Whoa

If asked to give a one word review of the Kris Kristofferson/Merle Haggard show at the Mountain Winery last night, that would be it.

Whoa.

I bought tickets to the show only to see Merle. You see, Mr. Haggard is part of the essential soundtrack of my life.

Recall my earlier discussion about the task my best friend and I have undertaken? Creating our own version of “The List” for her kids (my godkids)?

We are compiling what we consider to be the music of our lives, music my beautiful godkids need to know as it tells the story of their family.

Yeah. Merle’s on that list. More than once.

So the chance to see Merle live was too much to pass up.

Kris Kristofferson was just part of the ride.

The show started with Kris. Now look, I’m not actually a big fan of Kris as a performer. His voice has always been a bit warbly to my ears. However, I do acknowledge that he is one of America’s premiere songwriters. His name is on many, many of the classics that help make up the tapestry of American music (“Me and Bobby McGee” is only scratching the surface).

So out strolled Kris with and acoustic guitar and a harmonica. Alone. And he played a healthy portion of his own catalog in one hour’s time.

Kris seemed uncomfortable and nervous, but I found his performance immensely intriguing. He laughed when he forgot the lyrics to songs he wrote himself. He rolled his eyes when he hit a bad note on his guitar. And he laughed. It was a really engaging thing to see.

At the end he thanked the crowd for their energy.

Ok, look. Kris Kristoffereson may have just won me over to his side.

Oh, lest I forget. Before Kris left the stage, he invited up a friend. A man by the name of John Prine. Now, I was not familiar with Mr. Prine, but a quick Google led me to volumes of information about the man.

Mr Prine is also a prolific songwriter and responsible for a lot of the heart of folk music. He’s also one of the writers on the song “You Never Even Call Me By My Name” made swaggeringly famous by David Allen Coe.

God, I love that song.

After Kris and John had played a tune, they invited up another friend.

A lady by the name of Joan Baez.

Yeah, look, I’m neither hippie nor baby boomer, but I was still in awe of the talent standing there together on the stage.

It was truly unforgettable.

At the break, there were ladies crying in the restroom, sharing stories of what the music of Joan Baez and John Prine meant to them.

It was less of an emotional thing for me, and more of a “whoa…I’m so proud I got to see this.”

And then…

Oh and then…

Merle finally took the stage. I couldn’t believe it. I might have started to cry a little bit myself.

I kept saying, “I can’t believe I’m here, eight rows away from Merle Haggard!”

Ol’ Merle is 73 years old and survived the removal of a malignant tumor on his right lung a couple years ago.

So he started out a bit slow, and the voice wasn’t quite there.

But he warmed up nicely. Soon enough, he was bringing the heat to songs like “Momma Tried” and “Big City”.

Merle started out the night with “Twinkle Twinkle Lucky Star” and sailed through his own songbook, ending with “Oakie from Muskogee.”

He invited Kris, John and Joan to come up and join him for that last one.

As The Good Man and I first got to the venue and we had to navigate all the Mercedes driving, wine sipping, self-entitled looking Northern California people, I texted my best friend that it was times like this where I question why I ever moved to California.

By the end of the night, looking at four legends of American music on one stage, I remembered. Back in my growing up years in New Mexico, it was unlikely we’d get a show like that. I moved to California for the art, the music, the creativity that runs through the Bay Area.

The kind of place where Joan Baez is just sitting in the audience and is casually invited up on stage.

So ok.

I used The Good Man’s iPhone to capture about 30 seconds of video. The image is terrible but the sound is all right. This is the last 30 seconds of the show, Joan, John and Kris are gathered together at the left. Merle is in the middle.

They are all warbling and off key and Joan’s mic is too loud…and still…it’s a beautiful moment in time….

(may have to double click the box below to get it to play, click again to stop)



And that’s doin’ it right

If you are a fan of any professional sport, major or minor in their designation, then over the course of your life, you’ve heard a LOT of renditions of the “Star-Spangled Banner”.

T’was written by Francis Scott Key and set to the tune of a drinking song. Where there is beer, oh yes, they’re playing our song!

And, may I quote from Wikipedia, “With a range of one and a half octaves, it is known for being difficult to sing.”

