Category: art

Dyin’ or Revivin’?

Last week I received an email by the good folks running the literary competitions at my local county fair. After notifying me that my story won a prize, they invited me to come out to the fair next weekend to read my story aloud on stage as part of their literary event.

Well I was just pleased as punch to say yes. What a wonderful opportunity.

This past Saturday, I had some time on my hands while I sat in a chair waiting for my hair to turn that color that only my hairdresser knows how to make.

I started thinking about this event next weekend and planning. I need to spend some time practicing reading my story aloud. Practice is everything in a public speaking situation.

I wondered if I’d be asked any questions about the story. I thought I should try to think up what I might be asked so I could be ready with good answers.

One of the first questions I thought of was, “what was your inspiration for this story?”

I had to spend some time thinking that through. It’s a story that’s been rambling around in my mind for a while, and I’ve taken several stabs and getting it out, to both greater and lesser success.

Mainly, I was inspired by the fact that upon reading the guidelines for the competition, I noted that there was a “Western” genre available to compete under. This is not something I often see, so that really got my creative juices rolling.

My absolute author-hero is Larry McMurtry. I adore his way with description and dialogue, and his western novels are a cut above.

I have a collection of short stories that McMurtry edited. It’s western stories written only by writers raised in the west.

When I saw that my county fair offered a Western category, I knew there was no doubt that I had to write a western story.

That said, what I wrote isn’t truly a classical western. Technically, the western genre implies a story set in the 1800’s, the so called “Old West.”

If you read any of the literally thousands of short stories that Louis L’Amour wrote, you’ll find within his formula a common theme. The great conflict in his stories is of man against nature which includes cattle grazing the land, the weather and water. In fact, water rights always seem to play a big role in L’Amour’s short stories.

I guess that the western genre has declined so much because these concepts seem hopelessly old fashioned.

But are they?

Until his untimely death last year, my dear friend who farmed cotton and chile on his family’s farm in La Mesa was fighting with the state of New Mexico over water rights. This problem was such a vital aspect of his life that it was mentioned in his eulogy.

Yesterday I watched a televised show where renowned French chef Eric Ripert spoke passionately about the “farm to table” movement, and visited a Virginia farm where the owner was doing something revolutionary.

He was not overgrazing his land.

He spends time calculating how many head of cattle his land can bear and then actively rotates pastures to be sure that his cattle never overgraze. His land flourishes, his cattle are healthy and he’s seen as an innovator.

This is not innovation. Louis L’Amour wrote stories about this very idea over 70 years ago. This concept is also something they taught me in my collegiate FFA organization**. It’s called “being a good steward of the land.”

And so, to bring this back to my point…

I wanted to write a western story because although I keep hearing that the western fiction genre is dying, I’m seeing that the topics driving most true western stories are still essential and vital to today’s world.

And so maybe Westerns aren’t dying. Maybe, much like the land, if tended to and nourished, the genre can continue to flourish with a modern sensibility.

Writing a western story set in modern times that won an award at my local county fair is so deeply satisfying to me. It’s my affirmation that the Western genre is alive and well inside at least one little girl who was born and raised in the west.

_______________________


Further proof: The Western genre gets back in the saddle





**”I believe in the future of farming…”


Craft Catatonia

Hoo boy….I am beat down to a nub. I have been arts and crafting my ass off in preparation for the upcoming local county fair.

While the term “county fair” may imply something small and hick-ish, my local fair is anything but. It’s a huge event

Back in February, I visited with my godkids in Las Cruces, and they were all fired up about their own county fair coming up in September.

My niños are all about 4H and have decided to raise pigs this year to show at the fair. Their excitement was contagious, so I came back to Northern California fired up and ready to participate in my own fair.

In fact, I was so excited that when the guidebook arrived, I decided to sign up for four events. Four. Which means I’m either stupid or sadistic. I, uh, have a full time job.

Since the fair kicks off June 11, my four entries are due, oh, NOW.

The events I’m doing are: short story, photography, visual art, and baking.

Yes. I said baking.

The short story had to be turned in over a month ago so the judges had plenty of time to read and evaluate the stories. Last week I got the smoking hot news that my story won my genre category, which was Western.

Whoo hoo! The fair hasn’t even started and I’m liking this already!

The story will be published in an anthology of stories put out by the Fair and sold to benefit charity.

Pretty damn excited, I can tell you that!

The photography entry has gone fairly well, too. I knew which photo I wanted to use and it was a matter of getting a good print made (harder than it sounds) and then cutting the mat and framing the piece. I got that done mid-last week. Boom!

The visual art piece is a Dia de los Muertos inspired craft. Oh, how this work has vexed me. I had a *very* ambitious idea and have spent the last couple months constructing tons and tons of tiny details and figures and touches. The work, just finished this morning, doesn’t include all of the aspects I’d hoped to accomplish, but I have to say, I’m very proud. This project really pushed the bounds of my abilities as both crafter and storyteller.

