On Un-inspiration

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And My Own Fallacy of Un-motivation


Photo by Kristopher Roller on Unsplash

The last time I wrote a story on the Medium platform (and this blog) was February 1, and that was something I had written before, reworked, and published. I’m very proud of it.

My last brand new work on Medium (and this blog) was January 28.

I have lost followers, views, and dolla dolla bills, ya’ll. I used to be a top writer in Photography. No longer.

I feel guilty. I chastise myself for my lack of focus. I complain that I have no motivation. I say that I’m waiting for The Muse, but she’s reluctant.

I have a familiar Greek chorus singing songs of “you suck” rolling loud, bumping the bass, in my brain.

So what really happened?

I got uninspired. It happens. I would not call what this is writer’s block. I can and do write. Honestly, I just got a little uninspired about writing on Medium. It isn’t fatal, I’m still here, but after letting my momentum lapse, I have some work to do. Or maybe, you know, not.

I needed to take a hard look at myself as it pertains to my own use of Medium. None of this is Medium’s fault, the platform and its algorithms roll on with our without me. No, this is just some good personal introspection. Needed. Necessary.

I’ve lived long enough on this planet to know a few things about myself. I will never live long enough to know everything and I can’t seem to stop repeating the same mistakes, but I do try. I amuse and surprise myself almost daily. May I always be a source of comedy to my own mind.

Here is the lesson that I learned about myself again. And again. And again: Numbers, stats, measurements…they make me crazy. I’m not talking some ha-ha-ha isn’t that funny, I look at my stats, count my steps, weigh myself, SO darn much kind-of-cute crazy.

No, I mean that obsession with measurements of all kinds can make me slip off my carefully balanced nut. I know this about myself and still fall down a hole far too often.

That stats page on Medium? Oooh, yeah, that is a long cool cigarette to smoker trying to quit.

Partner Program earnings? Just one drag won’t hurt.

There are so many well-meaning and helpful writers on Medium with tens of thousands of followers who will describe the large amounts of dollars they make each month and how you can too. How if you aren’t publishing every day what are you even doing here. How they are a top writer in 82 different topics, and are you even trying?

This seeps into the folds of my brain like black mold and grows if I leave it unchecked. Turns out I must carefully curate what I let in and what I leave behind.


Photo by Jon Tyson on Unsplash


I love writing. I have been seriously writing for the better part of 20 years and less seriously all of my life. I work hard at it. It matters. It is who I am.

Writing on Medium would seem a perfect fit, wouldn’t it? And it is. But I was starting to make myself crazy. I was going nuts looking at stats, chastising myself for not having more views, wondering how to get more reads, bemoaning every story that was not curated and hating myself for not being better, faster, more, more, more.

The inner voice told me I must suck as a writer if I can’t even make $50 a month (my best month is $18 and I am super proud of that).

In the same timeframe that I have been riddled with guilt and convinced I lacked both inspiration and motivation, I have had three short stories published in respectable literary journals. OneTwo. Three (will be published tomorrow).

I competed in a short story contest and worked my ass off on a story I am incredibly proud of in a genre (sci-fi) that is a challenge for me. I turned that story out like a boss.

I created a beautiful photograph that took second place in my photo club’s monthly contest (the theme was reflection/symmetry) and had it published in a newsletter with a reach of about 5,000 people. That publication returned to me such amazing feedback and compliments, I rode on a cloud of good words for days.

When people say that to make it on Medium “you have to do the work,” I am in complete agreement. So when I chastise myself for not “doing the work” here I realize I have for damn sure been doing the work, just somewhere else.

I have to give myself a little credit, even when that credit is a little less measurable than pretty crooked numbers on a clean crisp stats page.

As artists, we judge each other, but we judge ourselves the hardest. I am humbled, once again, by just how mean and dark my own brain can be.

Today I’m here. I am a writer. I’m putting down words. I am saying what is on my heart. I might get two views (from my two family members also on this platform — hi!) or I might get 100. I might get curated. I might not.

I am going to try to ignore the reads and percentages and pennies and just write for the joy of letting words flow from my brain to my fingers to this electronic form.

