Category: melancholy

Tell It Like It Is

Over the weekend, after another rough week at work, The Good Man and I found our way to the big main branch of our city’s library. It was like an awesome haven from the mean old world.

I immediately found my way to the fifth floor where they keep the art books. I needed an infusion of art and creation in my life to erase the financial and business blues of my workweek. I decided I wanted to look at some Frida Kahlo prints. I am a huge fan of Frida.

As I plucked a slim book of her paintings off the shelf, I found another small book hiding behind it. It was a book of letters written by Frida to her friends and family.

I love reading old letters. You learn a lot about who a person was (or is) by reading their handwritten letters.

I had always thought that Frida was so strong, powerful, fierce and uncompromising.

Boy was I wrong. Through her letters, I found her to be very sweet, quite insecure, and almost childlike.

She often would write letters to friends and ask their advice on big life decisions. For example, at one point her husband, Diego Rivera, had a terrible infection in his eye that had spread to the side of his face. She asked a friend, a fellow painter, if he though she should take Diego to New York to see American doctors or stay in Mexico and take the guidance of Mexican doctors.

Now that seems like a pretty big life crisis, something you would want to decide along with your husband and instead she was soliciting, nay begging for, the advice of a friend. She actually did this quite a lot, begged her dear friends to tell her what to do.

I found that so counter to the fierce woman I see through her paintings.

And then, over time, as she got older she did seem to become a lot harder edged. A lot more sarcastic and passive aggressive.

Clearly the philandering ways of her husband and his over bearing need to be controlling had taken a toll on her psyche.

That and years and years of immense pain in her spine, leg, and foot, all massively unresolved injuries from an accident in her teens.

Her physical and mental anguish become so forceful, it drove a little bit of the lightness out of her words. She became more bitter. And so maybe that is the Frida I came to know, the rough around the edges and hard woman who had been hurt too much.

But even then, as I understood how she could come to be that way, I was a bit shocked to read (in the book) a quite long essay that was to accompany an exhibition meant to honor Diego Rivera.

I came across this section and burst out laughing. I mean, wow.

Here, read it and see what you think. She is describing Diego’s physical form from many angles. In this section she refers to his chest:

“Diego’s chest — of it we have to say, that had he landed on an island governed by Sappho, where male invaders were apt to be executed, Diego would never have been in danger. The sensitivity of his marvelous breasts would have insured his welcome, although his masculine virility, specific and strange, would have made him equally desired in the lands of these queens avidly hungering for masculine love.”

Um. Did she just say her husband had moobs? Cuz I think she did.

In another section she describes seeing him naked as looking something like a child frog. Paraphrasing here, she said that his skin takes on a greenish tone and is pale under his clothes and only tan in his face and hands.

Yeah. Green moob guy. Awesome.

This was, I’m sure, taking a bit of her own pound of flesh from him for the years of unkindness. And also a bit of the ol’ anti-bourgeoisie taking the piss out of what might have been a flowery ode to her husband.

I’ll tell you what, that image is sure going to stick with me for a while.

Actually, the whole book will stick with me for a while. The letters so quaint, so childlike and such a deep glimpse into one of my creative heroes. Quite something.

Oh, and she liked to invent words of her own. My favorite was when she would refer to her life or other things that were not working out as expected as fuc-bulous. Oh yes. I can use that. I may have to adopt it myself.

Next up, I have on my bedside table a book of letters by Vincent Van Gogh. He was quite prolific in his letters to his brother, and it is a thick tome. I am both wary and excited to dip in.





Photograph by Martin Munkácsi





Image found here.





A Pirate Looks at Forty-Five

Mother, mother ocean, after all the years I’ve found
My occupational hazard being (that) my occupation’s just not around
I feel like I’ve drowned, gonna head uptown

–“A Pirate Looks at Forty” by Jimmy Buffet

Yeah, I might be taking a few liberties with a very fine Jimmy Buffet song that did not make a lot of sense to me when I was in my twenties and seems rather spot on now.

I find myself sneaking up rather quickly on the milestone age of forty-five. Or rather it’s sneaking up on me. What a milestone, I’m not even sure what it means. There are ages old enough to vote, old enough to drink, and then it all kind of gets muddled after that.

