On Tenacity

Earlier this week I received the results of a competition I had entered, and for which I held out great hope. It was related to my writing and even an honorable mention would have been a huge step forward for me.

While entering I knew it was a long shot, but I really believed I had a chance.

Predictably, when the results were announced I was nowhere in the list, and yes, this got me a little down.

That’s the trouble, sometimes, with having hope. A burgeoning flower bud of belief can so easily get ravaged by insatiable locusts (over dramatic metaphor alert!!!).

When one is a rather sensitive artist type, it’s hard not to feel steamrolled at such times. Then again, what separates the doers from the dilettantes is tenacity.

So after feeling mopey for several days I am starting to rally. In defeat my resolve becomes just that much stronger.

For almost two years I have been using a really wonderful service that forces me to submit writing to literary journals every quarter. They are strict taskmasters and they keep me focused.

Once every three months I send out about thirty submissions, of which most of them are rejected. This means piles and piles of both email and snail mail arrive at my door just to say “you are not a good fit.”

Amazing how something like two hundred rejections can really make a girl immune to the woes. It’s like a pair of ill-fitting shoes. At first it hurts, then it makes a really painful blister, then finally a callus forms. The thin skin has toughened to endure the scraping.

Like that.

This morning I was thinking back to about seven years ago, back before The Good Man and I had married, and he was living in San Francisco’s North Beach. A really cool new art store had opened on Columbus Ave. near his place and I was just beginning my foray into the visual arts. Visual arts were a big departure from writing, which had dominated my creative juices for so long.

I loved everything about the art store and bought quite a few supplies there. One day they had posters up announcing an auction. Customers were invited to submit art works and the store would display them and then at the end of the month, the store auctioned them off for charity.

Great! I was on board. I created an item to give to the auction and when The Good Man turned in my piece for me, he was asked to put a starting bid. Because he loves me and encourages my work, he put the amount of $50 as a starting price instead of starting at zero as most other artists were doing.

Later, when we walked into the store to see my stuff on display, my piece was at the very, very back of the store among the tools and shelves where they stretch canvas. My work was clearly more amateur than the rest of the offerings and it stood out as the only one using the photographic medium, but ok. It was on display which was a huge rush.

When the auction was finished, they called to ask me to come pick up my work. The rather arrogant and sniffly clerk informed me bluntly that my piece was the ONLY one that hadn’t sold (meanwhile, he gave us a flyer so we could attend his exhibit of butt ugly paintings at a local small gallery).

I was, of course, embarrassed beyond belief, humiliated and totally crushed. Being judged by a more experienced (and in my mind, more talented) artist just about did me in.

Just thinking about it still gives me shudders of embarrassment. This morning in the wake of my recent defeat I thought again about this experience. I recalled today that among all the donated pieces, my work was the only one that listed a starting bid.

All others put in a starting bid of $0, and they all sold. Snotty clerk said they didn’t have a lot of bids and bidders. All of this means that at the end of the auction, someone could have thrown $5 at a piece of artwork and would have won.

Today I understand that instead of being sheepish about that whole thing, I should be proud. I may not have sold my work but I valued my art enough to put a price on it.

Which is stronger? Valuing my own work and not selling it at that auction, or giving it away for free, thus saying the value of my work is nothing?

I know which one I choose. Today I have straightened my spine and I feel a little better.

In defeat, my mettle is being tempered, and that only makes me stronger.









Image from ScienceGuide.nl.




Let’s Get Caught Up

There I was complaining about Monday and suddenly it was Thursday. Where do the days go?

Oh, right, twelve hours engaged in job plus commute, eight hours sleeping, let’s see, that leaves exactly four hours for having a nosh and nuzzling my husband and using the ladies room. That is not much.

Excuses, excuses! Let’s get caught up!

Last week I told you about the new Photography Group that I had joined at work and my anxiety about it being a predominately male group (only three ladies) and men of science at that.

Well, I attended my first meeting yesterday. The cost of entrance was to upload two photos to our sharing site that are in line with the assigned theme. This month’s theme was depth of field/bokeh.

Fair enough, I had a couple photos I wasn’t ashamed to show.

Turns out it was a pretty nice group of guys. Yes, very scientific minded. Quite nerdy really, in that cool way that scientists who do major world bending research can be. Think the middle aged version of “Big Bang Theory.”

Let me just tell you this: Having an optical physicist evaluate your photo brings a whole new perspective to photography.

This guy showed off a little by asking what lens was used and what f/stop on one of the team’s photos, and then told us why the bokeh bubbles were shaped the way they were (if you look at bokeh photos you’ll see some are round, some are pentagons, some are hexagons, etc). It was actually fascinating, not that I could recite it again for you.