I wrote something today, and I am proud of these 700+ words. They are all mine and they are beautiful.

This item first appeared on Medium, find more of my work @karenfayeth over there.

Every Picture Tells A Story

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The Story is in the Eye of the Beholder

 

Photo by the author, ©2019 Karen Fayeth

My photography teacher and mentor holds regular photo review sessions where we, her students, come together to show our photos and receive feedback from the group.

The rules are that we show our photo but stay silent. The photographer says nothing while the audience to reviews it, forms their opinions, and then provides feedback. Once feedback begins we are allowed to answer questions but the preference is to stick to the aspects of the photo and not stray too far into the backstory of why, what, or how.

Our teacher learned this from her own mentor, the legendary Al Weber. It was how he worked sessions with his students.

There are plenty of juicy quotes out there in the world about how a photo should tell the story without further explanation. How the photographer should say what they want to say visually and refrain from adding more explanation.

I understand that view and don’t entirely disagree. In a different photoclub meeting a few years back, I had quite a spirited debate with a fellow photographer who insisted that the technical aspects of the photo were all that mattered and “telling a story” was unimportant.

I insisted that a photo that doesn’t tell a story is boring. We agreed to disagree.

His technically superior landscapes remain astounding in their quality and dull in aesthetics. My photos have something to say, but are technically imperfect. Both of our photography styles are relevant and fine. The artist makes their art as they see fit.

You see, I’m an unapologetic logophile — a lover of words. I’m a storyteller from birth and when I look at photos, I like to hear what the photographer has to say about how and why they took the photo and what it means to them. I find sitting in silence a challenge when I’m so creatively inspired by my peers.

Also, the story a viewer gets from my photo may not be the story I was trying to tell. I know, I know, that’s fine. Everyone sees art in their own way, through their own filters, and that is valid. Of course.

But sometimes, like the photo in the header of this story, I want the viewer to know more. I want you to feel what I felt when I took the photo. I want it to resonate on a deeper level.

So now that you’ve seen the header photo, I’m going to tell you the story.

t was the first week of this past December and I was traveling home to California from Tennessee. My itinerary said that I would fly on a small commuter plane from Knoxville to Denver, and then from Denver to San Francisco.

Riding on the very small commuter plane gave me no small amount of pause, in fact I wrote about it here:

My Fear of Flying

Before heading to the airport, I’d checked the weather in Denver and the news was not good. Snow. Lots of snow. Here I am flying on a very small plane right into the heart of a winter storm. Due to land in Denver around 6:45pm, it would be when the storm was expected to be the worst.

I was, to put it in crystal clear terms: Freaked Out.

Snow, small plane, winter, ice, terror, tired, just want to get home, will I even make it home tonight, I don’t want to die, pleaseohpleaseohplease… Like that, swirling around in my head. (Isn’t anxiety just so helpful?)

That header photo, the one with the beautiful sunset, was taken over eastern Colorado. Above the clouds was the most magnificent view of the sunset from the plane’s large window. The roiling storm clouds gave a great foreground. The contrast of blue and orange are a perfection of complimentary colors that only Mother Nature knows how to create.

Now, let’s be honest with each other: There are a lot of beautiful photographs of sunsets out there in the world. Plenty of astounding locations, views, and colors. My photo is surprisingly clear and well-focused for having been taken through a plane window. I used a Sony Cybershot as it was the best camera I had on me at the time.

I look at that photo and I love the brilliant colors, that I managed to mostly (but not precisely) center the sun, and the clouds make it very moody. But when I see that photo, what I feel is fear.

The dark and foreboding clouds below that gorgeous Colorado sunset were a metaphor for everything I was feeling when the shutter clicked. This photo was taken at the edge of the storm, you can see the ground on the right lower side. We had not yet begun to find the center of that winter storm when this photo was taken. It still lay ahead.

I should probably title the photo “Yearning for the Runway” because as I both watched and photographed that sunset, I kept visualizing over and over in my mind a smooth landing, pleading to the universe for safety.

