Category: show and tell

Burned Plastic and Gasoline

Turns out I have a new neighbor. I had no idea the new tenant was moving in, but then *boop*, there was someone new trooping around the ol’ neighborhood.

Not sure what unit this one lives in. In fact, I’ve never even set eyes on my new neighbor, but I know they live nearby.

You see, October in Northern California is gorgeous. Really, it’s the best time of the year, bar none, to be here. The days are warm and pretty, and the evenings clear and cool. Indian summer lasts a real long time here and it’s a wonderful thing.

Every evening after a long day of work, The Good Man and I throw open the windows and the back door and let the stuffy apartment drink in all of that cool, clean air. Perfect for a good night’s sleep.

Over the past couple weeks, right around 7:30pm or so, the rancid odor of burning plastic and gasoline and the hinges of hell begins to seep into every room of the house. It hits one of us (usually me) first.

“Arrwhagggh!” is the approximation of the sound I make.

“What?” says The Good Man, alarmed, and then “Oh bleah!”

Yes, it’s true. My new neighbor is…Dun dun duuuuuuuun

El Zorillo*

Pinche zorillo. I haven’t been able to lay eyes on the beast, probably because by the time I get the eye watering jet wash it’s moved on to the next yard.

I fear this cabrón lives under my front stoop but I can’t be sure.

And every time this happens, like watching reruns of Lucy and Ricky, The Good Man and I have a conversation that goes a lot like this:

Me: “I just need a .22 and I can take care of this problem.”

Then The Good Man reminds me that we live in California and this state takes a dim view of shooting varmits in its urban neighborhoods.

“A bb gun?” I ask, like that kid from the Christmas movie. “The pump action kind.”

The Good Man says, “You really think you can hit a [insert rodent name here, we have this conversation a lot] from here?”

“Try me,” I say, standing up straighter. “I’ve been shooting since I was a kid, my dad saw to that. I’ve shot everything from a cap gun to a Browning over and under and my aim is pretty damn good.”

“No,” he says.

“Pellet gun?” I plead.

“What the hell state do you think you live in? We don’t shoot old hot water heaters out behind the Snappy Mart around here!” (I may or may not have introduced him to the rasquache joy of my home state.)

Then he tacks on, “We live in one of the most densely populated areas of the United States and the police, they have no sense of humor in this city!”

And then I sigh, and quickly cover my nose and cough because I took in too much skunk air when I started the sighing process.

Of course he’s right. So I went online and did some reading and discovered that if I can figure out where my new neighbor lives, animal control might help.

Problem is, when I get the aroma, I kinda don’t want to dash out there to get a good look at where the beast is going.

I think I’m going to need a trail camera. And camouflage. And maybe some other cool things like a Buck knife and a camp stove and a new tent! Oooh yeah…

And don’t anybody tell me that it’s a cute fluffy creature worthy of love and affection. When the original engineer designed the zorillo, it wasn’t with a love of humans in mind.

Or dogs, I think our awesome next door neighbor dog got hit last night. Poor growly bear of an adorable dog.

(This just in: I was texting with The Good Man telling him I was writing this post and he said, “I trapped some skunk stink in my closet last night. Kind of surprised myself this morning.”)


*a skunk





“Whatever. Haters gonna hate.”




Image found here.




And Then There Was the Time…

I miss my best friend today. Autumnal Equinox makes me think of harvesting hay and Dickerson’s dances.


That was a text message I sent to my best friend yesterday afternoon. I was at work and found myself with a few moments of pause. What I felt in that silence was an aching sense of melancholy.

The angle of light has been changing for a while and yesterday the world looked a little different bathed in early Autumn sun.

A beautiful sunny yet hazy day as I found myself at a high elevation gazing across the amazing view, Oakland to my left, Golden Gate center, Albany to my right.

It’s hardly original to feel melancholy in the Fall. I will follow the old poetic trope and go there anyway.

Since I know I have a “thing” about Autumn, I started looking back in the archives of my blog and found something that perfectly captures how I feel today. I’m nothing if not consistent.

Autumn is, after all, my favorite season in Oh Fair New Mexico.

So here’s a repost to get me through the day. The words still ring true, even as time goes by.

___________________


Get outta the wayback machine!

Originally posted April 15, 2009


It was Fall, had to be. Slight crispness to the evening air. Anticipation thick as the fog of Aqua Net in the sorority house where I lived.

