writer’s block – Page 6 – Oh Fair New Mexico

Ray Bradbury, 1920-2012

Posted on June 6, 2012June 6, 2012
by Karen Fayeth
2 Comments

The news this morning felt heavy on my heart. Via Twitter, I learned that author Ray Bradbury had passed away at the age of 91.

91 very productive years is one hell of a good life.

Even though I never met Mr. Bradbury in person (The Good Man did) I consider him to be an essential part of my own writing life.

Fifteen years ago I took my first few fitful steps into writing a full length novel. It was an effort that far transcended any type of writing or story crafting I’d ever done. I was tortured by demons, a flighty muse and painful, quavering self doubt. About halfway through the work, just attempting to put words on a page became massively frustrating.

Looking for inspiration, I went to my local library to see what was what. While prowling the aisles, my eyes traveled across a book title, “Zen in the Art of Writing.”

I read Mr. Bradbury’s essays on the art and magic of writing cover to cover and quite literally cried my eyes out the whole way.

Because his book unlocked something inside of me.

Something that will never be locked away again.

For that, I owe Ray Bradbury a deep debt of gratitude. He saved my (writing) life.

A few favorite quotes:

Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.

**
My stories run up and bite me on the leg – I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off.

**
I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love remake a world.

Ray Bradbury in 1984. Photograph: Sophie Bassouls/Sygma/Corbis

Image from The Guardian and used here under Fair Use.

Everything Old is New Again

Posted on April 2, 2012April 2, 2012
by Karen Fayeth
3 Comments

Take a look at this photo. It’s not my photo. I came across it yesterday and I kind of liked it.

It’s got that color saturation and green tinge that you see in a lot of these new square format apps for the iPhone and Android (my personal favorite is Hipstamatic).

Actually, I like this photo a lot. But I didn’t heart it on Instagram. I didn’t like it on Facebook. I didn’t re-Tweet it either.

Because this photo was found inside a frame and mounted to a wall at the Cantor Arts Center at Stanford University.

This photo is part of their Walker Evans show.

This weekend, my photography group took a field trip to check out the exhibit. Going in, I knew very little about Walker Evans other than he had captured a lot of powerful black and white images from the Depression. I purposefully didn’t study up before my trip because I wanted to learn about the photographer through his photos.

Well. Knock me over. I was really, seriously and deeply educated by the time all was said and done.

First of all, Walker was a writer, and then moved into photography. He did both for most of his life. So take that you scallywags who say an artist should pick a medium and not dabble. Feh! Also, I really came to appreciate Walker’s sense of irony. You have to get up close and look around the frame of his photos to find it, but it’s always in there.

That said, the part of the exhibit that gave me the “holy crap!” moment of connection was at the very end when I saw the photos tucked away on the back wall.

It seems that in his early seventies, Walker Evans was left tired and uninspired and found himself unwilling or perhaps unable to create.

And then he got himself a Polaroid SX-70 camera and an unlimited supply of film.

“I bought that thing as a toy, and I took it as a kind of challenge,” Evans explained. “It was this gadget and I decided that I might be able to do something serious with it. So I got to work to try to prove that. I think I’ve done something with it.”

As I stood there looking at the photos, I was at first jealous. Jealous of that “unlimited supply” of Polaroid film. I am completely devoted to the Polaroid camera and used several different versions growing up and well into adulthood. I shot Polaroid until the film was no longer available.

Thanks to the Impossible Project, it’s still possible to buy Polaroid film, but at almost $24 a pack, that easy carefree snap-whatever-you-feel-like and just buy another pack mentality has to be reined in.

So I stood there feeling jealous about having all that free film on hand.

And then…my hands came up and framed either side of my whaaaat? face as I realized…

I have access to an instant camera and unlimited film. But in a different format. Sames tools, different age.

I have Hipstamatic on my iPhone. And Instagram. And a bunch of other toy camera apps.

All of these beautiful color saturated photos. They can still be made! I can still snap with reckless abandon! Oh dear god I have this gadget and I might actually be able to do something serious with it.

Oh my goodness. Oh. My. Goodness!

This realization left me dazed and confused and happy. So happy.

And inspired.

Top photo, “Untitled, 1974 Unique Polaroid” by Walker Evans and used here under Fair Use.

Quote from The Ongoing Moment by Geoff Dyer.

And The Wheel Goes Round

To get the ol’ creative juices flowing, I’ve been working a little, here and there, on a lesson book of painting techniques. I’m pretty comfortable working with a brush and craft quality acrylics, but now I’m learning methods to create an image from scratch using real big boy paints and brushes.

It’s a big deal!

Today’s lesson was to paint my own color wheel. At first, I thought “Meh. A color wheel? Boring.”

It turned out to be a really interesting and useful exercise, and helped me learn both the paint and my new (fancy) brushes. When my work was done, I fell a little bit in love with my hand crafted color wheel.

And since I can’t seem to separate my High Arts from my Craft Arts, when I was done, I noticed the little bit of imperfection at the center of my wheel. That place where all six colors meet? There was paint overlap and some small white spaces.

