Talking About That Little Lady

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Pondering What it Means to be Ladylike in the Modern Era


Photo by Rodion Kutsaev on Unsplash

Several years ago, my husband and I had some friends who were members of one of the Yacht Clubs in San Francisco. We would occasionally join the couple for dinner after a day of sailing.

The views were fantastic, the bartenders gave a deep pour, and the food was good (but not great).

San Francisco is well known for its more liberal political leanings, but the yacht clubs are where the more conservative (i.e. wealthy) can be found in the notorious hippie city. The rules of the yacht club dictated that we had to mind our p’s and q’s while there.

On one memorable night after a hearty dinner, the four of us retired to the bar with drinks in hand and began a rousing and competitive game of liar’s dice.

Just as things really got rolling, as it were, an Admiral of the club who was a huffing old man with a bulbous nose blooming with red capillaries, bustled over to us. He leaned over the bar and blurted, “Ladies do NOT throw dice in bars!”

Remember when you were a kid riding in the front seat of the car? And that moment when your mom would hit the brakes and throw out that strong mom arm to protectively keep you from flying through the windshield?

That is roughly the approach my husband took to keep me from getting very unladylike in a real hurry.

After the adrenaline dissipated and another drink was poured, I remember thinking how far we’ve come, and how far we have yet to go.


The George Moro Dancers at El Rancho Vegas, 1949 — Photo by Don English, photo courtesy of the Las Vegas News Bureau

These days I’m a lot older and a lot less inclined to take any guff off of anyone, particularly a stuffy old rich man. But this concept of “being a lady” and acting ladylike is still something I think about. In fact, as I age, it’s on my mind more than ever.

My parents grew up during the Great Depression and had me late in life so I ended up with a more old fashioned set of values than many of my peers in school. In the 1960’s and 1970’s, women weren’t having kids into their late thirties, so my parents were a generation older than my friend’s parents.

Where they had cool bell bottom pant wearing moms and sideburn wearing dads who were easy, open, and permissive, my folks were stodgy and carried a depression-era sensibility about almost everything, including but not limited to: money, discipline, and politics.

But to their credit, where many of my female friends grew up with their parents saying, “When you grow up and get married…” mine were saying, “When you grow up and graduate from college…”

Pretty forward thinking for my ultra conservative folks.

So I followed their advice, went to college, got a post graduate degree and these days I work in operations to support scientists, including both physicists and engineers. While the percentage of women in the various STEM fields is still small, it is certainly growing. I am lucky to work with a lot of strong women in non-traditionally female professions. This has me thinking more and more about what it means to be a lady.

If clothes make the man, does how a woman dresses define whether or not she is a lady? With each passing year, the dress code of employers becomes more casual. Both men and women can wear khakis and a button down, so maybe clothes are no longer a deciding factor.

Once the measure of being a lady was being demure, subservient, speaking in low and melodic tones. My mother’s 1950’s Better Homes and Gardens cookbook explains that my job as wife is to have the children clean and tidy for when my husband comes home. I should dress in a pleasing way and greet him at the door. That advice was prudent for the times, but is no longer the measure of what makes me, or anyone, a lady.

I’ve been noodling over writing this piece for a little over a month. I had started getting down the words when the Be a Lady They Said video went viral. I saw it posted on all of the social platforms. I didn’t want to seem like riding the coattails of that sentiment so I set this story aside. Perhaps I’m not the only one thinking on this topic.

This question of what it means to be a lady continues to rattle around in my brain so I dusted this story off and starting thinking about it again. As I enter the time of my life where I will no longer have the ability to bear children, an aspect some say defines the very nature of womanliness, I wonder who and what I am now that I am no longer young, with the power and energy that youth brings.

My face in the mirror is changing, my hair is rapidly turning gray, and what it means to be a lady, for myself anyway, is also changing.

So I haven’t yet answered the question of what it means to be a lady, and maybe I never will. Or maybe the answer is being a lady means whatever I want it to mean.

And for the record, ladies most certainly do throw dice in bars.


Royalty Free image from corbisimages.com

This item first appeared on Medium, find more of my work @karenfayeth over there

Love in the Time of Covid-19

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It’s not all toilet paper and hand sanitizer, you know.

