My Fear of Flying

  • No Comments

It never goes away, it can only be managed


Photo by Lucas Ludwig on Unsplash

“I love to travel, I just don’t like what it takes to get there.” — Me, before every trip

Last week I was delighted to pack by bags and head out on a business trip on behalf of my employer. My job gives me the opportunity to travel once or twice a year and I am happy to get out of the office and on the road. I really do love to travel. Anywhere. Large, small, domestic, international, if there is travel to be done, I’m in.

Over my life I have traveled a lot, not the “gold status for a lifetime” kind of amount, more like 3–4 trips a year, sometimes more. I’ve seen quite a few countries, with a whole lot more to go.

My first plane ride was at seven years old. My mom, sister and I traveled to Oregon to visit my mom’s family. We flew to Salt Lake City, changed planes, then on to Portland. I remember the excitement, the thrill of the ride, the joy at seeing how lush and green Oregon was in comparison to Albuquerque.

I love seeing places I have never seen before, just as much as I love going back to a place I know and remembering all the things I like about it.

One thing that hasn’t changed over a lifetime of traveling: I’m moderately terrified of airplanes. Okay, to be fair, I am not a nervous flyer gripping the armrest like a life raft, but I do have trepidation every time I board a plane.

I’m usually cool as a cucumber getting to and through the airport, but once boarding is called and I am on the jetway, the reality of what I am about to do takes hold. To cope, I have to run through a well-practiced serious of thoughts to calm myself down enough so I don’t turn around and sprint back off the plane.

What I am saying is most of the time I do just fine. I’ve gotten used to your average passenger plane, three seats on each side, air safety is pretty good, all of that. But it’s still a hard thing for me to give up all control of my fate, pack my ample curves into an narrow and uncomfortable seat, accept being sealed inside a tin can, and allow one human being to pilot me and my fellow passengers high into the air.

Every once in a while, my travels throw me a curveball. A few years ago I was beyond excited to be asked to travel to Porto, Portugal. I think I said yes so fast I broke the time-space continuum and said yes before my boss even asked the question.

However, when the day of travel arrived what I found waiting at the airport gate was the largest passenger plane I had ever seen in my life. I actually started laughing out loud. “I am not getting on that thing,” I said to nobody but myself.

A plane so large it needed a special gate at the airport to load. Called an Airbus A380–800, it’s occasionally referred to as a whale. This plane has two floors. It has an actual staircase inside. I mean, come on now.

Airbus A380 on MAKS 2011. Image from Wikipedia and used under a CC BY-SA 3.0 license.

 

I had to sit down and really, really ask myself if I was going to willingly get on that plane and ride for the eleven hours needed to get to Frankfurt. On the logical side of my brain, I reminded myself of watching loaded C-130s take off from a nearby military airfield, so I knew this plane was possible. The dimensions of the thing were just more than my brain could take.

Well, this past week, I had the opposite problem. After flying from San Francisco to Houston, I was to board a small regional plane that would get me over to Knoxville. I have flown very small planes before, including one bumpy ride on a terribly noisy turboprop, but for some reason I was not prepared for the plane that awaited me at the gate.

An Embraer Air ERJ-145, new, shiny, sleek, and terrifying. I texted my husband this photo with the caption “aw, shit.”

Photo by the author, ©2019 Karen Fayeth

I knew I was going to be flying a small plane to Knoxville, I’d even made a joke a few weeks back about “Flying on a La Bamba plane.” When faced with the reality of the situation, the joke just wasn’t funny anymore.

When the glass door opened and I stepped out onto the tarmac, I began to run through my usual mental roll call of thoughts: “You are going to be fine, you don’t have to get on this plane if you don’t want to, these are professionals who do this every day, planes are very safe, you are safe, but you have choices.” And so on like that.

I locked up pretty good, but given my stubborn nature, I refused to let myself balk. I gamely walked up the ramp, got my stuff stowed, and crammed into the seat. I texted my husband, “I’m in my seat. I think I’m now wearing this airplane,” as it certainly felt snug about the hips.

