Category: artist

Round and Round The Mulberry Bush

I find myself with a rare few hours this afternoon where my calendar does NOT have somebody’s name and silly meeting title plopped across wide spans of my time.

I mean an afternoon with no meetings is pretty damn rare. I’m almost scared. Like “did we all get the afternoon off and I didn’t know about it?”

So I figured I’d make good use of some found time and tip tap away at a post for my little ol’ blog.

Of course, when I actually have some time and some room to stretch my word wings, I have zero, zip, zilch, nada things to say.

Probably not surprising given that my last post was about my walnut bladder.

I went to my trusted fall back method of using a random word generator to spark ideas.

The word that was presented to me was: Mulberry

As in pop goes the weasel? Hmm. So I went to Google to see what I could links might give me interest in writing a couple words.

First I sifted through the voluminous links about Mulberry, the British leather accessory company. Boring.

Then I read the Wikipedia page about the plant. *yawn*

Then at the end of the Wiki entry, I saw this sentence:

Vincent van Gogh featured the mulberry tree in some of his paintings, notably “Mulberry Tree.”

What’s this, then? A Van Gogh mulberry? Now that’s interesting. I would not call myself a scholar of Van Gogh’s work, but I have done some poking about. Read some books. Have even seen one of his works live and in person at New York’s MOMA (I cried because I was so profoundly affected).

So today my lack of creativity and reliance on a tried and true prodding method caused me to discover a new (to me) painting by a favorite artist.

That’s not so bad, now is it? One might say both inspired and inspiring.

Here’s the painting. It touches me deeply in ways I can’t quite describe. And that’s the beauty of art.





The Mulberry Tree by Vincent Van Gogh





Image used under a Creative Commons license from Wikimedia.




A Promise Made. Finally Kept.

Back on July 12, I made a cryptic post on my Facebook page that said “Got a lit mag acceptance in the mail today. Sa-weet! A nice way to end the week. Details as soon as I can share!”

And then tick-tock, calendar flip, no details were to be shared.

Recently a friend asked, “oh hey, what ever happened with that?”

Well, here’s what happened: I wanted to lay back on details so as not to tick off the editor of the magazine. They like having first crack at this stuff, so I kept it to myself.

My story was supposed to be published in the Winter (Oct/Nov/Dec) issue, so I was biding my time.

Turns out the editor decided to push up the publication, so my story actually appeared in the Fall (July/Aug/Sept) issue.

Editors are going to do what they need and I have ZERO problem with that. The editor chose to publish MY little ol’ story. With ink. In a literary magazine. Yes!

And since the publication date has come and gone, I don’t feel bad about sharing that story with you now.

Without further ado, here is my story “What Leibniz Never Learned” as published in The Storyteller magazine.

You can also click on the magazine cover, seen in the right column section title “As Seen In” on this page.

Yay!

: jumping for joy :








Happy leaping lamb image found here.




Que Bonita

This past weekend was something like a “what weekend?” as I worked my tail feathers off both days. About 1/3 of the tail feather workout was due to my job. Yes, I get to work for free on behalf of my employer, even on my days off. The joys of being a salaried employee.

The other 2/3 was working on my own sideline creative stuff. I did about 25 story submissions, I edited a photo that I will be showing later this week (that takes such a long time…a little burn here, a little dodge there), and I wrote a story for the first round of the NYC Midnight Flash Fiction contest.

The contest works this way: They give you a location, a genre and an object. All three have to be there in the story. This can be both liberating and constraining, depending on what you get. My draw for this first round was romance/haunted house/marshmallows. Not bad, not great.

Sunday around noon I found myself starting at that cursed curser blinking at me and I tried to find a story idea that was scary and lovey and marshmallowy all at the same time. A challenge. I was writing words but they weren’t coming easily. My iMac sits on a table near a window, and something caught the corner of my eye as I labored. I looked out the window. Seems on that sunny creatively frustrating Sunday I had an auspicious little visitor.