At this point in my life, I’m in a place where I don’t love my birthdays most years. For reasons that aren’t clear to even me, this particular trip around the sun is a little rough on me. Or maybe they are all a little rough on me these days.

And so weirdly (or not so weirdly) enough I have been thinking about that Buffet song dating back to the jolly era of 1975. The song is about a man who laments the fact that he was born too late to be a pirate. Jack Sparrow kind of pirate, not Somalia kind of pirate.

The man in the lyrics looks at his life and wonders what might have been. I have a very rich internal life and while I love my life today, I do often think about the what-ifs.

Yo ho ho, the pirate life isn’t quite the one for me, but I do have laments of being born too late. A hazard of the years going by, I suppose.

I’m not so unlike the main character in “Midnight in Paris” who wishes to live in the era where writers were valued and were paid quite well for their work. Where art wasn’t as much of a business as it is today.

I recently read a biography of Zelda Fitzgerald and grew ever more green with envy over how Scott Fitzgerald could keep them in a very high life simply by writing and publishing a few short stories.

I’m not implying he didn’t work hard at his craft. I’ve read some of his shorter works and of course “The Great Gatsby” and the man could write. But he also had a venue for those stories, popular magazines that were both willing and able to pay.

Oh to live a life where I could install myself in a Parisian pub with a bottle of Spanish red and write my words. Then know I might get many rejections, but when I get that “yes” that it really meant something on a large scale.

I was singing this sort of tune in my head over the weekend and because Fate is one hell of a comedian, I received an acceptance on an essay I had submitted to a very fine online publication. I am quite proud to contribute to this literary magazine, but the timing couldn’t have been more humorous.

One of my coworkers recently had occasion to read one of my published short stories about a scuba diver (if you haven’t read it, I’ll direct you to the right column of this page). She is also a scuba diver and she liked the story very much.

“You are such a talented writer! Why do you do this job?” she asked, and laughed.

“Because that doesn’t pay, and this does,” I said and sighed.

Oh, it could. Maybe one day. With a lot of work and a lot of sweat and a lot of blood and a mountain of rejection letters under my feet.

But as I sidle up to age forty-five, it sometimes feels like my best years have passed.

I once knew a bluesman who could play a muddy, gorgeous telecaster like he was drinking water. He made it look easy. So easy people were always sure they could do it like he did, and when they wondered aloud to him why it was so hard, they would say, “You must have just been born talented.”

He would reply, “Yeah, and at age twelve I picked up a guitar and played it every day until my fingers bled, and then every day since.”

Talent is nothing without hard work. I am more than happy to do the work, and I actually do the work every day. I type my words until my wrist aches and my head hurts. Then I write some more.

There are many days I simply wish I had started writing seriously earlier in my life when energy and time were not an issue. Then again, what did a bubbleheaded girl like me have to write about?

Maybe I had to live a little before I could open a vein and write the words.

Oh well, this is my journey. Not anyone else’s. Forty-five it is and forty-five it must be.

The dread leading up to the day started to wane in the final days. Resignation set in and now I suppose I’m okay. I tried on forty-five and it fit like a shiny new pair of fine leather shoes. A little tight and squeaky at first, but breaking in nicely.





If I’m going to overwork a metaphor, I should probably reuse a photo of a very favorite pair of well broken in boots






Image Copyright © 2010, Karen Fayeth, and subject to the Creative Commons license in the right column of this page.



The Roots of My Raising Run Deep

Part V, and the conclusion of a five part series.

It was a short plane ride, take off, cruising altitude for something like a minute, then get ready for final descent into Las Vegas.

Las Vegas. My kind of town. Vegas and I go way back. Now you know my not so secret secret, I wasn’t actually born in New Mexico, I was born in Las Vegas, Nevada.

My dad was working out at the Nevada Test Site and one thing led to another and…

Growing up some of my friends liked to tease me that my parents took a gamble and lost. Oh! Hey! Good looking crowd. We’re here all night. Tip your waitress.