This plane has two seats on one side and one seat on the other but is fairly comfortable. I was lucky to be on the one seat side, enjoying both a window and the aisle.

Once the doors were shut, I immersed myself in my book and did my best not to think too much about it.

If my trip to Frankfurt was riding a whale, to Knoxville I rode a sardine, and in both instances got there safely, on time, and no worse for the wear.

Look, fears and anxieties aren’t always rational, that’s kind of the point. I know flying is very safe, but my mind still has an awful lot of questions about the wisdom of being 30,000 feet above the surface of sweet, sweet Mother Earth.

One upside? The Sardine had nice big windows, all the better to capture a Tennessee sunset above the clouds.


Photo by the author, ©2019 Karen Fayeth

When The Word Artist is Used as an Insult

  • No Comments

The Careless Use of a Beautiful Word

 

Photo by Елена Можвило on Unsplash

As both an artist and a career business professional, I embrace both and switch back and forth in my brain, depending on the situation. One pays the bills, the other pays my soul.

I am currently on a business trip for a fairly important meeting and at these events it is customary to have a group photograph taken by a professional photographer.

To that end, yesterday we were told to gather in the lobby for this year’s group photo. We were told we were going outside where it was a bit cold, so the photographer was going to arrange us inside then we’d head outside for the shots in front of a lovely green space.

Immediately the carping began “Why are we going outside, it’s cold out there!?” The photographer’s answer, “Because it’s very pretty outside and will make for a much nicer photo.”

“Can’t we just do it in here?” The photographer’s answer “Yes, but we want a really good photo and the lobby isn’t very nice.”

Then the photographer began to evaluate the shot and arrange us by height, clothing color, and other aesthetics he wanted to see.

Herding about 20 bossy people is no small task, but this photographer is an old hand and firmly took command.

“You in the blue shirt, would you switch places with this person in the charcoal jacket?” and so we’d switch around, moving forward and back as he studied the pose.

More than once I heard a comment along the lines of “Artists, sheesh! Just take the picture!”

Or “Why all this fuss, let’s get on with it!”

Or “This is an awful lot of trouble for a picture, can’t we just use a cellphone and be done with it?”

With this, my hackles began to rise. You see, a business professional is what I do, an artist is what I am. To hear this kind of careless talk is not unexpected, but fully disheartening. I took it personally.

Maybe people don’t see photographers as “real artists” or maybe because the photographer is employed by our institution and not hired from outside he is subject to coworker’s careless talk, but I found the comments rather tactless.

What stings me the most is when the word “artist” is said in an unkind and sarcastic way. As if being an artist is somehow bad.

It is not the first time I’ve run across this in my work setting, only the most recent.

I have been at my creative work for a long time, and I’ve long since grown past any discomfort or sheepishness I have in calling myself an artist. In other words, I own it and I’m well beyond trying to defend it. It just is.

However, I somehow have not gotten past people going “pfft, sure” when I describe myself that way.

Photo by naeim jafari on Unsplash

I think there is a perception that an artist is a hippy-dippy, flowing skirt, wacky hair, free spirited, out of touch soul. And why not? But in my experience a working artist is also a nuts and bolts, down to earth, hardworking soul with enormous amounts of self-discipline, organization, and drive.

In this instance, I get that people don’t like having their photo taken, but if a photo is taken, people certainly want it to look nice. Good work takes work.

People love to consume art, but for some reason underestimate the work it takes to produce quality art. A few minutes in the Choosing Beggars sub-Reddit offers a few sobering examples.

I do sometimes feel like there are two of me walking around in a one-human unit, and that’s okay. My business side brings some discipline to my art and my artist side brings some creativity to my business work.

So while I grimaced a bit and noted the careless and arguably rude undertone in the use of the word artist, I chose to move past it (under the guise of “pick your battles”), moved where the photographer told me to stand without comment, and thanked him when we were done.

Because artists must support artists, always.

