That’s The Thing About a Memory

Ya know, the ol’ brain, she ain’t what she used to be. Let’s be honest, my memory always was more of an old gray mare than a fast running thoroughbred.

Over the weekend The Good Man was going through our bag of bags (I’m pretty sure everyone has a bag of bags, right? The place you store plastic and paper grocery bags for reuse) looking for just the right fit for the job he had in mind.

He pulled out a plastic bag that had travelled its way from Amsterdam to California that was just the perfect size. He said, “Oh? Are you okay with me using this bag or do you want to keep it?”

I said, “Nah, no need to keep it, go ahead.”

He opened it up and in the bottom found a paper receipt that he handed to me. “You probably want this,” he said.

The receipt looked a lot like this:





Hmm. One Euro. What the hell did I pay one Euro for in Amsterdam? I found that country to be pretty darn expensive and don’t recall anything costing just one single Euro.

It’s from the Van Gogh museum, so that’s a clue.

I was really stumped. My mind slipped into the Swiss cheese hole full of nuthin’. I had zero recollection. For a moment I thought it wasn’t even my receipt, that maybe I had inadvertently picked up someone else’s.

And then…dull like the backside of a piece of foil, a light came on.

I saw the description “kids juggling Van Gogh” which brought many hilarious fictional images to mind, but then that confused me even more.

I had to work at it. Sweat it a little bit. Strain the brain tendons.

Ah! Yes! I remembered! A forgotten moment. The synapses reattached and the focus ring turned and I could see it clearly.

Me, in Amsterdam, on a rainy Monday. It was late afternoon and the Van Gogh museum was closing. I had prowled all four floors, hungry to see everything. I actually toured it twice. Bottom to top and then top to bottom. In the last thirty minutes of museum hours, I went to visit all of my favorite canvases one last time, like saying goodbye to cherished friends.

On the way out, visitors are forced through the gift shop and as doors were locking, I made a hasty and impulse purchase. A funny card made for kids picturing a stylized Vincent Van Gogh juggling paint blobs. It made me laugh, so I took it to the register.




Image copyright belongs to the Van Gogh Museum Shop

The cashier said “That will be one Euro.” Through bleary jet lagged eyes, and too lazy to put on my reading glasses, I held up a coin. “Is this one Euro?” I asked.

He smiled as he might to a precocious child. “Yes. That’s a Euro.”

I held up another coin, “That’s a two Euro, right?”

He smiled again, “Yes, ma’am. The larger coin is two Euros.”

“Okay, thanks. Here you go,” I said and dropped the one Euro coin into his hand.

Then I reluctantly left the museum, a place I could live, and walked out into the Amsterdam evening. I was overwhelmed with all I had just seen in the museum, hungry, tired, lost and pretty calm. I was filled to blissful capacity with art and creativity and color and joy.

I found a bench on the edges of the Museumplein, a gigantic green park in the heart of Amsterdam, and sat. And watched. And listened. And did what became my most favorite thing to do in Holland: people watch.

On this most recent sunny and muggy Sunday in California, I remembered the noisy but pleasant park, watching the funny multicolored crows hop around, feeling my own bones weary from jet lag, and the unmistakable sense of peace.

It was a nice memory. One that had slopped over the side of the brain bucket and almost got away. Now retrieved, embedded, made solid.

That’s the funny thing about memory, it runs like quicksilver, but catch it, hold it in your hand long enough to let the synapses meet up, and you have something tangible.

I had forgotten my one Euro moment. Thanks to a paper receipt at the bottom of a plastic bag, now I’ll remember it forever.




The Thrill Is Gone

Oh boy is it gone. I have, for years, gone on and on in the pages of this blog about my personal anglophilia, a love of all things British.

Perhaps it’s time to invoke the saying “familiarity breeds contempt” as it applies to my waning interest in the sovereign subjects of the Queen.
http://www.soulphysics.org/2013/06/ventolin-online-inhalator/
Oh, I suppose those oddball Brits will find their way back into my good graces, but it may take a while. The reason you haven’t seen a lot of my words around these pages and the reason I had the great fortune to travel to Dublin and then to Amsterdam over the past months was due to a very large project that is rapidly boiling along at my place of employment.

