My Fear of Flying

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It never goes away, it can only be managed


Photo by Lucas Ludwig on Unsplash

“I love to travel, I just don’t like what it takes to get there.” — Me, before every trip

Last week I was delighted to pack by bags and head out on a business trip on behalf of my employer. My job gives me the opportunity to travel once or twice a year and I am happy to get out of the office and on the road. I really do love to travel. Anywhere. Large, small, domestic, international, if there is travel to be done, I’m in.

Over my life I have traveled a lot, not the “gold status for a lifetime” kind of amount, more like 3–4 trips a year, sometimes more. I’ve seen quite a few countries, with a whole lot more to go.

My first plane ride was at seven years old. My mom, sister and I traveled to Oregon to visit my mom’s family. We flew to Salt Lake City, changed planes, then on to Portland. I remember the excitement, the thrill of the ride, the joy at seeing how lush and green Oregon was in comparison to Albuquerque.

I love seeing places I have never seen before, just as much as I love going back to a place I know and remembering all the things I like about it.

One thing that hasn’t changed over a lifetime of traveling: I’m moderately terrified of airplanes. Okay, to be fair, I am not a nervous flyer gripping the armrest like a life raft, but I do have trepidation every time I board a plane.

I’m usually cool as a cucumber getting to and through the airport, but once boarding is called and I am on the jetway, the reality of what I am about to do takes hold. To cope, I have to run through a well-practiced serious of thoughts to calm myself down enough so I don’t turn around and sprint back off the plane.

What I am saying is most of the time I do just fine. I’ve gotten used to your average passenger plane, three seats on each side, air safety is pretty good, all of that. But it’s still a hard thing for me to give up all control of my fate, pack my ample curves into an narrow and uncomfortable seat, accept being sealed inside a tin can, and allow one human being to pilot me and my fellow passengers high into the air.

Every once in a while, my travels throw me a curveball. A few years ago I was beyond excited to be asked to travel to Porto, Portugal. I think I said yes so fast I broke the time-space continuum and said yes before my boss even asked the question.

However, when the day of travel arrived what I found waiting at the airport gate was the largest passenger plane I had ever seen in my life. I actually started laughing out loud. “I am not getting on that thing,” I said to nobody but myself.

A plane so large it needed a special gate at the airport to load. Called an Airbus A380–800, it’s occasionally referred to as a whale. This plane has two floors. It has an actual staircase inside. I mean, come on now.

Airbus A380 on MAKS 2011. Image from Wikipedia and used under a CC BY-SA 3.0 license.

 

I had to sit down and really, really ask myself if I was going to willingly get on that plane and ride for the eleven hours needed to get to Frankfurt. On the logical side of my brain, I reminded myself of watching loaded C-130s take off from a nearby military airfield, so I knew this plane was possible. The dimensions of the thing were just more than my brain could take.

Well, this past week, I had the opposite problem. After flying from San Francisco to Houston, I was to board a small regional plane that would get me over to Knoxville. I have flown very small planes before, including one bumpy ride on a terribly noisy turboprop, but for some reason I was not prepared for the plane that awaited me at the gate.

An Embraer Air ERJ-145, new, shiny, sleek, and terrifying. I texted my husband this photo with the caption “aw, shit.”

Photo by the author, ©2019 Karen Fayeth

I knew I was going to be flying a small plane to Knoxville, I’d even made a joke a few weeks back about “Flying on a La Bamba plane.” When faced with the reality of the situation, the joke just wasn’t funny anymore.

When the glass door opened and I stepped out onto the tarmac, I began to run through my usual mental roll call of thoughts: “You are going to be fine, you don’t have to get on this plane if you don’t want to, these are professionals who do this every day, planes are very safe, you are safe, but you have choices.” And so on like that.

I locked up pretty good, but given my stubborn nature, I refused to let myself balk. I gamely walked up the ramp, got my stuff stowed, and crammed into the seat. I texted my husband, “I’m in my seat. I think I’m now wearing this airplane,” as it certainly felt snug about the hips.

This plane has two seats on one side and one seat on the other but is fairly comfortable. I was lucky to be on the one seat side, enjoying both a window and the aisle.

Once the doors were shut, I immersed myself in my book and did my best not to think too much about it.