The Ballad of a Walnut Bladder — Tales of a Pressing Need To Go

  • No Comments
Photo by Prateek Katyal on Unsplash
___

I was born with a troubling affliction. It’s been difficult to manage my whole life, and is embarrassing to discuss. Today I feel is the time to go public with my ailment.

I am affected by a disorder known colloquially as walnut bladder. Yes, it’s true. I so much as look at a glass of water and I have to pee.

In such times that my walnut bladder-itis impacts the life of my husband, he refers to me as a frog. “You know, you pick up a frog and it piddles in your hand?”

That’s me.

As a child I presented quite a challenge to my folks who liked to take road trips. You see, I had the kind of dad who refused to stop once we were on the road. “Gotta make good time,” he’d say.

The average child has to pee frequently but I was even more prone than normal. It was a problem.

We used to spend summers in a small town in Eastern New Mexico. The drive from our home in Albuquerque took about three hours, plus or minus. Even as an adult, three hours is just too long for me without a pit stop.

This vexed my mother terribly as she had to manage both my bladder and my straight-through-without-stopping father. Once she threatened to use a clothespin to clamp off my leaky plumbing.

Well that got my attention.

From that day forward I planned well ahead for any family road trip. My plan was to cease intake of liquids at least a day in advance of the trip and steadfastly refuse to drink any liquid until we arrived and a toilet was in sight.

In hindsight, not having much liquid while living in the high desert probably wasn’t the best idea, but it worked, thus avoiding any clothespin type of situations.

In my adult life I manage my ailment by working a path between my desk at work and the restroom. At home I get up a minimum of once a night to pee.

There was a recent situation where I again recognized the utter torture of a completely full bladder and no good plan to empty it out.

Photo by Markus Spiske on Unsplash

It was a typical afternoon at work and I was, as usual, drinking lots of good fresh water. Stay hydrated, right? That means ol’ Walnutta has to be actively managed.

Before a work meeting I will use the restroom right before heading into the conference room to help ensure I can get through the hour stretch.

On this day, I was so busy with work and in other meetings that I bumped right up to the top of the hour when my next meeting was due to start. I did an internal gut check and then a clock check and thought, “Yeah, I’m ok.”

Silly, silly me.

At about twenty minutes into the hour and a half long meeting, a job interview with a prospective candidate no less, I had that first twinge of “oh…hmm, I’m going to need to pee here pretty soon.”

As the seconds on the clock ticked by with molasses speed, and the candidate droned on and on and on, things started to get bad.

I began to go through the stages of grief:

First, denial: “Pfft! I’m fine. No big deal. I can make it.”

Then bargaining: “Ok, well, if I can make it just ten more minutes, maybe I can excuse myself and take care of this. Please please bladder don’t let me pee my pants.”

Anger: “Dangblamit why did I drink so much water today! And why is my bladder so tiny? And why can’t I just distract myself and make this feeling go away!?!”

Depression: “Dude, you are such a loser. Look at everyone else at the table, they can hold their liquids. What is wrong with you?”

Acceptance: “It’s going to be ok. I’m going to make it. I’m not going to pee my pants. And if I do, it will be fine, right?”

Over the course of an hour and a half I moved up and down and back and forth through all of those stages while squirming mightily in my chair.

Look, my attention span isn’t that long to begin with, add in a full to bursting bladder and I don’t hear what anybody has to say on any topic.

It was horrible. At one point I thought I might even cry, I had to pee so badly.

And finally! Finally at the hour and forty five minute mark that damn candidate stopped talking and I was free to go use the restroom all the way over on the other side of the building.

Then it becomes that age old question of walking or running in the rain.

As in:

Do I walk to the bathroom thus taking longer and upping my odds for peeing my pants?

Or do I run thus jangling my bladder and making it more likely I’ll pee my pants?

I chose the middle road: a sort of tight-legged shuffle which worked and I made it safely to the bathroom stall.

Once in the safe zone my whole world looked a little brighter. A little happier. A little more at peace.