 

Photo by JESHOOTS.COM on Unsplash

Today I reluctantly rose from bed, put some mismatched clothes on my body and headed out. The roads were unusually empty. Stopping at my neighborhood grocery store, I parked and hopped out of the driver’s seat.

Behind me I heard, “Hey! Is anyone coming?”

Assuming this was not directed at me, I leaned into my car to grab my wallet and heard again, more insistently this time, “HEY! Is anyone coming?”

Realizing this was in fact directed at me, I whipped around to see a man in a very new and very shiny cherry red Mustang. He pointed as if to show me that he couldn’t see around the large Amazon delivery van that was parked next to him, and was wary of backing out in the tightly packed parking lot.

“Oh sorry,” I said, and turned to look, the morning sun blinding me as I did.

Shielding my eyes and with a pirate’s squint I said, “Yeah, it’s okay, come on back.” I stood there waving my hand and muttering encouragement while he maneuvered his pretty vehicle through the obstacles. “Yep, keep coming. Yep, you’re good.”

Finally, the driver straightened out the wheel and put it in drive. While pulling away he yelled out the window, “Thank you! I love you!” revved the engine, and was gone.

I stood there for a minute with a perplexed look on my face.

Then laughed.

Then went inside the store. Chicken salad was my goal.

Photo by Nicola Fioravanti on Unsplash

The encounter and the sentiment stuck with me. I could easily write it off as a funny but odd human moment often found in city living. One of those “See, people aren’t so bad” kind of thoughts.

Inside the store, I walked down the toilet paper aisle (the most express way to the deli counter) and saw boxes stacked up. I saw my fellow citizens wearing face masks. I sneezed into my elbow.

While washing my hands for the umpteenth time today, I realized that a funny brief moment of human compassion had all the more resonance today. Right now.

It’s easy to separate: me vs them, you vs me, us against them all, but times of crises have a funny way of bringing people closer.

We’re all in this together. We’re on the same team. It’s us against a virus. We’re all scared. We’re all uncertain. We all just want to have a nice day.

And so this shouted “I love you” from a stranger was about the nicest start to an otherwise beautiful early-Spring day.

I did not shout anything back in that moment, so stunned was I by the declaration, but you know what Red Mustang Driver? I love you too.

Love, love, love. Maybe the Beatles had it right? Love is all you need.

But just in case, wash your hands, don’t touch your face, get some sleep, stay hydrated, and wear your seatbelt.

For when all of this is over and you are mad because I root for the wrong team, vote for the wrong person, or say the wrong thing, just know that I’ll still love you in my own Red Mustang kind of way.

This item first appeared on Medium, find more of my work @karenfayeth over there

Every Picture Tells A Story

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The Story is in the Eye of the Beholder

 

Photo by the author, ©2019 Karen Fayeth

My photography teacher and mentor holds regular photo review sessions where we, her students, come together to show our photos and receive feedback from the group.

The rules are that we show our photo but stay silent. The photographer says nothing while the audience to reviews it, forms their opinions, and then provides feedback. Once feedback begins we are allowed to answer questions but the preference is to stick to the aspects of the photo and not stray too far into the backstory of why, what, or how.

Our teacher learned this from her own mentor, the legendary Al Weber. It was how he worked sessions with his students.

There are plenty of juicy quotes out there in the world about how a photo should tell the story without further explanation. How the photographer should say what they want to say visually and refrain from adding more explanation.

I understand that view and don’t entirely disagree. In a different photoclub meeting a few years back, I had quite a spirited debate with a fellow photographer who insisted that the technical aspects of the photo were all that mattered and “telling a story” was unimportant.

I insisted that a photo that doesn’t tell a story is boring. We agreed to disagree.

His technically superior landscapes remain astounding in their quality and dull in aesthetics. My photos have something to say, but are technically imperfect. Both of our photography styles are relevant and fine. The artist makes their art as they see fit.

You see, I’m an unapologetic logophile — a lover of words. I’m a storyteller from birth and when I look at photos, I like to hear what the photographer has to say about how and why they took the photo and what it means to them. I find sitting in silence a challenge when I’m so creatively inspired by my peers.

Also, the story a viewer gets from my photo may not be the story I was trying to tell. I know, I know, that’s fine. Everyone sees art in their own way, through their own filters, and that is valid. Of course.