If my trip to Frankfurt was riding a whale, to Knoxville I rode a sardine, and in both instances got there safely, on time, and no worse for the wear.

Look, fears and anxieties aren’t always rational, that’s kind of the point. I know flying is very safe, but my mind still has an awful lot of questions about the wisdom of being 30,000 feet above the surface of sweet, sweet Mother Earth.

One upside? The Sardine had nice big windows, all the better to capture a Tennessee sunset above the clouds.


Photo by the author, ©2019 Karen Fayeth

Did You Ever Have The Kind Of Day Where….

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Photo by Benjamin Child on Unsplash

 

Did you ever have the kind of day where you are going ninety miles an hour at your work desk, cranking out the emails, spreadsheets and taking phone calls left and right, all while balancing the Greyhound bus stop that is the chair in front of your desk….

And despite all the chaos and kerfuffle, just in the nick of time, you manage to whip out one page with a beautifully wrought, easy-to-read table that contains the cheat sheet you’ll need to answer every question that will be machine gun fired at you at your 3:00 meeting.

So you send that sumnabitch to the printer and grab your notebook, hike up your pants, run to the copier, and grab that thing off the machine so you can make it to your meeting at something less than five minutes late.
Then you squeal your tires around the corner into the copy room and you are heartened to hear that the machine isn’t working. It’s done. It’s printed your copy.

Only it hasn’t.

The screen reads “out of paper, load tray three.”

Inside your head, you say, “I can deal with this.”

It’s one of those big industrial machines and to fill the paper tray takes not one, not two, but three reams of ecologically friendly 50% post-consumer lily white paper.

Being a good office citizen, you could throw half a ream in there and call it good, but you don’t. You fill it up to the top, slam the drawer and the machine fires up.

Sweet sound of the Gods!

And the machine begins spitting out page after page after page…..

After page.

After page.

And you realize the guy in front of you must be printing like a hundred copies of his forty page slide deck and it’s HIS FAULT that the machine was parched for paper when you arrived.

Photo by Kev Costello on Unsplash

Nothing you can do now but watch that machine like a bird dog after a duck, all the while not-my-copy, not-my-copy, not-my-copy shoots out of the machine, perfectly stapled and collated and tidy as you please.
“Ok,” you say to yourself. “I can deal with this.”

Then the machine stops again. The engine winds down.

“Thank god!” you think.

But wait, your copy isn’t there.

“WHAT THE [EXPLETIVE DELETED]!!!” You may or may not shout.

The LCD screen on that machine says “Replace Toner” and provides helpful animated arrows to guide you through the process.
“Ok,” you think to yourself, “I can deal with this. It can’t be that hard.”

So you find a box with a new toner tube and you follow the bouncing arrow on the screen and the old toner comes out and the new toner slides in and now you may or may not have black toner dust peppering your arms.

But you slam closed the toner door and the machine begins to make a noise.

“Warming up,” it tells you.

And you wait for what must be an [expletive deleted] eternity while the machine “cleans the wires” and “recalibrates” itself at the pace of an anemic snail.

Then Holy Mother of Xerox, the machine starts spitting out copies anew and more and more of not-my-copy of someone’s presentation comes out.

Then, most miraculous! The single sheet that you desperately needed finally exits the machine!

Victory!

So to be helpful you pull the other copies off the machine to lay them aside in a nice, neat stack.

And because you are nosy by nature, you look to see exactly what is the document that held up your progress and made you irretrievably late for a very important meeting, and you come to realize that it is…..

Handouts for someone’s upcoming Cub Scout meeting.

You ever have a day like that?

No way, right? Because that story just has to be made up.

Unless truth really is stranger than fiction.

Cutting The Line

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What Cutting Mats for my Photos Taught Me About Creativity


Photo by Roman Kraft on Unsplash

While writing is and will always be my first love, it is not my only creative outlet. I am also an avid photographer (I dabble a little with painting too). I have been doing photography for a much shorter time than I have been writing and while I’ve had some success in photography, I am still learning.

I love being at different levels of mastery for each of my creative outlets. They feed off of each other and help me stay motivated overall as an artist.

Recently, I was getting ready for an event where all photographers were to bring a portfolio of ten photographs to be shown and critiqued by a group of professional photographers who, for some reason, let me hang out with them.

This is a formal, annual event and is something I take very seriously. I had carefully curated ten good prints of my photos and needed to cut mat boards to perfectly frame each of the ten photos.