It was 1989, probably. Or somewhere close to that. The campus of New Mexico State University. I was a sophomore, maybe a junior, I can’t remember. Doesn’t matter.

What does matter is that I was getting ready to go to a dance at Corbett Center on the NMSU campus.

The woman who would become my best friend for what is now over twenty years was the driving force that night, and many just like it. Her parents had met at a Corbett Center dance, so she was especially incentivized to go scoot a boot and see what’s doing. Family history.

I nervously pulled on my too shiny, too new, gray goatskin round toe ropers and jeans that didn’t really go with the boots, but were at least long enough to be acceptable. “You should buy some Rockies,” I was told, and they were right. I would, later, in quantity. But then I had neither the money nor the courage. I wasn’t sure what I was going to get into, I just knew I was going to be there come hell or high water.

It wasn’t my first Corbett dance. It wouldn’t be my last. This story isn’t about one actual night, more an amalgam of a lot of great nights.

The gaggle of high-haired women walked out the back door of our home, a sorority house containing twenty-eight women of different backgrounds, and one understanding house mom. What bound us together was our choice of educational institution. A land grant institution. To the uninformed, that means an agricultural college.

It was a short shuffle over to Corbett, up the stairs to the third floor where they had the ballrooms. Pay the entrance fee. Five dollars I think? Maybe less back then. Get a stamp on your hand. Look around, see who is there already. Talk about who you hope shows up.

Hear the opening strains of music. Usually The Delk Band. A group of musicians, brothers, and their dad on fiddle. I went to school with most of the boys. I remember I thought one of the Delks was cute. I remember one of the Delks was the drummer and back then had a tendency to speed up the tempo as a song wore on. Hard to dance to a wildly varying tempo. But we did it. (note of update: Saw the band not that long ago and that is no longer a problem.)

They were our people, and we embraced them. And we danced. Oh did we dance.

The two-step. Not the Texas double up kind, no. The slow kind, keeping time to the music.

And a waltz. My favorite, how I love to waltz. The rhythm of a song set to the beat of a waltz still paces my heart a little differently.

The polka. If done right with the right boy (he had to be tall because I’m tall and otherwise we’d just bump knees) you felt like you were flying, feet hardly touching the ground.

Then of course the Cotton-Eyed Joe (stepped in what?) and the Schottische, played back to back, often enough. Linking six or eight of us, arm in arm, facing forward, laughing our fool heads off.

The ladies, my friends and I, would stand on the sidelines and take a look at the scene. My best friend would always get asked to dance first. She’s beautiful and a great dancer. Who could blame the boys for flocking to her blue-eyed, dark haired gorgeousness? Not me, certainly.

As I got better at dancing, I got asked often enough, too. The boys liked the girls who could dance, who liked to dance, who didn’t turn up their nose at dirty fingernails and cow sh*t on their boots.

There is something special about dancing with a boy who knows how to dance, a strong lead, who looks you in the eyes. The boys who had the right fold in their hat and smelled faintly of Copenhagen and beer and Polo cologne.

I got to know those folks. All of them, the boys, the girls, the dancers, the musicians, the laughers, the people who liked to swing each other around the dance floor.

They became my family. We traveled in packs, dancing until we were sweaty, then heading outside into the cool air to take a breath, drink a beer, laugh a lot and occasionally find someone to spend a little time with.

Well not me, not then. I was still too awkward and mixed up to attract much in the way of boys at that point. I was more “one of the guys” than one of the girls the guys would chase. Don’t feel bad for me though, I eventually figured it out. (cover your eyes, mom)

Over time, we all aged a little, got to be over 21 and started to migrate from dancing at Corbett center to dancing at the local country bar. It was fun but seemed a little more complicated. Add more than a couple beers to the night and weird things happen.

But still we danced. By that time, I’d moved off campus and lived with my friend from TorC. She was crazy and fun and taught me a lot (cover your eyes, mom), and she loved to dance as much as I did. She coined the phrase “big bar hair” and gave me an education on how to get it, and keep it, despite dancing so hard sweat ran down your face.

Then we all aged a bit more, and we graduated and found respectable jobs. My best friend, her husband (a fine dancer, I must say) and I are all actually employed in the same area that’s listed on our diplomas. One might scoff at country folks, but all three of us hold a Master’s degree in our chosen fields.

