self esteem issues : Oh Fair New Mexico

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by Karen Fayeth

The Awkward Chronicles

It seems as each year goes by, I get a little more awkward. I mean, I’ve never really been cool as the other side of the pillow, but over time it seems it’s tougher and tougher to just, you know, maintain.

Yesterday, I heard that one of our young intern employees will be leaving the company. I don’t know the guy that well, but he helped on a few projects I worked on and I found him to be an all around good person and hard worker.

As a manager and mentor, I wanted to stop by to thank him for his work, encourage him in his next role and offer to be a reference if he needed.

It’s the kind of thing I wish a few more people in leadership roles would have done for me in my career. I certainly remember with much gratitude those that did.

So I had a good opportunity during the busy day yesterday. I walked to his cubicle and stopped to ask, “Hey, I hear you are leaving tomorrow?” When he confirmed, I said, “Just wanted to thank you for your hard work and support. You have been invaluable to us. I hope you are able to find a new position very quickly. You will bring so much value wherever you land next.”

He thanked me and started talking about how he really loves the culture here at our company and how he has liked the job and hopes he finds something equally supportive. And how much he appreciates all of the leadership here and……you get the drift.

As he’s talking, my left eye began to betray me. I have terribly dry eyes and it’s also allergy season. Before I knew it, a tear welled up and slid onto my cheek.

And the kid noticed. He saw the tear and kind of stopped speaking.

“Um,” *awkward laugh* “Yeah, sorry man,” I said as I wiped the tear away. “I’m not crying, it’s just allergies.”

“Oh.” He said, trying to be nice but now a little weirded out.

“Hey, you know, dry eyes, allergies, kind of funny right! Like I’m so broken up right now because you are leaving, ha ha ha….” Then I awkwardly reached out to lightly punch him in the arm.

Which he awkwardly took to mean I was going in for a hug.

So yeah. There was a clumsy punch-hug thing that happened. I quickly stepped back and said “Hey, yeah, good luck! Let me know if you need a reference or anything!” and then scuttled off like the bottom dwelling weirdo that I am.

Lots of people might say, “But Karen, these kinds of things happen to everyone sometimes.”

I might reply with a maniacal laugh, “If only these kinds of things happened sometimes. How about all the time?”

So, let’s bright side this thing: 1) No one else saw this sad awkward exchange, 2) the guy is leaving the company and so I only have to face him in the break room for one more day and 3) odds are low our paths will cross again soon. I mean maybe, but it’s unlikely.

Okay, I’m grateful for my blog-as-confessional as a place to work out the feelings around these kinds of things.

Onward to my next awkward encounter!




Nah man, it’s totally allergies. I swear!




Photo by Fred Fokkelman and used royalty free from freeimages.com.




What? No. Thinking Businessey Things.

My employer is weird. This is known. And one of the weird things they like is to have portraits done of all of us minions every couple years.

The employer has a professional, award-winning photographer on staff and in addition to his amazing photos of amazing science, the poor guy also has to sit in a conference room while a parade of geeks, nerds, scientists, engineers, and dorks like me clomp through.

Last time I had a work photo taken, it was two years ago. It was a humid day. I had to walk up a steep hill to get to the place where the photos were being done. I was running late because I couldn’t find a parking spot.

I’d sweated my makeup off and my hair frizzed to cotton candy status. Then I sat down and had my photo taken. It’s awful. And it’s published on my department’s website for all to see.

We’re encouraged to use that photo as our email avatar. Nope.

Today is the day when new company photos are being taken. Argh. I have been, to put it mildly, obsessed about this. I want my new professional work photo to be something I am willing to look at.

Yesterday I carefully examined all of the photos of my coworkers in the photo archive to assess what works and what doesn’t. This morning I curled my hair. I put on makeup. I fussed.

At about twenty minutes before my appointment time, I sat at my desk fretting. I decided to open Photobooth on my Mac to get a real look at how things were working and what needed fixing.

I gazed into my laptop camera and took a couple shots. I evaluated the smile, the hair, the lipstick then I went back in to try again.

