Oh Let’s Let Her Lope Again

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This exercise was so amazing for me and my old friend The Muse last week. It really helped break some of the rust off the creative pipes and since it was so much fun, let’s let The Muse play the Unconscious Mutterings free-association game again.


  1. Social ::


    A friend posted a link on Facebook essentially declaring that social media is over. Wait, there’s something ironic about that sentence. No matter, let’s press on.

    Personally, I’m pretty ready for all things social networking to stop being all anyone talks about. As if this is changing the world.

    Sure, something just as annoying will take it’s place, but maybe as “the book close(s) on Web 2.0” the internets will have grown up a bit. Stretched a bit. Maybe the next big thing will be something great, innovative and useful.

    Just don’t take away my lolcats. I beg you.

  2. Fairy tale ::


    It’s too early to discuss Christmas songs. Way too early.

    However, if we were going to discuss Christmas songs I’d tell you that I think it’s magic that a song entitled “Fairy Tale of New York” begins with the lines:

    “It was christmas eve babe/In the drunk tank”

    I mean really. Could that be any more perfect of the holiday season? I think not.

    A nod of thanks to my Rock Star cousin for turning me on to that tune many years ago when I was having a Very Dark Christmas.

  3. 0 ::


    Neither odd nor even, positive nor negative. Zero is the beginning, a place to start. Nothing and everything. Zen. Infinite.

    And a bunch of other woo-woo stuff.

    Null, nada, naught, nuh-uh, nope, zilch.

    Sort of beautiful in it’s perfection, really.

  4. Football ::


    I’m not much of a football fan, but I do idly keep track of the San Francisco 49ers. Last year I even took in my first NFL game, and it was awesome.

    That said, I think I’ve become too much of a baseball girl. I mean…162 games a season vs sixteen. Right? I think you can get by with a lot of luck over 16 games whereas you have to be mentally and physically disciplined to make it through 162.

    This is a weird time of the year where the end of baseball overlaps the beginning of football.

    Right now my San Francisco Giants are oh-so-very-close to making it into the postseason again and the 49ers have won their first two regular games.

    All in all, not a bad place to be.

    Who’s got it better than us?

    Why, I’m pretty sure the answer is: Nobody.

  5. Action::


    Lights, camera, action. Take action. Action Jackson. Action hero. Action games.

    Yeah. I got nothing here.

    Next!

  6. Setting ::


    Sometimes, on a rough ol’ Monday like this, I think about going to my happy place. I have several, actually, but the one I’m thinking about today is the town of Half Moon Bay. It’s about a half hour drive away, it’s where I got married, and it’s the beach I visited just after moving to California.

    It holds a special place in my heart and features some of the most beautiful sunsets I’ve ever seen.

    I’ve watched that setting sun alone, with dear friends (and beers) and with my love.

    Here’s my favorite photo, taken (by me) near Miramar Beach, and even this cool photo doesn’t totally capture the quality of light. But it’s enough to help me escape gray cubicle walls, if only for a moment.



  7. Boomers ::


    Did you know that in Australia, an adult male kangaroo is called a Boomer? I didn’t either.

    I learned that seeking an alternative for this prompt that would let me write about something other than ol’ hippies.

    And I thank YOU, Wikipedia, you glorious repository of knowledge.

  8. Rough ::


    This morning, this glorious Monday morning, I woke up rough. Real rough. I remember the days where I could stay up all night drinking and carousing and then get approximately one and a half hours of sleep, wake up chipper, go to class, take detailed notes, get through the day and go out again.

    Now I stay up late on Sunday night watching a good movie and oh holy hell I’m a mess from the time the alarm goes off until I can go to bed early the next night.

    Time really does make fools of us all.

  9. Words ::


    “What are words for? When no one listens. What are words for, when no one listens at all?”

    Hello you beautiful Missing Persons.

    That was the very first non-rodeo related concert I attended. (If I include rodeo shows, my first concert was Freddy Fender. You can’t make this stuff up). My big brother took me to a show at the Civic Auditorium in Albuquerque. Bits of what I’m sure was asbestos fell from the ceiling during the show.

    I wanted to be Dale Bozzio so bad I couldn’t see straight. I still do.

  10. Account ::


    Longing to be Dale Bozzio, and Belinda Carlisle, and Terri Nunn and others like them – yeah, that accounts for a lot of my teenage years.

    Really, a lot of my life.

    I just read British comedienne Dawn French‘s memoir. Now there is a lady who is 100% comfortable in her own skin. And now instead of just admiring her, I want to be her too.

    I’m such a suggestible little girl.

Ok, well…back to work.




The Right Tool for Every Residence

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This past weekend, I found myself kneeling by the side of my bathtub pouring extra super thick double maxx Liquid Plumr down the drain.

The thing didn’t even gurgle back at me it was so clogged up. Not that the drain on this sad ol’ tub ever worked that well to begin with. The strands of my luxurious mane are, sadly, more than it can take.

As I sat back on my heels waiting for that satisfying gurgle/sigh that pipe gives off when it’s cleared, I thought about how every damn place I’ve lived since the moment I set foot in the State of California has had plumbing issues.

Every. Single. One.

The first place where I unpacked my bags in Cali was in Sunnyvale. It was a cheery little eight unit building with a landlord so cheap he made Abe Lincoln on the penny squeak. He wasn’t a bad guy, he was just a massive tightwad.

My next door neighbors, two over tanned ex-hippies, came over to my place to welcome me to the building. They also presented me with a gift, saying, “Trust us, you’ll need it.”

This was the gift:





Isn’t she a beauty? Yes, I still have her some fifteen years later. This little black beauty has been my guardian. My savior. My favorite tool.

