Category: bragging

How I Learned To Re-Love My Home by Being a Tourist

When you live and work in an area that is a poplar tourist destination, once can get a bit…weary…of the whole out-of-towner schtick. Come summertime when the weather starts to warm up and school lets out, the San Francisco Bay Area is certainly a popular place for folks to visit.

When I first started dating The Good Man (lo these many years ago), he lived just off the Embarcadero and I learned to not just deal with tourists, but to be fully submerged into their every photo clicking, map pointing good times.

I grew a little tired of it, honestly. Kind of made me want to stay inside and avoid those types.

Enter this past weekend and the arrival of my almost fourteen year old goddaughter. She lives somewhere in that no man’s land between Las Cruces and Radium Springs, New Mexico and her view of the world is a little different from mine. She had briefly been in San Francisco five years ago around the time of my wedding, but hadn’t really spent time in the City.

So Uncle Good Man and I did it up right. We loaded her in the car and headed off for destinations such as Golden Gate Park, Ocean Beach, the Cliff House, Lombard Street, the Wharf and more.

As I huffed and puffed walking many of the seven hills and jostled my way through tourists and took in my beloved sights once more, I too became a tourist. A tourist with a memory.

Oh yes, I recalled the stone risers near Ghiradelli Square where I sat on that beautiful California day and contemplated if I could really live here. I watched the gentle waves in the Bay and summoned my courage. And OH! There is that little dude who wears a full old-time golfer uniform and waxed mustache who does a rollickingly fun shell and balls game on the streets. Man, that guy is still there? And oh muh lord, the Golden Gate on a clear day. What a gorgeous little orange gem.

I saw the familiar sights with new eyes and I remembered fully, totally, and completely why San Francisco is one of the most wonderful places in the world.

I think I needed that. I needed to remember why I live here, why it matters, why I left not just my heart but my liver, and pancreas and eyes and all the other major body parts in San Francisco. I felt the energy and excitement of all the tourists visiting my fair City and I echoed it back to them.

Good ol’ San Franciscio, she made me fall in love all over again, and that leaves me with a happy smile.

And a huge stack of Ghiradelli chocolate bars in my kitchen cabinet. Buy four get one free! Whatta steal!





Time To Be The Grownup

Amidst one of the craziest couple weeks on record at any job I’ve ever held, I do have a wonderfully bright spot ahead. I get two days off for vacation this week, both Thursday and Friday.

But that’s not the bright spot.

I’m taking those two days off because my wonderful, adorable, amazing eldest goddaughter is making her first solo voyage on an airplane to come see her Nina Karen.

Now that’s a bright spot!!!

This is big doings for both teen and adult. Her Uncle Good Man and I are so excited to have her in our home and to show her around the Bay Area. There are lots of things to do here and we’re planning big fun.

I did have pause last night as The Good Man and I had a little supper. We were discussing plans for the visit and I reminded him that we have to be the grownups.

“Why?” was his response, so beautifully typical of my spouse.

And I laughed and replied, “Because we are responsible for her!”

He shook his head and said “aw, we’ll be all right.” And I’m quite sure we will.

But for as excited as I am to see my girl, I’m also feeling the responsibility for being her Nina, for being a good Nina and for making sure she has an awesome time.

Uncle Good Man says, “She can have cheeseburgers at every meal if she wants!”

Clearly we’re gonna have different approach to this. Then again I’m the one that yells at the cat for drinking out of the toilet and he says “she’s just thirsty!”

*sigh*

May I be a good co-madre to my precious girl. The kind that makes room for both cheeseburgers and safety.







What a World

I had a really good day yesterday. An exceptionally good day. Really top notch, if I do say so myself.

I belong to a group of professionals who do the same kind of work that I do. Internet modesty causes me to decline to state. Suffice to say, it’s not like I’m a part of the Action Hero Institute or Society of Scientists Doing Cool Stuff. For the sake of ease of this post, let’s call what I do paper shuffling.

This group has some meetings and they fund their cause by offering training courses in the various aspects and disciplines within the paper shuffling profession.

A few years ago they put out a call for instructors and I threw my hat in the ring. Back in 2010 I conducted my first training class, a four hour session. This was my first time teaching a course and 80+ slides and four hours of talking seemed daunting. I was as nervous as I’d been in a long time (pit stains reminiscent of passing my boards for my MBA) but I ended up having a really good experience.

Recently, the Paper Shuffling Professionals of America asked me to come back and teach again. I agreed and that queasy nervousness set in right away. I pulled up the PowerPoint deck I had used back in 2010 and said aloud, “hey…this is pretty good.”