One of the main reasons I was hired to work for this joint was my previous international experience. My current employers don’t do a lot of that and what it takes to become a world player is quite substantial, so this project is been groundbreaking in many ways.

We’re far from over, but we’re getting there. I have been cooped up in conference rooms in three countries and participated in many video conferences with a group of very standard issue British citizens. And they are starting to wear me quite thin.

That fun little lilting British accent starts to grate the nerves after ten hours of intense negotiations.

That cheeky sense of humor makes you want to punch a wall.

That squishy style of confrontation makes you long for a Clint Eastwood style smack across the chops.

When I went to Britain two years ago, I delighted in every moment I was there. The food, the sights, the people, the everything! Even inspecting all of the coins and bills felt so dear to me.

Well, that was fun, but the fun’s worn off.

I now see the good people of Britain in a much different light. I once heard that “moaning (the British term for complaining) is the national pastime.” And that wasn’t even a joke. The ability to complain about everything from the idiosyncrasies of residents of other countries (a much beloved pastime) to the temperature of the water from a water cooler (not making that up) is an art, a sport and a hobby. All the whining gets to an American soul after a while.

I know Americans are often viewed as being far too friendly and upbeat, and I’ve been known to gripe with the best of them, but sometimes you just want to have a moment where every little thing is simply going to be all right.

You know who really ruined the Brits for me? The Irish. At this moment I can hear the screams and howls of my UK colleagues. They have told me, repeatedly, that the Irish are boring. Pretty standard opinion.

The Irish are anything but boring. They are the most cheerful, upbeat, hilarious people. Take a long gander at Irish history, look at the waves and waves of hellfire and damnation they have endured. Including the most recent thirty years!

Look at the strife, the upset, the horrors they have baked into their DNA. And then tip a pint and laugh your ass off, because the good people of Ireland won’t complain. They’ll laugh about their own misery, joke about their pain.

So maybe my Anglophilia is now Irishphilia? Yes, I did just make up that word, why do you ask?

In the time I spent in Dublin I found all of the things I liked about England with none of the complaining. And a cracking good sense of humor.

Maybe what happened is the Irish stole my love for the Brits and did so with charm and a gleam in the eye. The reserved, closed in, afraid to be embarrassed, must complain even when having fun British suddenly look, well, dare I say? Boring.

Take me back to Ireland, I still have some fun to attend to there!

Or, perhaps, let me finish my big project and back away from these fine British citizens for a while. Time and distance may make my heart grow fonder.

(The irony is not lost on me that I spent almost 700 words complaining about people who complain.)








Image found here




Winning Is Like…Better Than Losing

Now that I have been a member of the photography club at my place of employment for just over a year, and have been attending meetings and listening hard, I think I maybe kind of sort of have earned a teeny tiny bit of respect.

Because this month, both of my submissions for the monthly photo contest made the cut. BOTH!

The rules each month are that you get to submit two photos. We review and critique all the photos in our monthly meetings and then there is an anonymous voting app we use. When votes are tallied, the top four vote getters are published internally at the company.

So yeah baby! I have had one of my photos make the cut before, but never both. It is a little unprecedented. Woo hoo!

The theme this month was double exposure and my two prize winning photos are below for your perusal.

The first one feels really special to me. I took both of the photos in the image while I was in Dublin. It was at the end of my one lone day of tourist time after an intense week of work, and I had walked for miles. I was exhausted and it was raining like it only can in Ireland.

Tired and soaked to the bone, I was bound and determined to find this sculpture of Oscar Wilde. This was after I had stood in a very long line (in the pouring rain, a nice lady shared her umbrella) at Trinity College to see the Book of Kells. That exhibit was exhausting in itself. Way too many people jostling around.