Something to do with the angle of the light and the shutter speed and the curvature of the glass on the lens along with focal point. He called the sides of the bokeh bubbles “blades”. Weird, yet cool.

Plus, his eye for the lighting and focus in the photos was like none I’ve ever seen.

All in all, it was a successful first meeting and we talked about the club’s upcoming photo show. I’m already trying to decide which photos I will add to the exhibit. Evidently they set it up near the cafeteria and as people walk by and see the photos, they are encouraged to vote for their favorite. Well ok!

In other news…

The meeting was held at the main site for our employer and I work at a remote location. I was able to secure the official department car to make the journey.

This ding-dang thing is a Ford Escape hybrid. My first issue was turning the thing on. I turned the key, it did nothing except blink a few lights at me. Now, in my beloved Jeep, if I turn the key and only get lights in return, it’s time to visit the mechanic. Not so with this thing. I kept cranking the key and it kept blinking at me.

Maybe it’s just me, but I like a nice solid rumble to my car’s ignition. Nice American metal that growls a little at start up and purrs at idle. Not the “oh yes thank you” silence of this thing! Bah!

The next problem is that the car was made for a Lilliputian, which I am most certainly not. I drove with my knees at my earlobes and when I whipped my head to the side to see if one lane over was clear, I bonked my head where the roof meets the window. I can’t even imagine the very tall Good Man trying to drive this thing.

The third problem is that my destination is at the top of a very steep hill. I usually drive my straight six Jeep up there, an engine made for towing and scaling hills. This little hybrid bucked and faltered and demurred the whole way up. I wanted to put one foot out the door to help push the thing up the hill. Lame!

But it got me there and since parking is quite limited at the main site, company cars get reserved spots. It was totally worth the trouble.

In other, other news…

After a long string of beautiful California days, it’s raining again. *sigh*

Though I’m not surprised. When I moved here a wise native gave me many rules of thumb for life in the Bay Area, one of which was, “It always rains for Easter.”

Indeed it does.

Well that’s where it’s at for this Holy Moly I can’t believe it’s Thursday.






Bokeh-riffic!




Photo by Abhishek Jacob and used under a Wikimedia Creative Commons license.




I’m So Arty. And Maybe A Little Farty.

It’s been two months now at the new gig and I’m really getting into it. The job, the management and the culture are all really in my wheelhouse. Even though I’m crazy busy and working hard, I really do like the job.

So I guess at sixty days into this gig I am making plans to hang around a while. When I went through new hire orientation, they talked up their employee activities program and mentioned that there are a lot of strong clubs here at the company. It seems most employees participate in at least one club. It’s not required, people just want to be involved.

Cool!

I took a look at the list of clubs and the one that jumped out at me was the photography group. Rock on! I haven’t been shooting much lately and I certainly need a kick in the butt. I belong to a photographer’s salon group where once a month we meet and critique images, but I felt like this new group would really expand my horizons.

I dropped an email to the co-presidents of the group, two female coworkers, who were listed on the webpage and told them I’d like to be part of the group. They answered pretty quickly and said they were actually the last year’s co-presidents (the webpage is out of date) and handed me off to the new leadership. In closing, one of the women said, “I’m so glad another woman is joining the group. It’s mostly men right now. They are all nice but it’s all men!”

Oh. Well ok! My photography teacher and mentor has spoken about this. She has been a professional photographer for a long time and has dealt with the male dominated world of photography for years. I’m unsure why it’s still so heavily male dominated, but fair enough. I know my work can stack up.

I got an invite to the online user group and to the meeting coming up next week. I also got access to the club’s site where members upload their photos. Each month there is a theme and a contest to pick a winner.

Whooo doggies, the photos on that page are really good but they are all very technical. I don’t feel a lot of emotion in the photos. Then I recalled that I work with mostly engineers and scientists. Yeah. These are the kind of folks who will sniffily say they only shoot in manual and can calculate the exposure triangle in their heads.

I have taken other photography courses, including a class from a well-known and well-respected landscape photographer. That guy wasn’t too uptight about the stuff, but several of the men in the class were. One guy challenged me on the spot to calculate the exposure triangle for a particular photo and I said, “Nope. I don’t need to. I shoot in Aperture mode and am happy there.” He looked like he had bad gas and walked away from me.

Look, I know *how* to calculate the exposure triangle. I just choose not to.

So we’ll see how this group thang goes. I decided I should put together a quick portfolio of photos to show the rest of the group what I’m about.

What do you think?