I was staring the camera dead on, trying to smize when in my peripheral vision I see one of the auditors come walking down the aisle. The very serious big 4 outside auditors here doing serious stuff like auditing financials. And here I am, a manager, supposed professional, at my desk selfie’ing.

So I tried to play it off real quick. I looked away and was acting all like “no, no selfies here.” And “Yeah it’s cool, ain’t no thing.”

And then the Photobooth “flash” popped (it flashes a blank white screen). Busted.

Yeah. Um.

Anyhow, I took that photo of my shame, cropped it, sent it through an Instagram filter and now it’s arty. Thoughtful. Meditative.

Nah, it’s just me trying to look cool and failing miserably. Welcome to Dorkville, population me.

I sure hope my professional photo turns out a lot better.




Thinking so hard right now.







Photo Copyright ©2015 Karen Fayeth and subject to the Creative Commons in the right column of this page. Please don’t use this photo elsewere. I’m asking nice. Photo made with Photobooth, Instagram and my special brand of genetic dorkiness.




Yes, I Very Much Do Want Sprinkles on That

“Practice makes perfect,” they say and, “If you do something for 10,000 hours then you will be a master.”

Well, horse hockey is my answer to that.

If the delineator for adulthood is the age of 18, then I have put in a solid 236,682 hours at this craft, and I still haven’t figure out how to be a master.

In fact, I may be worse at it than ever.

Sure, I get up in the morning and I go to work and I make a paycheck and I pay my taxes and I usually vote and I have insurance and a 401k and even a will. All the trappings of being a grown up.

But I still would rather have cookies for dinner and silly cereal for breakfast. I still throw little tantrums when things don’t go my way. I still need naps and need to believe in Santa and I still want to play with toys and fly kites and occasionally I just need to melt down.

I can pay my taxes but the very thought of buying a house terrifies me. I can make decisions that impact millions of dollars at my job and then sometimes can’t decide if I want orange or lime flavored candy at the store. Then I buy and eat both and cry because my tummy hurts.

This thing, this adulthood, it doesn’t get easier.

And hell, I don’t even know where the border lies, the place I can cross safely and know for sure I have arrived into adulthood.

Some might say it happens when you have kids. Fair play, I guess. But I have a lot of friends with kids that I wouldn’t call the model citizens for grownup-itude.

When my dad died, that probably was the closest for me in knowing what it means to be an adult. I grew up pretty fast when, for better or worse, that was thrust upon me.

But even that wasn’t enough to be the final frontier for me. (mmm, Frontier. I could go for a cinnamon roll right about now)

This past month some things happened with my “lady guts” that signaled the beginning of a long journey. When a woman’s life turns from the dog days of summer into Autumn.

Discretion keeps me from going through all of the gory details, no one needs all of that. While I’m far too young for the “main event,” my body has let me know that the pre-game show has started and the players are starting to take the field. (nothing like a sports metaphor to describe a lady issue….)

I’m not ready for this. I’m not grown up enough for this. I’m not an adult! I have put in the hours, many hours of long grueling practice and still…still I find myself at this age and at this earthly turning of a season far from being an expert at adulthood. I am jack of many aspects and master of none.

Maybe that is okay. Maybe that is what being an adult is about, the continually wondering if you are “grown upping” correctly. Paying taxes and eating ice cream sundaes with reckless abandon (while popping Lactaid, because that’s a mature thing to do).

And on my next bubblegum ice cream sundae, I will be decisive enough to get both nuts AND sprinkles on top.

Because I’m young enough to want them both and old enough to pay for it.

So there. Take that! This is how I’m doing grown up and no one can make me do it differently!

Nanny nanny boo boo on you!

Adults are always asking kids what they want to be when they grow up because they are looking for ideas.

— Paula Poundstone








Image found here.




Tell It Like It Is

Over the weekend, after another rough week at work, The Good Man and I found our way to the big main branch of our city’s library. It was like an awesome haven from the mean old world.

