When The Lights Go Down In The City

Kinda hard to be a resident of the San Francisco Bay Area and not sing Journey’s little ditty a few thousand times.

This weekend my best friend in the whole wide world came to visit. On Thursday morning I felt lost, but by Thursday afternoon when her plane landed I was starting to find my center once more.

One of the things we did this weekend was have a knockout dinner Friday night at San Francisco’s venerable Tadich Grill.

Then we wandered down to the Embarcadero to check out the new art display taking place nightly on the Bay Bridge.

It looked a little bit (exactly) like this:





The Golden Gate Bridge usually gets all the love, with poetic odes to shimmering orange paint where the bay meets the sea, but the Bay Bridge is the real jewel of the Bay Area in my opinion. It is the hardest working bridge and still manages to be a knockout. Pretty, functional and smart. That’s my girl.

This new light show by artist Leo Villareal is simply adding sparkle to an already gorgeous masterpiece.

It was a beautiful warm spring night in my City by the Bay. It’s days like that where my New Mexico heart is filled with San Francisco joy, and every little thing seems just right with the world.





Photo Copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with a Canon Rebel and a thirty second exposure. Touched up a little in Photoshop Elements.




On The Wrong Road

This morning at an hour not early enough to avoid crushing commute time travels, I navigated my old Jeep through some swirls and whorls of Bay Area traffic and found myself on Highway 80 approaching the Bay Bridge.

As I did, I was thinking about the planned upcoming visit from my best friend in the whole world, and how excited I am to see her. Been too long.

I was listening to a shuffle of whatever music is on my iPhone by way of calming my nerves when a real old song came on, one of my best pal’s faves (a Waylon Jennings tune if you must know). As often happens to me in this crazy mixed up life of mine, what I saw with my eyes was the Bay Bridge but what I wished in my heart was that I was somewhere else.

Something about the springtime makes me miss New Mexico pretty ferociously. I let some memories in and found myself landing in a place called Lake Valley and the abandoned schoolhouse where we used to go to dance. That’s a whole other highway then were I was in that moment.

All of this reminded me that I once wrote about Lake Valley so I went into the archives and pulled this post up from 2007. I had to edit it quite a bit because, well, my editing skills have improved a bit since then.

So here’s a memory. Do click on that link to the Baxter Black piece if you get a chance. He says it better than I ever could.

Happy Dancin’ Friday to you, wherever you are today.



—————-


When memories reach up and grab you

Originally published March 26, 2007

Lately I’ve been on quite a jag of reading the works of one noble New Mexico-born left handed cowboy poet named Baxter Black.

He’s a good friend of my “adopted dad” (my best friend’s father) and I had the chance to meet him face-to-face back in college. Of course, I’ve heard plenty of his stories over the years.

I was heartened to see that my local library carried a good selection of Bax’s works. They make you smile, make you think and make you outright laugh yer bum off.

I just got done reading one of his collections of NPR material called “Horseshoes, Cowsocks and Duckfeet”.

One selection from that book is called “Lake Valley” and man oh man, that almost made me weep with homesickness. It also made me smile to know that two people, some twenty-five years apart in age, have similar memories of the same place and similar events. That’s the staying power of Lake Valley.

Back at NMSU I used to go to dancing at Lake Valley with my best friend. She’s the one who turned me on to it. Her parents used to come along for the fun because they went to NMSU too, and they danced at Lake Valley (probably along with Bax).

I remember at the dance they used to charge a family rate of $20. My fill-in dad would gather up all us scraggly college kids, blonds, redheads, brunettes, short, tall, thin, stocky and all about the same age. He’d lead us to the door, point to our gang, tell ’em that was his family, throw ’em a twenty and we’d all get in.

You know, in our way, we were (and are) family. [insert my best wistful smile right here as I miss my best friend for like the hundredth time today, already]

The way Bax describes Lake Valley in his writing is just how I remember it. When I was dancing, it was with a band called The Rounders and they played the old songs. What a talented group, The Rounders. They even played at my best friend’s wedding. Now THAT was a party.

At the end of this post is a photo I found online. It’s how the schoolhouse used to look when it was still a school. Ok, imagine that, but with no desks and a lot more years on it. That’s pretty much how I remember. See that riser there at the end? Where the teacher would sit? That’s where the band would play. It was a long narrow room so we had to dance in a long oval. Like Bax said, as we danced, the floorboards would give under your feet and they weren’t particularly even and a few nail heads were popped up, so you had to mind your feet. But oh it was a hell of a good time.

I’ve never felt quite so free, happy and in touch with the simple easy joys in life as I did dancing at Lake Valley. I miss the feeling of flying I’d get dancing a polka with my very tall and very dear friend Larry. I loved the camaraderie of wrapping arm around arm and doing the Schottische and Cotton Eyed Joe (“stepped in what?”).

And, as Bax said, when the band took a break, we’d all migrate outside to cool off and dip into someone’s ice chest for food, beverages and the telling of a few good stories.

We were all community then. We were bound by our heritage and our lives in New Mexico. Under that bright moonlight we were all inextricably connected, and it felt so right.

Ah the memories. If I let ’em, they’ll take over my whole day.







Image from Living Ghost Towns.




And Then It Got Surreal

Yesterday I found myself sitting in the very posh office of the Chief Executive Offer (CIO) of this here organization that employs me. Our CIO is absolutely brilliant, well recognized in the IT field and is one hell of a business woman. She’s also a rather serious sort, which is fine. All business.

Somehow I’ve managed to be a good enough little employee and shown enough of my own savvy that she has been willing to invite me to some pretty high level meetings. Yesterday was one such meeting and I was damn lucky to be invited.

In the office were five of us minions from various ends of the business along with the Lady With a C Title.

The IT organization is building a very big and very key component of the business systems here at the ol’ place of employ, so we were on the phone with a third party having a fairly intense negotiation.

The building where the CIO sits is very, very old and a brand new happy IT building is being constructed as we speak. It’s going up right in front of the existing building and will be a little jewel of efficiency and network capacity. Good stuff!

The current building sits on a hill and the windows from the CIO’s office offer a spectacular view of San Francisco and even the Golden Gate Bridge in the distance. When I do get to be in her office, I always sit near one of the large windows and spectate the view.

So there we are yesterday on the call with our CIO and the CIOs from four other large organizations speaking with a third party company about this huge joint effort. My C Level exec was taking the lead on the call and right from the start, things were getting tense.

As she was speaking, suddenly I hear the “bluuuuaaaaaart!” of an air horn. The kind of air horn that an obnoxious fan might bring to a football game. I’m the sort of gal who startles easily so the air horn lifted me a quarter inch off of my seat. As my head whipped around to look out the window to see what, exactly, the frap was going on, I noticed a large bundle of rebar go floating by.

Ah, I see. The construction.

Because I am mature and a professional, I immediately wanted to start giggling like crazy. It was so surreal. “Blah, blah, blah you are not understanding our strict budget requirements…*bluuuuaaaaaart!*… : bundle of rebar floats by: ”

So I looked at my shoes, I looked at my notebook, I looked anywhere but in anyone’s eye because I was about to laugh my fool head off.

Ahem. Then I regained my composure and my serious “umm hmm” look and got back in the game.

About ten minutes later, the CIO is drilling the third party rep, “That is NOT what I told you two weeks ago, you have NOT addressed the key component of this proposal…*bluuuuaaaaaart!*…: floating rebar :”

Oh hell. I can’t keep it together. I bit the insides of my cheeks and stayed strong.

Then a scant five minutes later the third party rep, “…we can only provide this set of concessions because the way our company is positioned, the street won’t look favorably on…*bluuuuaaaaaart!*…: floating rebar : ”

I can only imagine what the guy on the phone was thinking. He had no perspective on what the air horn was about, he just kept hearing it over the line.

Which made me wonder if that wasn’t the greatest negotiation tool ever!

This third time I hazarded a look around the room and found that no one other than me seemed to be affected by the air horn blasts. They were all cool as a cucumber while I was using every tool in my arsenal to hold it together.

The fourth time was the deal breaker. It came at such an awkward moment in the conversation that all five of us minions broke down and started giggling like kindergartners. I looked around the room as we all laughed. All of us. Except the CIO.

Whoops. Ahem.

Thankfully the meeting soon wrapped up and as I took my leave, the CIO thanked me for attending and I managed to stay very serious and professional, but I chuckled all the way to the parking lot.

I may be a well-regarded professional, but that latent childhood hasn’t gone away yet. Nor do I expect it will anytime soon.

*bluuuuaaaaaart!*





Image from The Sportsman’s Guide.




I Keep Looking Over My Shoulder

I think I’m being stalked. I’m not sure how to prove it or what to do about it but I am pretty sure I’m totally being followed. By an otherwordly entity.

I have shouted “what do you want?!?!” but the face of the man following along remains passive, as if my shouts are lost to the cosmos.

This stalker goes by a few names, but we’ll go with Man in the Moon for the sake of ease and understanding. MITM keeps showing up everywhere lately, getting real close and glowy.

In the small morning hours when I head out to work, he’s there, peering over the hills and looking quite chilly yet magnetic. As I ride the train, he rides along but fades away as I get closer to work.

