Ray Bradbury, 1920-2012

The news this morning felt heavy on my heart. Via Twitter, I learned that author Ray Bradbury had passed away at the age of 91.

91 very productive years is one hell of a good life.

Even though I never met Mr. Bradbury in person (The Good Man did) I consider him to be an essential part of my own writing life.

Fifteen years ago I took my first few fitful steps into writing a full length novel. It was an effort that far transcended any type of writing or story crafting I’d ever done. I was tortured by demons, a flighty muse and painful, quavering self doubt. About halfway through the work, just attempting to put words on a page became massively frustrating.

Looking for inspiration, I went to my local library to see what was what. While prowling the aisles, my eyes traveled across a book title, “Zen in the Art of Writing.”

I read Mr. Bradbury’s essays on the art and magic of writing cover to cover and quite literally cried my eyes out the whole way.

Because his book unlocked something inside of me.

Something that will never be locked away again.

For that, I owe Ray Bradbury a deep debt of gratitude. He saved my (writing) life.

A few favorite quotes:

Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.

**
My stories run up and bite me on the leg – I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off.

**
I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love remake a world.




Ray Bradbury in 1984. Photograph: Sophie Bassouls/Sygma/Corbis




Image from The Guardian and used here under Fair Use.



House Has Got Da Blues

For my music loving readers, let me ask you this…

Have you ever been to a live music show that simply left you speechless?

I have. It happened to me Tuesday night.

The Good Man and I took a couple extra vacation days after the Monday holiday so we could road trip up to the beautiful Napa Valley.

Our destination was the historic Uptown Theatre.

The journey took us to see one Mr. Hugh Laurie, who many might know from the American television show “House” but who The Good Man and I know better from BBC shows such as “A Bit of Fry and Laurie,” “Jeeves and Wooster” and “Black Adder.”

Turns out the venerable Mr. Laurie isn’t just an incredibly talented actor, but he’s one hell of a musician, and a consummate entertainer. Apparently the guy is good at everything he tries. I’d have to hate him if I didn’t admire him so much.

His deep love of very old New Orleans style American blues, jazz and spiritual music prompted the release of his album “Let Them Talk.

I’m a fan of blues music and was happy to give the album a listen. To be honest, it’s more jazz than blues but it’s so well arranged and so well produced that I dug the album from first cut to last note.

And then the live show. So incredibly engaging. The crowd was totally in it all along. Mr. Laurie knows how to entertain and his backing band is solid (except for the guitar player).

Whew. My arms hurt from clapping so hard.

What an amazing show. If it comes near your hometown, I can’t recommend it enough!


Here’s a couple shots I took at the show (we had amazing seats).







Photos Copyright 2012, Karen Fayeth, and subject to the Creative Commons license found in the far right column of this page. Photos taken with an iPhone4s, an iPhone telephoto lens and the Camera+ app.



Everything Old is New Again

Take a look at this photo. It’s not my photo. I came across it yesterday and I kind of liked it.




It’s got that color saturation and green tinge that you see in a lot of these new square format apps for the iPhone and Android (my personal favorite is Hipstamatic).

Actually, I like this photo a lot. But I didn’t heart it on Instagram. I didn’t like it on Facebook. I didn’t re-Tweet it either.

Because this photo was found inside a frame and mounted to a wall at the Cantor Arts Center at Stanford University.

This photo is part of their Walker Evans show.

This weekend, my photography group took a field trip to check out the exhibit. Going in, I knew very little about Walker Evans other than he had captured a lot of powerful black and white images from the Depression. I purposefully didn’t study up before my trip because I wanted to learn about the photographer through his photos.

Well. Knock me over. I was really, seriously and deeply educated by the time all was said and done.

First of all, Walker was a writer, and then moved into photography. He did both for most of his life. So take that you scallywags who say an artist should pick a medium and not dabble. Feh! Also, I really came to appreciate Walker’s sense of irony. You have to get up close and look around the frame of his photos to find it, but it’s always in there.

That said, the part of the exhibit that gave me the “holy crap!” moment of connection was at the very end when I saw the photos tucked away on the back wall.

It seems that in his early seventies, Walker Evans was left tired and uninspired and found himself unwilling or perhaps unable to create.

And then he got himself a Polaroid SX-70 camera and an unlimited supply of film.

“I bought that thing as a toy, and I took it as a kind of challenge,” Evans explained. “It was this gadget and I decided that I might be able to do something serious with it. So I got to work to try to prove that. I think I’ve done something with it.”


As I stood there looking at the photos, I was at first jealous. Jealous of that “unlimited supply” of Polaroid film. I am completely devoted to the Polaroid camera and used several different versions growing up and well into adulthood. I shot Polaroid until the film was no longer available.

Thanks to the Impossible Project, it’s still possible to buy Polaroid film, but at almost $24 a pack, that easy carefree snap-whatever-you-feel-like and just buy another pack mentality has to be reined in.

So I stood there feeling jealous about having all that free film on hand.

And then…my hands came up and framed either side of my whaaaat? face as I realized…

I have access to an instant camera and unlimited film. But in a different format. Sames tools, different age.

I have Hipstamatic on my iPhone. And Instagram. And a bunch of other toy camera apps.

All of these beautiful color saturated photos. They can still be made! I can still snap with reckless abandon! Oh dear god I have this gadget and I might actually be able to do something serious with it.

Oh my goodness. Oh. My. Goodness!

This realization left me dazed and confused and happy. So happy.

And inspired.







Top photo, “Untitled, 1974 Unique Polaroid” by Walker Evans and used here under Fair Use.

Quote from The Ongoing Moment by Geoff Dyer.

Bottom photo, “Power” Copyright 2012 Karen Fayeth, and subject to the Creative Commons license found in the far right column of this page. Taken with Hipstamatic app for iPhone.



And The Wheel Goes Round

To get the ol’ creative juices flowing, I’ve been working a little, here and there, on a lesson book of painting techniques. I’m pretty comfortable working with a brush and craft quality acrylics, but now I’m learning methods to create an image from scratch using real big boy paints and brushes.

It’s a big deal!

Today’s lesson was to paint my own color wheel. At first, I thought “Meh. A color wheel? Boring.”

It turned out to be a really interesting and useful exercise, and helped me learn both the paint and my new (fancy) brushes. When my work was done, I fell a little bit in love with my hand crafted color wheel.

And since I can’t seem to separate my High Arts from my Craft Arts, when I was done, I noticed the little bit of imperfection at the center of my wheel. That place where all six colors meet? There was paint overlap and some small white spaces.

So I did what any good crafter does. I hid it with rhinestone. Fabulous!




Copyright 2012, Karen Fayeth. Subject to Creative Commons license.


I must have colors and color theory on the brain. Here’s a photo I snapped earlier today:




Copyright 2012, Karen Fayeth. Subject to Creative Commons license.