"Even for Albuquerque, this is pretty Albuquerque"

A great line uttered in a dark but entertaining movie, “Ace in the Hole” set in New Mexico.

Kirk Douglas utters it with convincing New York callousness to the editor of the fictional Albuquerque Sun-Bulletin. (I’m certain it doesn’t apply to the reining king, the ABQjournal….right?)

And I laughed. I think he just called out the rasquache-ness that is my hometown!

I decided I might incorporate it into my lexicon. Expect to see it here, soon, in this blog.

“Ace in the Hole” is a “lost” Billy Wilder film, recently released on DVD. I heard about it in an article in the Albuquerque Tribune. The movie originally opened in 1951 to unfavorable reviews and box office. I can see why, this isn’t a happy Hollywood film. It was nominated for an Academy Award for screenplay, and though it didn’t win, it is a really well written story.

I’m surprised at how prophetic the movie is, a commentary on the circus nature of the media. The story, a man is trapped in a collapsed mine that is part of Native American sacred land. Kirk Douglas, a drunkard reporter fired from a variety of big town newspapers is looking for the big story to earn him back his New York job. He senses the story of the man trapped, convinced he’s being punished by Native American spirits, is the kind of human interest story that will earn him his way back.

His scheme is successful. The news story catches fire and soon people are coming in droves to hang outside the mineshaft, waiting for the trapped man to emerge alive. It literally becomes a circus, complete with Ferris Wheel.

Kirk Douglas plays a truly unlikable character to perfection. And even in black and white, our beauty of a state looks great. The film is shot near Gallup and it has big skies and beautiful hills.

I enjoyed this lost gem of a film, liking it even better for its locale. If you like old films, this is worth the time. Don’t expect to emerge happy, it’s got a lot of bitter lines and hateful dialogue. But it’s well made and enjoyable. And available from Netflix.

¡Feliz Cumpleaños!

Happy Birfday to Tingley Coliseum. The venerable old gal is 50 years old and like an aging film star, in close up, she’s pretty much showing her age.

Doors opened for the first time in 1957 to kick of the New Mexico State Fair. Friday kicked off the 2007 Fair, and with that, Tingley ushered in her 50th festival of rodeo, cotton candy and all things New Mexico.

There is a pretty thorough article in the Albuquerque Tribune, an interview with Mahlon Love, former act who performed in the venue and also former State Fair commissioner.

In the story, Mahlon shares some memories from the long history of Albuquerque’s most well known multi-use venue.

Being a child of Albuquerque, I’ve many of my own memories from Tingley. I remember my first rodeo, with entertainment from the aforementioned Freddy Fender. We sat way up in the nosebleed seats, on the bleachers, not seats with backs (my mom always was a cheapo).

We watched the rodeo first (always the best part), then afterward watched them tow out a stage and set it up. Then the lights went down. A shiny convertible came rolling out of chutes where the livestock had just been, a shadowy performer stepped on stage. The lights came up to cheers. And as Freddy began singing, the stage started slowly revolving.

“…in 1966, a revolving stage…was introduced in Tingley.” Ah, the ubiquitous revolving stage.

Even as a kid I thought that was pretty damn rasquache.

Now, I get why they do it. Tingley wasn’t meant to be a concert venue, and no one should pay good money to look at the hindside of a famous act for two hours. However, it really is kind of ridiculous, in a way only New Mexico can be.

I remember seeing Alison Krauss there in the mid-90’s. She played one hell of a show, but made several comments throughout the night about how disorienting it was being on the spinning stage.

There has been many a great show at Tingley. The Garth Brooks show in 1996 seems to be one for the memory books. (It’s mentioned in the article.) I was there, the guest of a supplier who had an extra ticket. I do remember Garth putting on one hell of a spectacle that night, like nothing I’d ever seen. I also remember that it was raining outside…and inside. As I sat there watching Garth work up a lather on stage, I was busy trying to avoid water running out of a leaky roof. Looking around I noticed several of us scootching and moving out of the way of the variety of leaky spots.

However, one of my most vivid memories was seeing Randy Travis (who I understand is playing the Fair again this year). I had *really* cheap seats, and ended up sitting at the very tippy top row. In fact, it was kind of nice because that bleacher rail in the very last row backed up to the wall of Tingley, so I actually had a makeshift seatback. I leaned back and enjoyed the show, singing along to the faves. Not that I could actually see the performer, but…you know.

The show was rolling along fabulously when Randy started up with “It’s Just a Matter of Time”, a song that was popular then and a fave of mine. I smiled as he sang and I sang along. Now, if you are familiar with this song, Randy has to hit some pretty low, low notes and Mr. Travis has a pretty deep voice. When he hit those deep bassy notes, the wall behind me, the one I was leaning against, noticeably vibrated. I’m not making this up, I could physically feel the walls shuddering as Randy sang “Iiiiiii knooooooow” (<--deep vibrating bass) "ooooh-whoa Iiiiii knooooow, that someday you'll wake up and fiiiind…" That deep bass voice vibrated the walls, my backbone and my sternum….it was the most visceral music experience I’d ever known. I swear to God I thought Tingley was going to collapse from the strain, like a crystal wine glass in a storm of operatic vibrato. But she held, and has continued to hold up through the years for more raucous concerts than Randy damn Travis. I mean, Pearl Jam played there in 1998. If Seattle grunge angst rock can’t bring down the walls, then a country crooner certainly can’t. I wonder if Randy can still hit those low notes? I wonder if the walls will rattle like that again this weekend? Would be cool to be there again to see. Meanwhile, the venerable old Tingley still stands and welcomes a new crop of Fair goers into her rickety arms. The bulls and broncs will buck, the pretty girls will race barrels, and the crowd will look at a new cast of popular acts (spinning on a new spinning stage that comes down from the ceiling. Rasquache goes high tech). She’s a grand old girl with a lot of stories to tell and a lot more history yet to be made. Gary Roller, former backup man to Michael Martin Murphey sums it up best (from the end of the Tribune article). “You can’t go anywhere else in the state and find that legacy,” he said. “Roy Rogers opened the place, for goodness’ sake.” (post updated to remove images)