In the evenings as I drive home, he’s there hanging low on the horizon looking quite handsome. The evening attire is more of a warm and inviting yellow tone. He hangs out over the Bay and turns the tips of saltwater waves a golden amber. They wave as if beckoning me to dive in.

I try to ignore his intense gaze and then take a sharp curve in the road. For a moment I think he’s gone but then voop! there he is again, a little less bigger-than-life when taken from that angle but still there staring down at me with persistence.

I thought it was just a couple coincidences, but I’m pretty sure that the moon is chasing me. And maybe flirting with me too, just a little.

For all the world that big shining Snow Moon looks just like a gigantic cosmic Snickerdoodle.

He’s so charming, I just might take a bite.

———

Now tell me this doesn’t look like a snickerdoodle.



The full Moon as seen in Japan on Feb. 25, 2013. Credit and copyright: Masashi Ito.





Photo from Universe Today.




My Awkward Little Canvas

At the end of last month, I attended an artist’s salon hosted by my mentor and photography teacher Marty Springer. At these monthly events, a group of photography students and artists come together to review each other’s work and provide feedback and critique.

The ticket for entry is that you bring a printed photograph for review.

I’ve been feeling pretty unartistic lately, so I went to the salon, but I was unable to bring a print (long story involving the horrific lack of possibilities for serious photographers to have their work printed) and endured the mild chiding from my mentor.

We went forward and had a really good session. The people in this group are fantastically talented.

As we wrapped up Marty issued us a challenge. In addition to teaching, mentoring and being a well-paid professional photographer, she also curates a small gallery at a local public library. This is the venue where we have our annual photography show, and the rest of the year the gallery hosts all manner of art pieces including photos, paintings, mixed media, quilts and more.

Marty told us how she had booked an artist for a show to span the month of February, but he had shown up with all of his pieces so poorly and cheaply framed that they fell off the wall moments after she had hung them. The artist didn’t have the desire to fix his errors, so Marty was left without a show.

This was Sunday night and the show was due to open Thursday.

She told us she wanted to go ahead with an exhibit and we were all invited to contribute. Something was going up on February 1. She spoke to us about February and celebrating Valentines, but more than that, Marty wanted to put a show on the walls that was about love and about healing.

In the wake after the very tense election and then the horrible tragedies in Sandy Hook, Colorado and Oregon, she wanted to have a show that wasn’t all lacy Valentines and light, but something that showed love and strength and healing.

She asked us if we were up to the task. Turns out we were.

I had an immediate idea for a mixed media piece that had been simmering in my mind for a while and seemed perfect for this show. I asked if mixed media was ok since most of the pieces would be photography. She told me not only was mixed media welcomed, but encouraged.

That night I came home, pulled out a blank canvas and gesso’d it (to dry overnight) wondering just how in the HELL I was going to get this done in time. At that point I was two weeks into a new job and still adjusting to a pretty long commute. My hours of free time for working on art were pretty severely limited, but I wanted to try.

This meant I had to edit myself A LOT. I guess watching all the seasons of “Project Runway” had put that thought in my head. “Edit yourself,” I kept saying as I wanted to add more, embellish more, get more complicated and advanced in the few hours I had to complete this piece.

If I was going to make it in time, this needed to be simple, quiet and powerful.

On Wednesday night, only two days after I started the piece, I turned in a mixed media canvas with glue and varnish still a bit damp. My mentor gasped and danced a little when she saw it.




It’s a bit hard to see, but the canvas is actually ripped through, then closed up with thread and staples.


I was so very unsure about turning in this piece because it felt a little…intimate…to be sharing with the world. There is a lot of me in that canvas. Also, other than a county fair a couple years back, I hadn’t exhibited any of my art pieces and showing my creations to anyone other than The Good Man makes me a bit shy.

As I handed it over, I could only see all of the many errors I needed to fix. If only there was time. My nerve began to waver, but I relinquished my canvas to my mentor with the belief she’d find the right place for it in her exhibit.

This past weekend The Good Man and I finally got a chance to get over to the gallery to see my little humble canvas. I almost cried. She found a great spot for my piece and it flows into the show really well. It both stands out and blends in.

It is so very gratifying to see my little mended heart hanging proudly on a gallery wall.




Side note: No wonder the cartoon I posted for Valentine’s Day got to me so deeply! This idea of a broken and repaired heart has been on my creative brain for a while now.

Much gratitude to The Good Man, the great State of New Mexico, The Crafty Chica for the inspiration and know-how.

Photo and canvas are both Copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Photo taken with an iPhone5 and the Camera+ app.