Everything Old is New Again

Take a look at this photo. It’s not my photo. I came across it yesterday and I kind of liked it.




It’s got that color saturation and green tinge that you see in a lot of these new square format apps for the iPhone and Android (my personal favorite is Hipstamatic).

Actually, I like this photo a lot. But I didn’t heart it on Instagram. I didn’t like it on Facebook. I didn’t re-Tweet it either.

Because this photo was found inside a frame and mounted to a wall at the Cantor Arts Center at Stanford University.

This photo is part of their Walker Evans show.

This weekend, my photography group took a field trip to check out the exhibit. Going in, I knew very little about Walker Evans other than he had captured a lot of powerful black and white images from the Depression. I purposefully didn’t study up before my trip because I wanted to learn about the photographer through his photos.

Well. Knock me over. I was really, seriously and deeply educated by the time all was said and done.

First of all, Walker was a writer, and then moved into photography. He did both for most of his life. So take that you scallywags who say an artist should pick a medium and not dabble. Feh! Also, I really came to appreciate Walker’s sense of irony. You have to get up close and look around the frame of his photos to find it, but it’s always in there.

That said, the part of the exhibit that gave me the “holy crap!” moment of connection was at the very end when I saw the photos tucked away on the back wall.

It seems that in his early seventies, Walker Evans was left tired and uninspired and found himself unwilling or perhaps unable to create.

And then he got himself a Polaroid SX-70 camera and an unlimited supply of film.

“I bought that thing as a toy, and I took it as a kind of challenge,” Evans explained. “It was this gadget and I decided that I might be able to do something serious with it. So I got to work to try to prove that. I think I’ve done something with it.”


As I stood there looking at the photos, I was at first jealous. Jealous of that “unlimited supply” of Polaroid film. I am completely devoted to the Polaroid camera and used several different versions growing up and well into adulthood. I shot Polaroid until the film was no longer available.

Thanks to the Impossible Project, it’s still possible to buy Polaroid film, but at almost $24 a pack, that easy carefree snap-whatever-you-feel-like and just buy another pack mentality has to be reined in.

So I stood there feeling jealous about having all that free film on hand.

And then…my hands came up and framed either side of my whaaaat? face as I realized…

I have access to an instant camera and unlimited film. But in a different format. Sames tools, different age.

I have Hipstamatic on my iPhone. And Instagram. And a bunch of other toy camera apps.

All of these beautiful color saturated photos. They can still be made! I can still snap with reckless abandon! Oh dear god I have this gadget and I might actually be able to do something serious with it.

Oh my goodness. Oh. My. Goodness!

This realization left me dazed and confused and happy. So happy.

And inspired.







Top photo, “Untitled, 1974 Unique Polaroid” by Walker Evans and used here under Fair Use.

Quote from The Ongoing Moment by Geoff Dyer.

Bottom photo, “Power” Copyright 2012 Karen Fayeth, and subject to the Creative Commons license found in the far right column of this page. Taken with Hipstamatic app for iPhone.



On The Grid

I love this article simply because of the headline:

How Your Brain Is Like Manhattan

The Good Man and I have long debates about cities set on a grid. The very town where I grew up, Albuquerque, has a beautiful easy to navigate grid. I always figured it was due to the city’s start as a military town that roads are well organized into either north/south or east/west.

So simple. Easy. Really tough to get lost.

I gripe about the Bay Area and these roads that are all angled off to Joneses, changing directions midway and stopping suddenly. For example, there is an exit off of 101 where you have to choose the north or south bound exit. However…the road actually runs east west.

Combine this with California’s lack of mile markers and only sporadic use of street signs and I can go from zero to bonkers in about three seconds.

One of the many reasons I love Manhattan is that it’s set up on a grid. Navigating makes sense! A hayseed like me had zero trouble in the big city knowing where to go and how to get there. I never, not once, got lost while in Manhattan. And if I’m not worried about how to get there, then I relax and enjoy the journey.

The Good Man, on the other hand, has a brain that’s a lot more fluid than mine. Where I’ll draw a straight line, he’ll make expressionist art. He don’t need no stinking grid roads, he has a powerful innate sense of direction and an even stronger sense of joie de vivre when it comes to getting lost. He sees getting lost as a fun adventure. I see it as a teeth gritting bit of fear and misery.

Meanwhile both my brain and my road preferences tend to be a little more like the gorgeous city of Manhattan.






Image from Grush Hour.


Old Technology Gets a New Boost

Somewhere back in the early 2000’s, right around the time that Apple came out with video chat, the use of desktop video conferencing took off. Or, I should say, tried to take off.

I was commanded by my leadership at the time to procure a camera (laptops didn’t come equipped with cameras like they do now) and to begin having meetings in video form.

And I did. For a while.

It was a new toy and we all played with it and then, we got bored. Suddenly no one was logged in. Cameras were quietly disconnected and stowed in a drawer. And we went back to the usual phone call, chat or email way of communicating.

Fast forward to this week. My new leadership has commanded that I procure a camera (because our company security demands that the one on my laptop be disabled) and sign up for a brand spanking new desktop video conferencing service.

Per the long winded training I was required to complete, using this “new” technology will promote productivity (oh really? When we’re wasting precious minutes in meetings fiddling with cameras and asking “can you see me ok?”), enhances cost savings (because I just spent $100 of the company’s money to buy the “approved” camera) and reduces carbon emissions (except when I’m taking antibiotics).

The Good Man and I have been debating why video conferencing doesn’t catch on. While it’s nice to see the other person in a conversation, it’s not natural. Everyone just feels a little awkward.