I immediately found my way to the fifth floor where they keep the art books. I needed an infusion of art and creation in my life to erase the financial and business blues of my workweek. I decided I wanted to look at some Frida Kahlo prints. I am a huge fan of Frida.

As I plucked a slim book of her paintings off the shelf, I found another small book hiding behind it. It was a book of letters written by Frida to her friends and family.

I love reading old letters. You learn a lot about who a person was (or is) by reading their handwritten letters.

I had always thought that Frida was so strong, powerful, fierce and uncompromising.

Boy was I wrong. Through her letters, I found her to be very sweet, quite insecure, and almost childlike.

She often would write letters to friends and ask their advice on big life decisions. For example, at one point her husband, Diego Rivera, had a terrible infection in his eye that had spread to the side of his face. She asked a friend, a fellow painter, if he though she should take Diego to New York to see American doctors or stay in Mexico and take the guidance of Mexican doctors.

Now that seems like a pretty big life crisis, something you would want to decide along with your husband and instead she was soliciting, nay begging for, the advice of a friend. She actually did this quite a lot, begged her dear friends to tell her what to do.

I found that so counter to the fierce woman I see through her paintings.

And then, over time, as she got older she did seem to become a lot harder edged. A lot more sarcastic and passive aggressive.

Clearly the philandering ways of her husband and his over bearing need to be controlling had taken a toll on her psyche.

That and years and years of immense pain in her spine, leg, and foot, all massively unresolved injuries from an accident in her teens.

Her physical and mental anguish become so forceful, it drove a little bit of the lightness out of her words. She became more bitter. And so maybe that is the Frida I came to know, the rough around the edges and hard woman who had been hurt too much.

But even then, as I understood how she could come to be that way, I was a bit shocked to read (in the book) a quite long essay that was to accompany an exhibition meant to honor Diego Rivera.

I came across this section and burst out laughing. I mean, wow.

Here, read it and see what you think. She is describing Diego’s physical form from many angles. In this section she refers to his chest:

“Diego’s chest — of it we have to say, that had he landed on an island governed by Sappho, where male invaders were apt to be executed, Diego would never have been in danger. The sensitivity of his marvelous breasts would have insured his welcome, although his masculine virility, specific and strange, would have made him equally desired in the lands of these queens avidly hungering for masculine love.”

Um. Did she just say her husband had moobs? Cuz I think she did.

In another section she describes seeing him naked as looking something like a child frog. Paraphrasing here, she said that his skin takes on a greenish tone and is pale under his clothes and only tan in his face and hands.

Yeah. Green moob guy. Awesome.

This was, I’m sure, taking a bit of her own pound of flesh from him for the years of unkindness. And also a bit of the ol’ anti-bourgeoisie taking the piss out of what might have been a flowery ode to her husband.

I’ll tell you what, that image is sure going to stick with me for a while.

Actually, the whole book will stick with me for a while. The letters so quaint, so childlike and such a deep glimpse into one of my creative heroes. Quite something.

Oh, and she liked to invent words of her own. My favorite was when she would refer to her life or other things that were not working out as expected as fuc-bulous. Oh yes. I can use that. I may have to adopt it myself.

Next up, I have on my bedside table a book of letters by Vincent Van Gogh. He was quite prolific in his letters to his brother, and it is a thick tome. I am both wary and excited to dip in.





Photograph by Martin Munkácsi





Image found here.





The Turtle And The Hare

I’ve mentioned several times in these pages that during the course of my life, I spent quite a few years in the company of a blues musician. By spending a little time with him, I also spent time around a lot of different blues musicians.

Men and women with a deep vein of soul and history and rhythm.

When you are around blues people, you hear a lot of stories. Telling stories is pretty much the foundation of being able to play the blues. As a storyteller in my own right, I used to soak in these stories, letting them enter my pores and fill my soul and tap my DNA on the shoulder and ask it to dance.

The stories are in me. Not all of them are true. Few of them are pretty.

All of this is a long winded lead up to a particular story I have in mind.