That plunger has unclogged toilets, sinks and disposers across the Greater Bay Area.

I thought of my old friend as I gazed into the drain of the sad, blocked bathtub that fills with water halfway up my shins when I take a shower. I wished old Black Beauty could step into service on this problem. She has a magic touch. Sadly I was unable to get her assistance on this one.

It took an entire bottle of the Plumr to finally get some movement in that damn drain. It’s ostensibly fixed, but still slow as molasses running in an uphill direction on a cold January day.

But the toilet, that flushes like a champion. That’s cuz Black Beauty is standing guard.
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.
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Yes. I wrote an entire blog post about a plunger.

Happy Friday.






As I’m sure everyone wants to rip off my photo of a plunger, I am obligated to tell you that it is Copyright 2012, Karen Fayeth, and subject to the Creative Commons license found in the right column of this page. Taken with an iPhone 4s, the Camera+ app, and love.



Willing Suspension of Disbelief

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“An actor struggles to die onstage, but a puppet has to struggle to live. And in a way that’s a metaphor for life.” – Handspring Puppet Company, creator of puppets for the stage show “War Horse”

Over the weekend I had the great pleasure of joining two very dear friends and The Good Man for a night out on the town. We started at a little French restaurant for both dinner and great conversation. We lingered a bit over our food, but skipped dessert as we had tickets to the theater, and it was nearing showtime.

While I have seen quite a few stage productions in my life, I am not what one would call a “theatre geek.” All three of the other talented people at the table self-describe themselves as such, so obviously I learn a lot from them every time we are together.

On that beautiful night in San Francisco, we found ourselves at the venerable old Curran Theater with tickets in hand to see “War Horse.”

This show first came to my attention at the 2011 Tony Awards (where it picked up five awards). The brief yet enchanting moment when the puppet horse came on stage sent a jolt to my soul. I turned to The Good Man and said, “Let’s fly to New York to see it!” and he smiled, as The Good Man does, and inserted reason into my life. “I bet it will come to San Francisco. Let’s see.”

Of course he was right.

Life almost got in the way, because this past weekend was the closing of the San Francisco run of the show. Whew! I owe The Good Man so much for pulling this one together.

Now, while I love the quirky old Curran, she also makes me tired. It’s small, short on bathrooms, the seats are massively uncomfortable and it’s stifling hot inside. And yet I keep going back there because they stage some of the best shows in the world.

I went into this production with extraordinarily high expectations. They were all beat. Hand’s down.

This is the most magical and profound show I have ever witnessed.

It’s no secret that I am a horse person. I have spent time among horses. I’ve studied them. I was trained to ride by a protégé of Monty Roberts (the inspiration for “The Horse Whisperer”) and she taught us in his style.

Which is to say one must listen to a horse. You must note the posture of their ears. Understand why a foot stamp. Realize that a deep inhale or a deep exhale actually means something.

I’ve spent hours simply watching a horse so that I could hear what it was telling me.

So you know I was going to have an extraordinarily critical eye when it came to the puppetry in this show.

I’ll cut to the chase…they nailed it. I don’t know how they did it, but they did. From simple ear flicks, to a shivering coat when brushed, to head posture. At one point, there was a long dialogue between two human characters while two horses stood off to the side. The horses sighed, tipped a front hoof on edge, stamped, and shifted weight from side to side. If you’ve ever made a horse stand still you’ve seen all of those. It wasn’t affected, just simply natural.

These bits of metal and canvas transformed into actual horses in my eyes. It was absolutely magical.

And then woven around this astounding feat of puppetry was a really difficult story set during World War I.

A boy’s father wins a young horse at auction and the boy and horse embark on a deep friendship. Albert trains the horse, Joey, with ease and understanding. They have that special bond that only a horse owner can know. But when England goes to war, Joey is sold into service for the cavalry by Albert’s father. Quickly, our young Albert lies about his age and enlists so that he can find his horse and keep him safe.

It is an extraordinary journey through history, exploring many notable events of WWI.

I’ve often been told in crafting stories that there are no new plots and it is the job of the writer to find a way to bring a new perspective to a known story. In this play, the underlying story is one we know. War is awful. Ravaging. And it irrevocably changes those who were sent to the front lines.

We know that story, but when you add the majestic layer of these well wrought puppet animals, it becomes something almost cinematic. How they staged such an ambitious production on the Curran’s small stage is still a miracle to me.

From light cues to small movements to the amazing work of the puppeteers, this show transcends theatre. You willingly suspend your disbelief and don’t want it back for a single moment.

It was perhaps one of the most profound moments of live theatre I’ve ever experienced.

Now I’m sad that I waited so long to see it because I want to see it again. This despite the fact that I totally ugly cried right there in the theatre. I mean cried so hard I was afraid I couldn’t get my composure back. Thankfully I was in good company, most of the patrons shed a couple tears, too.

We were all that engaged in the story.

Driving home, The Good Man and I talked about the show. I wanted to know what he thought about it from a theatrical perspective. He wanted to know what I thought about the accuracy of the portrayal of the animals. Together we decided it was unlike anything we’d ever seen.

Whew. I was so emotionally done-in that I slept like a rock that night. Over Sunday breakfast The Good Man and I again idly discussed the show. Just trying to speak about one of the more powerful scenes in the show brought tears to the corners of my eyes.

It’s rare and beautiful to find a piece of creative work, be it a book, movie or play, that gets inside the cellular walls of your soul and hangs on. “War Horse” is that, for me.

I will be thinking about that show for a very long time and trying to find a way to see it again.

Hey Good Man, I think it’s still playing on Broadway. How ’bout a road trip?





Hard to believe these mechanical devices become real horses, but they do




Image from AlEtmanski.com