I know everyone has gone through the ballad of the full bladder at one point or another. When you have a walnut bladder it happens a little more often than I’d like.

For any reader who might have questions about my affliction: it’s been this way since I was a kid, I have discussed it with more than one doctor, and it just happens to be a feature (not a bug) of the big Karen machine.

Did You Ever Have The Kind Of Day Where….

  • No Comments

Photo by Benjamin Child on Unsplash

 

Did you ever have the kind of day where you are going ninety miles an hour at your work desk, cranking out the emails, spreadsheets and taking phone calls left and right, all while balancing the Greyhound bus stop that is the chair in front of your desk….

And despite all the chaos and kerfuffle, just in the nick of time, you manage to whip out one page with a beautifully wrought, easy-to-read table that contains the cheat sheet you’ll need to answer every question that will be machine gun fired at you at your 3:00 meeting.

So you send that sumnabitch to the printer and grab your notebook, hike up your pants, run to the copier, and grab that thing off the machine so you can make it to your meeting at something less than five minutes late.
Then you squeal your tires around the corner into the copy room and you are heartened to hear that the machine isn’t working. It’s done. It’s printed your copy.

Only it hasn’t.

The screen reads “out of paper, load tray three.”

Inside your head, you say, “I can deal with this.”

It’s one of those big industrial machines and to fill the paper tray takes not one, not two, but three reams of ecologically friendly 50% post-consumer lily white paper.

Being a good office citizen, you could throw half a ream in there and call it good, but you don’t. You fill it up to the top, slam the drawer and the machine fires up.

Sweet sound of the Gods!

And the machine begins spitting out page after page after page…..

After page.

After page.

And you realize the guy in front of you must be printing like a hundred copies of his forty page slide deck and it’s HIS FAULT that the machine was parched for paper when you arrived.

Photo by Kev Costello on Unsplash

Nothing you can do now but watch that machine like a bird dog after a duck, all the while not-my-copy, not-my-copy, not-my-copy shoots out of the machine, perfectly stapled and collated and tidy as you please.
“Ok,” you say to yourself. “I can deal with this.”

Then the machine stops again. The engine winds down.

“Thank god!” you think.

But wait, your copy isn’t there.

“WHAT THE [EXPLETIVE DELETED]!!!” You may or may not shout.

The LCD screen on that machine says “Replace Toner” and provides helpful animated arrows to guide you through the process.
“Ok,” you think to yourself, “I can deal with this. It can’t be that hard.”

So you find a box with a new toner tube and you follow the bouncing arrow on the screen and the old toner comes out and the new toner slides in and now you may or may not have black toner dust peppering your arms.

But you slam closed the toner door and the machine begins to make a noise.

“Warming up,” it tells you.

And you wait for what must be an [expletive deleted] eternity while the machine “cleans the wires” and “recalibrates” itself at the pace of an anemic snail.

Then Holy Mother of Xerox, the machine starts spitting out copies anew and more and more of not-my-copy of someone’s presentation comes out.

Then, most miraculous! The single sheet that you desperately needed finally exits the machine!

Victory!

So to be helpful you pull the other copies off the machine to lay them aside in a nice, neat stack.

And because you are nosy by nature, you look to see exactly what is the document that held up your progress and made you irretrievably late for a very important meeting, and you come to realize that it is…..

Handouts for someone’s upcoming Cub Scout meeting.

You ever have a day like that?

No way, right? Because that story just has to be made up.

Unless truth really is stranger than fiction.

Cutting The Line

  • No Comments

What Cutting Mats for my Photos Taught Me About Creativity


Photo by Roman Kraft on Unsplash

While writing is and will always be my first love, it is not my only creative outlet. I am also an avid photographer (I dabble a little with painting too). I have been doing photography for a much shorter time than I have been writing and while I’ve had some success in photography, I am still learning.

I love being at different levels of mastery for each of my creative outlets. They feed off of each other and help me stay motivated overall as an artist.

