Talking About That Little Lady

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Pondering What it Means to be Ladylike in the Modern Era


Photo by Rodion Kutsaev on Unsplash

Several years ago, my husband and I had some friends who were members of one of the Yacht Clubs in San Francisco. We would occasionally join the couple for dinner after a day of sailing.

The views were fantastic, the bartenders gave a deep pour, and the food was good (but not great).

San Francisco is well known for its more liberal political leanings, but the yacht clubs are where the more conservative (i.e. wealthy) can be found in the notorious hippie city. The rules of the yacht club dictated that we had to mind our p’s and q’s while there.

On one memorable night after a hearty dinner, the four of us retired to the bar with drinks in hand and began a rousing and competitive game of liar’s dice.

Just as things really got rolling, as it were, an Admiral of the club who was a huffing old man with a bulbous nose blooming with red capillaries, bustled over to us. He leaned over the bar and blurted, “Ladies do NOT throw dice in bars!”

Remember when you were a kid riding in the front seat of the car? And that moment when your mom would hit the brakes and throw out that strong mom arm to protectively keep you from flying through the windshield?

That is roughly the approach my husband took to keep me from getting very unladylike in a real hurry.

After the adrenaline dissipated and another drink was poured, I remember thinking how far we’ve come, and how far we have yet to go.


The George Moro Dancers at El Rancho Vegas, 1949 — Photo by Don English, photo courtesy of the Las Vegas News Bureau

These days I’m a lot older and a lot less inclined to take any guff off of anyone, particularly a stuffy old rich man. But this concept of “being a lady” and acting ladylike is still something I think about. In fact, as I age, it’s on my mind more than ever.

My parents grew up during the Great Depression and had me late in life so I ended up with a more old fashioned set of values than many of my peers in school. In the 1960’s and 1970’s, women weren’t having kids into their late thirties, so my parents were a generation older than my friend’s parents.

Where they had cool bell bottom pant wearing moms and sideburn wearing dads who were easy, open, and permissive, my folks were stodgy and carried a depression-era sensibility about almost everything, including but not limited to: money, discipline, and politics.

But to their credit, where many of my female friends grew up with their parents saying, “When you grow up and get married…” mine were saying, “When you grow up and graduate from college…”

Pretty forward thinking for my ultra conservative folks.

So I followed their advice, went to college, got a post graduate degree and these days I work in operations to support scientists, including both physicists and engineers. While the percentage of women in the various STEM fields is still small, it is certainly growing. I am lucky to work with a lot of strong women in non-traditionally female professions. This has me thinking more and more about what it means to be a lady.

If clothes make the man, does how a woman dresses define whether or not she is a lady? With each passing year, the dress code of employers becomes more casual. Both men and women can wear khakis and a button down, so maybe clothes are no longer a deciding factor.

Once the measure of being a lady was being demure, subservient, speaking in low and melodic tones. My mother’s 1950’s Better Homes and Gardens cookbook explains that my job as wife is to have the children clean and tidy for when my husband comes home. I should dress in a pleasing way and greet him at the door. That advice was prudent for the times, but is no longer the measure of what makes me, or anyone, a lady.

I’ve been noodling over writing this piece for a little over a month. I had started getting down the words when the Be a Lady They Said video went viral. I saw it posted on all of the social platforms. I didn’t want to seem like riding the coattails of that sentiment so I set this story aside. Perhaps I’m not the only one thinking on this topic.

This question of what it means to be a lady continues to rattle around in my brain so I dusted this story off and starting thinking about it again. As I enter the time of my life where I will no longer have the ability to bear children, an aspect some say defines the very nature of womanliness, I wonder who and what I am now that I am no longer young, with the power and energy that youth brings.

My face in the mirror is changing, my hair is rapidly turning gray, and what it means to be a lady, for myself anyway, is also changing.

So I haven’t yet answered the question of what it means to be a lady, and maybe I never will. Or maybe the answer is being a lady means whatever I want it to mean.

And for the record, ladies most certainly do throw dice in bars.


