobby and had to kiss-kiss all eight of these sumnabitches.

I don’t even know all of them. Hell, I don’t even LIKE most the ones I do know.

But they all stood in line to smooch-smooch me.

Then…when the two hour meeting was over, it was time to leave, and they all lined up to smooch-smooch me on the way out.

I felt a little…mauled…by the time the day was through.

Might I add that I was the only girl in the room of eight external people and five coworkers. There was no kissy-kissy between the guys. No, I got the brunt of the moist greetings.

Damnit! I’m an American! We like a little bit of space in our greetings! Also, I’m no good at the kiss-kiss. I never know where to land the thing. Do just sort of kiss the air? Or do I actually place it? And what if, horror of horrors, I miss and land it wrong?

I did accidentally bump noses with one of the dudes. Is that bad form?

All that aside, it just seems…wrong…to get to get that intimate with a freaking supplier. They aren’t my friends! They aren’t in my confidence! THEY ARE SUPPLIERS and therefore need to be treated at arm’s length to be sure they remember their boundaries.

Then again, maybe this is all a negotiation tactic to throw me off my game. Ooh, if I think about it that way, this kissy-kissy crap seems diabolical.

Mostly it just makes me uncomfortable.



Theme Song

Back in the day, I used to watch that show Ally McBeal. You know, the one about the skinny neurotic lawyer? The reason I got to thinking about that show lately has to do with my job.

I’ve been in the middle of frying pan and also the fire here at work. There is a LOT going on; notably a project that fell off the rails and I’ve had to step in to clean it up. Always fun cleaning up someone else’s mess….

Anyhoo.

What I used to dig about that show were scenes that showed the John Cage character, played by Peter MacNicol, standing in his office or the restroom trying to summon up his theme song. This was usually before a big case or a meeting where he needed courage. Or a date. The theme song changed depending on the situation.

Yesterday I stood in front of the mirror in the bathroom trying to summon up such courage. I’d been running late to the meeting, then the conference room my boss booked was too small, so I hoofed chairs from every other conference room so all the execs could have a place for their tushy.

Before we got started, I took a break to the ladies room to quite literally wipe the sweat off my brow, take a breath, and get my game face on. I knew I was going to be the only person from my company who would be a bit fierce with our under performing supplier. My boss told me straight up he is non-confrontational, and so in these cases, I have to do it. Which is fine by me, it just takes a certain frame of mind.

I needed a theme song to summon the courage, but seems the music half of my brain was failing me.

So this morning in a quieter frame of mind, I got to thinking…what is my own personal theme song?

For those times where I got to go in agro, usually the song I pull up is “Headstrong” by Trapt. The hard baseline helps, and shouting the lyrics aloud in the car on the way to a meeting is quite liberating.

They go something like “backoff I’ll take you on/headstrong to take on anyone/I know that you are wrong/and this is not where you belong.”

Yeah. Then I go in all “rawr!” and ready to take on the world.

On the days when I’m feeling like there is a black cloud hanging over my head (more days than I’d care to admit) my theme song tends to flow toward Stormy Monday by T-Bone Walker.

“They call it stormy Monday, but Tuesday’s just as bad/Wednesday’s worse, and Thursday’s also sad”

God I love that song, especially the John Lee Hooker version.

Back in the day when I used to have a really, really terrible boss (about five years back) and every day was a grind just to survive his insanity, I used to sing the lyrics to Fighter by Christina Aguilera (who I don’t usually like, but that song worked for me.) It was good to turn my adversity into gratitude.

“Made me learn a little bit faster/Made my skin a little bit thicker/Makes me that much smarter/So thanks for making me a fighter”

Then of course, during those good times when I’m thinking about The Good Man, it’s all about Johnny Rodriguez.

” ‘Cause your love put a song, put a song, put a song, in my heart/Never have I heard this beautiful music before”

Just puts a smile on my face thinking about it.

But for now, no time to be squishy. I’m at work. Back to Trapt.

“Backoff, I’ll take you on!”

Do you have a go-to theme song?





Image found at deviantART.com


I Got To Thinking Today

My dad was an engineer by trade, and had a life long interest in the power of nuclear energy. He worked at Sandia Labs during the Cold War, and was quite familiar with the devastation that could be wrought in the path of nuclear power. He was also well aware of the power that could be harnessed from one small nuclear reaction.