Recently, I was getting ready for an event where all photographers were to bring a portfolio of ten photographs to be shown and critiqued by a group of professional photographers who, for some reason, let me hang out with them.

This is a formal, annual event and is something I take very seriously. I had carefully curated ten good prints of my photos and needed to cut mat boards to perfectly frame each of the ten photos.

Now, I could have taken the photos to a framing shop and had them cut the mats for me, but my photography mentor is a stickler that a photographer should know how to cut their own mats and do so with a ruler and a blade, no need to use a mat cutting device.

A fifty-year professional photographer, she is very quick and efficient, zip, zip, bam a perfectly measured, perfectly cut mat.

My mat cutting is more like, zip, curse word, zoop, why god why, zap, damn! Did you know that paper has a grain, like wood? And your very sharp blade, if not well-tended, can slip into the grain and wander well off of your carefully measured and drawn pencil line?

Yeah. I’m not so good at cutting mats, but I am getting better.

This year I tried a different approach. One that I hoped would result in less shedding of tears, fewer pieces of ripped up mat board on the floor, and a happier me.

Instead of trying to go faster, to push quickly to complete the essential cuts in the board, I went slower. Much slower, using both deep breathing and intent. I kept my eye on the pencil line and my hand firmly on the blade, I watched the slow progress as I cut, making micro adjustments as needed. I didn’t let up on the pressure to the blade until I hit the end of the pencil line, and stayed focused on finishing each mat and not thinking about how many more I had left to do, just on making the one in front of me the best it could be.

The result? Instead of using up 2 to 3 pieces of mat board to get one good matted photo, I ended up spoiling only three boards total over ten photos.

This is significant.

Which caused me to think about what lessons I could apply from this experiment to the rest of my creative work.

Here’s what I learned:

1. In any creative work, errors will be made. There is a one-hundred percent chance you will make errors if you are doing creative work. Own that and learn to love the serendipity now.

Mistakes are what Bob Ross used to call “happy accidents.” It’s not whether or not you will make a mistake, you will, it’s how you recover from it that makes all the difference.

Fear of making mistakes, or giving up once a mistake is made is the number one obstacle I see limiting my fellow creatives.

2. Don’t let mistakes keep you from creating new work. How are you ever going to get any better if you don’t dive in, make mistakes, and learn what not to do next time?

Doing the work and continuing to create is how you start to make fewer mistakes.

3. Keep the end in mind but don’t make it your only focus. Finishing your project matters, but not at the expense of quality in the progress needed to get there.

Don’t get cocky, don’t take shortcuts, and stay focused at all stages as they each need different attention and they all matter in the finished product. People can tell when an artist takes a shortcut. It shows in the final product and is the difference between good and great work.

Photo by Jo Szczepanska on Unsplash

4. Know your tools and know your medium. Being in the flow is so cool and when that creativity flows through you like an electric charge, there can be no better feeling. And there can be no quicker way to kill your flow than having to fiddle with your tools or finding the medium you work in doesn’t respond the way you thought.

Take a little time to experiment, play around a bit before you get serious in order to see what your tools and medium can do before jumping in there with ambitious plans.

5. Be willing to change your approach if something isn’t working. You may see another artist do something (in person, via YouTube, etc.) and wonder why you can’t make it work that way. You might try and try, following the exact instructions and still not get there.

What I am saying is: Don’t give up too soon, but don’t be afraid to make changes in your approach to see if it helps.

And finally…

6. Stay centered. It’s easy as an artistic type to go off on fun flights of fancy. To get in your head thinking “look at me being an artist!” and “where should I post photos of this thing when I’m done?” All of that takes you away from the work in front of you.

Allow yourself that fun dream time after you are done. While in the act of creating, stay in the now and stay purpose-driven in your work.

I know we are all writers here on Medium, so this may not seem like a story about cutting mat boards is for you, but rest assured, this applies to all creative endeavors, no matter the medium or the Medium (see what I did there?) you work in.