“Knob” — I feel this piece speaks to the inaccessibility of the world and the challenges of just getting past closed doors. Should you walk away or bang on the door demanding to be heard? That is for you to decide.





“Elusive” — This is a study in hiding behind false coverings, like the fur that covers a Cranky Feline. And the need to hide behind artificiality and illusion. The grain reminds us of the blurry nature that life presents and the need to have better lighting.





“Have A Seat” — The black and white really captures the moodiness that comes with the decision of whether or not to have a seat. The push-pull of subverting yourself to the will of powers greater than you or maybe standing up to fight instead. This thought provoking piece required meticulous set up and lighting.



I think I am a shoo-in for high praises and honor from this new club. I can hardly wait to reel in all my accolades!





All photos Copyright 2013, Karen Fayeth, and subject to the Creative Commons in the right column of this page. (why would you steal these masterpieces anyway?). All three taken with an iPhone5 and the Camera+ app.




And Around. And Around. And Around.

While sitting on my tuchus being completely idle this weekend (yay!) I flicked through my Twitter stream to get caught up on what is happening out there in Interwebs land.

I came across a tweet from Penn Jillette (one half of the famous duo Penn and Teller) that said, and I quote:

“You might not want to watch this. You really might not. It’s kinda sorta dangerous funny. It hurts. http://www.youtube.com/watch?v=cpfQSqfpuac

(if you are feeling like a laugh, go on and do a click for yourself).

So because I love and trust Penn and I needed a laugh, I clicked the link. What I found was a Taylor Swift video for the song “I Knew You Were Trouble” and in some of the high wailing parts, someone had substituted a bleating goat for the vocals.

I watched it three times. It was indeed very funny.

Just for the sake of reference, I then watched the actual video from Taylor Swift for “I Knew You Were Trouble” (well most of it anyway) and as I watched her writhing around in the dirt, I wondered to myself who this song had been written about.

It’s fairly well known that Ms. Swift likes to write such songs about broken romances. A quick Google search led me to the answer. Mr. Trouble turns out to be Harry Styles from the Brit pop boy band One Direction.

Now, as an over forty year old woman, Mr. Styles doesn’t look like an ounce of trouble to me, but I suppose I understand where she’s coming from. Who among us ladies hasn’t written pages and pages of journal entries about a romance gone wrong and maybe even some bad poetry too? I certainly have, I just didn’t have the platform that Ms. Swift enjoys for such endeavors. But I totally support her right to say what’s on her mind and be super angsty about it too.

So now that I knew Harry Styles of One Direction (by the way, doesn’t Hairy Styles sound like an awesome name for a barber shop?) was the object of this sad song, I recalled that my kid sister-in-law (not so much a kid anymore, she’s 13, it’s a long story) absolutely looooves One Direction, though her affections tend to lean toward one Mr. Liam Payne.

Then I noticed that YouTube suggested that after watching the Taylor Swift video I should watch the super hot OMG hot hot brand new song from One Direction called “One Way”.

“Why not?” I thought and gave it a click.

What presented itself to me was a video of five boys who probably aren’t old enough to have pubes singing a bee-boppy rendition of the kick ass Debbie Harry song “One Way or Another” from 1979.

You know? “One way or another, I’m going to find ya’/I’m gonna get ya’, get ya’, get ya’, get ya’/One way or another, I’m gonna win ya”

(To all whom I’ve just earwormed, I do apologize. It couldn’t be helped.)

So as these boys wriggled and mugged their way across London, I felt a sadness in my heart. I emitted a sorrowful sigh.

The tough as brass song written by the beautiful and punk rock Debbie Harry is now being autotuned and smoothed up for a boy band. The catchy lyrics written in the wake of a stalking ex-boyfriend are now fodder for little girl swoons and cutesy thoughts of dating a One Direction lad.

Oh boy. Er. Boys? If the song had been redone and there was a new or original take, then by all means go for it. I am not against remakes, I am, however, against remakes that take the soul out of a great song.

Certainly Ms. Debbie Harry, as the co-writer of the song is enjoying much windfall from the pop redo of her music, but damn. It hurts just a little, in my soul.

Later over breakfast, The Good Man and I discussed this song and video since it was still very much on my mind.

“I suppose it shouldn’t bother me that teens are listening to this crap because I listened to some poppy boy bands in my era. Like, for instance, Duran Duran,” I said.

But then I realized something…yes, Duran Duran was a schlocky boy band and yes I swooned over the poster I had of the five of them on my bedroom wall (John was my favorite) but at least they 1) actually played their own instruments and 2) wrote many of their own songs.