Now, on the verge of turning forty well past forty, I find I still miss those days, mightily. I wished I’d enjoyed them more at the time. The stress of school and classes and “what do I want to be when I grow up” cast a pall on my days.

My own fault. A worrier by nature, a tendency that I fight tooth and nail every single day I take a breath.

When I’m having a bad day, when I doubt myself, when I realize I don’t fit in at my new place of employment, when I don’t feel heard or understood or very well liked, I can always go back to those days in my mind and smile.

I can’t get together with my best friend and her husband and NOT talk about those days. Magical. I’m blessed to have been able to have them. Once upon a time, I knew where I belonged.





Photo of The Delk Band in action





Image from The Delk Band website and found here.




Fickle Beast

Oh Mother Nature, how you vex me. I mean, you and me are usually good. Real good. I mean, you do you in your own way, and that’s fine. Of course it’s fine.

Musically riffing, I’ve seen fire and I’ve seen rain. I’ve seen sunny days that I thought would never end.

I’ve also seen tornadoes, lightning I thought would crack the sky in two and 120 degrees with nary a cloud.

You gotta do what you gotta do, sister, and usually I’m okay with that.

This morning I stepped out of my house and felt a little rain dripping down. Yes! Rain! Good.

Only, Mom Nature, you are a real fickle beast. Was it a good deep soaking rain? A nice drink of water for the poor parched state of California?

Nope!

It was like this:





Just enough to knock dust and schmutz from a nearby tree onto my car. You just created a rolling mud bog.

Just enough to moisten the roads so people could slide real good into each other.

Just enough rain to REALLY piss me off and not enough to make a difference.

Look lady, do more than spit at us, all right?

Be better, Mother Nature!




Tell It Like It Is

Over the weekend, after another rough week at work, The Good Man and I found our way to the big main branch of our city’s library. It was like an awesome haven from the mean old world.

I immediately found my way to the fifth floor where they keep the art books. I needed an infusion of art and creation in my life to erase the financial and business blues of my workweek. I decided I wanted to look at some Frida Kahlo prints. I am a huge fan of Frida.

As I plucked a slim book of her paintings off the shelf, I found another small book hiding behind it. It was a book of letters written by Frida to her friends and family.

I love reading old letters. You learn a lot about who a person was (or is) by reading their handwritten letters.

I had always thought that Frida was so strong, powerful, fierce and uncompromising.

Boy was I wrong. Through her letters, I found her to be very sweet, quite insecure, and almost childlike.

She often would write letters to friends and ask their advice on big life decisions. For example, at one point her husband, Diego Rivera, had a terrible infection in his eye that had spread to the side of his face. She asked a friend, a fellow painter, if he though she should take Diego to New York to see American doctors or stay in Mexico and take the guidance of Mexican doctors.

Now that seems like a pretty big life crisis, something you would want to decide along with your husband and instead she was soliciting, nay begging for, the advice of a friend. She actually did this quite a lot, begged her dear friends to tell her what to do.

I found that so counter to the fierce woman I see through her paintings.

And then, over time, as she got older she did seem to become a lot harder edged. A lot more sarcastic and passive aggressive.

Clearly the philandering ways of her husband and his over bearing need to be controlling had taken a toll on her psyche.

That and years and years of immense pain in her spine, leg, and foot, all massively unresolved injuries from an accident in her teens.

Her physical and mental anguish become so forceful, it drove a little bit of the lightness out of her words. She became more bitter. And so maybe that is the Frida I came to know, the rough around the edges and hard woman who had been hurt too much.

But even then, as I understood how she could come to be that way, I was a bit shocked to read (in the book) a quite long essay that was to accompany an exhibition meant to honor Diego Rivera.

I came across this section and burst out laughing. I mean, wow.

Here, read it and see what you think. She is describing Diego’s physical form from many angles. In this section she refers to his chest:

“Diego’s chest — of it we have to say, that had he landed on an island governed by Sappho, where male invaders were apt to be executed, Diego would never have been in danger. The sensitivity of his marvelous breasts would have insured his welcome, although his masculine virility, specific and strange, would have made him equally desired in the lands of these queens avidly hungering for masculine love.”

Um. Did she just say her husband had moobs? Cuz I think she did.

In another section she describes seeing him naked as looking something like a child frog. Paraphrasing here, she said that his skin takes on a greenish tone and is pale under his clothes and only tan in his face and hands.

Yeah. Green moob guy. Awesome.