As the Cold War ended and Sandia turned away from creating weapons, much of their immense talent base was put toward finding alternate sources of energy. My dad had a chance to study wind, solar, and yes, nuclear energy.

He used to rant endlessly about how he felt people were missing the boat on the use of nuclear power to create clean energy with, generally speaking, less damaging effects. He was a huge advocate for nuclear energy as a sustainable resource.

As a kid, I often thought my dad was a wackadoodle for these relentless, passionate lectures on this topic (and others).

It’s funny how time really does make fools of us all. Now that I’m pretty close to the age my dad was when we was raising me, I find that what was once wackadoodleism becomes, “hey, he might have actually had a point.”

Earlier today, I was going through the videos, photos and new coverage of the truly horrifying aftermath of the earthquake and Tsunami in Japan. I got to thinking about my old man when I saw this quote from a Japanese spokesman for the government:

“The nuclear plants have been shut down but the cooling process for the reactor is not going as planned.”

I thought to myself, “If they are able to keep that reactor from melting down, that is a huge boost to the argument that my pops made for decades.”

However, if that reactor does melt down, then all the anti-nuclear energy people will have a strong case study on their side.

I’m not sure which side of the nuclear energy debate I come down on. Honestly, I can argue both sides, and it’s a very sticky topic.

One thing I will say is that the existing nuclear plants in the U.S. are of such old technology that it’s truly frightening. The anti-nuclear power lobbies won’t allow these existing facilities to be upgraded. They want them closed, not improved.

So they stay open and get older and more outdated by the year.

And thus, the standoff rages on. That’s where my pops would start snorting, and steam would begin rolling out of his ears.

All of this is some scary news. I think that if Japan can contain and control their nuclear plants in the face of one of the worst natural disasters of recent history, then it highly recommends at least considering the latest available technology for maintaining nuclear facilities.

Maybe we don’t build any more, but we fix what we’ve got?

Oh, and while I was thinking about all of this, even discussing it with my mom via email, I glanced at the calendar.

My dad passed away six years ago last month. Perhaps worrying about the nuclear energy facilities in the midst of tragedy in Japan is an odd way to honor He Who Brought Me Forth. I suspect for him, it would do just fine.




Image is 1954 era Union Carbide ad, found several places on the web.


Why So Picky?

Each day I drive to my job, located on the main campus of my very large employer. There are a lot of us folks who all gotta make our way into the many buildings that constitute HQ.

To that end, there is a huge parking garage out front for all us minions to pack our chosen vehicle into an allotted space. On any given day, that garage fills to capacity with our minion-mobiles.

Within that garage resides what I’ll call the Awkward Space.

Awkward Space is on the first floor, adjacent to the entry to the garage, right by the exit door. Meaning the location of Awkward Space is pretty good.

Despite the choice location, Awkward Space is also placed just around the first curve in the garage and by a wall. What this means is you gotta make a VERY tight right turn to get into Awkward Space.

The other thing is, Awkward Space is actually a pretty roomy spot. Once in, I have no trouble opening doors on either side of the car.

I guess people either can’t navigate the geometry or their car won’t turn that way, because no one parks there. My ancient Jeep has a smoking hot turning radius, so getting my black beauty into the spot requires hardly any effort. But I’ve also driven The Good Man’s sedan to work and had no trouble navigating the less than stellar turning radius easily into the spot.

If I come in by 8:00, I can usually park in a less awkward and even more well situated spot. But I always keep an eye on Awkward Space. On the days I come in later, I can almost always count on Awkward Space waiting for me with yellow painted arms, ready to embrace my Jeep.

What perplexes me is that people will pass up Awkward Space to drive up to the eighth floor to park rather than try to navigate the turn. It’s really not that hard. But everyone seems to turns up their Mercedes-driving nose at Awkward Space, which makes me love it that much more.

The upside about Awkward Space is that getting into it is much harder than getting back out. For some reason, the geometry works really well in reverse, and that makes Awkward Space a pretty gosh darn Good Space, in my opinion.

I almost feel like I should paint the wall at Awkward Space.

“Parking Reserved for Cars with Decent Turning Radius Only. Bad Drivers not allowed.”





This week’s Theme Thursday is space.