My folks loved living in Las Vegas, but for various reasons moved back to Albuquerque when I was very small. Really too small to remember much of life in Las Vegas. All I’ve ever known is New Mexico, so I still rightfully call myself a native.

I scrambled off that Southwest Airlines jet, through the jetway, and hit the carpet in McCarran Airport. I walked without hesitation to a bank of slot machines that were unoccupied and pulled up a seat.

My family likes to gamble. A trip to Vegas was my present for my twenty-first birthday. My folks used to get out there at least once, maybe twice a year and we kids often went along. I didn’t grow up in Vegas but I grew up an awful lot on the many casino floors through the course of my life.

The Vegas I know is an old school Vegas, from the 1970’s, and it always feels a little right to be there.

With twenty dollars in the slot machine, I managed to make it play for a little over a half hour. I’d get down to the last dollar then the machine would pay off again. I was on a nice hot streak. Not hot enough to cash out, but hot enough to have some fun.

When that was gone, I picked another machine and chased another twenty dollars around for about fifteen minutes.

When that was gone, I got up from the seat with a sigh. I felt hungry and went in search of something not airport-awful to eat. Over a really disappointing slice of Sbarro’s pizza, I stopped chewing for a minute and smiled.

A thought occurred to me. In that same day, I had been in New Mexico, I was in Las Vegas, and I’d soon be in California. Those are all of the places I have ever lived. Those are all of the places I know.

Those are all of the places I belong.

Kind of cool, really. Kind of a nice way to end my journey. A full circle kind of a thing.

My trip to New Mexico was, all in, pretty good. I was so glad I made the trip, so glad to see my best friend and my goddaughters, so glad to go home and immerse myself in memories (and make new ones too).

My trip to New Mexico was also a little difficult. You see, my dad died in 2005 and he’s buried in the National Cemetery in Santa Fe. There was no way I could live with myself if I was in Santa Fe and didn’t go to the cemetery. And yet I really, really didn’t want to go to the cemetery. It’s not a joyful thing.

The last time I had visited was in 2009 and I was without a job and had lost my mind a little bit. I was scrambling to find a way to get back on my feet. That year I took a trip home to New Mexico to see if going back to my roots could help me find my compass needle.

I had cried a bit when my dad had died, but I was also a little stoic. My mom had asked me to be strong so that she didn’t have to be, and I agreed. I was as strong as I knew how to be back then, and a few years later there may have been some pent up stuff that needed to come out.

In 2009 when I found the stone that marks the place where my dad’s ashes are stored, it was a surreal experience. Gray skies opened up with rain and I stood there with my hand tracing the letters in stone and I cried, I keened, I howled. I scared the grounds crew. I honestly did, I freaked out this nice man taking care of the row of headstones nearby.

I guess back then I had some things I had to work out. On that recent spring day in March 2014, I was afraid that monster was still inside of me. I was terrified I’d find myself keening again at my father’s graveside. When considering going to the cemetery, I balked, I stalled, and finally I borrowed the keys to my friend’s new Suburban and set up Apple maps on my phone and took off on the highway, dreading it all the way.

Apple maps led me on quite a merry chase through the streets of downtown Santa Fe. That is a very old city, built by the Spanish Conquistadors so the roads are narrow and the sidewalks are high to accommodate horse drawn carriages.

With a little bit of axel grease and a shoehorn, I was able to navigate a huge Suburban through the streets, getting more lost by the moment.

Eventually, Siri found her head and I found my way, and there I was again, at the Santa Fe National Cemetery, both ready and not quite ready for what lay ahead.

That cemetery is always a difficult place for me. Rows upon rows of headstones mark all of my fellow New Mexicans who served in the military and who passed on, either in service of their country or later, as my dad had done. It is quite a humbling place for me, and that is even before I get to the place where I have to face my personal sorrow.

I had a bit of a false start, stopping at the wrong row of stones and realizing I was off by a bit. It didn’t take me a long time to find the right row and my father’s stone.

His ashes are in what is called a columbarium and it’s covered with a lovely piece of what I think is marble and secured to the wall with these connectors that look, to me anyway, like conchos.

They are so beautiful and so New Mexico appropriate.