So much so, that large crowds will actually applaud a performer who can hit all the notes. That is a rare performer. Very rare, indeed.

In fact, over the course of my life, I’ve heard quite a few very, very bad renditions of our country’s anthem.

I’m not talking about local first grade choruses limping and wheezing through the tune or the high school marching bands galumphing and cymbaling their way along.

No, no I find those charming, actually.

What get’s me are the hand waving, trilling, note runs that many people (especially young ladies) try to throw in there to make you *think* they are hitting the notes, when they are, in fact, not.

I once heard a man at AT&T Park with a deep baritone voice who sang the song and dropped the highest notes of the tune down half an octave, and it sounded fine. Lovely, in fact, and we didn’t have to watch him struggle to hit impossible notes.

I find it’s the people who go easy with it and don’t try too hard that make it through all the ups and downs of the Star Spangled the best.

This past Sunday, just when it appeared the SF Giants vs Oakland A’s game was due to start, The Good Man and I saw a vision in pink descend the steps to the field and enter the grassy area, bowing low to allow her very tall Glinda the Good Witch crown to clear the gate.

“Oh wow!” I cried out, “It’s a performer from Beach Blanket Babylon!”

BBB is a long running San Francisco musical stage show. Bawdy and very vaudeville in nature, they tend to make fun of current events.

They are also known for their top-notch performers, so I figured this was going to be fun.

On this day, we were treated to a lady by the name of Misa Malone, a recent addition to the BBB cast, and she was out in full Good Witch regalia.

You know, it’s awfully hard to ignore a lovely woman in a huge fluffy pink dress and a bouffant pink wig. It was even harder to ignore Ms Malone who took her time with the Star Spangled and used her immense vocal power to master that difficult song from the first note.

I admired how she used her breath, taking in air in places amateur singers tend to over look, taking air wisely to get power to her pipes in time to hit those high notes.

And hit them, she did, which earned wild cheers and applause from the crowd.

I have to say, not only did she sing the you-know-what out of that very difficult song, she also *owned* that crowd of almost forty thousand people.

We were all paying rapt attention to every note, every syllable, every gorgeous smile she handed out like candy.

THAT is a true performer.

Wouldn’t you love to have the power to command a room, much less a stadium, like that…just once?

I sure would.

____________________

Had I managed to have a memory card in my camera (see yesterday’s post) I would have provided an awesome photograph of Ms Malone at the park.

Instead, you get a photo of Prince Charles looking very awkward with the BBB cast. To the far right is not Ms Malone, but it IS the costume she wore on Sunday.

I am sooo, like, you know, literate!

For my recently celebrated birthday, The Good Man scored me a most awesome present.

I gots me a Kindle!

Oh my stars and bars, how I love that Kindle.

We’d had a lot of philosophical talks over Sunday morning breakfast about iPad vs Kindle and what did we *really* want from such a device.

I thought it was all idle chatter until a Kindle showed up under all that wrapping paper.

Fabulous!

So, being the cheapy cheaperson that I am, I immediately went to the free section of the Kindle store on Amazon, and began downloading my bootie off.

I did pay for a couple books that’d I’d wanted, like the new Jeannette Walls book, “Half Broke Horses” (a five star recommend from me! This and her first book “The Glass Castle“), but mostly I downloaded the free stuff.

There are a few for free trashy romance novels in there. I downloaded a couple but I doubt I’ll get to them.

The biggest portion included in the free section are books that are in the public domain, meaning their copyright has expired.

I guess anything published prior to 1930 is now public domain. There are quite a few of the classics in the free collection.

Let’s be honest here, I wasn’t exposed to a lot of the classics during the course of my education. Ok, some of the basics. “To Kill a Mockingbird” was on the list. “Grapes of Wrath” (haaate it!) was a forced read. And there was also a lot of bits and bites, but not full books. No “Scarlet Letter” or “Moby Dick” made it across my transom.

On the other hand, The Good Man has read almost all of the classics, many more than once, and it’s no wonder he’s so much more well spoken and intelligent than me.

But! The Kindle may just even out the game.

I have things like “Alice’s Adventures in Wonderland” and “The Jungle Book” and “The Last of the Mohicans” and “Pride and Prejudice” to name just a few that are loaded up and ready for me to get into.