I had a class of fifteen souls yesterday who actually paid money to listen to me yammer on for four hours about the art and science of paper shuffling.

It was such a great group, though. They were fun and interactive and even seemed to laugh at a good portion of my humor. Teaching the class didn’t give me pit stains this time, the hours seemed to fly. I ended the class energized as all get out and walking about half a foot off the ground.

I felt, dare I say it, very proud of myself.

As you’ll recall from this blog, I’m the girl who once, as a child, had to have a doctor extract a piñon nut I had shoved up my nose.

I once got a dime up there too. My big sister was able to get that out before the folks caught wind of the situation.

I’m the girl who was following my big brother on a hike in the mountains of Cuba, New Mexico and was trying so hard to keep up that I ran smack into a tree branch and scratched my face.

I’m the girl who wrapped a rubber band around the end of my nose. In the hour before I was to attend a ballet class. How was I to know it would badly bruise and I would be mocked mercilessly by those prissy ballet girls?

In college I once got so lost on the Border Highway I had to go to someone’s home and knock on their door to ask for directions back to Las Cruces (pre-mobile phone days). This was at night. I am still amazed I didn’t get shot.

I cannot add a column of numbers in my head. I cannot tell you which direction is north (I could do it when I had the Sandias as my guide). I often drool when I sleep. I am prone to cursing like a sailor.

And most recently, I am the girl who, just before leaving the house to go to teach a training class, used the rest room and as I flushed I also manged to drop my keys in the toilet. Big important teacher woman leapt into the bowl and held on to them for dear life as the waters rushed by (thankfully it was only a #1 bowlful).

And yet, the Paper Shuffling Professionals of America wanted me to teach a class, and worse yet people paid good money to listen to what I had to say.

What a world, what a world. Who would have thought all my years of hard work would erase my beautiful dorkiness. If only for a moment.






Photo found on The History Bluff.




My Awkward Little Canvas

At the end of last month, I attended an artist’s salon hosted by my mentor and photography teacher Marty Springer. At these monthly events, a group of photography students and artists come together to review each other’s work and provide feedback and critique.

The ticket for entry is that you bring a printed photograph for review.

I’ve been feeling pretty unartistic lately, so I went to the salon, but I was unable to bring a print (long story involving the horrific lack of possibilities for serious photographers to have their work printed) and endured the mild chiding from my mentor.

We went forward and had a really good session. The people in this group are fantastically talented.

As we wrapped up Marty issued us a challenge. In addition to teaching, mentoring and being a well-paid professional photographer, she also curates a small gallery at a local public library. This is the venue where we have our annual photography show, and the rest of the year the gallery hosts all manner of art pieces including photos, paintings, mixed media, quilts and more.

Marty told us how she had booked an artist for a show to span the month of February, but he had shown up with all of his pieces so poorly and cheaply framed that they fell off the wall moments after she had hung them. The artist didn’t have the desire to fix his errors, so Marty was left without a show.

This was Sunday night and the show was due to open Thursday.

She told us she wanted to go ahead with an exhibit and we were all invited to contribute. Something was going up on February 1. She spoke to us about February and celebrating Valentines, but more than that, Marty wanted to put a show on the walls that was about love and about healing.

In the wake after the very tense election and then the horrible tragedies in Sandy Hook, Colorado and Oregon, she wanted to have a show that wasn’t all lacy Valentines and light, but something that showed love and strength and healing.

She asked us if we were up to the task. Turns out we were.

I had an immediate idea for a mixed media piece that had been simmering in my mind for a while and seemed perfect for this show. I asked if mixed media was ok since most of the pieces would be photography. She told me not only was mixed media welcomed, but encouraged.

That night I came home, pulled out a blank canvas and gesso’d it (to dry overnight) wondering just how in the HELL I was going to get this done in time. At that point I was two weeks into a new job and still adjusting to a pretty long commute. My hours of free time for working on art were pretty severely limited, but I wanted to try.

This meant I had to edit myself A LOT. I guess watching all the seasons of “Project Runway” had put that thought in my head. “Edit yourself,” I kept saying as I wanted to add more, embellish more, get more complicated and advanced in the few hours I had to complete this piece.

If I was going to make it in time, this needed to be simple, quiet and powerful.

On Wednesday night, only two days after I started the piece, I turned in a mixed media canvas with glue and varnish still a bit damp. My mentor gasped and danced a little when she saw it.




It’s a bit hard to see, but the canvas is actually ripped through, then closed up with thread and staples.