Copyright © 2014 Karen Fayeth


For personal reasons, I will decline to post the entire stone, but I wanted to share a nice photo of that fastener. It stands on its own as a useful reminder.

On this visit I didn’t keen and I didn’t wail, but I sure did cry an awful lot. I put my hands on the now weathered stone and I traced his name and the word “Korea,” the war in which he participated. I felt the cold marble and I noted the sand blasted wear and tear and laughed at the unyielding New Mexico elements that caused the letters to already become faded. It’s only been nine years.

“Well, dad, I guess I’m doing a lot better than I was the last time I was here,” I said aloud. And I was.

Seeing my father’s name carved into stone never fails to break me on some level. After pacing a bit and having a pretty hard cry, I walked up the row and sat on one of the benches. It looks out over the valley and has a gorgeous view.




Copyright © 2014 Karen Fayeth



The mountains at my back and the dried grass and valley in front of me. The New Mexico unrelenting wind dried my tears the moment they slipped from my eyes. I laughed as the wind whipped at my hair. “Goddamn springtime wind,” I said to no one as I sat there alone.

Tumbleweeds of thoughts bounced in my mind. Through tears of sorrow, I smiled, because of that view, that place, that moment.

I had spent the past three days wondering I was even a New Mexican anymore. Sitting there, letting the climate steal my moisture and feeling grounded, I remembered that I always was and will always be.

I can never not be a New Mexican. Just as I can never not be born in Las Vegas. And I can never not be a damn near twenty-year veteran of California.

I am all of that. I am none of that. I am more than that.

I am greater than the sum of all my parts.

My version of New Mexico may not exist anymore but it’s mine. My particular brand of Las Vegas may not exist anymore, but I own it. My California is still telling me its story.

There is a lot left to learn about all of those places and as I gaze forward to the celebration of another revolution around the sun, I humbly admit there is an awful lot yet to learn about me.

What started as a fun trip to see my best friend in the entire world and my gorgeous godkids turned out to be something of a journey. A grounding moment in time that changed me, humbled me, reminded me and helped me grow.

I had no idea that was going to happen. I’m kind of glad I didn’t know. To paraphrase one of my oldest goddaughter’s favorite songs (that dates back to my college years), I might have missed the pain, but I’d have had to miss that dance.

And there is no way I’d ever miss out on a good dance with some of my most favorite people in the world, back home where I belong.





Both photos Copyright © 2014, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app. The fastener photo was further edited in Instagram.




The More Things Change

Part IV in a series.

There are a lot of times during my days, walking through this world, where I have small flashbacks or quick images that come into my brain. Not a hallucination, just a snapshot of a moment or a place or person.

A lot of the time the photostream of my brain shows me something about New Mexico. Some little atom or quark that is a building block of who I am. Meant to ground me, I think.

One image that seems to show up on rotation is being in either Old Town Albuquerque or at the Palace of the Governors in Santa Fe and buying beautiful handmade jewelry from the Native American artisans who display their wares on beautiful blankets.

Heck, in the early days (like the 1970’s) you would also find Native American artisans selling beautiful jewelry at the airport in Albuquerque. This was well before anyone called it a Sunport.

On this trip I made to Santa Fe at the end of last month, one thing I definitely wanted to do was see the Palace of the Governors and visit the row of Native American artisans with hand woven blankets laid out, selling handcrafted jewelry. I can remember being a fairly young kid and negotiating for beautiful pieces of silver, turquoise and coral.

The one moment I remember most was being something like nine or ten and using my allowance money to buy a really pretty green malachite ring set in silver.

I remember that the artisan was dressed in traditional Navajo clothing with her hair wrapped in leather and a huge and gorgeous turquoise bracelet on her arm. She either didn’t speak much English or chose not to. She was quite stoic, I recall, but I had watched my mom buy jewelry so I emulated her way, right down to the speech pattern.

I found the ring, tried it on, and liked it very much. I caught the artisan’s eye, held up the ring and asked, “How much?” I think she said ten dollars. I replied, “Would you take eight?” and she nodded. Thus, I now owned a beautiful handmade silver ring.

