Category: big weather

A Writer Tries and Fails to Find A Metaphor in The Mud

Onion Scented Inspiration

 

Image by Mabel Amber from Pixabay

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When historic levels of rain and snow came through California this past winter, phrases like “atmospheric rivers” and “bomb cyclones” became just another Tuesday for those of us living in the Bay Area.

After each crazy storm ended, I would put on my muddin’ boots and find my way out to the wild and unkempt backyard to assess the latest damage.

I live in a rental home, and our yard has been neglected for years by several generations of tenants so it’s a bit wild and untamed. I like to garden and I work on it a little at a time, but it’s a lot.

As I pull back the layers of abandoned trash and weeds, I keep finding little surprises. Nature does have an admirable way of prevailing, even when we humans don’t keep up our end of the bargain.

One such little surprise arrived when I moved a plant pot that had sat in place for many months. In the soil underneath I found a tiny snakelike creature.

The conversation went like this (because yes, I talk to the wildlife), “Oh, let’s see, what are you? Are you a worm? Wait. You have arms and legs? WHAT?!”

Turns out I had found something called a California Slender Salamander. I have since found three more. Cute little things. A little creepy. But also cute.


The Odorous Discovery

After carefully returning the salamander to its home, and going about my business dumping water out of several overloaded plant pots, I finally got around to draining out a very large bucket that was filled with a variety of garden items.

I poured out black water, oh my did it stink. In addition to the rotting and molding funk, I could smell the very distinct aroma of onions.

I wondered to myself “Did that water get so gross it now smells like onions? Is that even possible”

As I continued to tromp around the yard, I kept smelling what was a fresh oniony smell and not a rotting leaf sort of oniony smell.

It took me a while but I finally looked down between my rubber boots and saw ’em. Green onions. In my yard. Everywhere.

The rains had come and apparently brought onions to the yard.

I didn’t remember onions being in the yard last year. Did birds or squirrels poop out seeds in our yard? Did the heavy rains wash onion seeds down the hill? Were onion seeds buried deep in the soil and the heavy rains brought them out?

I had no idea. What I did know was that I had several patches of green onion all over the place.

As I yanked them from the muck, I had a moment of clarity. “Oh,” I said aloud to the scrub jay supervising my work (I told you, I talk to wildlife), “That’s why the British call them Spring onions. It makes sense. I’d always wondered.”

There were a lot of onions and since onions’ main defense mechanism is their aroma, the more I yanked, the more my yard smelled like onion.


But where’s the metaphor?

Since I am a writer and observer of the world, I thought that these unasked for and unwanted onions were perhaps a good opportunity for a metaphor.

I envisioned a whole neatly written, clever, and profound essay where I tied the onions to something in my writing mind.

Say, for example, surprises grow among the clover. You never know what you might find when you explore the wilds of your brain.

Or maybe, be careful tromping around in the wilds of your brain, you might stumble upon something stinky and eye-watering.

Perhaps, you might plant green grass but be ready for green onions instead.

Nah, you know, none of those really seem to work. I’m pressing here.

I really thought I could be writerly and make a metaphor happen.

I guess sometimes an onion is just an onion.

And sometimes when I want to write something profound, what I get is squappity**.

So I guess I’ll keep exploring the wilds of both my yard and my brain trying to yank out both the real and the metaphorical green onions.

Tears are optional

—

** Squappity is one of my favorite made up words meaning nothing, nada, the mental equivalent of TV static.

—

This post was originally published on Medium and more of my work can be found over there @karenfayeth.

Still Life with Acorn


a small bunch of oak leaves and acorns

Acorn from the neighbor’s tree, ©2022 Karen Fayeth

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It’s one of those Bay Area days where the so-called Marine Layer is in and it’s clinging to the treetops. Not quite fog, not quite overcast. Just dark gray and low, kind of like my mood.

I’ve no reason to be glum, but I have to admit on an overcast day, it’s kind of hard to be chipper. There are certain people who get energy from the gray skies. As a sun loving New Mexican, that ain’t me.

But overcast skies do make for lovely photography. Thanks to the generous overhang of our neighbor’s oak tree, we have a plethora of acorns littering our yard. They plink off the eaves and bounce heavily on the rooftop. Our local squirrels are shoving them in every corner and crevice and I swear we’re going to have an explosion of oak trees in our yard next year.

I do enjoy the squirrelly surreptitious dig-dig-dig, bury, pat-pat-pat, look around to be sure the pesky crows and scrub jays didn’t see, dash off routine happening outside my office window right now.

I went outside to clear my head a bit and found the lovely little still life you see at the top of this post. Easy snap, full of a feeling of memory and thoughts. Now that matches my mood.

