The past couple weeks I’ve participated in the Theme Thursday challenge. A fresh topic is presented each Thursday and over the next week, bloggers interpret the theme.
Cool, right? I sure think so.
The first couple weeks were pretty easy. The words were game and knot and I happily interpreted them in my own way.
This week, the theme word is wheel.
It’s one of those deceptive words. It seems so easy. Simple. Complete. Because it’s so simple and ubiquitous, it actually becomes hard to narrow down a single interpretation of the word wheel and go with that.
So I won’t.
Here’s a real time brainstorming session. All the ways wheel speaks to me:
Ferris wheel. Uncle Cliff’s in Albuquerque. I’m kid, waiting in line. That incredible view of the lights of the city when I’m up there at the top and it pauses a moment just to let you sit. Yeah. The smell of cotton candy and corn dogs wafting up. That’s summer.
The Wheel of Fortune television show. Vanna, pick me a letter.
The wheels on a car. Man are tires expensive. Yesterday it rained like it meant it here in the Bay Area. The first big rain of the season. We drove up to San Francisco, and it became very clear that The Good Man’s car needs tires soon.
The steering wheel. Remembering gripping that big wheel when I learned to drive in my dad’s 1972 Chevy Blazer. Blue. Four wheel drive. I loved that truck.
“Wheel in the sky keeps on turning…” Who did that song? Gonna have to Google it. Oh yeah. Journey. Weirdly, Steve Perry has been in the ballpark during the San Francisco Giants baseball playoffs. The park has been playing “Don’t Stop Believing” and Perry has been leading the singalong. Hell, if Steve Perry is the Lucky Stuff that got us to the World Series, I’ll take it.
Wheels, as used in baseball. Referring to the feet, especially of a fast runner. “Man, that Andres Torres has some wheels! Did you see how fast he got to first base?”
If you say the word wheel to yourself long enough, it starts to sound weird. Wheeeel. Wheeeeeeeeel. Have you seen that Geico commercial with the little piggy going wheee wheee wheee all the way home?
Asleep At The Wheel, what a great band. Saw ’em play live at the Pan Am Center in Las Cruces. Danced my booty off. Fun!
Business lingo: “Let’s not reinvent the wheel.” Though lately that’s been replaced by the equally lame phrase, “Let’s not try to boil the ocean.” Argh! Take your low hanging, wheel inventing, consensus building, suit wearing phrases and stick them in your…. *curse words redacted* for the sake of my mom, who reads my blog.
Ok, I think that’s enough. There’s more where that came from, but ten interpretations of the word wheel is plenty.
So things are going to have to change up a bit here on the ol’ blog.
Ya see…I started a new job today.
After ten successful months of consulting work and being my own boss, I agreed to be owned by a corporation once again.
It’s a good job and a good company and this morning, nervous and anxious I burst out the gate, excited and ready to run.
This after I spent my last five days having a blast in New Mexico with my best friend in the whole world and two other good pals. Since my girlfriends are all teachers, this was a last hurrah for them, too.
A chance for us to act like kids before it became time to act like grownups.
Among other things, we hit the town of Ruidoso, NM and painted it red.
For my non-New Mexico readers, Ruidoso is known for, in this order:
1) Horse racing 2) Skiing 3) A preponderance of Texans
This weekend, the horses were fast, skiing non-existent and the place was crawling with Texans. An almost $900,000 purse for race number nine, the Rainbow Futurity, brought them out in droves.
I didn’t manage to take home any of that fast flowing cash, by the by.
After the races, some dancing got done. There might have been some “adult beverages.” Lots of cussing and discussing was also accomplished.
Yesterday, worn down with that good kind of tired, I came home to get ready to go to work. I had to pull the work clothes, dust off the cobwebs and act like a professional.
As time marches on, my idyllic weekend in New Mexico will be like a distant memory.
How long before I’m running as fast as I can, falling ever more behind, quirted into submission?
This being a grownup thing is a big load of horse hockey.
Been going through some stuff in storage, pulling out the keepers, tossing the others.
But then, there are some items where it’s hard to choose, stay or go.
I just unearthed a box full of my old boots. This is tough.
I don’t wear most of these anymore. But I just can’t bear to part with these dear friends either.
I just look at the worn leather…and I remember.
Like, my first pair of ropers.
I’d worn pointy style boots, but when I got to NMSU, all the folks there were wearing ropers. So of course, I needed some too.
I was about a sophomore in college, I think, when I went down to the Tony Lama outlet in El Paso to procure these babies. They are gray goat skin, soft and forgiving. I wore these a lot, as evidenced by the worn down heel.
These were my main everyday boots. I wore them dancing on the boards at Corbett Center. I wore them for my horseback riding classes. Covered in manure, I’d wear them up the hill to attend the business college.
The toes are scuffed all to hell. The pretty gray color job didn’t hold up much under the dainty hooves of the insane mare I was assigned for a while in my riding class. She liked to step on feet. A lot.