Now, I could have taken the photos to a framing shop and had them cut the mats for me, but my photography mentor is a stickler that a photographer should know how to cut their own mats and do so with a ruler and a blade, no need to use a mat cutting device.

A fifty-year professional photographer, she is very quick and efficient, zip, zip, bam a perfectly measured, perfectly cut mat.

My mat cutting is more like, zip, curse word, zoop, why god why, zap, damn! Did you know that paper has a grain, like wood? And your very sharp blade, if not well-tended, can slip into the grain and wander well off of your carefully measured and drawn pencil line?

Yeah. I’m not so good at cutting mats, but I am getting better.

This year I tried a different approach. One that I hoped would result in less shedding of tears, fewer pieces of ripped up mat board on the floor, and a happier me.

Instead of trying to go faster, to push quickly to complete the essential cuts in the board, I went slower. Much slower, using both deep breathing and intent. I kept my eye on the pencil line and my hand firmly on the blade, I watched the slow progress as I cut, making micro adjustments as needed. I didn’t let up on the pressure to the blade until I hit the end of the pencil line, and stayed focused on finishing each mat and not thinking about how many more I had left to do, just on making the one in front of me the best it could be.

The result? Instead of using up 2 to 3 pieces of mat board to get one good matted photo, I ended up spoiling only three boards total over ten photos.

This is significant.

Which caused me to think about what lessons I could apply from this experiment to the rest of my creative work.

Here’s what I learned:

1. In any creative work, errors will be made. There is a one-hundred percent chance you will make errors if you are doing creative work. Own that and learn to love the serendipity now.

Mistakes are what Bob Ross used to call “happy accidents.” It’s not whether or not you will make a mistake, you will, it’s how you recover from it that makes all the difference.

Fear of making mistakes, or giving up once a mistake is made is the number one obstacle I see limiting my fellow creatives.

2. Don’t let mistakes keep you from creating new work. How are you ever going to get any better if you don’t dive in, make mistakes, and learn what not to do next time?

Doing the work and continuing to create is how you start to make fewer mistakes.

3. Keep the end in mind but don’t make it your only focus. Finishing your project matters, but not at the expense of quality in the progress needed to get there.

Don’t get cocky, don’t take shortcuts, and stay focused at all stages as they each need different attention and they all matter in the finished product. People can tell when an artist takes a shortcut. It shows in the final product and is the difference between good and great work.

Photo by Jo Szczepanska on Unsplash

4. Know your tools and know your medium. Being in the flow is so cool and when that creativity flows through you like an electric charge, there can be no better feeling. And there can be no quicker way to kill your flow than having to fiddle with your tools or finding the medium you work in doesn’t respond the way you thought.

Take a little time to experiment, play around a bit before you get serious in order to see what your tools and medium can do before jumping in there with ambitious plans.

5. Be willing to change your approach if something isn’t working. You may see another artist do something (in person, via YouTube, etc.) and wonder why you can’t make it work that way. You might try and try, following the exact instructions and still not get there.

What I am saying is: Don’t give up too soon, but don’t be afraid to make changes in your approach to see if it helps.

And finally…

6. Stay centered. It’s easy as an artistic type to go off on fun flights of fancy. To get in your head thinking “look at me being an artist!” and “where should I post photos of this thing when I’m done?” All of that takes you away from the work in front of you.

Allow yourself that fun dream time after you are done. While in the act of creating, stay in the now and stay purpose-driven in your work.

I know we are all writers here on Medium, so this may not seem like a story about cutting mat boards is for you, but rest assured, this applies to all creative endeavors, no matter the medium or the Medium (see what I did there?) you work in.

 

A Baseball Story of My Own

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A few years back, I participated in a flash fiction writing event and drew the genre of Historical Fiction as my prompt. Historical Fiction! I had no idea what to do with that. None. At all.

I believe the full prompt was Historical Fiction, a dentist’s office, and a leather jacket.

Uh. Okay. Sure.

So off I went and wrote a story. My own little sort of baseball story and turns out it did pretty well in the competition, meaning it was good enough to get me to the next round.

After finishing the story, I’d had a bit wish that my sorta kinda baseball story would get to see the light of day, and be published during the baseball season.