Ok, yes, fine, I know that remaking songs is a common occurrence and in some cases, the remake is WAY better than the original (Hendrix’s “All Along The Watchtower” for example). I also know that in the history of music there have been hundreds of over engineered boy (and girl) acts doing their soulless little dance with deadened eyes and walking down a life map that probably leads to either ultra-thumping-Christianity or deep and abiding drug use…or both. And I know I can’t stop it, nor should I try.

But I also can’t help seizing up a little whenever I hear great music so profoundly bastardized.

My thirteen year old sister-in-law is actually an excellent musician in her own right and I have to trust that over time she will learn to see that you can have both quality music written and played by the musican AND a hot guy to look at. Jim Morrison springs to mind, but let’s see if I can come up with someone more current….I know, how about Bruno Mars or even Jason Mraz?

Losing argument, I know. As long as there are dollars in auto tuning them thar children, the shlock pop is always going to keep coming around.




Shaddup Grandma! One Direction is the best band ever!




Image from the spydersden blog




My Awkward Little Canvas

At the end of last month, I attended an artist’s salon hosted by my mentor and photography teacher Marty Springer. At these monthly events, a group of photography students and artists come together to review each other’s work and provide feedback and critique.

The ticket for entry is that you bring a printed photograph for review.

I’ve been feeling pretty unartistic lately, so I went to the salon, but I was unable to bring a print (long story involving the horrific lack of possibilities for serious photographers to have their work printed) and endured the mild chiding from my mentor.

We went forward and had a really good session. The people in this group are fantastically talented.

As we wrapped up Marty issued us a challenge. In addition to teaching, mentoring and being a well-paid professional photographer, she also curates a small gallery at a local public library. This is the venue where we have our annual photography show, and the rest of the year the gallery hosts all manner of art pieces including photos, paintings, mixed media, quilts and more.

Marty told us how she had booked an artist for a show to span the month of February, but he had shown up with all of his pieces so poorly and cheaply framed that they fell off the wall moments after she had hung them. The artist didn’t have the desire to fix his errors, so Marty was left without a show.

This was Sunday night and the show was due to open Thursday.

She told us she wanted to go ahead with an exhibit and we were all invited to contribute. Something was going up on February 1. She spoke to us about February and celebrating Valentines, but more than that, Marty wanted to put a show on the walls that was about love and about healing.

In the wake after the very tense election and then the horrible tragedies in Sandy Hook, Colorado and Oregon, she wanted to have a show that wasn’t all lacy Valentines and light, but something that showed love and strength and healing.

She asked us if we were up to the task. Turns out we were.

I had an immediate idea for a mixed media piece that had been simmering in my mind for a while and seemed perfect for this show. I asked if mixed media was ok since most of the pieces would be photography. She told me not only was mixed media welcomed, but encouraged.

That night I came home, pulled out a blank canvas and gesso’d it (to dry overnight) wondering just how in the HELL I was going to get this done in time. At that point I was two weeks into a new job and still adjusting to a pretty long commute. My hours of free time for working on art were pretty severely limited, but I wanted to try.

This meant I had to edit myself A LOT. I guess watching all the seasons of “Project Runway” had put that thought in my head. “Edit yourself,” I kept saying as I wanted to add more, embellish more, get more complicated and advanced in the few hours I had to complete this piece.

If I was going to make it in time, this needed to be simple, quiet and powerful.

On Wednesday night, only two days after I started the piece, I turned in a mixed media canvas with glue and varnish still a bit damp. My mentor gasped and danced a little when she saw it.




It’s a bit hard to see, but the canvas is actually ripped through, then closed up with thread and staples.


I was so very unsure about turning in this piece because it felt a little…intimate…to be sharing with the world. There is a lot of me in that canvas. Also, other than a county fair a couple years back, I hadn’t exhibited any of my art pieces and showing my creations to anyone other than The Good Man makes me a bit shy.

As I handed it over, I could only see all of the many errors I needed to fix. If only there was time. My nerve began to waver, but I relinquished my canvas to my mentor with the belief she’d find the right place for it in her exhibit.

This past weekend The Good Man and I finally got a chance to get over to the gallery to see my little humble canvas. I almost cried. She found a great spot for my piece and it flows into the show really well. It both stands out and blends in.

It is so very gratifying to see my little mended heart hanging proudly on a gallery wall.




Side note: No wonder the cartoon I posted for Valentine’s Day got to me so deeply! This idea of a broken and repaired heart has been on my creative brain for a while now.

Much gratitude to The Good Man, the great State of New Mexico, The Crafty Chica for the inspiration and know-how.

Photo and canvas are both Copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Photo taken with an iPhone5 and the Camera+ app.