Royalty Free image from corbisimages.com

This item first appeared on Medium, find more of my work @karenfayeth over there

Every Picture Tells A Story

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The Story is in the Eye of the Beholder

 

Photo by the author, ©2019 Karen Fayeth

My photography teacher and mentor holds regular photo review sessions where we, her students, come together to show our photos and receive feedback from the group.

The rules are that we show our photo but stay silent. The photographer says nothing while the audience to reviews it, forms their opinions, and then provides feedback. Once feedback begins we are allowed to answer questions but the preference is to stick to the aspects of the photo and not stray too far into the backstory of why, what, or how.

Our teacher learned this from her own mentor, the legendary Al Weber. It was how he worked sessions with his students.

There are plenty of juicy quotes out there in the world about how a photo should tell the story without further explanation. How the photographer should say what they want to say visually and refrain from adding more explanation.

I understand that view and don’t entirely disagree. In a different photoclub meeting a few years back, I had quite a spirited debate with a fellow photographer who insisted that the technical aspects of the photo were all that mattered and “telling a story” was unimportant.

I insisted that a photo that doesn’t tell a story is boring. We agreed to disagree.

His technically superior landscapes remain astounding in their quality and dull in aesthetics. My photos have something to say, but are technically imperfect. Both of our photography styles are relevant and fine. The artist makes their art as they see fit.

You see, I’m an unapologetic logophile — a lover of words. I’m a storyteller from birth and when I look at photos, I like to hear what the photographer has to say about how and why they took the photo and what it means to them. I find sitting in silence a challenge when I’m so creatively inspired by my peers.

Also, the story a viewer gets from my photo may not be the story I was trying to tell. I know, I know, that’s fine. Everyone sees art in their own way, through their own filters, and that is valid. Of course.

But sometimes, like the photo in the header of this story, I want the viewer to know more. I want you to feel what I felt when I took the photo. I want it to resonate on a deeper level.

So now that you’ve seen the header photo, I’m going to tell you the story.

t was the first week of this past December and I was traveling home to California from Tennessee. My itinerary said that I would fly on a small commuter plane from Knoxville to Denver, and then from Denver to San Francisco.

Riding on the very small commuter plane gave me no small amount of pause, in fact I wrote about it here:

My Fear of Flying

Before heading to the airport, I’d checked the weather in Denver and the news was not good. Snow. Lots of snow. Here I am flying on a very small plane right into the heart of a winter storm. Due to land in Denver around 6:45pm, it would be when the storm was expected to be the worst.

I was, to put it in crystal clear terms: Freaked Out.

Snow, small plane, winter, ice, terror, tired, just want to get home, will I even make it home tonight, I don’t want to die, pleaseohpleaseohplease… Like that, swirling around in my head. (Isn’t anxiety just so helpful?)

That header photo, the one with the beautiful sunset, was taken over eastern Colorado. Above the clouds was the most magnificent view of the sunset from the plane’s large window. The roiling storm clouds gave a great foreground. The contrast of blue and orange are a perfection of complimentary colors that only Mother Nature knows how to create.

Now, let’s be honest with each other: There are a lot of beautiful photographs of sunsets out there in the world. Plenty of astounding locations, views, and colors. My photo is surprisingly clear and well-focused for having been taken through a plane window. I used a Sony Cybershot as it was the best camera I had on me at the time.

I look at that photo and I love the brilliant colors, that I managed to mostly (but not precisely) center the sun, and the clouds make it very moody. But when I see that photo, what I feel is fear.

The dark and foreboding clouds below that gorgeous Colorado sunset were a metaphor for everything I was feeling when the shutter clicked. This photo was taken at the edge of the storm, you can see the ground on the right lower side. We had not yet begun to find the center of that winter storm when this photo was taken. It still lay ahead.

I should probably title the photo “Yearning for the Runway” because as I both watched and photographed that sunset, I kept visualizing over and over in my mind a smooth landing, pleading to the universe for safety.

Turns out by the time we got to Denver there had been a break in the storm and the runways were clean, dry and perfect. We landed pretty much as I had visualized. The snow was projected to start again soon, so after a little deicing, we took off late but made it home to SFO on time and intact.