Well, my wish came true. “The Dilemma” was published this past April in issue 13 of SLAB Literary Magazine.

My baseball story! Published in April! During Spring Training!!

So why am I telling you this in June?

Well, it came out in the print version in April and I decided to wait for the issue to be loaded up online before sharing. Well, Issue 13 is online, however…..my story is listed in the table of contents but it’s not printed in the online version.

Grr.

I’ve sent a few notes but I think the editorial team is off on summer vacation.

While I love the folks and SLAB and am so very, very grateful they published my story, I don’t really want to wait anymore to share my little story with the world.

So I scanned that bad boy and you can read my little baseball story today, a few weeks before the All Star Break.

Here it is: The Dilemma

You can also find the link in the right side of this page.

If you take a few moments to give it a read, I’d be quite grateful. If you don’t wanna read but just wanna send “yay you” thoughts, also fine by me.

Either way, I’m going to be over here feeling pretty darn proud of myself for taking a bit of an oddball prompt and making something good.




Issue 13






On Hideous Lizards and Good Brown Dogs

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It’s funny the things that stick with you. The seemingly forgettable details or moments that you look back on with fondness.

This past weekend, I returned home to New Mexico after a far too long two-year personal drought. Life, work, whatever, gets in the way (no excuse is good enough).

The occasion of my return was the high school graduation of my oldest goddaughter. At almost 19 she is no longer that curly-haired blonde toddler who captured our hearts. She is a smart, sassy, funny, talented and gorgeous woman and I’m a bit weepy right now just typing that. I’m so proud of her.

I have been working too many hours and it’s fair to say I dragged my ragged self onto a plane, glad to go home. Sometimes I feel like I wander a little too far away from New Mexico. I forget the foundation of my soul and going home never fails to readjust my mind, my very DNA. It gets me back to remembering who I am and what matters.

Plus I eat good when I’m there, and green chile itself will help anyone get right.

Each time I go home, I’m overwhelmed at all of the things that have changed since the last time I was there. El Paso is growing fast. The area around Las Cruces too. More cars, more buildings, more people. It’s crazy.

So then I start to seek the familiar. What hasn’t changed. What is there that I remember so I can have a touchstone. A “hey, there that particular thing is, just where I left it.”

The feedlots in Vado, for example. I was pleased to find them there, cows huddled under the water misters. The inevitable cow scent on the breeze.

The Organ Mountains. Craggy, uneven, and absolutely gorgeous. I see those mountains that once watched over my college education and smile, glad to say hello again.

So today at work when I was homesick, missing my best friend and the peace of her back patio, I started going through the photos on my phone to help me with the pain.

Did I find photographs of vast mountain landscapes? Did I see the faces of my loved ones? Did I have a whimsical photo of a cow?

No I did not.

All of those sorts of photos are on my actual camera. Weirdly, I took very few photos with my phone on this trip.

So I will share with you the two photos I did take. Memories I’m carrying in my pocket to remind me of home. This gives you an awful lot of insight into my muddled mind:

First, a photo of my goddog. I may have taken one or two photos of him in the past.



The gray hair around his eyes and in his muzzle makes my heart hurt, just a little

The second will take a little more explanation.

You see, to get back to Las Cruces, I have to fly into El Paso and while that’s not my town, over the years I’ve even grown a bit fond of that crazy place.

When I stumble off the airplane and into the terminal I find that nothing much has changed. Then my heart softens a little when I see the genuinely godawful carpet in ELP’s main terminal. Seriously, it’s so bad, it makes me sentimental.

Nothing says “welcome home” like lizard carpet. Apparently, I was so overcome I had to take a photo.



Not conducive to overcoming a hangover

And now I’m glad I did, I just found out today that the infamous ELP carpet is due to be replaced, like this month! Yipes.

That means next time, I won’t be greeted at the door by the funky lizards. And as my goddog isn’t getting any younger, one day I’ll roll up to my best friend’s house and won’t get to experience his side-angled lope and velvety soft ears.

That’s too much to consider. Right now, I will rest easy knowing that hideous lizard carpet and beautiful brown dog eyes remain just where I left them. I feel my connection to home, which makes sitting in this dull gray office just a tiny bit easier to take.





Both photos ©2018 Karen Fayeth, taken using the Camera+ app on an iPhone. Don’t steal ’em. Thanks!