It goes something like this:

Back in the 1950’s in a small suburb of Dallas, Texas, two talented brothers grew up together.

Both had music in their bones and talent for playing the guitar. The world knows a little bit more about Stevie Ray Vaughan because of his breathtaking musical style and early death, but Jimmie Vaughan has also seen a fair bit of success with his music.

If you listen to each of their music, you can hear their very different styles. Stevie’s music was intense, complicated and at times frenetic. Jimmie likes to play a bit slower and wider and easier.

Legend has it that back in the day in Oak Cliff, Texas both boys not only liked guitars but they liked cars.

Stevie, unsurprisingly, liked real fast hot shit cars that he could jump in and race around town. Stevie used to vex the local police who couldn’t slow him down.

Jimmie on the other hand liked to cruise. He liked big, heavily finned, tuck and roll upholstered, Buick with a “smile” kind of cars. He’d put his girlfriend beside him on the bench seat and slowly roll through town, vexing the local police who wanted him to speed up.

I think of this story pretty frequently in relation to my own roll through life. My approach is more Jimmie than Stevie, though I admire the hell out of Stevie.

Perhaps this owes to the slow “land of mañana” pace of where I grew up. We don’t move with alacrity in New Mexico and tend to be suspicious of those who do. When I still lived in the state and traveled to San Francisco or Boston for work, I was always comforted to come home, get off the plane, and visually see how slow people moved. Then I would match my pace to theirs and know I was home.

There is a great comfort in moving at a calm pace.

I find, however, that is not how the world thinks one should move.

Let’s take for example, New York City. In New York, you are supposed to walk fast. Very fast. Head straight, eyes forward, and walk.

Despite how much I love Manhattan, I have one hell of a time keeping up. The Good Man was born in Brooklyn so moving at that pace comes natural. It does not come natural for me. I prefer to toddle along close to the buildings with the elderly and infirm and let the people pass me by on the outside of the sidewalk.

I am the person that New Yorkers yell at for walking too slow.

This all came back to mind this past week. It is New York Fashion week and I follow Nina Garcia, Marie Claire magazine’s Creative Director, on various social networking sites.

She has been posting photos from all of the various designer shows and I have been lapping them up like at kitten at a bowl of milk.

I may not have a figure for fashion, but I love it. I love seeing how textiles and stitches and notions come together to create something fantastic or ugly or offbeat. Yes, I dig it!

So a couple of days ago, Ms. Garcia posted a photo of a sign she saw backstage at the Michael Kors Spring show. Oh my, I am a huge fan of Mr. Kors.

Here is the photo:





I read the words and my heart sank a little. I am happily romantic, strong and my own version of gorgeous.

But I don’t walk fast and with energy.

I would love to kill them with chic, but instead I must maintain my killer sense of humor.

For some reason, this really got under my skin and whispered to those demons in my head who heckled me and said that if I can’t walk fast and with energy, I am a nobody. They said I don’t measure up, don’t belong, don’t matter because I can’t keep up.

And that’s when I remembered the story about the Vaughan brothers.

I don’t need to race up and down the streets of New York. There are plenty of people who have that covered. I want to cruise the Manhattan blocks and tip my head upward to wonder at the buildings and smile and give my lungs room to breathe.

Slow though I walk, I always get where I’m going. Pink cheeked, a little sweaty and smiling.

Perhaps I am taking this hand written sign a little too close to heart. I’m sure this was simply a note of encouragement for the models walking the runway, reminding them to keep it peppy and light.

Perhaps it just hit me on a bad day when the demons were a little closer to the open door than I would like. I let them out to play awhile, really let them run, then I whistled and corralled them back into the pen.

And I remembered that a strong, courageous New Mexican doesn’t have to walk fast unless she wants to. That is true both when walking the Bosque or NYC’s Broadway.


A girl should be two things: classy and fabulous.

–Coco Chanel


Thankfully, I am both.

–Karen Fayeth





Photo from the Instagram feed of Nina Garcia. All rights belong to her.




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