I don’t know if telling my story makes you see the photo any differently. Maybe what you see when you read the story of that photo is different from mine.

I like knowing that my photo is more than just a lovely sunset, it’s my reminder that life is both precarious and precious.

And small planes are safer than I think.

Just wait until I tell you about my photo of a deceased ladybug.

This item first appeared on Medium, find more of my work @karenfayeth over there.


 

Stream of Self-Consciousness

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A Modern Fable

 

Photo by Alex Parkes on Unsplash

That moment when you are sitting at stoplight as a pedestrian crosses with the light in front of your headlights and you notice that the early morning sun is giving this gentleman a solid backlighting. As he strolls directly in front of your view, you notice that the hairs that extend well past his nostrils are beautifully set to glowing by the golden California sun rising in the east.

And you think to yourself, “Oh wow. That’s…well that’s something.” And you laugh alone in your car because why not. You can sing in there so why can’t you cackle like a dyspeptic hen in there?

As you turn the corner and head into the parking garage you think to yourself. “Don’t laugh, sparky. There but for the grace of a nose hair trimmer go I.”

So then you surreptitiously check both barrels of your own breathing device to see if the protective filtering is tidy and in place.

And you realize that, you know, you could use a little trim yourself.

So you sit in the car facing east and while the morning light of a California sunrise floods in through the windshield and you use the scissors from your small Swiss Army Knife to give a quick clip, just enough to let your sanity rest during the day that lies ahead. Because no one should have to worry all day long about the nostril streamers that suddenly seem to grow with less control than they once did.

And when finished, you feel both satisfied and mildly crazy and kind of blind because why didn’t you notice a trim was in order when you looked at your tired face in the mirror this morning?

But alas, you did not. Then you vow to take care of this problem more fully later tonight. And you should probably put on your reading glasses and give the eyebrows a check too because I bet those are out of control.

And then you get out of your car and walk into the office and enter this crazy day in a crazy way with crazy hair growing in crazy places.

Did you ever have a day like that? Yeah, um, me neither.

Because this is just a fable. Or a morality tale. Or a work of fiction…right?

This item first appeared on Medium, find more of my work @karenfayeth over there.

When The Word Artist is Used as an Insult

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The Careless Use of a Beautiful Word

 

Photo by Елена Можвило on Unsplash

As both an artist and a career business professional, I embrace both and switch back and forth in my brain, depending on the situation. One pays the bills, the other pays my soul.

I am currently on a business trip for a fairly important meeting and at these events it is customary to have a group photograph taken by a professional photographer.

To that end, yesterday we were told to gather in the lobby for this year’s group photo. We were told we were going outside where it was a bit cold, so the photographer was going to arrange us inside then we’d head outside for the shots in front of a lovely green space.

Immediately the carping began “Why are we going outside, it’s cold out there!?” The photographer’s answer, “Because it’s very pretty outside and will make for a much nicer photo.”

“Can’t we just do it in here?” The photographer’s answer “Yes, but we want a really good photo and the lobby isn’t very nice.”

Then the photographer began to evaluate the shot and arrange us by height, clothing color, and other aesthetics he wanted to see.

Herding about 20 bossy people is no small task, but this photographer is an old hand and firmly took command.

“You in the blue shirt, would you switch places with this person in the charcoal jacket?” and so we’d switch around, moving forward and back as he studied the pose.

More than once I heard a comment along the lines of “Artists, sheesh! Just take the picture!”

Or “Why all this fuss, let’s get on with it!”

Or “This is an awful lot of trouble for a picture, can’t we just use a cellphone and be done with it?”

With this, my hackles began to rise. You see, a business professional is what I do, an artist is what I am. To hear this kind of careless talk is not unexpected, but fully disheartening. I took it personally.

Maybe people don’t see photographers as “real artists” or maybe because the photographer is employed by our institution and not hired from outside he is subject to coworker’s careless talk, but I found the comments rather tactless.

What stings me the most is when the word “artist” is said in an unkind and sarcastic way. As if being an artist is somehow bad.

It is not the first time I’ve run across this in my work setting, only the most recent.