I was so very unsure about turning in this piece because it felt a little…intimate…to be sharing with the world. There is a lot of me in that canvas. Also, other than a county fair a couple years back, I hadn’t exhibited any of my art pieces and showing my creations to anyone other than The Good Man makes me a bit shy.

As I handed it over, I could only see all of the many errors I needed to fix. If only there was time. My nerve began to waver, but I relinquished my canvas to my mentor with the belief she’d find the right place for it in her exhibit.

This past weekend The Good Man and I finally got a chance to get over to the gallery to see my little humble canvas. I almost cried. She found a great spot for my piece and it flows into the show really well. It both stands out and blends in.

It is so very gratifying to see my little mended heart hanging proudly on a gallery wall.




Side note: No wonder the cartoon I posted for Valentine’s Day got to me so deeply! This idea of a broken and repaired heart has been on my creative brain for a while now.

Much gratitude to The Good Man, the great State of New Mexico, The Crafty Chica for the inspiration and know-how.

Photo and canvas are both Copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Photo taken with an iPhone5 and the Camera+ app.




The Great White Way

So here I find myself at Friday, the end of the first long work week after my return from a fantastic vacation.

I’m a little tired, a little stressed, a little melancholy. A week ago today The Good Man and I were walking the High Line in Chelsea and feeling relaxed and happy.

Today I’m sitting at a desk feeling anything but relaxed and happy.

And so to curate the memories from my time off just a little while longer, I’ve decided to write a review column.

While in New York, The Good Man and I took in three Broadway shows. Below are my reviews of the three shows, presented in the chronological order in which they were viewed.

And away we go:


The Anarchist

The Good Man and I arrived in New York in the early evening on Saturday and so we simply had some good food and slept. Sunday we started exploring, and late in the afternoon, decided to hop over to the TKTS booth to see what sort of Broadway tickets we might scare up.

Most of the shows were already sold out, but The Anarchist still had seats available. The show was still in previews and the opening wasn’t until the following Saturday. The play was written and directed by David Mamet, he of the Glengarry Glen Ross fame and a well known and well respected playwright.

In addition, the play starred Patti LuPone and Debra Winger, two notably amazing actors.

Basically, we reasoned to ourselves, a new Mamet play with two amazing performers should, by all accounts, be worth seeing.

So we plunked down the cash and went to the show.

I knew going in that any Mamet show was going to have a lot of talking and not a lot of doing. Oh dear god. I had no idea what was in store for me.

Here I’ll borrow someone else‘s words to set the background:

The play is set in a prison. LuPone is Cathy, an anarchist who had shot police officers and has been in prison for 35 years. Winger’s role, as Ann, is less clear. She is probably a prison psychiatrist. Ann asks questions and Cathy answers, philosophizing about religion, the meaning of life and redemption.

Naturally, Cathy wants out. She wants to see her father before he dies and argues that she has served her time.

Ann keeps asking her where one of her accomplices is, and Cathy says she does not know. Ann asks her about redemption and about being born a Jew who has been reborn a Christian in prison. They talk about it and then talk some more.

The show began as most Mamet works do, right in the middle of the conversation. You as an audience member have no context. You just gotta run, hop on and don’t ask too many questions.

The freight train sped along for just seventy minutes then abruptly stopped.

We in the audience applauded because the performers did the best they could with the material.

Then when we stopped clapping, we all looked at each other like “what the hell just happened?”

My biggest fear at that moment was that The Good Man was going to turn to me and say “wasn’t that great!?!?!”

He did not.

Afterwards, over an egg cream, we talked about the show. At first I felt really disappointed in the whole thing, then I got a little mad.

Mr. Mamet has always been massively self-indulgent in his works, but this went beyond the pale. And that he forced two fine actors to rattle through his haphazard script is pretty much a crime.

Basically, this whole thing left a really bad taste in my mouth. Isn’t Broadway supposed to be the best of live theatre?

(A final note: Just this week, in the wake of the official opening on December 1, the show has received awful reviews and will close December 16th after just 17 regular performances. Seems it wasn’t only The Good Man and I that were put off the show.)




Image from backstage.com



Nice Work If You Can Get It


Two days after the disaster on 45th street, The Good Man and I dove back into the fray.

We visited the TKTS booth again and this time picked up tickets to the show Nice Work If You Can Get It.

This combined two happy elements for us. The book is inspired by some of the works of PG Wodehouse, he of Jeeves and Wooster fame and author of hundreds of hilariously funny books, and the music and lyrics of Gershwin.