Yesterday evening I slumped back in my chair, catatonic. I had nothing left. I had glue and paint all over my hands, sweat on my brow and an ache in my lower back that defies superlatives.

But yet I was still compelled to keep going and finish this piece on deadline, for no other reason than the pure satisfaction of having completed something so very boundary testing.

I did it. I DID it. I’ll be damned…I actually did it. Whoa.

Today I’ll turn in the framed photo and the art work and then I’ll do a little “I made it by the deadline” dance.

Then I’ll collapse.

But wait, there’s more! The deadline for the fourth event comes up next week. I entered the “ethnic desserts” category and I’ll be whipping up a batch of Biscochitos.

New Mexico! Representin’!

And then I will eat my fill of anise seed treats, slip into a sugar coma, and sleep for a very long time…or at least until The Muse taps me on the psyche again.





Good Morning, Sunshine

This morning I came wheeling into work with a Very Dark cloud over my head. My boss, who I rather admire, did an unmitigated jerky thing* yesterday (as bosses are wont to do), and after a mostly sleepless night last night, I was still fuming as I drove into work.

I wheeled my way into the parking garage and into my usual spot when I noticed what, on first glance, appeared to be a pile of trash.

Upon climbing down out my decade old hoopty, I looked again at the pile of trash and tilted my head like a curious dog.

Hmm.

There was something not so trashy about the trash. I was compelled to look again at the tableau, a still life in paper, cellophane and aluminum.

The light was perfect, the scene so serene.

So I had to take a photo. Several actually, as it was tough to capture just the right mood.



An empty pack of Camels, a Swisher Sweets wrapper and an empty can of Welch’s Mango Passion fruit juice.

There was something of a discord between this scene and the shiny new Acura parked in the next spot. I suspect this art installation didn’t come from the Acura but arrived somewhere in the small hours of the night.

In my ongoing self study of “where do ideas come from?” I found this particular bit of business to be a fine lesson. Ideas come from being awake to the world around. Ideas come from seeing things with a different eye. Ideas arrive when you look at a pile of discarded items and see something that you just *have* to look at a little harder.

When I saw this bit of trash:

The artist in me had to stop to take a second look.

The photographer in me had to take a photo.

The writer in me is still working out my version of the back story that created this shrine in a parking garage.

The ability to get fired up by the mundane…that’s where ideas come from.



*The jerky thing was not directed at me personally, but it impacts my team in a negative way, and that make Hulk Maaaaaad. Today he and I talked it out and have arrived at a workable solution, so all is well again in Working Land.


Photo taken by Karen Fayeth using the Camera+ app and subject to the Creative Commons License in the far right column of this page.


iPhone Telephoto Lens – Another Unsolicited Review

Yesterday I chatted about the faboo macro/wide glass lens kit I purchased from the good people at Photojojo.

While I sort of dig that little macro lens, I’m absolutely stunningly in love with the item I want to talk about today.

It’s an 8x telephoto lens for the iPhone.

If being able to get clear close up shots on the iPhone is a pet peeve of mine, then the lack of a real zoom puts me right over the edge.

The iPhone camera purports to have a zoom feature, but it’s really just a crop and zoom on the image, not an actual lens feature. So when the zoom is used on the iPhone camera, what you get is a crappy, noisy photo. This makes me cranky.

When I saw a random Tweet about this telephoto lens for the iPhone, I knew I had to have it.

It’s an 8x fixed length zoom. When using the lens you get 8x and that’s it. The lens comes with a focus ring, but that’s about it as far as bells and whistles are concerned.

Here’s the box the whole kit arrives in. Clearly they are striving for that Apple look and feel:




Here’s the kit that comes in the box. You get the lens, a case that the lens screws into for a perfect mounting and fit, a spring loaded tripod mounting device, and a small tripod (you’ll need the tripod, it’s really hard to hold this thing still as the lens throws off the balance):




Here’s a closer shot of the lens itself. Those cute little focal length numbers on there are just for show and not useful in any way.




And here’s a view of the lens itself. Pretty sweet:




Here’s a good shot of how the kit looks when it is all put together. I was having trouble getting a decent photo to show the whole assembled kit, so I found one from a review on the ePHOTOzine site:



Photo credit: ePHOTOzine


This isn’t a high end lens for high end photographers, but it’s sure a heck of a lot of fun. I really get a kick out of playing around just to see what I can get. I really think that the realm of iPhoneography is growing fast. I’ve seen some amazing work already. Crazy how fast that phone in your pocket became more than just a phone.

Here are some sample shots I took a few weeks ago. These shots were taken from the balcony of a seventh floor room at the Fairmont Hotel in San Francisco. I love the depth of field I was able to achieve using this fun little plastic lens. There is no way the iPhone itself would have taken these kind of photos.

The first two I took using the Hipstamatic app. The third I used the Camera+ app to take the photos.










So upside of this little toy lens…it’s fun, it works as described, and at $35 from the Photojojo store, it doesn’t break the bank.