But sometimes, like the photo in the header of this story, I want the viewer to know more. I want you to feel what I felt when I took the photo. I want it to resonate on a deeper level.

So now that you’ve seen the header photo, I’m going to tell you the story.

t was the first week of this past December and I was traveling home to California from Tennessee. My itinerary said that I would fly on a small commuter plane from Knoxville to Denver, and then from Denver to San Francisco.

Riding on the very small commuter plane gave me no small amount of pause, in fact I wrote about it here:

My Fear of Flying

Before heading to the airport, I’d checked the weather in Denver and the news was not good. Snow. Lots of snow. Here I am flying on a very small plane right into the heart of a winter storm. Due to land in Denver around 6:45pm, it would be when the storm was expected to be the worst.

I was, to put it in crystal clear terms: Freaked Out.

Snow, small plane, winter, ice, terror, tired, just want to get home, will I even make it home tonight, I don’t want to die, pleaseohpleaseohplease… Like that, swirling around in my head. (Isn’t anxiety just so helpful?)

That header photo, the one with the beautiful sunset, was taken over eastern Colorado. Above the clouds was the most magnificent view of the sunset from the plane’s large window. The roiling storm clouds gave a great foreground. The contrast of blue and orange are a perfection of complimentary colors that only Mother Nature knows how to create.

Now, let’s be honest with each other: There are a lot of beautiful photographs of sunsets out there in the world. Plenty of astounding locations, views, and colors. My photo is surprisingly clear and well-focused for having been taken through a plane window. I used a Sony Cybershot as it was the best camera I had on me at the time.

I look at that photo and I love the brilliant colors, that I managed to mostly (but not precisely) center the sun, and the clouds make it very moody. But when I see that photo, what I feel is fear.

The dark and foreboding clouds below that gorgeous Colorado sunset were a metaphor for everything I was feeling when the shutter clicked. This photo was taken at the edge of the storm, you can see the ground on the right lower side. We had not yet begun to find the center of that winter storm when this photo was taken. It still lay ahead.

I should probably title the photo “Yearning for the Runway” because as I both watched and photographed that sunset, I kept visualizing over and over in my mind a smooth landing, pleading to the universe for safety.

Turns out by the time we got to Denver there had been a break in the storm and the runways were clean, dry and perfect. We landed pretty much as I had visualized. The snow was projected to start again soon, so after a little deicing, we took off late but made it home to SFO on time and intact.

I don’t know if telling my story makes you see the photo any differently. Maybe what you see when you read the story of that photo is different from mine.

I like knowing that my photo is more than just a lovely sunset, it’s my reminder that life is both precarious and precious.

And small planes are safer than I think.

Just wait until I tell you about my photo of a deceased ladybug.

This item first appeared on Medium, find more of my work @karenfayeth over there.


 

Let The Sun Shine

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On your soul, and other parts

 

Photo by Masaaki Komori on Unsplash

After finishing a big meal at a local Chinese restaurant, along with the bill came a few fortune cookies.

I should pause here and say that I love fortune cookies. Not only the crispy sweet treat but also the slip of paper inside. I have many faves tucked into my wallet, taped to computer monitors, and floating around my desk.

I love the jokey fortunes, the sort with sharp wit, even the solemn words. I love it all. Yes, I’ve even bought lotto tickets with the lucky numbers on a fortune cookie fortune. Didn’t win, didn’t matter.

But on this day, when I cracked through the sweet cookie shards and unraveled my surely personal fortune inside, I was left puzzled.

Photo by the author, ©2019 Karen Fayeth

Let the sun shine on your soul? Not be be pedantic, but…how though? How does one get sunshine into one’s very soul?

Later that same day, I noticed my cat lying flat on her back letting a sunbeam from a nearby window warm her tummy, and I thought maybe she was on to something.

I tried standing outside facing the sun. I thought sunshiny things. Googling the phrase found me a fellow kindred spirit on Yahoo Answers from six years ago asking the same question, and who received some pretty lame responses like:

…live happily and lighten others in your lifetime with your joyfulness

Is that it? Do I let the sun shine on my soul by being happy and joyful? By actively brightening other’s lives? I’m not sure that is correct, actually.