I grabbed my camera, put on the longest lens I own, popped the screen out of the window and started clicking away.

I’m so glad I did.




Photo copyright 2013, Karen Fayeth

This gorgeous lone Monarch Butterfly was just hanging out in the warm sun, using the ol’ proboscis to gather some pollen and doing its butterfly thing. As I watched, a couple bees were highly displeased at the presence of the butterfly and kept strafing him (I say him correctly, I looked up Monarch butterflies online and the dots around the wings signify a male. edit: Upon further Googling, I think this is actually a female).

These bees were executing deep aggressive fly bys that only caused the butterfly to flap his wings a bit but stay put. Man those bees were persistent. And I kept snapping away. I have some awesome action shots that I’m still editing.
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After a while, the butterfly flew off and I downloaded and looked through my photos, very pleased with the results.

Then I sat back in my chair and I smiled. After the visit from Mr. Butterfly, I felt totally motivated and completely creative. I turned back to my story and banged out about 1,300 words in one sitting. Then set it aside and let it percolate while The Good Man and I went to local street fair.

When we came back I edited the beejeezus out of the story, got it to 999 words (the limit is 1,000) and submitted it about 45 minutes before the deadline. Man oh man hitting send on that story sure felt good.

I owe my creative surge to a visit from a pretty orange butterfly on the first day of Autumn.





Photo copyright 2013, Karen Fayeth, and subject to the Creative Commons license in the right column of this page. Taken with a Canon Rebel, edited lightly in Elements.




The Turtle And The Hare

I’ve mentioned several times in these pages that during the course of my life, I spent quite a few years in the company of a blues musician. By spending a little time with him, I also spent time around a lot of different blues musicians.

Men and women with a deep vein of soul and history and rhythm.

When you are around blues people, you hear a lot of stories. Telling stories is pretty much the foundation of being able to play the blues. As a storyteller in my own right, I used to soak in these stories, letting them enter my pores and fill my soul and tap my DNA on the shoulder and ask it to dance.

The stories are in me. Not all of them are true. Few of them are pretty.

All of this is a long winded lead up to a particular story I have in mind.

It goes something like this:

Back in the 1950’s in a small suburb of Dallas, Texas, two talented brothers grew up together.

Both had music in their bones and talent for playing the guitar. The world knows a little bit more about Stevie Ray Vaughan because of his breathtaking musical style and early death, but Jimmie Vaughan has also seen a fair bit of success with his music.

If you listen to each of their music, you can hear their very different styles. Stevie’s music was intense, complicated and at times frenetic. Jimmie likes to play a bit slower and wider and easier.

Legend has it that back in the day in Oak Cliff, Texas both boys not only liked guitars but they liked cars.

Stevie, unsurprisingly, liked real fast hot shit cars that he could jump in and race around town. Stevie used to vex the local police who couldn’t slow him down.

Jimmie on the other hand liked to cruise. He liked big, heavily finned, tuck and roll upholstered, Buick with a “smile” kind of cars. He’d put his girlfriend beside him on the bench seat and slowly roll through town, vexing the local police who wanted him to speed up.

I think of this story pretty frequently in relation to my own roll through life. My approach is more Jimmie than Stevie, though I admire the hell out of Stevie.

Perhaps this owes to the slow “land of mañana” pace of where I grew up. We don’t move with alacrity in New Mexico and tend to be suspicious of those who do. When I still lived in the state and traveled to San Francisco or Boston for work, I was always comforted to come home, get off the plane, and visually see how slow people moved. Then I would match my pace to theirs and know I was home.

There is a great comfort in moving at a calm pace.

I find, however, that is not how the world thinks one should move.

Let’s take for example, New York City. In New York, you are supposed to walk fast. Very fast. Head straight, eyes forward, and walk.

Despite how much I love Manhattan, I have one hell of a time keeping up. The Good Man was born in Brooklyn so moving at that pace comes natural. It does not come natural for me. I prefer to toddle along close to the buildings with the elderly and infirm and let the people pass me by on the outside of the sidewalk.

