He Spoke to Me

Do you have any idea how powerful it was when I read the following poem, written by Shel Silverstein as part of his book “Where the Sidewalk Ends?”

Listen to the mustn’ts, child.
Listen to the don’ts.
Listen to the shouldn’ts, the impossibles, the won’ts.
Listen to the never haves, then listen close to me…
Anything can happen, child.
Anything can be.

I don’t know how old I was, ten or twelve maybe? But to have an adult, especially such a surly looking adult, say something like that to me!

Whoa!

This past weekend, I pulled “Where the Sidewalk Ends” off my shelf and gave it a new read. It had been years. Maybe even decades.

And that poem, it still stopped me in my tracks.

I just finished a biography of Shel Silverstein called “A Boy Named Shel” that I found, of all places, at the Dollar Store.

I’m not going to lie to ya, the biography is not the greatest writing I’ve ever encountered. In fact, it’s pretty bad, worthy of the venue in which it was purchased. That said it did give me some (hopefully true) insight into the life of the very prolific writer, cartoonist, songwriter and playwright.

I learned from this biography that Silverstein’s mind was constantly in motion, constantly creating without restrictions.

I only know of a few creative people in my life that are *constantly* channeling The Muse. One of them might even be related to me.

I’m pretty creative and am usually chock full of ideas, but I also go through extended periods of time of writer’s or crafter’s block. Perhaps for me, these are quiet periods that are essential to my own creative process, because as frustrating is to be creatively constipated, I usually come through it stronger.

I have learned that The Muse will return if I just relax and let her go. She always comes back.

It’s funny, sometimes seeing art or meeting a creative person will touch off a creative spark inside of me, thus breaking through the blockades. Through the words of his poems, Shel Silverstein did that for me this weekend. I started a new art project and I did photography and I felt the creatives begin to whisper in my ear, which always gives me such satisfaction.

I understand that Silverstein was a mentor to many of his friends. He would push them to create more, to push the bounds of their art and to be better artists.

Silverstein died in 1999, but his words remain powerful. They speak to me as loudly today as they did when I was young.

Anything can happen, child. Anything can be.

Photo From BigHeartDesign.com

The Well Went Dry

I guess my insightful marbles and rubber chicken post yesterday tapped out The Muse.

I’m at another lean spell on blog topics. So you know what that means!

Imagination Prompt roulette!

A spin of the wheel and away we go!!

Your present job makes you…

Able to pay the rent and buy groceries and every once in a while, a stupidly expensive bauble.

One food you would never give up is…

What?!? Give up a food?!? : looks around suspiciously :

Never! You can’t take me and my twinkies alive!

Nothing matters…

You’re telling me.

(I don’t make these up…they come straight off the prompt)

I remember when…

…my dad used to start a sentence with “I remember when…” and then I’d turn up the television just a little bit louder.

Why do you feel like you do right now?

A carefully managed concoction of sugar, fat, salt, and vodka. Lots and lots of vodka.

What’s the coolest piece of technology you work or play with?

I work for the most austere tech company in the world. We don’t make cool. We make reliable.

So that lets out the work part of the question.

Play with? Well, the husband has an iPad which is VERY cool. When he got that, I got his MacBook Air. I know the technology is a couple years old but I’m deeply enamored of this little thin machine. It’s beautiful and reliable and it makes the PC on my workdesk look like a hunchback.

What’s the last piece of art you made?

Ok, now we’re in my wheelhouse!

I think it was the three small canvases that I turned in for the Brooklyn Art House Co-Op project. I mailed those out on Sept 1.

That’s a LOOONG dry spell of not creating any art.

I’d better get on that.

High school reminds you of…

Horrible dark things I shant share here.

I generalize about _____ because…

… _____ is so specific.

Why now?
Because I’m booked later.

Could you stay in bed all day and think?

Yes. I could also stay in bed all day and not think if anyone is looking for that talent.

Today when I put on my pants, I…

Double checked I’d zipped my fly. Otherwise it’s too drafty.

Money is _____ and here’s why

Wait. I thought _____ was specific. Now it’s specifically money?

I have the golden touch!

Woo hoo!

I’m off to go spend my _____ all around town.

And there we have it.

Thanks for tuning in through the latest edition of Writer’s Block!

Carbo Loading The Muse

This past weekend, I competed in round two of the NYCMidnight Flash Fiction Challenge.

It goes like this: They give you a genre, a location and an object. You get 48 hours to write a one thousand word story incorporating all of that.

I *love* participating in this contest. It is my third year and it challenges me and stretches me and causes me to come at my writing from different angles.

Until this contest I’d never written anything that could be remotely labeled science fiction, fantasy or historical fiction. But guess what, I’ve done them all, and in the case of historical fiction, twice.

My first jab at historical fiction was a well researched story about Babe Ruth. It remains one of my most favored stories of all that I’ve written.

It scored very low with the judges, however.

This weekend I pondered all the angles of a comedy set in a tunnel with a gold watch. (A little bit like Clue…Colonel Mustard in the library with a candlestick.)