I wore it for many, many years.

In fact, I still have it.

This is it:




The ring is so tiny, it barely fits on my pinky finger. As you can see, the stone has a small nick. I really did wear this ring everyday for a long time. I loved it. I still love it.



So on that sunny Spring day on the Plaza a few weeks ago, after stuffing ourselves to the gills at the India Palace buffet, I was ready to walk around and my best friend and her girls were ready to sit.

They found a bench in the bustling center of the Plaza and I walked with purpose to the line of artisans with their creations on blankets.

My heart raced a little because I was excited. I mentally calculated how much cash I had on hand and what budget I would allow. I love beautiful silver and turquoise jewelry.

I had heard a few years back that there was some controversy about people who were not of Native American heritage selling jewelry on the Plaza, so I wasn’t sure what I expected.

I was pleased to see that indeed, the majority of the artisans seemed to be Native American. They wore modern dress, but the look, the speech pattern, the very vibe of the artisans let me know these were my New Mexico Native people, and I was happy.

As I walked down the row, I became less happy.

The quality of the jewelry I saw was not what I had hoped. The beautiful hand crafted chunky silver and turquoise, coral, jade and malachite jewelry had given way to items that were cheap looking, manufactured not handcrafted, meager and not bold and beautiful.

In some cases, I half expected to pick up a piece and see a stamp showing me it was manufactured in another country.

To be honest, not even the blankets seemed to be handmade. The image, the memory, it all looked the same as I crossed the street, but under the adobe and vigas of the Palace, everything really had changed.

On the plus side, I noticed that the artisans were very friendly with all of the tourists, inviting them to pick up pieces and try them on. Asking where they were from and how they liked New Mexico. The stoic artisan seems to be a thing of the past as I’m sure being a bit friendly sells more items. Even as I type that it feels a little like selling out.

So there was a plus and a minus to the experience. I ended up buying a pair of earrings from a vendor across the street on the plaza. They are small inexpensive dragonflies and I hold no illusions that they are genuine Native handcrafted.

I walked away a bit depressed and I remembered that I get a catalog from Southwest Indian Foundation, and they call the style of jewelry that I love “pawn style.”

Pawn style. There were some people that I knew who got really amazing deals on Native American crafted jewelry from the rows and rows of pawn shops in Gallup and other New Mexico towns. I never did that. I shopped a few times, but couldn’t get over the sad feeling in my gut. These pieces of jewelry were given up because someone needed fast money.

As I made a loop around the Santa Fe Plaza, I saw a shop that claimed to have old pawn jewelry, so I went inside.

They weren’t kidding. Inside the huge retail space half of the store was quite literally filled with pawn jewelry. The shop buys dead items (meaning the time has expired and no one was able to come back and claim the pieces) and resells them.

Resells them at a gigantic markup.

I found a case full of earrings and at a quick glance found three pairs that I either own the exact pair or something very, very similar.

Earrings that I know I paid somewhere between fifteen and forty dollars for were now marked anywhere from $125 to over $200.

I felt a little sick to my stomach. On the one hand I thought, “Hell, I should get out all of my old jewelry and sell it!” and of course I knew I’d never part with it. On the other hand my heart broke as progress has to come to all things, even Native American jewelry.

In my personal collection is my mother’s stunning New Mexico Native American handcrafted squash blossom necklace. Would I ever sell this? Hell no.




This is a really profound piece of jewelry. My mother often wore it and she was always beautiful wearing it, too. The turquoise is quite rough and each individual squash blossom is different, to match the stone.


But I wish I could have strolled the Palace of the Governors and seen pieces more like that chunky squash blossom for sale. The product of training, silversmithing, craftsmanship, and a deep Native American tradition.

Alas no, like that hammered tin clock that used to hang over the Albuquerque Airport, my memories are only nostalgia. Museum pieces. They no longer represent what is meaningful for today’s children growing up in New Mexico.

I guess I understand now. Sometimes as a kid I used to jokingly say that New Mexico was forgotten, wasn’t important, backward. Now I know it really was something good. I got to grow up in a beautiful culture and a beautiful state that is like nowhere else in the world.