I am the person that New Yorkers yell at for walking too slow.

This all came back to mind this past week. It is New York Fashion week and I follow Nina Garcia, Marie Claire magazine’s Creative Director, on various social networking sites.

She has been posting photos from all of the various designer shows and I have been lapping them up like at kitten at a bowl of milk.

I may not have a figure for fashion, but I love it. I love seeing how textiles and stitches and notions come together to create something fantastic or ugly or offbeat. Yes, I dig it!

So a couple of days ago, Ms. Garcia posted a photo of a sign she saw backstage at the Michael Kors Spring show. Oh my, I am a huge fan of Mr. Kors.

Here is the photo:





I read the words and my heart sank a little. I am happily romantic, strong and my own version of gorgeous.

But I don’t walk fast and with energy.

I would love to kill them with chic, but instead I must maintain my killer sense of humor.

For some reason, this really got under my skin and whispered to those demons in my head who heckled me and said that if I can’t walk fast and with energy, I am a nobody. They said I don’t measure up, don’t belong, don’t matter because I can’t keep up.

And that’s when I remembered the story about the Vaughan brothers.

I don’t need to race up and down the streets of New York. There are plenty of people who have that covered. I want to cruise the Manhattan blocks and tip my head upward to wonder at the buildings and smile and give my lungs room to breathe.

Slow though I walk, I always get where I’m going. Pink cheeked, a little sweaty and smiling.

Perhaps I am taking this hand written sign a little too close to heart. I’m sure this was simply a note of encouragement for the models walking the runway, reminding them to keep it peppy and light.

Perhaps it just hit me on a bad day when the demons were a little closer to the open door than I would like. I let them out to play awhile, really let them run, then I whistled and corralled them back into the pen.

And I remembered that a strong, courageous New Mexican doesn’t have to walk fast unless she wants to. That is true both when walking the Bosque or NYC’s Broadway.


A girl should be two things: classy and fabulous.

–Coco Chanel


Thankfully, I am both.

–Karen Fayeth





Photo from the Instagram feed of Nina Garcia. All rights belong to her.




Boring Training, Day 3

Here I am, day three of my three day training. On a Friday, no less. Today is the final uphill slog for this training class.

It is a long climb and this hiker is weary.

Not sure whether I can continue on. Sooooo booored.

Today, instead of being “that guy” I have gone into slump mode. I already got called out for looking at my phone. I’ve eaten every pastry they offer (all terrible!) and I’m drinking caffeinated tea. Nothing is helping.

So now, instead of paying attention, I’m obsessing on a white board marker.

This marker, particularly.




This is a very respectable marker. It’s green, made from 90% post-consumer product, almost fully recyclable and refillable. This is a very smart and responsible pen, a good business choice by whomever purchased it.

So why am I obsessing? Well, one, it’s orange which is my current favorite color (it changes all of the time). And two because of this…(Look at the yellow tag)




That little pen reservoir holds the orange ink. You can watch it sloshing around in there. Neat!

And that tag, it tells me not to open up that sloshy ink container. Why!?! Because it is a brand new pen and opening it now will splash ink everywhere. So!?

I wanna! I wanna I wanna I wanna!

I am having to exercise the utmost in restraint, something I don’t have a lot of, to keep from ripping the end off that marker. Then I tell myself, “I’m steady handed enough, I can pull that off of there and have no problem! Without spilling a drop! Let me prove it to myself!”

But I know the truth. I’m not sure handed. I’m the girl that falls down. I will pop that cap off and ink will spring up in the air and aerosolize and there will orange ink from here to there, ceiling to floor.

That sure would be awesome, though.

Way more fun than talking about warranty claims, insurance provisions and cost accounting.

Barf.





Images Copyright 2013, Karen Fayeth, not that you’d want to steal photos of an orange marker, and subject to the Creative Commons license in the right column of this page. Taken with an iPhone 5, the Camera+ app and no small amount of lack of attention to the subject at hand.