So I did what any good crafter does. I hid it with rhinestone. Fabulous!

I must have colors and color theory on the brain. Here’s a photo I snapped earlier today:

6 Writing Tips From John Steinbeck

It would appear there is an internet meme going on lately concerning writing tips from classic authors. So far I have come across 10 Tips on Writing from businessman David Ogilvy and Henry Miller’s 11 Commandments, both very worthy reads.

Yesterday, I came across an article in The Atlantic titled 6 Writing Tips from John Steinbeck.

This is the advice that really resonated with me…which is odd because I have such a love-hate relationship with Steinbeck.

My first foray into Steinbeck was in High School where I was held down against my will and forced to read Grapes of Wrath. I *hated* Grapes of Wrath. Loathed. Jettisoned the book across the room in disgust more than once. I found it over the top, preachy and that alternating narrative about the Joad family interspersed with expository about the Depression and the Dust Bowl was dreary and overworked.

My next read was The Pearl, which I read grudgingly because it was Steinbeck, but I actually enjoyed in spite of myself. Then I read Of Mice and Men which I found to be a cruel, sad book, but the writing was solid. Then, because I liked the movie, I gave the book East of Eden a whirl and found it to be only so-so.

So I’d given Steinbeck a chance, didn’t like his stuff, and from High School on, I read zero Steinbeck. I wasn’t having it, unh-uh, no way.

I was vocal and insane about how much I WOULD NOT read Steinbeck.

Enter my multi-talented and fabulous cousin. Two years ago, he was in town and we went to Monterey to celebrate his birthday. While there, he asked if I’d ever read Cannery Row and I said no. Then I issued my overworked rant about Steinbeck.

He said, “You should give it a try, I think you’d like it.”

Well that was that. If my cousin said try Cannery Row, then by god I had to try it.

I went to the library bookshelf and plucked the slim tome from the pile and gave it a read.

I loved it. Every word, every story, every character so utterly perfect. I really actually truly loved and adored a Steinbeck book. Magic!

So when I stumbled across Steinbeck’s writing tips, I paid attention.

My two favorite books on writing are Ray Bradbuy’s Zen in the Art of Writing, which saved my life during my first real and profound battle with writer’s block, and Stephen King’s On Writing (which my rock star cousin gifted to me, because he’s so right on like that).

The little list of Steinbeck’s advice is pasted below…this now goes in the favorite pile too.

Here it is:

From The Atlantic.

When a Good Idea Pops You Across The Chops

Posted on February 8, 2012February 8, 2012
by Karen Fayeth
6 Comments

“Where do you get your ideas?”

It’s a question I get asked a lot. Sometimes with a shake of the head after reading one of my more out there blog posts. Sometimes with genuine curiousity.

I even talked about it a bit here.

Really, I think coming up with ideas is about being an observer of life. About noticing the little things here and there and then talking/writing/painting/arting about them.

For me, I’ve always thought the world is a fairly absurd place, and I find something to laugh about or think about (or both) every day. Ideas are everywhere. Around every corner. In the sky. On the ground. At the bottom of your cup of coffee. Yet so many still can’t see them or maybe don’t pay attention.

Then sometimes, a good idea pops me so hard across the chops that I don’t know how anyone could be oblivious.

Today, I had to have a minor procedure done at my HMO. The center where I had this done performs a LOT of different minor procedures so there were a lot of us, and my doctor was running late. This meant I had some time on my hands as I sat there in the ready area in my backless gown with a blue shower cap thing on my head.

I was separated from the other patients by only a thin curtain on either side.

I listened as the 88 year old lady in the slot next to me ran down the list of medications she is allergic to (quinine..what an odd thing to be allergic to), explained that her knees hurt all the time and could they prop them up. She was also quite determined to make sure every person attending to her knew it was her left eye that was the problem. She was very concerned over them getting the wrong eye. Very concerned.

There is totally a story there. I mean, I was already starting to craft it in my head as I waited. I wished I had my trusty MacBook so I could start making notes.

Then there was the 67 year old woman on the other side of me. She was there for a colonoscopy. She was clearly nervous, you could hear by her voice. She was very docile and compliant to everything the nurse asked of her, but she struggled a bit to get into her gown (I heard her muttering to herself).

When they came to get her for her procedure, I heard the nurse say, “Ma’am, I’m sorry to tell you this, but you have to take off your underwear.”

pause

Bwahahahaha!

C’mon! You can’t make this up!

But by far the best idea I heard all day was when the doctor came into the space next door (the lady with the eye issues) and said, “Hello Mrs. Sanchez. I’m Dr. Scary. I’ll be working on you today. This is my nurse, her name is Mercy. Are you ready to begin?”

A doctor called Scary and a nurse called Mercy? Tell me that isn’t a fabulous short story just begging to happen.

I was catching ideas with a butterfly net today!
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And for the record, for my procedure, I got to keep my underwear on.

Just sayin’.