Turns out by the time we got to Denver there had been a break in the storm and the runways were clean, dry and perfect. We landed pretty much as I had visualized. The snow was projected to start again soon, so after a little deicing, we took off late but made it home to SFO on time and intact.

I don’t know if telling my story makes you see the photo any differently. Maybe what you see when you read the story of that photo is different from mine.

I like knowing that my photo is more than just a lovely sunset, it’s my reminder that life is both precarious and precious.

And small planes are safer than I think.

Just wait until I tell you about my photo of a deceased ladybug.

This item first appeared on Medium, find more of my work @karenfayeth over there.


 

Do You Have To Let it Linger?

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Word Sprints for Writer’s Block, With Apologies to the Cranberries

My word of the day is linger. This word was given to me by the good folks at RandomWordGenerator.com, a place I visit when I need to do a word-based workout.

Like running sprints or doing calisthenics, allowing the fates to give me a word then writing something around the 750-word mark is how I keep the literary muscles supple and smooth. (This as my post-holiday actual muscles are quite lumpy and stiff)

Today I was in the bath, where I do all my best thinking, and realized that I hadn’t written anything in days. And days. It’s fine, I have plenty of good reasons for this, but wanting to get back in the saddle and bereft of any really good ideas, I got out, dried off, and hit the random word site.


Screenshot from RandomWordGenerator.com

The rules of my game are: I have to take the word given to me, or in the parlance of golf (a game I know nothing about) I have to play it as it lays. No repeatedly hitting the “Generate Random Words” button to find a word I like. Nope. Get the word and get to work.

So linger it is. As in…don’t linger, get to writing. Boom, done.

Well not really.

The first thing I do is Google the word to see what’s what. Read a definition, see where the word shows up, find some sort of context or concepts around the word that provide a creative spark.

Of course, one of the top hits for linger was that angsty song from the Cranberries that was everywhere and all the time in 1993. A song I once liked but was ruined for me by a coworker who told me the story of her boyfriend standing outside the bathroom singing it loudly while she was doing a number two.

Do you have to let it linger? Well, when it comes to a poo, sorry, it can’t be helped. I can light a match?

Now I can’t think of that song without that memory. So let’s not linger on that to write about, eh?

Next I navigated my way over to Unsplash to see what they had to offer under the heading of linger. The pickings were, surprisingly, slim. Same with Pexels.

Pixabay didn’t have much that I thought fit my own interpretation of linger, but did offer up this very cool photo:


From Pixabay, and the license states no attribution required

I have no idea what’s going on there, but I have never seen a Zen stack made with ice, so there’s something new I learned as I lingered over the Pixabay site (a stretch there, stay with me).

Though as I look at the photo, I wonder why the photographer didn’t get behind the ice to try to get the low golden sun lighting up the slices. It’s a beautiful photo but I feel a missed opportunity.

Unsplash did offer up this one under the tag linger, which, uh…that’s not lingering. That’s walking very fast.


Photo by Chiến Phạm on Unsplash

Lovely photo, nice composition, just not my idea of a good ol’ fashioned linger. So that’s irksome.

Back to the Google, this time I navigate to Wikipedia and try my luck. It’s there I learned that there is a city in Luxembourg named Linger. The population of 577 means the Wiki entry is quite brief, in fact just a stub. So I had to linger over this idea for a moment.

I’ve always really loved towns with weird names like Hell, Michigan or Sandwich, Massachusetts. I mean, I could write a whole story on the weird town names in New Mexico, where I grew up. Actually, that’s not a bad idea, I think I will tuck that story idea away.

See, lingering over Linger, Luxembourg got the ol’ juices flowing.

This random word thing is an almost no-fail writing exercise for me. There are plenty of things that the word linger can introduce into the post-bath, post-holiday brain.

Granted, linger is a pretty good word, lots of ways to go with that. I do occasionally get words that are clunkers and try to make the best of them.

Well, if you have made it this far, I thank you for reading through my writing exercise to ease my writer’s block. Maybe this is helpful in some way? Perhaps if you also have writer’s block, you will stumble across this lingering little story and linger over your own ideas, hit the random word generator and then linger over some fresh, piping hot ideas of your own.