Thankfully my gray boots were made for working.
When my grays were starting to show some wear, I saved up and decided to get a new pair of boots. I wanted to try Justins this time and I wanted lace ups. I also wanted pretty. My gray boots were utility. I wanted flirty.
So I bought these very impractical pearl white beauties.
Man, I loved these boots. I started wearing these to dances and leaving the beat up gray boots at home. I almost never wore the pearls riding, except once, for the horse show I participated in (and won).
I got these pretties on the cheap, as you can see, they are marked “imperfect.”
I’ll admit the heel wasn’t balanced quite right on the right boot, but I didn’t care. They were roper perfection to me. These boots were made for flirting with cute cowboys.
Ya wanna know the best part about the fact that I still have these boots?
Look at the circle engraved into the leather sole. You know how you get a groove like that on your boot? By dancing, that’s how.
The leather is cracked and the boots are worn out, but they are still utterly gorgeous to me.
And then, after college, and on to work. That’s when I went back to Justin and bought these guys:
I wore these to work a lot. The soft rubber and not-leather sole was easier on my feet, especially the time spent on the shipping and receiving docks. That concrete is hard on the legs, but these babies are comfy and they look good.
And the leather…oh, the leather just ages so beautifully.
These boots were made for my first real job out of college. They helped me make the transition.
I might actually pull these back out and find another chance to wear them. They are delicious.
And finally…we have these.
This is what I’m wearing now, my beautiful Ariat Fat Babies. These boots went to see the Merle Haggard show recently. These boots get a lot of compliments every time I wear them.
Right now, these boots are packed tightly in my suitcase that, by the time you read this, will be tucked in the cargo hold of an eastbound airplane.
If I’m lucky, I might get these boots out on a dance floor in Southern New Mexico on Saturday night.
Cuz these pretty pink rhinestone boots? These are made for dancing.
The show started with Kris. Now look, I’m not actually a big fan of Kris as a performer. His voice has always been a bit warbly to my ears. However, I do acknowledge that he is one of America’s premiere songwriters. His name is on many, many of the classics that help make up the tapestry of American music (“Me and Bobby McGee” is only scratching the surface).
So out strolled Kris with and acoustic guitar and a harmonica. Alone. And he played a healthy portion of his own catalog in one hour’s time.
Kris seemed uncomfortable and nervous, but I found his performance immensely intriguing. He laughed when he forgot the lyrics to songs he wrote himself. He rolled his eyes when he hit a bad note on his guitar. And he laughed. It was a really engaging thing to see.
At the end he thanked the crowd for their energy.
Ok, look. Kris Kristoffereson may have just won me over to his side.
Oh, lest I forget. Before Kris left the stage, he invited up a friend. A man by the name of John Prine. Now, I was not familiar with Mr. Prine, but a quick Google led me to volumes of information about the man.
Mr Prine is also a prolific songwriter and responsible for a lot of the heart of folk music. He’s also one of the writers on the song “You Never Even Call Me By My Name” made swaggeringly famous by David Allen Coe.
God, I love that song.
After Kris and John had played a tune, they invited up another friend.
Yeah, look, I’m neither hippie nor baby boomer, but I was still in awe of the talent standing there together on the stage.
It was truly unforgettable.
At the break, there were ladies crying in the restroom, sharing stories of what the music of Joan Baez and John Prine meant to them.
It was less of an emotional thing for me, and more of a “whoa…I’m so proud I got to see this.”
And then…
Oh and then…
Merle finally took the stage. I couldn’t believe it. I might have started to cry a little bit myself.
I kept saying, “I can’t believe I’m here, eight rows away from Merle Haggard!”
Ol’ Merle is 73 years old and survived the removal of a malignant tumor on his right lung a couple years ago.
So he started out a bit slow, and the voice wasn’t quite there.
But he warmed up nicely. Soon enough, he was bringing the heat to songs like “Momma Tried” and “Big City”.
Merle started out the night with “Twinkle Twinkle Lucky Star” and sailed through his own songbook, ending with “Oakie from Muskogee.”
He invited Kris, John and Joan to come up and join him for that last one.
As The Good Man and I first got to the venue and we had to navigate all the Mercedes driving, wine sipping, self-entitled looking Northern California people, I texted my best friend that it was times like this where I question why I ever moved to California.
By the end of the night, looking at four legends of American music on one stage, I remembered. Back in my growing up years in New Mexico, it was unlikely we’d get a show like that. I moved to California for the art, the music, the creativity that runs through the Bay Area.
The kind of place where Joan Baez is just sitting in the audience and is casually invited up on stage.
So ok.
I used The Good Man’s iPhone to capture about 30 seconds of video. The image is terrible but the sound is all right. This is the last 30 seconds of the show, Joan, John and Kris are gathered together at the left. Merle is in the middle.
They are all warbling and off key and Joan’s mic is too loud…and still…it’s a beautiful moment in time….
(may have to double click the box below to get it to play, click again to stop)