The park where Oscar resides is about half a mile from Trinity college and I wasn’t sure I was going to make it. It was driving rain and windy and I was so tired that a nice warm cab looked like a good idea. I stopped to rest twice on the short journey, but forced myself to keep going and once I arrived at the park I was glad I did.

The small, lush, green Merrion Square park was silent as I stood there getting drenched looking at this remarkable statue of Oscar Wilde. A small tour group came by and the tour guide said the artist sourced these incredible and colorful stones from all around the world. It is a beautiful statue and so unique as it reclines on a rock.

When it came time to figure out something to use for double exposure, I thought of this statue and of the very old books I had seen at the Trinity College library (I had watched a video about the method used to bound the tomes and was endlessly fascinated).

Using some tools I had learned in a recent photography class about overlay for textures, I fiddled around in Photoshop and came up with this:

Title: Author


Photograph Copyright © 2014, Karen Fayeth



I was unsure if the photographers in the club would find the image too discordant. It’s almost jarring, but I love it. It’s hard to photograph a statue and have it be anything more interesting than a photograph of a statue. This to me brings depth and texture to the photo and I am so happy with the results.

The other photo I submitted was something I had been visualizing for quite some time.

As I continue to hear all of the news reports about the drought here in California, I was pleasantly surprised that the lack of rain didn’t halt the springtime explosion of California wildflowers. I am mildly obsessed with California Poppies (the state flower) and I love the yellows, reds and purples of other flowers growing in medians, between sidewalk cracks and at the edges of yards.

I picked several of the flowers and shot them using a technique I learned from photography master Harold Davis. Then I took a free stock image of textural dry and cracked ground and combined it with my flower photo. When I look at it, I think of many things I could (and should) go back and tweak, but so far this photo is garnering nice attention.

Title: Drought


Photograph Copyright © 2014, Karen Fayeth


When submitting both of these photos, I wasn’t sure how my surly team of scientists would respond. Both of these photos are kind of arty, but they also show I have some Photoshop chops, and I think they liked that. They had a lot of questions for me on technique since I used a different approach for each photo.

Also, I think the club as a whole struggled with the idea of double exposure. It’s too messy for their orderly minds. I had a film camera in high school that I liked for making double exposures. It can either look weird or really cool. Doing a double exposure in Photoshop gives me more control over how the two photos overlap and how the double exposure looks, and I like it.

Anyhow, thought I’d share my winning photos with you.

Next up, travel to Amsterdam. Wonder what treasures I can find to photograph there?






Both images, Copyright © 2014, Karen Fayeth. Shot with a Canon G10 and combined in Photoshop. Stock image of dry ground from Free Stock Textures.




And Away We Go

Back in the yesteryear of 2012 I found myself constantly at various airports around the world, passport in hand. I was constantly aware of timezones and dial in numbers and etiquette in different cultures.

I worked a truly global job and had direct reports in five different countries. My days would begin at seven in the morning and end at ten o’clock at night.

That was a really good job and I liked my boss, himself a product of Sweden living in the UK. The gig worked my mind and my skills and my ability to work with different people in different countries with different rules.

It also worked me over pretty good. After almost three years in that role, I knew my mental health was suffering, my doctor told me my physical health was suffering and my husband asked nicely if we could spend a little more time together in person.

So I began a job hunt for a company I would like, a job that challenged me, and the travel and timezones would be kept to a minimum.

Then I found that job. A really wonderful gig, a perfect fit. This is one of the rare times in my life when I can say I love my job, and I do. It’s awesome! Part of the reason I was hired was because I had that international background and could assist on a huge project with a European entity. My current employer is very small and they don’t have a ton of background with international dealings. Great! Happy to help.

I was told I would work on this big project but it was highly unlikely I would travel. Nice! All of the fun challenges and none of the zombie jet lag shuffle through airports.

Until last month when I was asked, on very short notice, to take a trip to Ireland. Fun! That was my first thought. I kind of missed traveling and looked forward to getting back in the game. I loved every minute of Ireland and the work was very productive. Good stuff!