I also have beautiful classic books that I have already read like “Red Badge of Courage” and “The Secret Garden” and “The Velveteen Rabbit” on the Kindle. They are like old friends, lost to the sands of time, who have returned to me.

My only issue is that sometimes I have a hard time reading the classics. The language or style can be tough.

I do love the Kindle’s in line dictionary that makes looking up tough words a snap.

But all the Oxford English Dictionaries in the world can’t help me get around some of the archaic language.

Right now, The Good Man and I are taking on our latest book club title. It is just us in our book club. We read together and then discuss.

Currently we are reading “The Picture of Dorian Gray” by Oscar Wilde. The Good Man is a confirmed Wilde fan. Until I got the Kindle last month, I’d read zero Wilde. I started with the play “The Importance of Being Earnest” and really enjoyed it.

But I’m finding ol’ Dorian Gray to be a bit of a slog. All the reasons that The Good Man likes it, the deep thought and philosophizing…well, that just makes me ape sh*t. I want some story to move the thing along!

I’m doin’ it. I’m chugging though the pages. Currently about halfway done. The story part of the story is really fascinating. Well drawn characters and quotable pithy sayings.

But the expository pieces that run for pages and pages are about to make me insane. I *know* that’s why people love Wilde and I *get* that he was a great thinker and artist of his time.

But damnit! I’m just a girl who likes a little Louis L’Amour sprinkled in her day. There is a cowboy, he fights another cowboy over stolen cattle or water rights, and then gets the girl. The end.

I know, I know. This high-minded literature stuff is good for me.

And I really am enjoying it.

Tell me, what do YOU make of: “But he never fell into the error of arresting his intellectual development by any formal acceptance of creed or system, or of mistaking, for a house in which to live, an inn that is but suitable for the sojourn of a night, or for a few hours of a night in which there are no stars and the moon is in travail.”

I spent a while working on just that one sentence. I get it now, but my brain is tired.

Maybe wearing out the ol’ brain on classic literature will help stave off dementia. It’s a nice thought, anyway.

I love having new toys!

Especially photographic type toys.

Yay plastic cameras!

After lusting and longing for a while, I finally broke down and spent some money on a Fuji Instax instant film camera.

It’s like a Polaroid, only a Fuji brand. You know, *coff coff* a financially solvent company?

Anyhow, this fabulous little Instax makes very small instant photographs, they are 2 x 3.25 inches in size.

I LOVE that I have an instant photo camera again!

It hearkens me back to my youth. One Christmas holiday, I got a Polaroid under the tree. Oh what a fabulous present!

I could spend my allowance on buying Polaroid film, which was fairly cheap back then, and then run around snapping photos of whatever I saw with *instant* gratification!

Ok, sure, these days digital cameras provide that instant look at the photo you just took, but there sure is nothing like the sound an instant camera makes after snapping a photo. The motor engages and it shoves out the cloudy photograph. Oh the sweet agony while you wait excitedly for it to develop.

Gah! I love it!

So as I do with every new camera I buy, I take it out of the box, ooh and ah over the features, load up the film or memory disk, and then turn it on and point it at the Feline.

She’s my test model for all new photo and video devices in the house.

Ah, the long suffering Feline….

(scanned photo, not actual size)

And yet, she always manages to strike a pose. I really do think she’s getting better at this job of supermodel.

“I won’t get out of bed for less than two scoops of kibble.”

Such a Diva.

Harumph!

And yet…she sure knows how to work the camera.

As for me, I’m still giddy with the fabulous gadgety goodness of it all!!

Show and Tell Time

Since yesterday was a whirlwind of deadlines and today is a whirlwind of meetings, I thought for the blog today I’d share a bit of what I was working on yesterday.

The deadline was for the Arthouse Co-Op, located in Brooklyn.

I participated in a project they have going called The Fiction Project.

They sent me an 80 page Molskine notebook and challenged me to fill up the pages with stories. My topic for the stories was, “And suddenly…”

Whoo. And I thought this was going to be *so* easy to do. I love to write short stories and flash fiction. What a snap!

Silly me.

It was a fun challenge. Writing the stories wasn’t even the hard part, though it was hard enough. The rough part was in actually putting all the stories into the book in some coherent form. It’s harder than you’d think.