I have been at my creative work for a long time, and I’ve long since grown past any discomfort or sheepishness I have in calling myself an artist. In other words, I own it and I’m well beyond trying to defend it. It just is.

However, I somehow have not gotten past people going “pfft, sure” when I describe myself that way.

Photo by naeim jafari on Unsplash

I think there is a perception that an artist is a hippy-dippy, flowing skirt, wacky hair, free spirited, out of touch soul. And why not? But in my experience a working artist is also a nuts and bolts, down to earth, hardworking soul with enormous amounts of self-discipline, organization, and drive.

In this instance, I get that people don’t like having their photo taken, but if a photo is taken, people certainly want it to look nice. Good work takes work.

People love to consume art, but for some reason underestimate the work it takes to produce quality art. A few minutes in the Choosing Beggars sub-Reddit offers a few sobering examples.

I do sometimes feel like there are two of me walking around in a one-human unit, and that’s okay. My business side brings some discipline to my art and my artist side brings some creativity to my business work.

So while I grimaced a bit and noted the careless and arguably rude undertone in the use of the word artist, I chose to move past it (under the guise of “pick your battles”), moved where the photographer told me to stand without comment, and thanked him when we were done.

Because artists must support artists, always.

If We Make It Through December

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Everything’s gonna be all right I know

Photo by Timothy Eberly on Unsplash

 

Every year on December 1, the classic Merle Haggard song “If We Make It Through December,” becomes my theme for the next 31 days.

Released to the world back in 1973, Merle’s words still resonate in 2019 as I play the song on repeat in my car driving back and forth to my job.

I play it on those days when it’s both dark in the morning and dark in the early evening. When I’ve been inside all day, completely missing the sun. When the rain comes down. When my feet ache and my head hurts and I wonder why, for another year, I’m anxious, depressed and overwrought during what is meant to be the happy time of year.

Every year I look forward to December and the holiday season, hoping to capture some small bit of that childhood joy and anticipation and magic. I watch movies like White Christmas and Holiday Inn that are filled with optimism and dancing and songs about snow.

But every year I feel crushed by an avalanche of end of year business activities. It’s the nature of the profession I have chosen that December is just always going to be busy, stressful, and intense.

Now I don’t mean to hate December
It’s meant to be the happy time of year

Thanksgiving seems to come easy with a few days off of work and a bit of turkey and gravy. The moment the last morsel of pumpkin pie is consumed, the ho-ho-ho expectations ramp up into high gear. Already I see my calendar filling up with events which are all wonderful taken individually, but are a lot to manage all together.

I always wonder how certain friends are able to hold down a full time job while also decorating their home top to bottom, entertaining with ease, baking up a bunch of seasonal treats, getting their shopping done, presents wrapped to perfection under the tree, and look good (and calm) doing it, too.

There has been more than one year where it was a trick for me just to drag the artificial tree out of the garage, much less set it up, get the lights working and hang some ornaments.

Every year I dream of the perfect December where I move through the holiday season with the ease of Martha Stewart after one of Snoop Dogg’s special brownies. Color, sparkle, magic, joy. Calm.

Every year I fall well short of that mark and blame myself for not being more organized, not being a better hostess, not being just, you know, a better person.

I think my holiday present to myself this year is to ease up on all the negative self-talk. To give myself the grace to do the work that is demanded by a full time job and to do the best I can with the holiday preparations.

Perhaps good enough really is good enough.

This all sounds well and good, the words are easy to type, but it’s harder to go out there and really live that decision. Hard to unwind the old recordings in my head that tell me if I don’t pull it off perfectly, I’m a loser.

But this year I’m going to try a little harder.

If we make it through December we’ll be fine

And I will. I’ll be fine. This annual hell and highwater (literally, the rain is pounding down as I type) will recede, the perfect storm of work and holidays will draw to a close and we’ll all find our way back to level ground.

Maybe this year I’ll enjoy the holidays a little bit more for what they are, not what I should have done.

You know, December ain’t so bad.

In the words of ol’ Merle “I don’t mean to hate December.”

December certainly doesn’t hate me.