Came home exhausted but satisfied. Happy to have had a nice international trip and ready to settle back into my life.

Then came news that I now am needed in Amsterdam next week. Now, I’ve always wanted to go to Amsterdam, but you know what? There are few things I want to do less than get on another airplane right now.

But board a plane I will, passport in hand, zombie shuffle at my feet.

Don’t get me wrong, I’m not complaining even though it sounds very much like I am.

I love to travel. I love to see things I have never seen before. I love learning new cultures and customs and doing business across the boundaries of language and culture.

But damn oh damn. I haven’t even caught up on sleep and it is time to go again.

And so, here we go! Amsterdam here I come. Please be nice to me.

I won’t have much free time while I am there so I have to do up my “must do” list. For those who have gone, what do you recommend?









Image found here.




The Roots of My Raising Run Deep

Part V, and the conclusion of a five part series.

It was a short plane ride, take off, cruising altitude for something like a minute, then get ready for final descent into Las Vegas.

Las Vegas. My kind of town. Vegas and I go way back. Now you know my not so secret secret, I wasn’t actually born in New Mexico, I was born in Las Vegas, Nevada.

My dad was working out at the Nevada Test Site and one thing led to another and…

Growing up some of my friends liked to tease me that my parents took a gamble and lost. Oh! Hey! Good looking crowd. We’re here all night. Tip your waitress.

My folks loved living in Las Vegas, but for various reasons moved back to Albuquerque when I was very small. Really too small to remember much of life in Las Vegas. All I’ve ever known is New Mexico, so I still rightfully call myself a native.

I scrambled off that Southwest Airlines jet, through the jetway, and hit the carpet in McCarran Airport. I walked without hesitation to a bank of slot machines that were unoccupied and pulled up a seat.

My family likes to gamble. A trip to Vegas was my present for my twenty-first birthday. My folks used to get out there at least once, maybe twice a year and we kids often went along. I didn’t grow up in Vegas but I grew up an awful lot on the many casino floors through the course of my life.

The Vegas I know is an old school Vegas, from the 1970’s, and it always feels a little right to be there.

With twenty dollars in the slot machine, I managed to make it play for a little over a half hour. I’d get down to the last dollar then the machine would pay off again. I was on a nice hot streak. Not hot enough to cash out, but hot enough to have some fun.

When that was gone, I picked another machine and chased another twenty dollars around for about fifteen minutes.

When that was gone, I got up from the seat with a sigh. I felt hungry and went in search of something not airport-awful to eat. Over a really disappointing slice of Sbarro’s pizza, I stopped chewing for a minute and smiled.

A thought occurred to me. In that same day, I had been in New Mexico, I was in Las Vegas, and I’d soon be in California. Those are all of the places I have ever lived. Those are all of the places I know.

Those are all of the places I belong.

Kind of cool, really. Kind of a nice way to end my journey. A full circle kind of a thing.

My trip to New Mexico was, all in, pretty good. I was so glad I made the trip, so glad to see my best friend and my goddaughters, so glad to go home and immerse myself in memories (and make new ones too).

My trip to New Mexico was also a little difficult. You see, my dad died in 2005 and he’s buried in the National Cemetery in Santa Fe. There was no way I could live with myself if I was in Santa Fe and didn’t go to the cemetery. And yet I really, really didn’t want to go to the cemetery. It’s not a joyful thing.

The last time I had visited was in 2009 and I was without a job and had lost my mind a little bit. I was scrambling to find a way to get back on my feet. That year I took a trip home to New Mexico to see if going back to my roots could help me find my compass needle.

I had cried a bit when my dad had died, but I was also a little stoic. My mom had asked me to be strong so that she didn’t have to be, and I agreed. I was as strong as I knew how to be back then, and a few years later there may have been some pent up stuff that needed to come out.

In 2009 when I found the stone that marks the place where my dad’s ashes are stored, it was a surreal experience. Gray skies opened up with rain and I stood there with my hand tracing the letters in stone and I cried, I keened, I howled. I scared the grounds crew. I honestly did, I freaked out this nice man taking care of the row of headstones nearby.

