The Politics of Orientation

Sense memory is a funny thing. Seemingly insignificant things are ingrained early in your cells and pop up at the darndest times.

***

Earlier this week, after a long day at work and in a post-dinner stupor, I emptied the dishwasher and put away our clean dishes.

No big deal, right? Common, unremarkable.

After I’d put away the dishes, I looked at the cabinet where our glassware is kept and laughed, because I had done something that harkens back to an earlier time.

When The Good Man and I first moved in together more than ten years ago, there was a lot of negotiation. To be expected, I’d been living alone an awfully long time, was a bit set in my ways, and I was no spring chicken either.

So having this dude move into my space was, well, weird. I honestly had some difficulties, which we were able to work through bit by bit.

One such negotiation had to do with the orientation of drinkware on the shelves. You’d think this wouldn’t be a big deal, but it became one of many lessons in “things you do because of where your from.”

You see, I grew up in dry ol’ New Mexico. We loaded our glasses rim down so the dust doesn’t get in ya drink.

The Good Man grew up in Brooklyn. They loaded their glasses rim upward because god knows what crawled across the shelves and it’s gross to drink from a rim that’s been in the yuck. “That’s why my mom puts new shelf paper down in every place she lives,” he explained.

Ah. Well. Sure. That actually made sense. So I relented and agreed our home would be a rims up sort of space.

Besides, I knew that picking battles was going to be the key to success. We still had to settle if our home was going to load toilet paper over the top or from below. (Over the top is the final determination, my preference, The Good Man doesn’t care either way)

So this past week, tired of mind and body, doing something I must have done thousands of times in my life by emptying the dishwasher, I loaded the glassed rim down. And laughed.

Then thought about the early days of The Good Man and Me. As we approach our ten-year wedding anniversary, I have been doing that a lot lately.

So did I then turn the glasses back over? Nope. I left them, figuring we’d use all the clean glasses before the next washer run, and then on the next unload one of us would get the right orientation.

This morning, better rested, I unloaded the dishwasher again. Sense memory, I didn’t even think about it. I put the clean glasses rims up and walked away.

Here is a true and accurate representation of the current state of our cabinet.



Where avoiding dust and avoiding rat droppings meet



I wonder how long it will be before my rather obsessive need for uniformity will get the better of me….can’t blame that on New Mexico.





Photo taken this morning using the Camera+ app on an iPhone 7. I mean, why would you want to steal a photo of my drinkware? But if you do, please remember it’s subject to the Creative Commons in the right column of this page. Attribution, please! :)



On Hideous Lizards and Good Brown Dogs

It’s funny the things that stick with you. The seemingly forgettable details or moments that you look back on with fondness.

This past weekend, I returned home to New Mexico after a far too long two-year personal drought. Life, work, whatever, gets in the way (no excuse is good enough).

The occasion of my return was the high school graduation of my oldest goddaughter. At almost 19 she is no longer that curly-haired blonde toddler who captured our hearts. She is a smart, sassy, funny, talented and gorgeous woman and I’m a bit weepy right now just typing that. I’m so proud of her.

I have been working too many hours and it’s fair to say I dragged my ragged self onto a plane, glad to go home. Sometimes I feel like I wander a little too far away from New Mexico. I forget the foundation of my soul and going home never fails to readjust my mind, my very DNA. It gets me back to remembering who I am and what matters.

Plus I eat good when I’m there, and green chile itself will help anyone get right.

Each time I go home, I’m overwhelmed at all of the things that have changed since the last time I was there. El Paso is growing fast. The area around Las Cruces too. More cars, more buildings, more people. It’s crazy.

So then I start to seek the familiar. What hasn’t changed. What is there that I remember so I can have a touchstone. A “hey, there that particular thing is, just where I left it.”

The feedlots in Vado, for example. I was pleased to find them there, cows huddled under the water misters. The inevitable cow scent on the breeze.

The Organ Mountains. Craggy, uneven, and absolutely gorgeous. I see those mountains that once watched over my college education and smile, glad to say hello again.

So today at work when I was homesick, missing my best friend and the peace of her back patio, I started going through the photos on my phone to help me with the pain.

Did I find photographs of vast mountain landscapes? Did I see the faces of my loved ones? Did I have a whimsical photo of a cow?

No I did not.

All of those sorts of photos are on my actual camera. Weirdly, I took very few photos with my phone on this trip.