I am hardly the only person who has ever come to realize this about the time and place that they were born and raised. It’s a common lesson. You really can never go back. I can be in New Mexico again, and I can love it, but it’s never going to be what I hold in my memories.

That hurts inside. I yearn for something that doesn’t really exist anymore, except in my mind and have to find a way to be okay with that. As of today, right this moment, I’m not okay. Not yet.

I suppose the answer is that I need to spend more time back home in New Mexico. I have to learn to know what she was once and love her as she is now.

It’s my failure that it’s been so long since I was back home. I hope to improve a lot over the coming years.

There is so much I know about New Mexico, and so much I have left to learn.



Up next, the conclusion: Part V, The Roots of My Raising Run Deep






Images Copyright © 2014 Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app.




Running My Own Traditions Here

I think it’s time to re-run what has to be THE most popular post ever in the six years of this blog.

It originated in a fit of the holiday blues and a massive case of homesickness back in December 2007.

It’s all still true. Every word on this list applies in 2013. Pretty much all of the links were broken, so they have now been updated. I also gave 2007 me a light edit. Who was I with the two spaces after every period?!

Special thanks to @NewMexiKen on Twitter for recently tweeting out a link the 2007 post. You rock!

————


Top ten things I miss about Christmas in New Mexico


1) Annual shopping trip to Old Town. A mom and me tradition. Every year I’d get to pick out an ornament that was mine. I now have all those ornaments in a Thom McAnn shoebox that, yes, Sunday night I opened and hung them all on my tree. They are like a history of my life. I remember buying most of them and it gives me a good sense of continuity to have them on my tree.

2) Luminarias. I was the one who made them at my house. My mom would drive me to an empty lot to dig up two buckets worth of dirt and I’d fold bags, place candles and light them. It was my job and I loved every second of it, every folded bag, every candle that caught the bag on fire. So beautiful.

3) The Bugg House, which, sadly, is no more. My sister lived over on Prospect and we’d go for a Christmas Eve walk in the evening to take a look at the outstanding display of holiday spirit. When I would go to Winrock Mall to shop, I’d always swing by the Bugg house to take a look. I miss it so much.

4) Neighbors bringing a plate of fresh made tamales as your Christmas gift. When you get three generations of Hispanic women in a kitchen with some masa and some shredded pork (and lard, gotta have lard), magic happens. Yum! I also miss that people would come to work with tamales in a cooler and sell them to coworkers. I was always good for a half dozen or more.

5) A ristra makes a good Christmas gift. I’ve given. I’ve received. I love ’em. They’d become a moldy mess here in the Bay Area, and that makes me sad.

6) Biscochitos. My love for these is well documented. (2013 edit: I made a huge batch on Sunday and shared them with coworkers today. Now they are cookie zombies asking me if I have more. 505 represent!)

7) Sixty-five degrees and warm on Christmas Day. I think one year there was actually snow on the ground for the 25th, but it was melted by the end of the day. Oh Fair New Mexico, how I love your weather.

8) Christmas Eve midnight Mass in Spanish with the overpowering scent of frankincense filling up the overly warm church. Pure torture for a small child, but oh how I’d belt out the carols. And then when we came home after church, we could pick one present and open it. The rest had to wait for Christmas morning. Gah! The torture of picking just one!

9) New Mexico piñon, gappy, scrawny Christmas trees that cost $15 at the Flea Market and were cut from the top of a larger tree just that morning. Look, to my mind, it ain’t a tree unless you are using low hanging ornaments to fill the obvious gaps. These fluffy overly full trees just ain’t my bag. If you ain’t turning the ‘bad spot’ to the wall, you paid too much for your tree.

10) Green chile stew for Christmas Eve dinner and posole for New Year’s. My mouth waters. It’s weep worthy. I can taste the nice soft potatoes in the stew, the chicken broth flavored just right. So amazing. And posole to bring you luck with red chile and hunks of pork. Yum!

Which is not to say I don’t have happy holidays where I live now, but sometimes I feel melancholy.

Oh Fair New Mexico, how I love and miss you so.







Image via The Vintique Object Blog.