The downside, on some photos you can see the edges of the lens in the photo, but I was able to either crop or Photoshop that out in most cases (in the third sample photo above, I used the clone and stamp tool to remove, easy peasy).

Like the iPhone camera alone, the lens needs lots of light to help it along.

The kit can be a little cumbersome to assemble, as the case I normally have on the phone has to come off to accommodate the case that the lens threads into. That case isn’t really an everyday case, so that swapping around that can be kind of bothersome.

This lens won’t replace the zoom feature on any point and shoot with an 8x optical zoom, but it’s not supposed to. This little fun plastic lens is meant to be another tool to explore the bounds of the iPhone camera to see what you can create.

And for me, I’m rather head over heels in love with this little ingenious telephoto lens.




The first lens I bought arrived with some pieces of black plastic rolling around inside. I contacted Photojojo and they apologized profusely and sent a new one to me immediately. The didn’t require me to send back the old one either. Excellent customer service!


The good people at Photojojo simply impressed me so much with their products and customer service that I chose to write this review. They didn’t ask me to or pay me for my opinions. Just passing along a good thing.


Except as noted, all photos by Karen Fayeth and subject to the Creative Commons license in the right hand column of this page.


New Lenses – An Unsolicited Review

In the magical world of Twitter, after seeing a couple interesting retweets, I came across a site called Life in LoFi: iPhoneography.

Life in LoFi is a site dedicated to the emerging art of photography taken solely with the iPhone camera (or iPad or iPod). Lately I have been really into shooting with my iPhone, so I was happy to stumble across these good folks.

The Life in LoFi people are worth a follow if you are into iPhoneography. I’ve made good use of their tweets about photography apps that are either on sale or free. In the past two months I have picked up scores of new apps that I’d never have found on my own, and most of them were heavily discounted or free. There’s some amazing and powerful photography apps out there these days.

And then one day, the Life in LoFi people turned me on to a site called Photojojo. I’m probably massively behind the times in this discovery, but so be it.

Photojojo is dedicated to tips and tricks, and some of the best and most intriguing products for digital photography. Well, this site is right up my alley.

I sashayed over to the Photojojo online store and explored their offerings. My first purchase was a really fantastically cool item that I hope to review tomorrow. I had a little mechanical glitch with the product on that first order, and the Photojojo took care of me so well (customer service that goes above and beyond, truly) that I chose to go back to the online store to buy more product to support such a wonderful store.

Finally we get to the meaty part of this post. One of the items I bought from the Photojojo team was a real, honest to goodness glass lens for my iPhone. It’s a combo macro and wide angle lens.

Here’s what the kit looks like out of the box:





The macro lens is the smaller piece and is used alone. The two lens pieces screw together to become one solid lens for the wide angle shots.





Here’s the tricky part…this lens attaches to the iPhone by way of magnets. See that metal circle to the right in the below photo (center in above photo)? That has reusable stickum on it. You stick that ring around the iPhone camera lens (if you have a case on your phone, that has to come off). Then the lens sticks with a strong magnet to the metal ring.

I’ll be honest…it’s not a very elegant solution. It works, but it’s less than perfect.





Here are some photo examples to get a good idea of what the lenses can do.

This is a normal photo taken with the QuickPix app with no lens other than the one built into the phone.





This is the same photo at the same distance with the wide angle lens attached. It has a bit of a fisheye look to it, and you can see the sides of the lens in the corners, but that’s fairly easily cropped off. I did no touchup other than shrinking the size and a little boost on light balance in iPhoto.





Same photo with the macro lens. I got as close as I could and while keeping the object in focus.




The macro photo is not bad. It’s WAY better than anything the iPhone camera can do on its own. For example, I didn’t know my keyboard key had scratches in it until I took this photo. I’d never have captured that with the regular iPhone camera.

All of these photos are a bit noisy as 1) the iPhone camera just comes with a lot of noise and 2) I was not in the best lighting situation for these photos. I find with the iPhone camera, light is everything in order to make a decent photo.

One of my biggest complaints about the iPhone camera is the inability to get close up shots that are in focus. This little stick on lens really fits the macro bill. I’m not completely in love with the form factor of the sticky ring and magnet, but I’m able to make it work. I’ve played around with it some and find that overall, I’m quite happy.

This real glass wide/macro lens cost me the meager sum of $20 plus shipping from the Photojojo store. A bargain, in my opinion.

Tomorrow, I’ll review my other purchase from Photojojo. It’s another lens, but while the macro/wide angle lens simply makes happy, the lens I’ll chat about tomorrow knocks my socks off.

Stay tuned photo friends! I’m whipping out my book of superlatives!




The good people at Photojojo simply impressed me so much with their products and customer service that I chose to write this review. They didn’t ask me to or pay me for my opinions. Just passing along a good thing.


All photos by Karen Fayeth, taken with the QuickPix app, and subject to the Creative Commons license found in the far right column.