I’ll have you know that the word “own” was word 758.

See? Knocking out 750 words is just as easy, or rather just as difficult, as that.

It’s About the Light

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Photo by the author, ©2019 Karen Fayeth

In music, it’s about the beat.

In writing it’s about choice and cadence of words.

In photography, it’s about the light.

“No duh,” you might say, understandably.

No really, it’s about the light.

I think everyone can agree that light hitting the sensor of a camera is how a photograph is born. The beautiful study of how light is captured is what takes an ordinary photograph and makes it something you want to keep looking at.

Lately I have been studying light with more intensity than I ever have before. I will place a subject and look at natural light, overhead florescent, then flashlight on my phone, then a small bright LED panel, a ring flash, a candle, on and on.

The light source used, the angle of the light source, and the intensity of the light all change the outcome, the feel, the meaning of the photo.

Look again at the header photo for this story. I took that photo one week ago today (on 12/12) with an iPhone 8 using the onboard camera app that comes with the phone. I have done no editing of the image, that is straight off the camera. It is the best of the five photos I took at that same time.

I was inspired by the fog lingering in the trees on a rainy day in the Bay Area. I noticed this scene when I stood outside taking a break from work. The time of day was 3:52 pm, which means that the late afternoon winter sun was off to my left making its steady but inevitable descent toward the Golden Gate Bridge.

There is nothing remarkable about the subject, it’s a grove of eucalyptus trees just outside my office door. It’s in portrait mode so I could avoid both the nearby building and industrial pipes on either side of this grove.

The photo is just beautiful, wistful, sentimental. It evokes another time and place, and the reason for that is the light. Golden late day sun muted by thick clouds and fog casts an etherial glow. The play of grays and browns and greens and silver metal all create something worth looking at.

Here is the same shot taken today with broken clouds and sunshine overhead, my angle of focus is a little higher and a little more to the right, and the time is 11:29 am.

Photo by the author, ©2019 Karen Fayeth

Same scene, same setting, slightly different framing, different time of day, different weather conditions, far less interesting.

The sky is blown out, the greens are a little too green, there is a loss of definition of the leaves. I would call it a nice snapshot, but little more. Again, no editing was done to this photo which was again taken with an iPhone 8 and the onboard camera app.

It was the fog, and more importantly, the quality of light through that fog, that made the first photo more interesting. More memorable.

I know, I know, this is Photography 101 level thinking, but it’s also something I will spend the rest of my lifetime studying.

LEDs will never be as pretty as old incandescents. Foggy or overcast will always be better than full sun. Natural light almost always preferable to flash.

Those are the guidelines we all know.

But what about shadows? What about selective highlighting? What about using multiple light sources? How about putting a piece of paper or cloth over a light source? What about, what about, what about? Ah, there’s where the experimentation begins.

And from experimentation comes magic. And a whole lot of “what the heck was I thinking?” shots too.

But let’s focus on the magic.

Final note: right after the first photo was taken, I turned around to go back to my desk, mishandled a step, stumbled wildly and dropped my phone where it took a bounce and landed under a raised wooden walkway.

I had to shimmy under the railing to drop down and get my phone, brush the mud off and hike myself back up onto the walkway.

Making art does come at a price. Worth it.

The Serendipity Of Nature Photography

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One little camera. One little bird

 

Photo by the author, ©2019 Karen Fayeth

This weekend I found myself at the UC Botanical Garden and marveled again at how rich it is with subjects to photograph. Gorgeous trees and plants, winding walkways, seasonal flowers in bloom, epic views of Strawberry Canyon.

I have taken many photos here and find endless new things to photograph on each visit.

Plants are easy, but photographing wildlife is a bit more difficult. For me, at least.

I know the old adages, one that patience is required in shooting wildlife, another that one should expect to take a lot of shots to get to one good image.

I’ve been shooting long enough to know better. But I’ve also been me long enough to know that patience isn’t always my virtue.