So I will share with you the two photos I did take. Memories I’m carrying in my pocket to remind me of home. This gives you an awful lot of insight into my muddled mind:

First, a photo of my goddog. I may have taken one or two photos of him in the past.



The gray hair around his eyes and in his muzzle makes my heart hurt, just a little

The second will take a little more explanation.

You see, to get back to Las Cruces, I have to fly into El Paso and while that’s not my town, over the years I’ve even grown a bit fond of that crazy place.

When I stumble off the airplane and into the terminal I find that nothing much has changed. Then my heart softens a little when I see the genuinely godawful carpet in ELP’s main terminal. Seriously, it’s so bad, it makes me sentimental.

Nothing says “welcome home” like lizard carpet. Apparently, I was so overcome I had to take a photo.



Not conducive to overcoming a hangover

And now I’m glad I did, I just found out today that the infamous ELP carpet is due to be replaced, like this month! Yipes.

That means next time, I won’t be greeted at the door by the funky lizards. And as my goddog isn’t getting any younger, one day I’ll roll up to my best friend’s house and won’t get to experience his side-angled lope and velvety soft ears.

That’s too much to consider. Right now, I will rest easy knowing that hideous lizard carpet and beautiful brown dog eyes remain just where I left them. I feel my connection to home, which makes sitting in this dull gray office just a tiny bit easier to take.





Both photos ©2018 Karen Fayeth, taken using the Camera+ app on an iPhone. Don’t steal ’em. Thanks!



Splish

In addition to my weekly forays into macro photography, I also am a part of a photography club where I work. We have a monthly theme each month and for February the theme was water.

Ah water, necessary, essential, and in California a bit scarce. We’ve had some good rains lately but it’s never enough.

The water theme was to support some research in process by my buttoned up scientific fellow photo club members. While they submitted perfectly rendered landscapes of lakes, exquisite macros of a single droplet on a perfect flower, and velvety moving streams, I submitted, well, this:


@karenfayeth

©2018 Karen Fayeth

I fell in love with and bought the champagne glass for a dollar at my local salvage/thrift store. It was the only one there, and I loved everything about it. Since purchasing, I have been looking for the perfect project to incorporate its voluptuous curves. Turns out this was it.

Lately I have been exploring photography of drips, drops and splashes. Without a speedlight, the action of the water in this photo is not frozen, but I actually like the movement.

Also, it’s unintended, but doesn’t it look like a 1970’s liquor ad? I love that about this photo. Not sure what I mean? Try this, this, and this.

I showed it to one of my photographer friends, a very metropolitan millennial, and he declared it “sexy AF” and “just waiting for a vodka ad.”

I consider that a win.





Taking Myself Way Too Seriously

What follows is me working out some “stuff” up there in the ol’ brain pan. A bit indulgent to do this publicly, but maybe putting it out there helps someone else. Or makes me accountable for my own crap. Either way.

So here it is… I have been taking part in a Flickr group that challenges its members to do a new macro photo every week based on a theme the moderators choose.

I started participating on December 4th with this photo:



©2018 Karen Fayeth

I felt clever. Sassy. Like my photo was more creative and of better quality than the others in the group. Go me! I was rewarded with well over one hundred faves in the first day. Hey, fun!

So I kept going. Each week working hard and having fun doing these weekly photo challenges. Creating a new image every week. Some weeks I worked really hard (or agonized) over executing my idea.

Other weeks it came easy to me, I snapped a photo that was exactly what I wanted and went on about my day.

But always having fun and not taking it too seriously.

Until two weeks ago. Two weeks ago I stopped having fun and got deadly (overly) serious about my weekly photo entry.

Let me back up. This Flickr group is huge, over 13,000 members. Each Monday between 800 to 1,200 photos are posted for the theme. This means in order to function, the group must be tightly moderated. And it is. Tightly.

I both like and respect that there are heavily enforced rules for the group. But I also HATE it because I’m an *artist* and The Muse can’t be contained by your silly rules. I should be able to break them because MY work is the best.

Yeah, okay. I own it. I got weird. I hate it when I get weird.

The week’s theme was monochromatic, and I turned this one in:



©2018 Karen Fayeth

I really like this photo. I worked hard on it and felt really good about it. I feel like I did something worthwhile. Artistic.

Less than ten minutes after adding it to the group, a moderator pulled it, telling me “This is not monochromatic, I can see both brown and green.”