This was, I’m sure, taking a bit of her own pound of flesh from him for the years of unkindness. And also a bit of the ol’ anti-bourgeoisie taking the piss out of what might have been a flowery ode to her husband.

I’ll tell you what, that image is sure going to stick with me for a while.

Actually, the whole book will stick with me for a while. The letters so quaint, so childlike and such a deep glimpse into one of my creative heroes. Quite something.

Oh, and she liked to invent words of her own. My favorite was when she would refer to her life or other things that were not working out as expected as fuc-bulous. Oh yes. I can use that. I may have to adopt it myself.

Next up, I have on my bedside table a book of letters by Vincent Van Gogh. He was quite prolific in his letters to his brother, and it is a thick tome. I am both wary and excited to dip in.





Photograph by Martin Munkácsi





Image found here.





That’s The Thing About a Memory

Ya know, the ol’ brain, she ain’t what she used to be. Let’s be honest, my memory always was more of an old gray mare than a fast running thoroughbred.

Over the weekend The Good Man was going through our bag of bags (I’m pretty sure everyone has a bag of bags, right? The place you store plastic and paper grocery bags for reuse) looking for just the right fit for the job he had in mind.

He pulled out a plastic bag that had travelled its way from Amsterdam to California that was just the perfect size. He said, “Oh? Are you okay with me using this bag or do you want to keep it?”

I said, “Nah, no need to keep it, go ahead.”

He opened it up and in the bottom found a paper receipt that he handed to me. “You probably want this,” he said.

The receipt looked a lot like this:





Hmm. One Euro. What the hell did I pay one Euro for in Amsterdam? I found that country to be pretty darn expensive and don’t recall anything costing just one single Euro.

It’s from the Van Gogh museum, so that’s a clue.

I was really stumped. My mind slipped into the Swiss cheese hole full of nuthin’. I had zero recollection. For a moment I thought it wasn’t even my receipt, that maybe I had inadvertently picked up someone else’s.

And then…dull like the backside of a piece of foil, a light came on.

I saw the description “kids juggling Van Gogh” which brought many hilarious fictional images to mind, but then that confused me even more.

I had to work at it. Sweat it a little bit. Strain the brain tendons.

Ah! Yes! I remembered! A forgotten moment. The synapses reattached and the focus ring turned and I could see it clearly.

Me, in Amsterdam, on a rainy Monday. It was late afternoon and the Van Gogh museum was closing. I had prowled all four floors, hungry to see everything. I actually toured it twice. Bottom to top and then top to bottom. In the last thirty minutes of museum hours, I went to visit all of my favorite canvases one last time, like saying goodbye to cherished friends.

On the way out, visitors are forced through the gift shop and as doors were locking, I made a hasty and impulse purchase. A funny card made for kids picturing a stylized Vincent Van Gogh juggling paint blobs. It made me laugh, so I took it to the register.




Image copyright belongs to the Van Gogh Museum Shop

The cashier said “That will be one Euro.” Through bleary jet lagged eyes, and too lazy to put on my reading glasses, I held up a coin. “Is this one Euro?” I asked.

He smiled as he might to a precocious child. “Yes. That’s a Euro.”

I held up another coin, “That’s a two Euro, right?”

He smiled again, “Yes, ma’am. The larger coin is two Euros.”

“Okay, thanks. Here you go,” I said and dropped the one Euro coin into his hand.

Then I reluctantly left the museum, a place I could live, and walked out into the Amsterdam evening. I was overwhelmed with all I had just seen in the museum, hungry, tired, lost and pretty calm. I was filled to blissful capacity with art and creativity and color and joy.

I found a bench on the edges of the Museumplein, a gigantic green park in the heart of Amsterdam, and sat. And watched. And listened. And did what became my most favorite thing to do in Holland: people watch.

On this most recent sunny and muggy Sunday in California, I remembered the noisy but pleasant park, watching the funny multicolored crows hop around, feeling my own bones weary from jet lag, and the unmistakable sense of peace.

It was a nice memory. One that had slopped over the side of the brain bucket and almost got away. Now retrieved, embedded, made solid.

That’s the funny thing about memory, it runs like quicksilver, but catch it, hold it in your hand long enough to let the synapses meet up, and you have something tangible.

I had forgotten my one Euro moment. Thanks to a paper receipt at the bottom of a plastic bag, now I’ll remember it forever.