Autumn really is a nice time of year, and Halloween is soon enough. Hey, that gives me an idea. maybe I need a big bowl of candy? That will surely help my mood. For a minute or two, anyway…

Every Picture Tells A Story

The Story is in the Eye of the Beholder

 

Photo by the author, ©2019 Karen Fayeth

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My photography teacher and mentor holds regular photo review sessions where we, her students, come together to show our photos and receive feedback from the group.

The rules are that we show our photo but stay silent. The photographer says nothing while the audience to reviews it, forms their opinions, and then provides feedback. Once feedback begins we are allowed to answer questions but the preference is to stick to the aspects of the photo and not stray too far into the backstory of why, what, or how.

Our teacher learned this from her own mentor, the legendary Al Weber. It was how he worked sessions with his students.

There are plenty of juicy quotes out there in the world about how a photo should tell the story without further explanation. How the photographer should say what they want to say visually and refrain from adding more explanation.

I understand that view and don’t entirely disagree. In a different photoclub meeting a few years back, I had quite a spirited debate with a fellow photographer who insisted that the technical aspects of the photo were all that mattered and “telling a story” was unimportant.

I insisted that a photo that doesn’t tell a story is boring. We agreed to disagree.

His technically superior landscapes remain astounding in their quality and dull in aesthetics. My photos have something to say, but are technically imperfect. Both of our photography styles are relevant and fine. The artist makes their art as they see fit.

You see, I’m an unapologetic logophile — a lover of words. I’m a storyteller from birth and when I look at photos, I like to hear what the photographer has to say about how and why they took the photo and what it means to them. I find sitting in silence a challenge when I’m so creatively inspired by my peers.

Also, the story a viewer gets from my photo may not be the story I was trying to tell. I know, I know, that’s fine. Everyone sees art in their own way, through their own filters, and that is valid. Of course.

But sometimes, like the photo in the header of this story, I want the viewer to know more. I want you to feel what I felt when I took the photo. I want it to resonate on a deeper level.

So now that you’ve seen the header photo, I’m going to tell you the story.

—

t was the first week of this past December and I was traveling home to California from Tennessee. My itinerary said that I would fly on a small commuter plane from Knoxville to Denver, and then from Denver to San Francisco.

Riding on the very small commuter plane gave me no small amount of pause, in fact I wrote about it here:

My Fear of Flying

Before heading to the airport, I’d checked the weather in Denver and the news was not good. Snow. Lots of snow. Here I am flying on a very small plane right into the heart of a winter storm. Due to land in Denver around 6:45pm, it would be when the storm was expected to be the worst.

I was, to put it in crystal clear terms: Freaked Out.

Snow, small plane, winter, ice, terror, tired, just want to get home, will I even make it home tonight, I don’t want to die, pleaseohpleaseohplease… Like that, swirling around in my head. (Isn’t anxiety just so helpful?)

That header photo, the one with the beautiful sunset, was taken over eastern Colorado. Above the clouds was the most magnificent view of the sunset from the plane’s large window. The roiling storm clouds gave a great foreground. The contrast of blue and orange are a perfection of complimentary colors that only Mother Nature knows how to create.

Now, let’s be honest with each other: There are a lot of beautiful photographs of sunsets out there in the world. Plenty of astounding locations, views, and colors. My photo is surprisingly clear and well-focused for having been taken through a plane window. I used a Sony Cybershot as it was the best camera I had on me at the time.

I look at that photo and I love the brilliant colors, that I managed to mostly (but not precisely) center the sun, and the clouds make it very moody. But when I see that photo, what I feel is fear.

The dark and foreboding clouds below that gorgeous Colorado sunset were a metaphor for everything I was feeling when the shutter clicked. This photo was taken at the edge of the storm, you can see the ground on the right lower side. We had not yet begun to find the center of that winter storm when this photo was taken. It still lay ahead.

I should probably title the photo “Yearning for the Runway” because as I both watched and photographed that sunset, I kept visualizing over and over in my mind a smooth landing, pleading to the universe for safety.

Turns out by the time we got to Denver there had been a break in the storm and the runways were clean, dry and perfect. We landed pretty much as I had visualized. The snow was projected to start again soon, so after a little deicing, we took off late but made it home to SFO on time and intact.

I don’t know if telling my story makes you see the photo any differently. Maybe what you see when you read the story of that photo is different from mine.

I like knowing that my photo is more than just a lovely sunset, it’s my reminder that life is both precarious and precious.

And small planes are safer than I think.

Just wait until I tell you about my photo of a deceased ladybug.

—

This item first appeared on Medium, find more of my work @karenfayeth over there.


 

It’s About the Light

 

Photo by the author, ©2019 Karen Fayeth

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In music, it’s about the beat.

In writing it’s about choice and cadence of words.

In photography, it’s about the light.

“No duh,” you might say, understandably.

No really, it’s about the light.