I seethed. I stewed. I started looking at other photos in the group and found SEVERAL that also had tiny bits of another color that made it through the moderator’s net.

I bellowed about how unfair it was. I started making a list of all the other photos that were let through. I prepared to launch my vitriol on anyone who would listen and demand answers for my mistreatment. How could they hate my photo so much!?!?! (I know, I know)

Then I went to talk to The Good Man, and as I detailed all the ways I had been wronged, I heard myself. I listened to my words and realized…aw damn…I’d stopped having fun. I was this worked up over a photo on Flickr in a group where the only prize is some eyes seeing the photo and some faves.

Yeah. I hit the wall pretty hard. This came just a day after struggling with a story for a writing contest that just would not gel for me. I hadn’t given myself enough time to work on it and the story would not come together no matter how hard I tried. I tried to shotgun it and I failed hard. I did still turn in the story but I know it’s not good.

You see, I wasn’t mad at that stupid unfair moderator. I was mad at me.

And that’s no way to create. That is the antithesis of creativity. This dampens The Muse.

So I went all the way there and now I’m reeling myself back in. I swear. I sat my Muse and my brain down and we had a talk. Feelings were felt and admonitions were issued. Promises to be better. To loosen up. To remember why I do any of my creative work…to have fun. To let the creativity out. To create something.

And I’m better. I am. The following week I swore I wasn’t going to participate in the Flickr group again, but that was EXACTLY why I needed to get back in the game. So I made a photo based on the theme “in a bottle.”

Here’s my Valentine to myself. Green like the Hulk who gets very, very mad. Sweet like the victory of turning out a piece of art and something I really like. It also met the rules and made it past the moderators.



©2018 Karen Fayeth

Lesson learned. Scars formed. Exterior just a little bit tougher.

And this week? Try, try again.





Redux: A Treatise on Monday…or Everything Old is New Again

Five years and one day later, Facebook saw fit to remind me of my history: A Monday in 2013 that I don’t actually remember, can’t pick out from the rest of the over 1,800 days that have passed since then, and was, I suppose, wholly unremarkable.

And yet, the early morning hours were remarkable enough to get my brain going and some writing done. I re-read my own words on a Sunday with Monday looming large and realized that other than riding the train to work every day, the sentiment remains much the same.

I have a big deal meeting at 8:00am today, and the Monday ahead has me quite thoughtful.

This post has aged well, so I’m happy to share it again today. It still works.



A Treatise On Monday
Originally posted January 28, 2013

Written this morning at something like 5:45am


And so we find ourselves back at Monday. Ah Monday, both the beginning and the end.

I have sad, tired, squinting, groundhog eyes as the alarm goes off. I’m begging the world not to pull me from my burrow. Please don’t shine that bright light in my face.

But I’m pulled from my burrow anyway and instead of a prediction the world anticipates my arrival at the train station and my seat on the next ride into the city.

The bright light turns out to be a beautiful ray of light, glimmering off the slowly rising sun.

All possibility is in Monday. Will this be a good week? Will this be a bad week? Will it rain?

Monday is everything and nothing. A blank canvas ready to take the paint.

What will I make of my Monday? What will I achieve? How will I stumble and will I recover gracefully?

It all exists here in these quiet pre-dawn hours. The sun hasn’t even said hello yet and here I am, writing. Scribbling the words that want to exit my head.

There is already acrylic paint on my hands from a project that is due Thursday morning. I had to get some early painting done so I can hit that deadline.

In this Monday, all things are possible including finishing a painting that is due in just three days.

Oh my.

I feel strangely happy today. What the hell is this? How unusual for a Monday morning.

The weekend was weird. I was cranky and then he was cranky and then it was Sunday night and another two days of not working were jettisoned to the ether. Monday turned the corner and sat down for a visit.

So here I am again loading a backpack for work, stumbling around to find my badge and my phone and my sense of self-worth.

I look again at my canvas and already I fear I have screwed it up. Don’t they say in art there are no mistakes? Just roll with it and incorporate the error. OCD and art are not friends. This major but fixable error must wait until later tonight to find its cloak.

There is a train to catch and a Monday to face. I’d rather stay home in my studio and put gorgeous turquoise paint on a willing canvas. Can I do that for a living?

You know, a girl can dream, and so I will dream as BART gently sways. When I disembark dreams stop so reality can start.

But no matter, I can dream again, later. Dreams don’t die easy.

And dreams don’t wait for the weekend.









Image from The Miracle Journal.