I guess back then I had some things I had to work out. On that recent spring day in March 2014, I was afraid that monster was still inside of me. I was terrified I’d find myself keening again at my father’s graveside. When considering going to the cemetery, I balked, I stalled, and finally I borrowed the keys to my friend’s new Suburban and set up Apple maps on my phone and took off on the highway, dreading it all the way.

Apple maps led me on quite a merry chase through the streets of downtown Santa Fe. That is a very old city, built by the Spanish Conquistadors so the roads are narrow and the sidewalks are high to accommodate horse drawn carriages.

With a little bit of axel grease and a shoehorn, I was able to navigate a huge Suburban through the streets, getting more lost by the moment.

Eventually, Siri found her head and I found my way, and there I was again, at the Santa Fe National Cemetery, both ready and not quite ready for what lay ahead.

That cemetery is always a difficult place for me. Rows upon rows of headstones mark all of my fellow New Mexicans who served in the military and who passed on, either in service of their country or later, as my dad had done. It is quite a humbling place for me, and that is even before I get to the place where I have to face my personal sorrow.

I had a bit of a false start, stopping at the wrong row of stones and realizing I was off by a bit. It didn’t take me a long time to find the right row and my father’s stone.

His ashes are in what is called a columbarium and it’s covered with a lovely piece of what I think is marble and secured to the wall with these connectors that look, to me anyway, like conchos.

They are so beautiful and so New Mexico appropriate.




Copyright © 2014 Karen Fayeth


For personal reasons, I will decline to post the entire stone, but I wanted to share a nice photo of that fastener. It stands on its own as a useful reminder.

On this visit I didn’t keen and I didn’t wail, but I sure did cry an awful lot. I put my hands on the now weathered stone and I traced his name and the word “Korea,” the war in which he participated. I felt the cold marble and I noted the sand blasted wear and tear and laughed at the unyielding New Mexico elements that caused the letters to already become faded. It’s only been nine years.

“Well, dad, I guess I’m doing a lot better than I was the last time I was here,” I said aloud. And I was.

Seeing my father’s name carved into stone never fails to break me on some level. After pacing a bit and having a pretty hard cry, I walked up the row and sat on one of the benches. It looks out over the valley and has a gorgeous view.




Copyright © 2014 Karen Fayeth



The mountains at my back and the dried grass and valley in front of me. The New Mexico unrelenting wind dried my tears the moment they slipped from my eyes. I laughed as the wind whipped at my hair. “Goddamn springtime wind,” I said to no one as I sat there alone.

Tumbleweeds of thoughts bounced in my mind. Through tears of sorrow, I smiled, because of that view, that place, that moment.

I had spent the past three days wondering I was even a New Mexican anymore. Sitting there, letting the climate steal my moisture and feeling grounded, I remembered that I always was and will always be.

I can never not be a New Mexican. Just as I can never not be born in Las Vegas. And I can never not be a damn near twenty-year veteran of California.

I am all of that. I am none of that. I am more than that.

I am greater than the sum of all my parts.

My version of New Mexico may not exist anymore but it’s mine. My particular brand of Las Vegas may not exist anymore, but I own it. My California is still telling me its story.

There is a lot left to learn about all of those places and as I gaze forward to the celebration of another revolution around the sun, I humbly admit there is an awful lot yet to learn about me.

What started as a fun trip to see my best friend in the entire world and my gorgeous godkids turned out to be something of a journey. A grounding moment in time that changed me, humbled me, reminded me and helped me grow.

I had no idea that was going to happen. I’m kind of glad I didn’t know. To paraphrase one of my oldest goddaughter’s favorite songs (that dates back to my college years), I might have missed the pain, but I’d have had to miss that dance.

And there is no way I’d ever miss out on a good dance with some of my most favorite people in the world, back home where I belong.





Both photos Copyright © 2014, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone5 and the Camera+ app. The fastener photo was further edited in Instagram.