Shine the sun on your soul is an imperative. It asks me to take action, and that would be more in line with the bit of advice quoted.

LET the sun shine on your soul, as the fortune says, is more passive. It means allowing something to happen. To get out of the way. To raise the window shades and allow that sunbeam in to warm your furry (or not-as-furry) tummy.

As I type, I am recalling a recent day when I was staring deeply and meditatively into the fridge, willing something delicious to appear (such as, but not limited to: Chinese leftovers) when I felt a distinct warmness on my buns. The back of my front. The sittin’ parts.

Fearing I’d backed into the oven, I whipped around to realize it was the warm late morning sun toasting my personal dinner rolls. It was nice. Like a loving and warm unexpected, but not unwelcome, caress. Ol’ Mr Sol may not have been shining on my soul, but it certainly cheered me up a little on a cold winter day.

Is that the answer? Is it both as simple and as complicated at that? Step out of the shadows, throw open the windows, and warm both your ‘tocks and soul in the rays of that bright gaseous star? Both figuratively and literally.

Is that really the path to a better life?

Hell, I don’t know. I certainly don’t have the answers.

And now I’m craving potstickers.

It’s About the Light

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Photo by the author, ©2019 Karen Fayeth

In music, it’s about the beat.

In writing it’s about choice and cadence of words.

In photography, it’s about the light.

“No duh,” you might say, understandably.

No really, it’s about the light.

I think everyone can agree that light hitting the sensor of a camera is how a photograph is born. The beautiful study of how light is captured is what takes an ordinary photograph and makes it something you want to keep looking at.

Lately I have been studying light with more intensity than I ever have before. I will place a subject and look at natural light, overhead florescent, then flashlight on my phone, then a small bright LED panel, a ring flash, a candle, on and on.

The light source used, the angle of the light source, and the intensity of the light all change the outcome, the feel, the meaning of the photo.

Look again at the header photo for this story. I took that photo one week ago today (on 12/12) with an iPhone 8 using the onboard camera app that comes with the phone. I have done no editing of the image, that is straight off the camera. It is the best of the five photos I took at that same time.

I was inspired by the fog lingering in the trees on a rainy day in the Bay Area. I noticed this scene when I stood outside taking a break from work. The time of day was 3:52 pm, which means that the late afternoon winter sun was off to my left making its steady but inevitable descent toward the Golden Gate Bridge.

There is nothing remarkable about the subject, it’s a grove of eucalyptus trees just outside my office door. It’s in portrait mode so I could avoid both the nearby building and industrial pipes on either side of this grove.

The photo is just beautiful, wistful, sentimental. It evokes another time and place, and the reason for that is the light. Golden late day sun muted by thick clouds and fog casts an etherial glow. The play of grays and browns and greens and silver metal all create something worth looking at.

Here is the same shot taken today with broken clouds and sunshine overhead, my angle of focus is a little higher and a little more to the right, and the time is 11:29 am.

Photo by the author, ©2019 Karen Fayeth

Same scene, same setting, slightly different framing, different time of day, different weather conditions, far less interesting.

The sky is blown out, the greens are a little too green, there is a loss of definition of the leaves. I would call it a nice snapshot, but little more. Again, no editing was done to this photo which was again taken with an iPhone 8 and the onboard camera app.

It was the fog, and more importantly, the quality of light through that fog, that made the first photo more interesting. More memorable.

I know, I know, this is Photography 101 level thinking, but it’s also something I will spend the rest of my lifetime studying.

LEDs will never be as pretty as old incandescents. Foggy or overcast will always be better than full sun. Natural light almost always preferable to flash.

Those are the guidelines we all know.

But what about shadows? What about selective highlighting? What about using multiple light sources? How about putting a piece of paper or cloth over a light source? What about, what about, what about? Ah, there’s where the experimentation begins.

And from experimentation comes magic. And a whole lot of “what the heck was I thinking?” shots too.

But let’s focus on the magic.

Final note: right after the first photo was taken, I turned around to go back to my desk, mishandled a step, stumbled wildly and dropped my phone where it took a bounce and landed under a raised wooden walkway.

I had to shimmy under the railing to drop down and get my phone, brush the mud off and hike myself back up onto the walkway.

Making art does come at a price. Worth it.