As I threw around story ideas, I got the brilliant Good Man involved in brainstorming. He looks at the world in a way very different from me and is a good source of inspiration. While brainstomring, he uttered one of those pearls of wisdom that will stay with me all my days as a writer.

The conversation went like this:

Me: “What’s funny about a tunnel? Is there a tunnel that could be funny? What about a sewer? Is that funny?”

TGM: “Well, anything with poop in it has potential.”

There it is, folks. Write that down. Embroider that on a dish towel. Just remember you heard it here first!

But he’s right. Bodily functions are usually funny. Except when they are not.

I chose to avoid a sewer tunnel for my story, choosing something a bit more metaphysical instead.

All of this yammering on is to say, my brain is exhausted. My Muse is weary. She gave it her all for forty-eight hours and informed me this morning that she didn’t *feel* like coming up with a brilliant blog post idea today.

So instead, I chose to follow well-heeded wisdom when it comes to writer’s block…

Write through it.

So here I am, writing through the block. Suddenly words are forming into paragraphs and the page is filling up. It’s not brilliant words of prose, but it’s working.

And here I am at about 400 words. Plenty enough for a blog post! So ok! I did it!

The Muse didn’t even have to work that hard.

Though I think if I hope to get another blog post tomorrow, I’d better treat her to some baked goods. She does tend to run better on sweets.

Stumbling in there at the last moment

Several months ago, I participated in a fiction project for the Brooklyn-based Art House Co-Op. I was given a theme and a Moleskine notebook and then asked to fill it with stories and images.

And I did! So much fun.

Based on that success, I decided to take on another Art House Co-Op challenge.

This one is called “The Canvas Project.”

They sent me three 4×4 inch canvases and a card with three words on it.

My job? To interpret the three words visually, one per canvas.

The words I got? Not easy.

Here they are:

1. Flatuence (because the universe is laughing at me… And yes, it can be spelled without that second L)

2. Training (really? Visually?)

3. Glassy (Oh, hey, sure. Easy peasy. I can visually display an adjective. NOT! I must have looked at the card twenty times to be sure it didn’t say “gassy”)

I’ve had the canvases since July. They were required to be postmarked today.

So of course last night I was madly painting and gluing and fretting! I had two done well ahead of time but the third one, glassy, eluded me.

But I got them done. The Good Man promised to mail them out today.

Whew.

Anyhow, I took some semi-decent photos with my iPhone last night.

Herewith, my entries to The Canvas Project exhibition:

Flatuence:

Yes. That’s pinto beans. Yes, that’s dried roses. And in case you can’t tell from the photograph, that white spot in the center? That’s a tablet of Beano.

heh.

Training:

When taking beginning painting (or drawing) classes, they tell you to draw a grid on the canvas and work square by square. So I used a very simple image and incorporated a grid as my own personal training.

All four sides carry the warning “Artist in Training.”

And finally…this is the last canvas I finished. The glue might even still be setting up while the canvas sits in a box ready to ship….

Glassy:

By the by…broken glass is a LOT harder to work with than I’d expected. Though I worked out much pent up anxiety by smashing all that glass with a hammer. One clear glass pane from a picture frame, a mirror, and a glass candle holder from the Dollar Store, a San Pellegrino green bottle and a cobalt blue tincture bottle gave their all for art.

Big fun! I’m excited to see if any of my pieces are picked for the gallery show in December.

Yay! Thanks Art House Co-Op!!!

Experiments at Night

A couple weeks back, I posted some of my first experiments with night photography, including my favorite shot of the Golden Gate Bridge.

This past week, while visiting New Mexico, I decided to try the next step in my night photography lessons, and that is capturing star trails.

Figuring this out required a little astrology, a little photography understanding and a LOT of knowledge about my camera.

Fortunately I had the incredibly well written book Creative Night: Digital Photography Tips & Techniques by Harold Davis (a Bay Area guy), to guide my way.

Due to the very long exposure times on night photos, a tripod is a must. Since I didn’t feel like carrying my tripod on a plane, I borrowed one from my best friend’s husband.

He uses the tripod to mount his field glasses when he goes hunting, so the tripod head had been…uh…modified. I think “modified” is the best way to describe the carnage that had occurred to the tripod head.

In order for me to use the device, he had to pound out the ten-penny nail wedged in there to help stabilize his field glasses. He also had to find the right sized wrench so I could tighten the bolt that holds the camera in place.

And even then, the camera would suddenly droop but thankfully didn’t drop.

Despite my less than super high tech borrowed tripod, I was able to make it work and was grateful for the borrowed gear.

I took a few photos that night and learned a whole lot about the process. Like, did you know a full moon is so bright it will wash out an exposure? I didn’t…until a few nights ago.

The most exciting of the photos from that night is below. It’s not well composed at ALL because it has nothing in the foreground to provide a sense of perspective.

What this photo DOES prove is that I have figured out how to take photographs of star trails. This was an eight-minute exposure. A longer exposure will net longer star trails.

I’m incredibly excited about this new knowledge!

Onward to the stars!

My First Star Trail
(click the photo here then click the photo again in Flickr to see larger sizes, if interested)