Last evening, I was watching an edition of BBC World News and as they went to field reporters in many far flung countries, it became quite clear that they were using Skype or something similar to do these televised reports. No more camera and a camera operator.

As I watched these reporters, I began to realize why video conferencing is awkward. No one knows what to do with their eyes. Instead of face to face, eye to eye conversations, you get a lot of shifty eyes, and shifty eyes make for uncomfortable conversations.

The most natural fix for this is to look the camera square in the eye.





However, that’s natural for the people on the other end, for the speaker, it feels weird to speak to a lens. You are inclined to look at the screen to see the person you are talking to. That’s how humans communicate.

So you get this instead:





And then, of course, there are the multitaskers. Not only are they not looking in the eye of the camera, but they are also not looking at the screen where the other image is located.

It’s something like this:





And this:





And this:





*sigh*

Well, whether I think this is a good idea or not, I’ve been commanded to video conference, both in my one to one sessions with my boss and in our staff meetings.

And so I will.

This, however, severely limits my ability to wake up fifteen minutes before my 8am staff meetings, shamble down the hall, fire up my home machine and take the meeting on the phone with frazzled hair, still in my nightgown, while eating breakfast.

Damn you UK-based Boss Man! : shakes fists toward London :

(I’m reminded of an episode of the Jetsons where Judy had a videophone mask for those very bad hair days. I need that.)





Image is a screen grab from a YouTube clip of the Jetsons



Waiting — (The Oversharing Edition)

So, yeah, this is going to be a less than politically correct post.

Turn away if that sort of thing bothers you.

You see, I’m sitting here…waiting.

I have a little infection, minor really (absolutely nothing to worry about), and my doctor prescribed me a “short course” of antibiotics.

Quick and easy.

Except.

The pharmacist, when handing me the script said “So…this can cause diarrhea. Take it with food. You can take a probiotic if you wish, that might help. It doesn’t happen to everyone.”

So I said “ok.” Shrugged. Walked away.

Then I read the fact sheet that comes with the script.

It must have used the D word 82 times in three pages.

And the bottle. When I took my second pill this morning, I saw on the bottle it has, in large letters “may cause” and the D word.

So. Um. Even if I’m not the sort of person this might happen to, I think all the warnings have certainly auto-suggested my brain (and body) that this is inevitable.

No way to avoid it.

No hope.

Right now, outside my window, dark, angry storm clouds are rolling in.

And in my tummy, after three doses, so far calm seas.

But can I escape this fate? Can I just have a nice “short course” of antibiotics, have no issues and call it a day?

Is that even possible?

If you see me go running by, you’ll know the answer.

Until then. I just have to wait and see.






Image from Demotivational Blog



I Don’t See a Forest? Those Trees Are In My Way!

Sheesh, sometimes I worry about my brain. I can usually rely on it to make the connections I need and I’m off to the races. But sometimes…sometimes I just can’t seem to rattle all the pieces into place.

This week the Theme Thursday theme of fixture was really baffling me.

When I don’t get an idea right away for the weekly theme I usually start by looking the word up in the dictionary. Then I’ll do a Google images search. Then I’ll look at my own trove of photos, both on my phone and on my computer, to try for ideas.

And, well, fixture wasn’t speaking to me this week.

Last night, as I lay in bed getting ready to sleep, I was thinking on this dilemma. Sometimes when I’m really sleepy the best ideas come around. My brain works more smoothly after throwing off the bounds of the day.

So I tried to rev up the old brain motor. I was like “come ON. I know I can do something with fixture. Don’t I have a photo or an idea? I have to make it work. Come on brain.”

Then I closed my eyes. I gave up, thinking, “whatever. I’ll skip participation this week.”

That’s when my clever ol’ brain got in gear.

Suddenly my eyes shot open, because I remembered I had this photo, taken on my phone, just this week:




I have looked at this photo a thousand times trying to get ideas and somehow the phrase “light fixture” never crossed my brain. What. The. Heck?

And then, one might ask, why do I have a photo of a light fixture?

Because among my many weird obsessions is looking at and often snapping a photo of the ceilings in San Francisco’s oldest buildings. I dig the old tin ceilings and miss how builders used to really pay attention to detail when a new place went up. I miss that workmanship and that style.

This photo was taken at a fave restaurant on Union Square called Sears Find Food. Established in 1938, this place embodies the essence of old San Francisco. I *adore* this restaurant. The food is awesome. The service is impeccable. The location on the heart of Union Square rocks.

Speaking of location, the day I ate at Sears I spent some time wandering around Union Square and felt gutted to see all the old places closing and the shiny new moving in. I wasn’t able to capture a photo, but there was this really old school tailor storefront that now has a huge “coming soon” false front around the door. A Jimmy Choo shop is moving in. *sigh*

I did manage to snap a quick shot of this longtime fixture on Union Square, The Gold Dust Lounge, established 1933.

According to our local paper, it’s soon to shut its doors as well. The building owner wants to convert it to retail space and has a clothing store all lined up.



From an article in the SFGate (I couldn’t have said it better):

The issue is particularly touchy downtown, where the sultry saloons, strip joints and savory and not so savory amusements that once lined Powell Street have steadily disappeared over the years. True or not, there is a perception in some city circles that corporate stooges are busily wiping out San Francisco’s colorful bacchanal traditions and turning everything retail vanilla.


So, I guess my tired brain is actually doing ok. A little slower to make the neurons snap into line, but I got there.

Turns out I really did have something to say on the topic of fixture.