I thought I was done and had a full book of stories, but when I glued it all into a first draft piece, I still had four pages left to fill.

I suppose I could have left those four pages blank, but that seemed like cheating.

So I sat down to dash off something quick.

Dash off something quick. Har, har. Of course, that’s when writer’s block set in.

Anyhow, it took a while, but when I did finally write, what is below what came through.

It’s in need of more editing, but as I ran out of time, I had to just run with it. This is what covered the last four pages of my Moleskine book. For your perusal.

It’s called “And Suddenly…It’s Over”

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I look at my oldest, most reliable friend and plead silently, “speak to me!”

The blinking eye of the cursor just beats a perfect metronome rhythm back at me, waiting. The whole empty white page, devoid of the text I yearn for so much, mocks me openly.

I love the words, the black squiggles and marks on the page. Words that express how I feel, how I want to feel, how I ought to feel. But the words don’t flow so easily from my veins.

I plead with the empty page to fill up quick, but it never helps. So I take another course and appeal directly to The Muse. She is recalcitrant and obstinate, but I goad her along.

She wakes from her satin sheets, stretches her pale, lovely long arms, and rises.

“Oh, all right,” she concedes after I’ve wooed her with mimosas and caviar.

And so we sit down to write.

I step back, ceding control of my body, my thoughts, and my mind to The Muse. I let her dance. I let her sing. I let her weep if that’s where she wants to go.

I am at her service, totally, completely.

We write tales of the life cycles of the human, of cranky old men with faithful dogs riding in rusted old pickup trucks. We write of lost girls with music in their head and small town girls finding their way in the big city. (editors note, these were the topics of the other stories that filled the book)

Sometimes we write of horses and cows, other times about diamonds and millionaires. We write of everything and nothing. All of it and more.

Today, however, this day when there is nothing I want to do more than write, I can’t manage to coax her to give more than a single paragraph.

This is the worst. We begin the takeoff sequence, the words start to form, but I can’t get wind under my wings. Soon we stutter and the engine fails. We write, but then we don’t get very far before we don’t write anymore.

The cursor blinks. Waiting.

I sit, begging, pleading with her. I try to do it on my own, force the words to come through, but each letter oozes painfully out of me like blood from a fresh, deep wound. It’s not natural like when she does it.

I used to think this was a terminal condition, this writer’s block, and would last forever. Over the years I’ve come to know that the diva inside of me, she of all the ideas and brilliant turns of phrase, will always come back. No matter how firmly she leaves or how far she goes, one day, I know she will return.

And she does.

She’ll always find a way to embody my fingers and my soul because she just can’t resist. The pull toward the joy we feel in those moments when the words flow free is too great. It’s like an addiction, stronger than any drug or drink.

We write because we must write.

And so today, I wait her out. The first paragraph is written and I wait, blinking in time with the cursor.

If I don’t squeeze too hard, if I don’t press her, it will happen.

Magically, it will happen.

So I avert my eyes and pretend it doesn’t matter. I fix a cup of coffee and I read the news and I say in a sighing way, “oh, I guess we’re not going to write today.”

And finally, when I’ve got her fully convinced that it just doesn’t matter, The Muse shows up with a “who me?” look on her face and suddenly has the will to write.

So we take another go at that runway. Faster this time, we let the words start to flow free. Soon, with enough speed and plenty of ideas to fuel our ascent, we break away from the land below and we begin to rise.

The adjectives and adverbs and participles flow smoothly over the wingtips and we soar, together, my fingers are her engine while The Muse is pulling all the levers.

It’s magnificent. Suddenly, we kill off the main character and bank hard to the left. Oh this is a great run. Then a plot twist, some suspense, upward we climb, faster, faster.

And finally, when it feels like my fingers might snap off from the speed and the altitude, the climax of the story arrives and we climb to impossible heights and finally crest that hill.

Once over the apex we begin coasting down the story arc of the glorious dénouement.

Then, the story draws to a close. The engines slow, the fingers wind down, and we touch gently back to down earth, weary but fulfilled.

Flaps come up, we coast to a stop and ease our rig back into the slip.

And suddenly…it’s over.

It is then, with much melancholy, together we type the words…

The End