Under the auspices of “the best camera is the one you have with you” I tend to shoot a lot on my iPhone. There is hot debate on the topic in the various photo clubs I belong to. Some of my fellow photographers see iPhoneography as a perfectly acceptable medium and encourage the ease and accessibility of on-the-fly photos.

Others of my peers scoff and say they will never accept iPhone photos as legitimate (really, seriously, in 2019 they say this). In that particular photo club I strip the exif data off of my photos before posting to our monthly theme review. They won’t look at my photos if they know for sure it’s an iPhone photo.

So while I shoot a lot on my iPhone (the header image, for example), I also feel the limitations of the hardware. The light has to be good to get anything worthwhile. The image quality, even in good light, is not always the best. And zoom? Forget it, the pixelation from the software zoom is more than I want to deal with.

About a year ago I decided I wanted a camera that was a little less than my big boy camera and a little more than my iPhone. After some research, many reviews read, and lots of waffling, I finally settled on a Sony Cybershot. It’s cute, fits into my pocket or purse, and has a real optical zoom versus a software zoom.

It’s a neat little camera and does a whole lot more than point-and-shoot devices used to do. In fact it’s scary how good simple pocket cameras have become.

I’m still learning the Sony and it surprises me every time I give it a try.

Like, for example, this photo:

Photo by the author, ©2019 Karen Fayeth

I was enchanted by this little bird at the botanical garden. I have no idea what type of bird that is, I’m not that good at identifying species. My husband and I watched it flit from branch to branch, often coming quite close to us. The light was good, but the movement was way too fast for an iPhone. (though my husband used Live Photo and that worked pretty well)

I tried pulling out the Cybershot and fiddled with settings. I found one I hadn’t used before called “reduce motion blur” and gave it a go. I tracked the little bird, zoomed in and quick took a snap expecting very little.

No planning the shot. No endless patience waiting for the bird to turn in the right direction. No one hundred shots to get one good one.

One snap, one photo. Got it.

Because I’m naturally superstitious when shooting, I took another photo. I did so thinking I knew more than I did with the first photo, so I must be able to take a better photo, right?

Truth is, I had much less luck on the second shot (note the bird butt in the top left corner):

Photo by the author, ©2019 Karen Fayeth

And with that, I gave up. Yes, I took only two shots and got one worth keeping. How often does that happen? For me, not very often. It was a good reminder lesson in allowing serendipity in my photography.

Maybe knowing a bit more when taking the second shot turned out to be a hindrance? Maybe on the second photo I was trying too hard?

In photography, I can get rigid about the shot I want to make. I have been known to see a shot evolving in real time and then pressing too hard when trying to take the perfect version of it.

I can get obsessive and fire off image after image and come back with nothing worth looking at. In those moments I wanted the photo to be something I was not capable of producing.

Sort of the divine struggle of photography, right? To produce an image that is how you saw it in real time.

What have I learned from this serendipitous nature photography moment?

  1. Right place, right time. Meaning let the image happen the way it wants to evolve.
  2. Don’t press, just let it flow and let it go. If I don’t get the shot I wanted, okay to try again, also okay to move on.
  3. It helps to know your camera. In this case, I tried a new setting, but knew pretty well how to use the features of the camera including zoom, focus and settings.

It is not hyperbole when I say that little bird is among the best wildlife shots I’ve ever taken (the first one, not the bird butt one) in that it comes very close to how I saw that beautiful late afternoon winter sun on the green and yellow and brown botanical garden.

True, wildlife photography isn’t my main focus, and practice would certainly improve my images, but dang if I’m not pleased with that photo of one little bird taken with one little point-and-shoot camera.

Does it have less value since it wasn’t taken with a “real” camera? (scare quotes used on purpose. Isn’t any camera a real camera?) I don’t think so. Others might disagree.

But I like it, and that is what matters the most. Trying to shoot something I think will please someone else is always going to be hard road with no destination.

One of the things I love about photography is that it is both so easy (just get the exposure triangle right!) and so very difficult.


Note: I have done no post processing on any of the photos in this story. I could certainly fiddle with all three of them, but that was less important for me and not quite the point of this story.