I think everyone can agree that light hitting the sensor of a camera is how a photograph is born. The beautiful study of how light is captured is what takes an ordinary photograph and makes it something you want to keep looking at.

Lately I have been studying light with more intensity than I ever have before. I will place a subject and look at natural light, overhead florescent, then flashlight on my phone, then a small bright LED panel, a ring flash, a candle, on and on.

The light source used, the angle of the light source, and the intensity of the light all change the outcome, the feel, the meaning of the photo.

Look again at the header photo for this story. I took that photo one week ago today (on 12/12) with an iPhone 8 using the onboard camera app that comes with the phone. I have done no editing of the image, that is straight off the camera. It is the best of the five photos I took at that same time.

I was inspired by the fog lingering in the trees on a rainy day in the Bay Area. I noticed this scene when I stood outside taking a break from work. The time of day was 3:52 pm, which means that the late afternoon winter sun was off to my left making its steady but inevitable descent toward the Golden Gate Bridge.

There is nothing remarkable about the subject, it’s a grove of eucalyptus trees just outside my office door. It’s in portrait mode so I could avoid both the nearby building and industrial pipes on either side of this grove.

The photo is just beautiful, wistful, sentimental. It evokes another time and place, and the reason for that is the light. Golden late day sun muted by thick clouds and fog casts an etherial glow. The play of grays and browns and greens and silver metal all create something worth looking at.

Here is the same shot taken today with broken clouds and sunshine overhead, my angle of focus is a little higher and a little more to the right, and the time is 11:29 am.

Photo by the author, ©2019 Karen Fayeth

Same scene, same setting, slightly different framing, different time of day, different weather conditions, far less interesting.

The sky is blown out, the greens are a little too green, there is a loss of definition of the leaves. I would call it a nice snapshot, but little more. Again, no editing was done to this photo which was again taken with an iPhone 8 and the onboard camera app.

It was the fog, and more importantly, the quality of light through that fog, that made the first photo more interesting. More memorable.

I know, I know, this is Photography 101 level thinking, but it’s also something I will spend the rest of my lifetime studying.

LEDs will never be as pretty as old incandescents. Foggy or overcast will always be better than full sun. Natural light almost always preferable to flash.

Those are the guidelines we all know.

But what about shadows? What about selective highlighting? What about using multiple light sources? How about putting a piece of paper or cloth over a light source? What about, what about, what about? Ah, there’s where the experimentation begins.

And from experimentation comes magic. And a whole lot of “what the heck was I thinking?” shots too.

But let’s focus on the magic.

—

Final note: right after the first photo was taken, I turned around to go back to my desk, mishandled a step, stumbled wildly and dropped my phone where it took a bounce and landed under a raised wooden walkway.

I had to shimmy under the railing to drop down and get my phone, brush the mud off and hike myself back up onto the walkway.

Making art does come at a price. Worth it.

Dark Days, Bright Ahead

The holidays are over. Tinsel and paper all swept up and gone. Yesterday the trash men hauled away bones of the Christmas ham.

And Monday, I go back to work. Rather, I drag myself reluctantly back to work.

Here in the heart of winter, there are cold days ahead. And rain. And grim skies to match my grim demeanor.

What’s this, then?


©2019 Karen Fayeth

A tiny blob of bright pink in my yard that I noticed today when returning from the grocery store, where candy canes and festive platters have given way to “healthy selections” and Valentine hearts.

I stepped closer, peered in between the branches to discover…

A single cherry blossom. Ahead of its time, but ready to be kissed by today’s warm California sun. Soon the rest of the tree will follow suit. Soon. But not yet.

And what is that over there?


©2019 Karen Fayeth

A little cocoon, snug in a fur coat, warding off the shiver. A magnolia blossom, in very early stages. What is gray and fuzzy now will soon be creamy pink, fragrant and bold, seemingly overnight. Soon. But not yet.

Oh, and look at that!


©2019 Karen Fayeth


In that one corner of the yard, I’d forgotten the daffodils that grow wild. Their leaves have come on bold and green with the promise of emerging stalks soon carrying butter yellow blooms. Soon. But not yet.

I stop and smile. I remember that December 21st was the shortest day of the year, a milestone that now lies in the past. Even though this weekend promises torrential rain (which the California soil will gladly drink up), gray skies, and gloom, the fact of the matter is that Spring is on its way with rush of color and fresh leaves, activity, joy and warmth.

The sunshine of my favorite season will soon come to push back the gloom and cobwebs in my mind and replace it with tulips and lilacs and California poppies.

I will photograph and paint and pick and sniff all of the riotous wildflowers that California has to offer. I will smile when I see them growing in the unlikeliest of places.

Oh so very soon I will bask in the Spring warmth and smile at the clear skies and feel happy as the sun sets later and later each day.

Soon. But not yet.