Oh, and it stars Matthew Broderick.

As an aside, as we were stepping up to the ticket taker at the very doors of the theatre, he said to me “hang on a moment” and from behind the door came Mr. Broderick’s wife, Sarah Jessica Parker. She was extraordinarily nice to everyone, thanked the man taking tickets, said excuse me to us and made her way out. She must have stopped by for a quick pre-show “break a leg” to the hubby.

As she walked away, The Good Man commented, “wow, she’s really cute in person” and I totally agreed. She is actually quite adorable in real life and very sweet. I think the camera does her little justice, actually.

After the star sighting, we found out seats. As the curtain went up, both The Good Man and I had very high expectations for the show.

Very, very high expectations.

And not only were these skyscraper high expectations met, but also blown right past. (< - terrible grammar, and yet I don't care) Set in Prohibition era New York, the show had a zany story line that roughly centers around a rich guy on the eve of his third marriage who, stumbling home sauced after his bachelor party, bumps into a sassy bootlegging girl, and is a bit taken with her. Through a series of funny events, the bootleggers end up hiding their gin in the basement of the rich man's Long Island home ("I never go there"). When the man and his new wacky wife show up to honeymoon at the same home, they end up surprising the bootleggers. Lots of singing, tons of dancing and a lot of hilarity ensues. The cast is amazingly talented and the show just flowed beautifully from start to finish. Mr. Broderick really can do anything, can't he? Sing, dance, act, theater, television, movies. All of it. And while Mr. Broderick was the most well known actor in the cast, really Kelli O'Hara is the star of the show. She is luminous and definitely enchanting. Hell, by the end of the show I was ready to marry her! What a great show and what a great way to regain my trust in the quality of the shows on Broadway.




Image from Entertainment Weekly

And finally…


War Horse

We had seen War Horse here in San Francisco and it really resonated with me on a very deep level.

In fact, The Good Man and I had been talking for a long time about a trip to New York, and it was my desire to see War Horse on Broadway that became the motivating factor.

I didn’t want no TKTS who knows what seats we’ll get scenario. I insisted The Good Man buy tickets early and get the best seats he could.

Oh boy did he. Second row. From start to finish we were right in the middle of the action.

Since New York’s Lincoln Center has a pretty big stage, the production was a little different than in San Francisco and in many ways the performance was far better.

Whereas when I saw the show at The Curran in San Francisco, we sat quite a bit back and I was very into the storyline of the horses, meaning I stared at them the whole time and the actors were secondary.

Being so up close this time, the puppet horses simply integrated into the scenes and I was all up in the middle of the characters and their story. Being able to see facial expressions and quite literally sit in the middle of the action was a profoundly different experience.

As with the last time, I was completely engaged in every moment of the show and when “the big sad part” came along I did again cry my eyes out, but it was so much more real this second time. When the lights came up I had dried up my eyes, then immediately started crying again. Then I stifled it and went to the restroom to clean up. And so I cried again.

All of this crying occurred even knowing what was going to happen and when. And knowing how the situation resolved itself.

There is really something about the crucial scene when Joey, our lead horse, is caught in the barb wire on the battlefield that about does me in. I should probably hire a qualified therapist and figure that out. It just demolishes me. (and that’s good theatre, folks!)

As The Good Man hugged me while I wailed like a baby, I said to him, “I don’t think I can do this again.”

My goal after seeing the show in San Francisco was to see it again in New York, then see it a final time in London. But have mercy, I don’t think I can go through that again.

What an amazing show. For anyone reading this who may say, “Oh, just watch the movie” I say no. Absolutely not. The magic of this show is the amazing puppetry of the animals. This play is the story of World War I told from the view of a horse which makes it groundbreaking. It’s the puppetry of the horses that makes it exceptional, and there is no way a movie using real horses can even come close.

Whew, just thinking about it again gets the tears burning at the sides of my eyes. It is just so profoundly good.

Our original plan after the show was to go to Rockefeller Center to watch the tree lighting. No way that was going to happen as I was a soppy mess, so we tucked into a family run pizza joint and noshed and kibitzed with the owner and watched the lighting on TV.

Yeah, pretty much among the top five most amazing days of my life.




Image from performingarts.about.com


Ok, well there you have it. What I wouldn’t give to have the kind of time and money to go back to New York and see every single show on Broadway. I’d love every single ding dang minute of it.

Well that’s that, and my lunch hour is over. Back to the salt mines.

Oh, I see I have eight new emails from the Boss Man. How fun.