Freedom

That’s quite a word, isn’t it? Meanings can vary depending on what situation you are looking at. And it has more weight or less weight, as well, depending on how you’re looking at it.

When I read Jim Belshaw’s opinion piece“Writer Given Gift of Freedom yesterday in the ABQjournal, the word freedom was used in a way quite meaningful to me.

I’m both happy and raging ass jealous to read about a lady named Summer who gets to live my ultimate dream. My personal definition of freedom. Congratulations to Summer who is the winner of this year’s A Room of Her Own Foundation $50,000 Gift of Freedom award.

Until today I was unfamiliar with A Room of Her Own, but I’ve now fallen in love with them based on this snip from their mission statement on their webpage, “… bridging the often fatal gap between a woman’s economic reality and her artistic creation.”

Which seems to be based on the Virginia Woolf quote in the middle of the page, “A woman must have money and a room of her own if she is to write.”

Brings tears to my eyes, really.

But back to Summer. She lives in San Cristobal and believes she can make this $50,000 grant last her for two years, giving her a chance to take a break from her regular hardworking job and allowing her to write for a living.

From the article: “The obstacle of having to make a living while you’re trying to write a novel or finish your short stories is gone,” she said.

Damn. It’s truly my deepest and fondest dream. To no longer be bound by gray cubicled walls, incessant emails, and the political bureaucracy. To break the bounds and let being creative be “what I do for a living.”

I have a currently unfinished book that still swarms in my head. The characters live there, keeping residence until I finish telling their story, tenacious little buggars that they are. This is my fourth novel so I’m familiar with the drill. I will be haunted by the characters, without respite, until I type the words “The End”. With that they will finally give me peace.

Taking two years off, and having the funds to do so. Ah. Yes. A little slice of heaven in my book.

So lots of props to Summer. It can’t have been easy to win this grant. I’m sure competition was steep. It makes me smile to see a writer doing it, making it work, taking the time to let the Muse be the only boss she answers to.

$50,000 wouldn’t run two years where I live but I’d sure love to have a go at it. Maybe in 2009? I see they’ve posted the application….hmmmmmm…..

Pardon me, I’ve got some dreaming to do on a no-wanna-work Friday.

End of days

Woke up this morning to a post-Apocalyptic looking sky. It’s creeping out the Bay Area.

Owing to some pretty bad fires down in San Jose, the Bay Area skies are filled with smoke. It makes for spectacular sunsets, but can’t be good for the lungs.

The sun this morning TOTALLY creeped me out.

Took a fast snap on my iPhone (below) which hardly does it justice. This photo in the SFGate doesn’t really get there either.

Imagine a blood run sun on a vaguely gray sky. : shudder :

One radio DJ this morning called it a Zombie Sun.

It is a sad comment that instead of commuting to work, battling zombies under a blood red sky sounded more fun. Get mah Buffy ON!

*sigh*

Back to battling paperwork and whining employees (upon which, by law, I’m not authorized to use a wooden stake….) instead.

*Yawn*

Why do shorter weeks always feel longer? This week is interminable and I’m only a day and a half into it. That can’t be a good sign.

It doesn’t help that The Cute Boy™ is bad sick. Like fevery, grumpy, not sleepy, it’s-all-just-not-good kind of sick.

Nothing worse than being sick in the summer. Yes, I know that milestone of “Fall” has passed, but it’s not “officially” Fall until later this month. And the fact that it’s in the nineties here makes me definitely think summer, despite all the “back to school” hoo-hah that’s wandering about. Welcome to Indian Summer. My fave time of year, actually.

The New Mexico State Fair starts this weekend. I distinctly remember getting a day off from school to go to the Fair. Hot, dusty, questionable, but my mom and I always went. You ain’t lived until you’ve fought the bees to eat your honeyed fry bread while watching the Indian dances. Or until you’ve sat in rickety Tingley Coliseum singing along with Freddy Fender. Or Jerry Reed (“east bound and down…loaded up and truckin’…(see, I’m already tapping my toes)). Or yes, Roy Clark, a staple of the rodeo for years.

Ah….I can smell the cotton candy now.

Wish I could get a day off work so’s my mom and I could eat our way through the Fair. Sometimes being a grownup is NO fun.

Then again, I’m meeting a friend for dinner tonight at a Cuban place. Here’s the good part of being a grownup. Sometimes a Mojito cures a lot of whining.

So I guess this is really a blog post full of miscellany. No point. Just a bucketload of thoughts for a Hump Day afternoon.

Enjoy some early Jerry Reed: